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Someone claims that H.P. Lovecraft did not like music. He may have suffered from undiagnosed musical anhedonia, a disorder where a person gleans no pleasure from music or sound. The first story that comes to mind when one thinks of music in the “Lovecraft universe” is The Music of Erich Zann (1921). The music in The Music of Erich Zahn, is the kind of frenetic, and frightening music he had always experienced: [...] It would be useless to describe Erich Zann's music on that horrible night. It was…
Live At Café Montmartre Volume Three features more great music from the Don Cherry Quintet. Recorded in March 1966, Don Cherry joins forces with Gato Barbieri, Karl Berger, Bo Stief and Aldo Romano for two exciting, extended performances of "Complete Communion" and "Remembrance". A recording that will surely be known as classic, Volume Three is essential music for all fans of improvised music.
First release of this 1966 recording from the ESP-Disk vaults; featuring: Don Cherry (trumpet); Gato Barbieri (tenor saxophone); Bo Stief (bass); Karl Berger (vibraphone); Aldo Romano (drums). Live performance from the legendary Café Montmartre in Copenhagen, Denmark, recorded in 1966. Digitally remastered. Also included: the ESP DVD-audio sampler, featuring selections of almost every ESP artist. Over 12 hours of music! Digitally remastered. "Don Cherry, more than any other artist in the jazz of…
Ruedi Häusermann’s compositions melodies surface to be swallowed again, a breeze rises and gets lost in sounds, impulses, thunderstorms; melodies are created, are allowed to happen, and you find yourself listening raptly to their dis- integration. For building his worlds of sound the Swiss composer and theater maker has collaborated with the piano. He decided that this polyphonic instrument with its usually clearly defined tone and set ways of being played should be put on wheels so as to be mov…
David Grimes, David Jaeger, Larry Lake, and James Montgomery met at the University of Toronto in the early 70s and formed The Canadian Electronic Ensemble in 1971. The group was one of the first in Canada--if not the very first--to experiment with electronic synthesizer music, and to this day remains one of the longest-running electronic groups in North America.
In 1977, Music Gallery Editions, (currently housed at the archives of York University) released the Ensemble’s first record, a self-ti…
The works on this cassette are based on a historic recording of "Structures I" by Pierre Boulez. Tom Schneider cut it into shreds – samples which he then mapped onto a MIDI keyboard, ready to be played freely while pulverising any overarching structure. In addition to improvisational reshuffles, acts of sock-puppetry join the resulting collection: The thinking behind other seminal works for piano such as John Cage's "4'33" and Helmut Lachenmann's "Guero" are linked to the audio or parametric co…
Duelling blues, simultaneously piquant and distorted, from one of Death Is Not The End’s few extant acts, following the label string of compilation pearls Back for third servings after an eponymous debut and ‘Fayet’ in 2017, Torontonian siblings Kevin and Patrick Cahill pick out bittersweet, wayward blues on these 2020 recordings made in their home city and out by the lakes in Kirkfield. We’re not sure if they’re twins, but the Cahills appear to work at near subconscious, telepathic levels of fa…
Teho Teardo is a musician, composer and sound designer. He is also one of the most active Italian composers for cinema and has created many soundtracks for renowned directors such as Paolo Sorrentino, Daniele Vicari, Andrea Molaioli and Gabriele Salvatores.His soundtracks have won him many major awards and great critical acclaim. The compilation album Music, film. Music includes incidental film music from the international hit and Cannes jury prize and Oscar winner Il Divo by Paolo Sorrentino, …
A selection of archive materials from the very first cassette releases (Murderfuck, Mafarka, Anal Perversions, Host Sodomy, From Homicide To Slaughter), completely restored and remastered.
Carsten Nicolai concludes Alva Noto’s UNI-prefixed release cycle with Unieqav, the 3rd and most dancefloor-focussed instalment of the series. The follow-up to Unitxt [2008] and Univrs [2011] pairs pendulous minimal techno and electro rhythms with wide, sheer electronic drones in a way that strongly recalls recent Monolake output as well as Ilpo Väisänen in full swang. Comparisons aside, though, it’s unmistakably Alva Noto. Pursuing the project’s roots in the dancefloor of Tokyo’s UNIT club to a…
Collaborative work between Brandstifter & Diurnal Burdens (Aka Ross Scott-Buccleuch). A great sound-collage with both artists using a big variety of analogue sound sources and materials.Brandstifter is a German interdisciplinary Artist and Networker, working with many different forms of art, in the spirit of Dada & Fluxus. He is a collagist, performer & musician, experimenting with happenings, visual poetry, as well as sound & music. His work is very diverse and provocative, expressed with his o…
Italian sound artist Ezio Piermattei is an active musician since 2010, releasing works under different aliases like Autopugno, Hum Of Gnats, Poisucevamachenille. In 2014 he started releasing music under his real name, through labels like Chocolate Monk, My Dance The Skull, Steep Gloss and through his own Tutore Burlato label.
His “From Afar It Looks Like An Oriflamme” captures some of the most delicate compositions by him. Detailed narratives are mixed with a big variety of field recordings,…
Jim Strong is a visual artist, painter, performer & experimental instrument builder. Until now his music is released on respectful labels like Vitrine and Crisis Of Taste. He is the one half of Melkings, a collaborative group with T.D. & founder of the experimental label Cor Ardens.Jim Strong’s music is characterised by a structural complexity, combining amorphous instrumentation and spoken words. His handcrafted instruments, that looks more like artifacts or sculptures, reproduce a big variety …
A relatively obscure band from the underground French progrock scene from the 70's, founded by sound designer Alain Coupel and guitar player Jack Mlynski. Half King Crimson's complexity, half Gong's fantasy, the quartet was best known for writing songs that were deeply occult and strange. Vocals are sparse, enigmatic and ghostly. The album’s real centerpiece is “Artcane I”, a
lengthy track encapsulating everything great about Artcane: patient
crescendos of cosmic atmospherics, hypnotic keybo…
The music on this recording was initiated when Grazia and Gianni Bolongaro, owners of La Marrana di Montemarcello asked me to record the sounds of Jannis Kounellis’ installation and make a piece in response. Kounellis’ untitled installation comprises 23 large church bells that appear to spiral out from a cylindrical chamber rooted in the Earth’s core. I was struck by the intensity of this chorus of silent tongues, facing the sky and projecting a colossal resonance that is felt but is not heard. …
** Edition of 200 ** Comes in a regular plastic case with clear tray. Includes a 6-page fold-out booklet. Paul Chain’s 1994 experimental album. "There are sections of familiar guitarplay included as well as the standard hammond organ, but still all metal/rock fans should be warned that this is mostly an electronica/industrial release. The mood of the album varies between lamentation and insane anxiety. In particular, ‘Prescence Of The Soul’s Forest’ is utterly disturbed and the vocals of Sandra …
'Emisphere' is the last album from Paul Chain to be completely improvised. As usual, the tracks tend to be long, many being near or above the 15 minute mark, with a large use of the Hammond Organ throughout, and introduces some electronic elements as well. Released in 1996 by Paul Chain playing all instruments with the occasional help of Sandra Silver on vocals.
**Hardcover edition. English edition, stunning one** Visual Vinyl Collects some of the most visually stunning and evocative album covers from the 20th Century Features homages to numerous important designers and artists, such as Damien Hirst, Yoko Ono and Raymond Pettibon. Up until the 1940s, records were sold in plain, uniform jackets. In the post-war years, musicians and record companies discovered that graphically designed record covers had the potential to boost sales. Significantly, in the …
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Griffin (h…
** 2021 Stock ** Jérôme Poret (born 1969, lives and works in Paris) explores the event-driven and material dimensions of sound. His artistic universe, inscribed in the so-called extreme musical practices (industrial, metal, noise) and the electro-acoustics aesthetics, makes it the material of an interaction with the places and architectures invested.
It happened in a former brewery that became a place of art. Place embodying a know-how, today dedicated to the representation, the brewery became a…