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Big Tip! 180 gram Vinyl Edition. Gatefold Cover. One of the last records made by avant sax legend Albert Ayler – a really mind-expanding album that's unlike anything else he ever did! By the time of the record, Ayler had made a full round trip between the New York and European jazz scenes – leaving important influences wherever he went, and trying desperately to pick up new ones the further he moved on. Here, he's working in a style that's a bit like that of Archie Shepp at the time – still ste…
*2025 stock* Elemental Music proudly announces the release of "Woody Shaw – Tokyo '81," a remarkable newly discovered live recording from one of jazz’s most visionary trumpet players. Captured on December 7, 1981, in Tokyo, this previously unreleased performance reveals Shaw at the height of his creative powers, supported by his all-star quintet: Steve Turre (trombone, percussion), Mulgrew Miller (piano), Stafford James (bass), and Tony Reedus (drums).
Boasting Shaw's signature melodic inventive…
Limited Edition 180 Gram Gatefold LP Reissue. Released on the Verve label in 1965, Bumpin' was Wes Montgomery's first album to reach the charts, climbing to #116 on the Billboard 200 chart. In his All Music review, Shawn M. Haney gave the LP four-and-a-half stars (out of five) and praised it by stating that, "Not only is Wes' brilliant command of the six-string present here, so is the vivid color tones of notes and blue notes played between. Backed up by a hauntingly beautiful and mesmerizing or…
Limited Edition 180 Gram Gatefold LP Reissue. From the early 1960s to the late '80s, A&M was one of the most eclectic and powerful independent record labels in the world. The roster of artists who recorded there includes The Carpenters, Captain Beefheart, The Police, Joe Cocker, Suzanne Vega, Procol Harum and Janet Jackson, among others. Founded as an independent company by Herb Alpert and Jerry Moss in 1962, soon the label garnered interest and success, and was acquired by PolyGram in 1989. Thr…
A truly sensational find, Atlantis Lullaby presents a never-before-heard performance recorded in Avignon, France. Featuring Yusef Lateef in a quartet set with fellow stars Kenny Barron, Bob Cunningham and Albert “Tootie” Heath. Among the highlights are a fantastic flute/piano duet by Lateef and Barron playing the pianist’s beautiful ballad, “A Flower,” as well as extended readings of the classic, “I’m Getting Sentimental Over You,” Lateef’s “Yusef’s Mood,” and Barron’s “The Untitled.” This proje…
Deluxe limited-edition, 180-gram 2-LP set. Gatefold Cover. Transferred from the original reels at the French INA. Includes an extensive booklet with rare photos from the actual performance by Christian Rose, and an exclusive essay by longtime jazz critic/ historian and Down Beat contributor Kevin Whitehead. Transcendence Sounds - the groundbreaking new archival imprint from Elemental Music - makes its stunning debut with the complete, previously unreleased concert recording of spiritual jazz tit…
Biggest Tip! 180 gram Vinyl Edition. Recorded in 1966 and released by Blue Note Records in August of 1967, Don Cherry's Symphony for Improvisers features Gato Barbieri, Henry Grimes, and Ed Blackwell, all of whom had appeared on Cherry's previous album Complete Communion. Also featured are Karl Berger, Jean-François Jenny- Clark, and Pharoah Sanders. The abum received a rating of ***** on AlMusic, with reviewer Steve Huey string that, "Even though the album is full of passionate fireworks, there…
Marana tha is the sole full-length statement by Megan Sue Hicks, a quietly incandescent artifact of early 70s psychedelic folk. Cut in Australia and pressed in microscopic quantities, it frames intimate, spiritually tinged songs in hushed acoustic settings that feel both homespun and faintly otherworldly.
14LP box set, black vinyl, slipmat, and a 64-page book. 1968 to 1972, saw the release of 6 studio albums from Folk’s first supergroup Pentangle. Featuring the songwriting talents of guitarists Bert Jansch and John Renbourn, alongside bassist Danny Thompson, drummer Terry Cox and singer Jacqui McShee, their innovative folk-fusion encompassed elements of jazz as well as pop, which left a lasting influence and legacy. The first 5 albums were released on legendary Folk label Transatlantic, while Sol…
All music previously unissued!
Transferred from the original tape reels restored by Michael D. Anderson with audio remastering by Joe Lizzi and lacquers cut by Matthew Lutthans at Cohearent Audio.
Includes extensive booklet with previously unpublished photos from the actual performances by Hal Rammel; liner notes by acclaimed author John Corbett; and testimonials from Marshall Allen, David Murray, Dave Burrell, Matthew Shipp, Thurston Moore, Amina Claudine Myers, Jack DeJohnette, Michael Weiss &…
One of Brazilian music's most overlooked treasures returns to vinyl with the reissue of Osmar Milito's Nem Paletó, Nem Gravata, originally released in 1973 on the ATCO/Continental label. The album stands as a definitive document of Brazil's golden era of samba-jazz, capturing the effortless sophistication that defined Rio's musical landscape in the early 1970s.
Pianist and arranger Osmar Milito crafted an album that seamlessly blends breezy Bossa Nova with soulful samba grooves and the lush, orc…
Featuring Roland Kirk, Elvin Jones, Jaki Byard, and Richard Davis. This incredible line-up strengthens 'Rip, Rig and Panic' as another indispensable Roland Kirk album.
The premier ensemble of Radical Jewish Culture, Masada is one of Zorn’s most popular, personal, long-lasting, and powerful projects. Here you find the mother lode—the long-awaited Tzadik release of the original quartet’s first studio recordings. Released in Japan by DIW from 1994–1997 and previously available only as hard-to-find Japanese imports, all ten CDs are presented here in their original configurations accompanied by an 84-page booklet filled with photos, scores, and over twenty essays o…
Visionary Walter Maioli and electronic innovator John Zandijik’s 1980s late-night sessions fuse ancient flutes and cutting-edge technology, creating a cosmic soundscape that bridges ethnomusicology, psychedelia, and electronic experimentation.
Tip! Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century.
The recordings partly reflect …
** Special mirroring/holographic cover. Edition of 300 copies ** On the same path as Baraka, Klaus Wiese (Popol Vuh) continues his intimate spiritual journey into healing and cosmic drone music. Like its predecessor, this work originally appeared on tape for Aquamarin Verlag (1982). Sabiya means bright, shining, an oriental wind that suggests feminine power; Sabiha is therefore she who manifests beauty and grace. Shaheena is indicative of gentle and soft, while Shahira embodies and represents t…
** Edition of 250 copies, remastered from the original master tapes ** This album is a historical document in several respects: echo of a creative season in its early, vigorous blossoming, it presents groundbreaking music as it was performed and listened to in a moment that now seems very distant, not just chronologically but also in terms of its cultural context. Furthermore, it serves as a testament to the initial opening of the emerging Italian free music scene to Northern European experience…
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…
** Edition of 250 copies, remastered from the original master tapes ** Recorded live in concert. Rome, Italy December 12-13, 1977 by Nicola Bernardini and at Teatro Comunale, Pistoia, Italy December 14, 1977 by Carla Lugli. "It was a magic evening. Not only did the trio burst with a creative energy that was homogeneous and interactive, but the acoustics, usually inadequate, of the half-empty sports pavilion with a capacity of 10,000 people, gave the music an ethereal transparency and crystalline…