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Birth of anolder, much more ugly Christ
'This shit is dark and I'm not talking about some fucking 'I sleep during the day' dark... I'm not talking some 'Cannibal Corpse shit - I'm a fucking mutilator' dark... And I'm not talking 'I'm a noise dude into black metal' dark I'm talking total fucking end of the world... shit... like... everyone is going to die and it's gonna be fucking terrible. Recorded in 2009 by sisters Roxann and Rachal Spikula while in a hospital doing some fucked up health study where all they could drink was …
The Electronic Record For Children
"Recorded in 1969 , early electronic music pioneer Bruce Haack and child educator Ms. Nelson go bravely and deeply into psychedelic music compositions designed to open the minds and hearts of the young. Truly far out electronic music that evokes a space age alternate universe. Bruce and Ms. Nelson are joined by pianist Praxietellis Pandit and their relaxed sounding friend Chris to bring you songs about everything from ancient folk tales to outerspace to what the world sounds like when y…
Aqua Machine
Clear violet vinyl, photo by Padmanabha. Live improvisations rec. in Buffalo, Rochester & Syracuse on April 8/9/10, 2005. SB - baritone & tenor sax, slide bass clarinet, bells, conch shell, voicemaster, noseflute, home-made 8-hole clarinet; RP - drums, percussions, gopichand, tabla. Oblique and totally improvised free music.
Skulls CM von Hausswolff & The Sons of God descending the Silver
The Skull Defekts is back with a new limited edition vinyl lp.500 copies pressed. Cover by Fredrik Soderberg. This time, we are dealing with two unique collaborations. The first one is a live recording from Fylkingen, Stockholm where The Skull Defekts met oscillator master CM von Hausswolff in a deep drone meeting. The second one is a studio recording together with the infamous performance and noise duo The Sons of God, Kent Tankred and Leif Elggren.' artist: The Skull Defekts title: Skulls CM …
Moon Phantoms
Moon Phantoms is a collaboration between the bands Bardo Pond and Suishou No Fune from Japan. This record came about as most of these collaboration records do by two bands doing a tour together, hitting it off and deciding it would be fun to record a session together. Here's a review I'm stealing from Aquarius Records who always seem to sum up the mood of an album perfectly in just a few sentences: "Deep in the forest ethno-drones, drenched in buzz and shimmer. Sitar, guitar, cumbas and all sor…
Running on autokinetic
classic Ashtray Navigations, two hallucino-kinetic tracks each side
Beatings With Gimpy Flighted Wings Entrapped By Post-Fence Of Ga
EXCLUSIVE! Member of CAROLINER RAINBOW & DEERHOOF. Some may call these tunes brashly harsh, some might call it electronic composition, others may think it to be the sounds of rusty robots mating. Oh no, this is none of those, this is hardcore done with wires, lo-tech tape manipulation, bits of synth, home rigged effects, and a whole bunch of other crap.
Quantum Jelly
Quantum Jelly is the cracking new release in multidisciplinary artist/composer Lorenzo Senni's ever-busy schedule. A record deeply influenced by his love of '90s trance/hard-trance music and a growing interest in the musical structures and sound archetypes of those genres. Taking the most obvious characteristics of this kind of music (spoon-fed with supersaws, build-ups of several minutes and over-the-top-instant-gratification melodies) Senni works with these in relation to his own backgro…
The Outside Room
RESTOCK: Natalie Weyes Blood (originally Weyes Bluhd) has existed in the grime-ghost fringe-music catacombs since at least 2006, though originally it was in more of a crouched/hieroglyphic FX pedals style, culminating in a European tour with Axolotl. After two seasons of hibernation and a relocation to Baltimore, she materialized her 'Blood In Bluhd Out' transformation and began writing/playing the darkly haunted narcotic drifter ballads that make up The Outside Room, her first official f…
Gilbert Artman's Lard Free
Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…
Peaceful messages
RESTOCKED, last copies - Gorgeous new lp with fold out cover and inner sleeve... "welcome to the temple, where you'd see the sun and the moon... experience the eternal balance between day and night, good and evil."
Inventaire & contradictions. Retrospective 1982-88
started in the early 80's in Berlin with two electronical industrial - avant-garde associated cassette releases. A first LP on the outstanding Madrid based label Discos Esplendor Geometrico followed up by cd's and vinyl on SFCR (F) and Pinch-A-Loaf (Usa), Povertech (Usa) as well as releases with likes as MSBR, Mnortham, Frans de Waard, Ios Smolders, Artificial Memory Trace, Thomasius, TBC, The Oval Language and others, as well as a pile of compilations. Guido Hübner wrote a piece for the Zeitkr…
Static
Improvising drone-rockers Bad Statistics hail from Wellington, New Zealand, hurling Nordic doom, kraut rock and feral skronk into an industrial blender, and delivering a noisy, prolonged earful of lethargic experimental nonsense. Vocalist and saxophonist Thebis Mutante sounds like Mark E. Smith with stomach ache on 'If I Were A Pint Of Milk', groaning and whinging his way through a moribund death rattle of a song, seeing out a twenty-one minute duration that feels approximately four times as lon…
Early Free-Form Waveforms
Performed by: Psychatrone (synth), Brian Turner (guitar). Recorded 1996 live to tape. One side is a synth/gt duo with WFMU's boss Brian Turner, while side B is a solo synth. Both tracks recorded in the mid-'90s. Psychedelic waveforms with a freeform sound that grows on you... subtle and mesmerizing.
3
LP-only release. This is the third full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Another soul-destroying follow-up to the highly-acclaimed 2, with more accompaniments created for the theatre piece, Kindertotenlieder by Gisele Vienne and Dennis Cooper, which premiered in Brest, France, March 2007. Perhaps the broadest bulletin from the duo thus far, featuring two contrasting tracks. The layered dementia …
Revep
LAST COPIES Now deleted, this is the super-limited transparent vinyl. Revolving around a collaborative new arrangement of Sakamoto's classic 'Merry Christmas Mr. Lawrence', this third outing for Carsten Nicolai and Ryuichi Sakamoto has been once again packaged and delivered with utmost attention to detail from the quite remarkable Raster Noton imprint. Designed to accompany their extensive tour through much of Asia and Europe this Summer, 'Revep' is another indispensible record from two absolute…
Graves At Sea / Asunder
Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.
Double sextet (1975)
Recorded in ann arbor in 1975, this long lost destroy all monsters gem features the group as a sextet (mike kelley, jim shaw, cary loren, jeff fields, kalle nemvalts, and john reed). missing are the lovely lyrics and goth scrawl of niagara but in her place we see the collective brainstorm through 30 minutes of an underground music/non-music and b-culture genealogy that is unmistakably destroy all monsters. a melted mind, reconstructed with duct-tape, bent circuits, saxophone drips, and fuzz that…
Homage to the Square Wave
RESTOCKED last copies, Eleh present their fourth vinyl-only full-length, Homage to the Square Wave. Featuring two sidelong tracks each clocking-in at over 20 minutes, Homage is dedicated to the highly influential artist Josef Albers. Eleh return with their battery of vintage modular analog gear to produce a recording of pure tone, pure sound, pure volume and pure analog. Side A features 'Black,' a slowly enveloping mass of intensely throbbing low end, activating the flight response. Time passes …
Blood In The Coffin
Leon Dufficy is primarily known as guitarist in the hippie-jam outfit, Hush Arbors, but now he steps into his own as the driving force behind Winter Drones. Sounding like the perfect combination of fuzzed-out ambient drift, shoegaze swirl and propulsive pop sensibilities, Winter Drones have slowly gained attention in their native U.K. with a handful of obscure CD-R/cassette releases and compilation appearances. Earlier this year, the band's debut album, Blood In The Coffin, came out as a …