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11 Dec 80
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
Perlée de Sève
Super Tip! In the midst of a wave of hybridizing ambient, drone, folklore and experimental electroacoustic music, Roxane Métayer has gained a cult following with only a couple of releases to date. Following her debut album (Éclipse Des Ocelles) for Morc with a split EP and a limited cassette for Wabi-Sabi, Roxane now turns to Marionette with her intimate narrative based multi-instrumental recordings, a match made in the heavens if you ask us. With her violin, woodwind, voice and various effect p…
Indeterminacy: New Aspect Of Form In Instrumental And Electronic
2024 stock. Originally issued in 1959 on Smithsonian Folkways, the initial idea for Indeterminacy came from avant-garde pianist, David Tudor, who suggested that John Cage give a lecture that was simply the telling of stories. Cage did this in Brussels in September 1958. For this lecture Cage simply stood in front of an audience and told 30 stories without musical accompaniment. Upon returning to the States in 1959, Cage decided to record the stories, but this time with the musical accompaniment …
The Mermaid's Purse: Live at Chatham College, 1976
In 1976 the Entourage Music and Theater Ensemble reached a creative zenith. The nomadic troupe had just released The Neptune Collection, its iconic second album for Moses Asch’s Folkways Records, and decided to present the music to audiences across the rust belt in its most miasmic, elemental form. Extended stretches of full-group improvisation mingled with folk-tune like melodies during these performances, which featured multiple dancers spontaneously interpreting the music, at times in elabora…
Erich Kleinschuster 6tet – Feat. Clifford Jordan & Charles Tolliver – ORF / 1968-69
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Sylvie and Babs
* Super limited picture disc LP, with new Babs Santini artwork. Already sold-out at source * One pressing and that’s it, buy or die – you know the drill. Nurse With Wound at their peak. “Sylvie and Babs is one of the most memorable, playful, and fascinating albums in the NWW oeuvre (though a decidedly unrepresentative one)…few (if any) other artists could’ve woven capricious contrarianism, low humor, bad puns, endless non-sequiturs, and chaos into such a satisfying whole“ – Anthony D’Amico
_"Thi…
Erich Kleinschuster 6tet – Feat. Carmell Jones, Slide Hampton & Art Farmer – ORF / 1968-71
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
The Ladies Home Tickler And Other Exotic Devices
* Red with black splatters. Gatefold Cover * An essential historical document for the new and lifelong Nurse With Wound follower. Classic tape cut-ups, radio sludge, surrealism, and abstract chaos. The birth of NWW, a project that is now in its fifth decade. Recorded back in 1980, this expanded collection is the definitive version of The Ladies Home Tickler, originally released in 1993. The NWW line-up for these recordings was: Steven Stapleton - record player, cassette machine, noise; Jim Thirl…
Alas The Madonna Does Not Function
Tip! 1988 saw the release of several timeless and remarkable EPs from Nurse With Wound, one of those classics is Alas the Madonna Does Not Function. Madonna in some respect was a turning point for NWW. It’s a record that whilst unmistakably retaining that ineffable NWW character brought rhythmic and almost ‘musical’ elements into play. Madonna could be seen along with the Soresucker and Cooloorta Moon EPs as the bridge between the old and the new, the natural precursors to Thunder Perfect Mind a…
Waka and Other Compositions: Contemporary Music of Japan
2024 stock. This 1960 release is a selection of compositions by Japanese experimental composer Michiko Toyama. The 12 compositions are drawn from traditional Japanese musical forms with additional influence from many of the experimental composers in the West that were active during the twentieth century. Some pieces are sung with instrumental accompaniment; others are spoken poetry. The instrumentation consists of a mix of traditional Japanese and modern Western instruments, including electronic…
Brained By Falling Masonry/Cooloorta Moon
Tip! It could be argued that Brained and Cooloorta are the definitive Nurse With Wound E.Ps. Both classic and timeless fan favourites appear for the first time together on one single album. Both E.Ps marked a distinctive change in the NWW sound. Brained from 1984 showcases NWW at their mid 80’s finest. The relentless churning and uncompromising music of Brained by Falling Masonry is complimented by the eccentric mania of JG Thirlwell’s vocals. A Short Dip in Glory Hole takes us into the murky de…
Travels Over Feeling: Arthur Russell, a Life (Book)
The music of Arthur Russell defies classification. From his pioneering compositions as part of New York's vibrant avant-garde scene (alongside artists including Philip Glass, David Byrne, Laurie Anderson, John Cage, and Allen Ginsberg) to his genre-expanding disco productions, from his new wave and art pop to his posthumously released folk songs, Russell crafted timeless and foundationally influential work until his premature death in 1992 from AIDS-related illnesses.
Now, in a landmark publicat…
Reelizations 2
2024 stock. This 1982 recording builds on Barton Smith's previous Reelizations release, incorporating acoustic and electronic instruments with tape-recording technology into a unique one-person orchestra. The ability to create and perform music with the use of new technology and without large and expensive orchestras made sharing creations easier, especially for accompaniment in film, radio, and television. Liner notes include descriptions of how each track was composed, instrumentation, and sug…
Reelizations 1
2024 stock. This 1980 recording explores combinations of acoustic instruments and recording technologies. The increasing cost of large ensembles performing new works led composers to experiment with inexpensive alternatives. Barton Smith creates his own orchestra mixing recordings and acoustic instruments with everyday items such as swivel chairs and glass bottles. Liner notes include descriptions of how each track was composed, the composer's biographical information, and suggestions for how ea…
Tract: A Composition Of Agitprop Music For Electromagnetic Tape
*2024 stock* Created by Turkish musician and electronic music composer İlhan Mimaroğlu, Tract is dedicated to fellow countryman Nȃzim Hikmet, whom Mimaroğlu regarded “as the greatest poet of the revolutionary struggles.” Utilizing the voice of Turkish singer Tülay German (identified as Tuly Sand on this recording), Mimaroğlu creates an audio collage of political messages in the propaganda style (agitprop) of the Bolsheviks during the Russian Revolution. Although his text is based on “direct and …
Travelon Gamelon: Music For Bicycles
2024 stock. This early (1982) project from Arizona “Audio Artist” Richard Lerman presents musical composition performed with bicycles. Lerman explains: “A gamelan orchestra is a large group of percussive instruments, usually metallic, from SE Asia. In fact, the sound of such a group is not unlike the timbre of amplified bicycles.” With such an idea, he embarks on a project that captures the amplified sounds of moving bicycles in harmonious rhythms creating songs. Liner notes include detailed inf…
Navajo Dedications
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works.
This …
To Kill a Sunrise and La Ruche
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
Visions - Music for Orchestra, 2 Pianos and Computer-Generated Tape
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
Music for Synclavier and Other Digital Systems
**2020 stock** Electro-acoustic musician/composer Jon Appleton plays a variety of digital instruments which, in his words, “obtain timbres and textures which convey expressive character through my work.” Instruments used in this recording are the Dartmouth Digital Synthesizer, the Synclavier, and the MUSSE of Sweden’s Stiftelsen Elektronmusikstudion Stockholm. The five pieces span the years 1974 to 1977 and include Appleton’s first digital piece “Zoetrope.” Liner notes include short introduction…