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Back in stock

The butterfly and the bee
Following the success of their very first performance together at the 2004 FREEDOM OF THE CITY festival (heard on Emanem 4215), Roger Smith and Louis Moholo-Moholo went into the studio to record some more. Their second meeting went so well that they recorded enough duo improvisations for a complete CD. The resulting music is heard complete, with Smith on Spanish guitar and Moholo on augmented drum set.
Chamber Music
“Art can give us a sense of the infinity of existence, the singular unity of all beings and phenomena as the apparent dualism between the inner and the outer is dissolved. Art can allow us to experience what it means to be alive. It can lead us back to our own sensuality, spirituality, and emotionality - to the very core of our selves,” said Caspar René Hirschfeld. This distinctive conception of art also informs Hirschfeld’s compositions, which are probably best described as objects of immediate…
(Old school) Karlheinz Stockhausen
This is the fourth release in the series [old school]. The first three CDs, dedicated to the music of John Cage [zkr0009], James Tenney [zkr0010] and Alvin Lucier [zkr0011] have been highly acclaimed. London's Wire Magazine wrote: 'The rigour and discipline they collectively bring to this compositions make both discs utterly enthralling, from start to finish.' The new release is dedicated to the music of Karlheinz Stockhausen.' 'I do not want a spiritualistic session. I want music.' Karlheinz St…
Set
This music was inspired by Lynn Margulis’ serial endosymbiosis theory (SET), and is dedicated to her and her amazing insights into the mechanisms of biological evolution.In inviting Paul Lytton, Barry Guy, Walter Prati, Marco Vecchi, Lawrence Casserley and FURT, I was trading on the pre-existing musical structures that these musicians brought with them: the solo works of Guy, Lytton , Casserley and myself; the duos with Lytton, Guy, Prati and Casserley, the trio with Guy and Lytton, the trio wit…
Gene packs
Hirotomo Hasegawa : ichiriki, voice, loops. Shizuo Uchida : bass, ichigen, loops. Debut album by a new improvisation group consisting of Hirotomo Hasegawa and Shizuo Uchida. Both have a leather-bound folder full of underground back-story. Hasegawa was the lead singer of seminal early eighties Japanese punk hardcore group Aburadako (Greasy Octopus), while Uchida was a long-term member of Haino's Nijiumu medieval dream-drone unit. The group's instrumentation is highly unorthodox, placing Uchida's …
Stroma-Konkret
Extra heavy fusion of industrial noise and musique concrète, this exclusive collaboration unites forces of two legendary musicians who were witnessed the roots of industrial music movement. It consists of three long tracks of mechanical aggression, clinical obsession and uncompromizing psychic attack. Dedicated to the memory of Pierre Schaeffer, this is the second part of ongoing series, started by Tibprod label CDR-release.
Seal Of The Blue Lotus
Seal of the Blue Lotus is the 1965 debut from the extraordinary folk guitarist Robbie Basho, who released numerous albums for John Fahey's Takoma label during the '60s. His mystical approach to six- and 12-string guitar improvisation shares many similarities to John Fahey in that Basho, too, was inspired by Eastern modalities -- his six-string melodies recalling the Indian ragas of Ravi Shankar's "Dhun in Musra Mund." "Mountain Man's Farewell" is an outstanding piece that displays the early seed…
Étude sur les Mouvements rotatoires / 24 Préludes
The master of partial tones: Ivan Wyschnegradsky continued Scriabin's harmonic principles and (successfully) searched for new tone colors.
Happy days
Back in stock. Released: 1997.Jim O'Rourke is a rarity: a genuine bridge between the avant-garde and the underground. From his production work (Smog, Wilco, Faust) to his own freewheeling excursions as a solo performer and member of outfits like Gastr del Sol and Sonic Youth, his work continues to bring the out there in here. Happy Days pits a lone guitar against a phalanx of hurdy-gurdies, a decided shift away from the composer's electronic-based work. A roiling hornet's next of activity that F…
Creak above 33
An interesting development in recent times has been the transAtlantic and trans-generational connections being made in the improvisation community. The Emanem recording by Steve Beresford with Okkyung Lee and Peter Evans, and George Lewis' collaboration with GIO are just two recent examples that come to mind. At the forefront of this trend is the duo of Nate Wooley (trumpet & amplifier) and Paul Lytton (percussion & live electronics) bringing two of the most questioning minds in improvised music…
Un Peu De Neige Salie
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
Three days of silence. The mountain of the stigmata
restocked ""three days of silence" is conceived as complete phenomenological experience of listening. i have been three days within the sanctuary of la verna on the top of a mountain called "the mountain of the stigmata" in tuscany. i've lived together with the monks recording and attending the ceremonies and the sounds of the place trying to penetrate in a dimension of pure contemplation. la verna, in latin alvernia and geographically known as monte penna, is a locality on mount penna, an…
Guitar Album
This enterprising programme of 20th century music, recorded in England by the distinguished Japanese guitarist Azusa Shimizu, contains first recordings of pieces by Højsgaard and Mamiya, as well as offering a rare opportunity to hear the sonata by Antonio José, who was brutally murdered during the Spanish Civil War. An outstanding CD for all guitar music enthusiasts.
Glissando n.1
Restocked “A trance-tape piece, constituting the entirety of the genre called Illuminatory Sound Environment, composed in the 70s in response to Catherine Christer Hennix’s “Electric Harpsichord. ” John Berdnt’s enthralling liner notes explain ISE as “an unfurling sound field of overwhelming but far from gratuitous sensuality, a highly “tuned” texture where all of the aspects are coordinated to make a deeply unusual “whole”, a new kind of perceptual gestalt... The piece has a disorienting flow t…
Recitarcantando
Restocked, special discounted price: one of his best and 'more affordable' release, Demetrio Stratos live in 1979 with Lucio "Violino" Fabbri (PFM violin player).The amazing research of Stratos brings many suggestions of unexplored fields of research that are still to be studied such as the particularly stimulating and innovative pre-eminence of the meaning over the meant, and the ritual value of the voice.[12] His research into the field of phonetics (Articulatory phonetics, Acoustic phonetics,…
Arabbox
recorded in 1993 following the first Gulf War. 10 years later, following the second Gulf War, Soleilmoon is pleased to finally release this important Muslimgauze album. On April 15, 2003, we issued it in an expensive limited edition of 500 copies, packed in a hand-made metal box. This second edition, in an edition of 1000 copies, is released without the box but has a friendly price. It's commonly known that Bryn Jones, the late musician behind Muslimgauze, was driven by the passion of th…
Summons Of Shining Ruins
Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone.
Olson III
A piece of unrelenting intensity, Olson III may be one of the most powerful compositions from minimalist composer Terry Riley. Based on the same phasing principals of In C, Olson III is filled with short motives that each ensemble member must play and repeat before moving onto the next. A chorus singing "To begin" joins into the droning fray of string instruments, sawing away à la In C. For 53 minutes here, Riley (on soprano saxophone) and a teenage student orchestra at the Nacka School of Music…
Eclipse
Originally released in 1975 as an LP on Iskra Records (ISKRA-001). 'First session 1: Gradually Projection'. 'First session 2: Gradually Projection'. 'Second session: Mass Projection'. New Direction Unit are Masayuki Takayanagi: electric guitar. Kenji Mori: alto saxophone, flute, recorder. Nobuyoshi Ino: bass. Hiroshi Yamazaki: drums, percussion. Recorded by Mikio Aoki in Tokyo, March 14, 1975. Includes liner notes in English by Alan Cummings.
Plans
Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics. Ulrich Phillipp: bass, electronics. Since 1994 Maxwells Dmon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cleanly structured contexts to explore the molecular structure of music. With the music on 'Stillte post', Maxwells Dmon expands their fragmentary approach extending it to the field of postproduction. The recorded music has been fragmented and re-compos…