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Modal Instrumental Pop of 1970s Egypt
* CD digipak with 12 page booklet of liner notes with many never before seen photographs. * Sublime Frequencies finally unleashes its essential compilation from 1970s Egypt, produced and compiled by Hisham Mayet. Modal instrumental tracks from Baligh Hamdi -- one of the most important Arabic composers of the 20th Century (writing for legends Umm Kalthum, Abdel Halim Hafez, Sabah, Warda, and many others). Features his legendary group the Diamond Orchestra with Omar Khorshid on guitar, Magdi al-H…
Umsonst Und Draußen – Vlotho 1977
*2023 stock* Before the Munich krautrockers turned more strongly in the direction of world music in the following years, at this gig they once again delivered their mix, moving between funk and jazz, as it defined the mid-70s. Fixed song structures never played a role with Embryo. Apart from the - despite difficult meter - extremely loose-floppy 'Getalongwithasong' (from the 1977 studio album Apo-Calypso), they mainly played new improvisations in Vlotho."
Father, Son And Holy Ghosts
*2023 stock* This album is a bit difficult to pigeonhole, as most of the early Embryo work is. The opening number sounds if anything, like an outtake from Miles Davis' Jack Johnson soundtrack, but with lead guitar sound more prominant. Then, gears are switched, and you are listening to acoustic folk guitar and sitar, which melts into a cool ostenato riff flanging around, that just builds and builds, with countermelody on Violin (or Veena?) and guitar weaving in and out, along with the drum parts…
Sukram Gurk
Siloah were re-formed by Thom Argauer in late 1971 after their Munich hippie community had split following the release of the band’s first record. Although "Sukram Gurk" was recorded under the same elementary conditions as its predecessor and had a similar psychedelic touch, it fails a bit to achieve the sort of charisma evident in the first record. Thom now played the keyboards instead of the guitar. Re-issue from the master …
Lang'syne
**From the master tapes, with fifteen bonus tracks in top sound quality** Langsyne from Barmen (Bergisches Land region) played a subtle kind of psych-folk with a wide range of partly unusual, exotic and medieval instruments: sitar, psaltery, koto, glockenspiel, flute, etc. Especially remarkable is the instinctive assurance with which the three musicians, who understood each other without words, played their music to…
Thoughts
A very rare but strong 'Canterbury' release from Germany. Very pleasant, inspired and technical, Zyma cultivates the musical schema developed by Soft Machine and others but stresses the funniest and most optimistic emotional dialogue of it, thanks to very enthusiastic melodies and catchy improvisations. The opening track illustrates it perfectly. Mostly a jazzy rock composition punctuated by female voices and fantasist interludes.
Ejwuusl Wessahqqan
CD Edition. Reissue of ultra-rare 1975 German underground record. Ejwuusl Wesshaqqan were a Munich-based band acquainted to Amon Düül and with a similar style. The music certainly resonates with some of the best German stoned-out vibe, but there's a very organic sense of evolution to the music. A special characteristic of their style is the absence of vocals and guitar which were replaced by the self-made seven string filouphone. The original LP had been pressed in a limited edition of on…
Weil Es So Schön Perlt
Panko Musik from West Berlin are somewhat reminiscent of Xhol Caravan or the early Embryo. They mostly presented long jazzy instrumental passages dominated by the transverse flute and alto saxophone, temporarily interrupted by mainly English vocals and some follies. The band did exist from the late sixties until the end of 1972. During their lifetime, the group didn't release anything, although they would have had the potential. Only in 1983, their drummer released the cassette tape, "Weil es so…
Hamburg 1969
*2023 stock* "Xhol was one of the first bands who participated at the send of the 60s to the launch of the Krautrock movement in Germany. Nevertheless their music cannot be categorised. Their roots came from rhythm'n blues with soul tendencies. With their second album "electrip" they rapidly found their own style which can be considered as an original fusion of free jazz, psychedelic rock and electronic experimentations. Very dynamic their jazz rock can sometimes be compared with the spirit of t…
Electrip
"Psychedelic music from Wisbaden, with some jazz elements. Recorded in 1969. After the Germanofon bootleg, here is the legal re-release with a 32 page color booklet and their two 7" tracks as a bonus." First legit CD reissue of the legendary first Xhol album, first issued on Hansa in 1969. This was their first of 3 albums, Hau-Ruk and Motherfuckers GmbH & Co. would follow on the OHR label in '71/'72, concluding one of the strangest chapters in the Krautrock scene of this period. Electrip has…
Christmas Soli
CD. Remastered edition: John Fahey has made a habit of recording a new album of Christmas music every five or six years, but The New Possibility, which was originally released in 1968, is still his best. One of the best and most influential acoustic guitarists of his generation, John Fahey's music fused past and present, borrowing from the traditions of blues and folk music and filtering them through a modern musical viewpoint. Some of Fahey's most striking (and most popular) work appeared on a …
Guitares Derive
A host of independent labels sprang up in France during the pivotal period of the 60s and 70s in the course of the cultural and musical revolution then unfolding; labels like the legendary Saravah, BYG, Futura, but also Shandar, a cult label par excellence set up in 1971 by gallery owner Chantal Darcy in collaboration with the journalist Daniel Caux (1945-2008) as artistic director. Just a glimpse at the Shandar catalogue makes one’s head spin, as all of its productions have become key musical r…
Fare Forward Voyagers (Soldier's Choice)
Nailed as John Fahey’s ‘non-Christian religious album’, where he ‘found’ Eastern religion and kick-started the New Age movement, Fahey said, in 1990, that it was his greatest guitar record. Considering the often-puzzling self-mythologizing that accompanied earlier albums, Fahey’s sleeve dedication to “my guru, Swami Satchidananda” and booklet extolling the virtues of Yogaville West, “a growing spiritual community in the beautiful mountains of Lake County, Northern California” were shockingly unt…
Night Run: Collected Sound Works 1992 - 1995 / Voices Fill My Head
Last copies...This bundle collects two incredible Kristin Oppenheim double LP sets, namely "Night Run: Collected Sound Works 1992 - 1995" and "Voices Fill My Head".Kristin Oppenheim "Night Run: Collected Sound Works 1992 - 1995" (2LP)INFO is pleased to announce Night Run, the first collection of early sound works of Kristin Oppenheim. This 2LP release features eight pieces recorded between 1992 and 1995 in her Brooklyn studio. In each recording, Oppenheim’s voice is the sole medium, forming repe…
Volume 3 / The Dance of Death and Other Plantation Favorites
Originally released in 1964, Dance of Death offers a glimpse of an artist in transformation. More than half the album's titles draw from the traditional blues and country repertoire Fahey had spent his teen years and young adulthood collecting, listening to, and learning to play, yet the recordings proved once and for all that his interests lay in musical transfigurations rather than preservation -- John Fahey was not afraid to use these old tunes as raw material.
Volume 1 / Blind Joe Death Volume 1
2016 remastered edition. "For several years major labels had been issuing records in both mono and stereo formats. By 1967 Takoma was doing well enough financially to justify the recording of John Fahey's first and second albums for the burgeoning stereo market. Thus Vol.1: Blind Joe Death, as the record would be titled henceforth, was recorded for the third time and it is probably this release that most people are familiar with today. For the new version Fahey recorded all but one song on the a…
The Sound of Indifference
**300 copies** Minimal Wave is proud to present The Sound of Indifference, a rare cassette released in 1981 by Aural Indifference. Aural Indifference was a post-punk studio collective from Sydney, Australia. The two principal members were Brian Spencer Hall (the M Squared in house producer) and Kevin Purdy. The cassette album, The Sound of Indifference, was released in 1981, featuring tracks such as “Theme”, “Park, and “Man Am I Progressive”. Their sound ranges from minimal synth, to post-punk t…
Glow World
*100 copies limited edition* Glow World is Rod Modell's new project resulting from his collaboration with Taka Noda. The duo delivers what could be an example of perfect elegance and musical refinement, but the resulting sounds are once again dirtied, ruined and ravaged by a noise capable of deafening us, sounds that come from afar, that seem to fade away but suddenly illuminate the world around us, which lands on us and which no longer belongs to us, leaving us lost in an infinite melancholy.
G…
On Behalf Of Nature
For five decades, vocalist-composer Meredith Monk has explored what she calls “primordial utterance,” or non-verbal vocal sound that lay beneath and beyond language, expressing “that for which we have no words.” This exploration has led her to create music that The New Yorker describes as simultaneously “visceral and ethereal, raw and rapt,” an art that “sings, dances and meditates on timeless forces.” With her latest, multivalent ECM New Series album, Monk aimed to address ecology and climate c…
Sakata Akira x Triple Edge
A live recording by Akira Sakata (alto sax, clarinet, voice), Masayasu Tsuboguchi (piano, synthesizer), Takeharu Hayakawa (bass), and Masataka Fujikake (drums). An improvisational giant, Akira Sakata, is a direct hit to the brain.