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Within Our Reach
The first widely available edition of this singular, long-form composition, Within Our Reach: A Symphony Of The Port River: Soundscapes, by Port Adelaide, Australia-based pianist, composer, writer and researcher Chester Schultz, is proudly presented by De la Catessen Records. Originally self-released by Schultz in 1996, on his own Waterhole imprint, Within Our Reach was initially distributed free as a community resource, and not available for sale. De La Catessen’s reissue is an invaluable contr…
Idle Hands - Music of Luke Altmann
** 2021 Stock. Comes in a four panel case with 16 page booklet, designed by Sam Songailo ** Russian pianist Konstantin Shamray studied in Moscow at the Russian Gnessin Academy of Music with Professors Tatiana Zelikman and Vladimir Tropp, and the Hochschule fur Musik in Freiburg, Germany with Professor Tibor Szasz. In 2008, Konstantin won First Prize at the Sydney International Piano Competition. Konstantin has performed with the Russian National Philharmonic, the Mariinsky Theatre Orchestra, Mos…
Final Fragments - Piano Music of David Kotlowy
** Edition of 100 hand-numbered copies. Notes by Jon Dale ** By the time I landed in Adelaide somewhere in the mid 1990s, to complete my secondary schooling and get the hell out of dodge – the tiny country hamlet that I’d been living in, in the northern parts of the Upper Hunter in New South Wales, at the foot of the Barrington Tops – I’d already been indoctrinated into a set of ideals through my reading, listening, and the questionable guidance of a few family members. Foremost was a kind of id…
Excavation Patterns
*300 copies limited release* Originally released in a tiny CDr edition in 2005 on the now impossible-to-find and almost literally named Vanished Records imprint, Excavation Patterns is a uniquely pervasive touchstone of Adelaide’s music culture, and has since put down roots around the world among devoted aficionados of minimalism, ambient music, and improvisation. At 52 sprawling minutes in length, it has been lovingly Direct Metal Mastered and exquisitely pressed by RAND in Leipzig, in a hand-n…
Resolution
Olivia Block makes her label debut, paired with Greg Kelley in his first appearance on Erstwhile since "Forlorn Green", although the overall cast of the session seems more firmly located in her neck of the woods, which is to say very thick and richly layered, possessing a massiveness and spatial volume. She plays a bit of piano here and there (once unfurling a couple of strikingly Tilbury-esque arpeggios, elsewhere within the piano's string-bed) but it's her electronics that predominate, …
Maruto
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mixer, which generates a combination of hum, glitch, buzz and subliminally disruptive sound. He develops the results into gentle and non-violent textural and impressionistic music that unfolds in a meditative and absorbing manner. That Nakamura c…
Good Morning / Good Night
Well, 'Holy Good Night!' seems an appropriate reaction when faced with a substantial double-disc offering from the 'holy triumvirate' of Japanese reduced improvisation and minimal electronics, ie Otomo Yoshihide, Sachiko Matsubara and Toshimaru Nakamura. In August 2003, they quietly entered a studio in Tokyo and laid down the basis for this music in only two days. The following month saw a final mixdown issue from their hands. Amazingly, the roof did not fall in on the musical world as a result.…
Tips
2015 release. A reissue of Steve Lacy and Steve Potts's Tips, originally released on Hat Hut Records in 1981. Soprano saxophonist Lacy wrote the suite of tunes for Tips to feature the aphorisms of painter Georges Braque, as sung by Irene Aebi. Together with his right-hand-man, alto saxophonist Potts, he and Aebi recorded these 14 anthemic tracks in Paris in 1979, and the young hat Hut Records label issued them on a now-rare LP. The music allowed Lacy to extend and deepen his longstanding interes…
Nation Time
Corbett Vs. Dempsey presents a reissue of Joe McPhee's Nation Time, originally issued in 1971. It's been nearly five decades since McPhee assembled a group of musicians to perform the weekend concerts that would become Nation Time, his second LP. It was December 1970; thirty-one-year-old McPhee was inspired by Amiri Baraka's poem It's Nation Time, and the students at Vassar College didn't know what hit them. "What time is it?", shouted McPhee. "Come on, you can do better than that. What time is …
Keep Going
It's easy to be cynical these days, maybe difficult to imagine that music can change the world, but not for Joe McPhee and Hamid Drake. With Keep Going, they will make the planet a better place for humanity, a place to be humane, to preserve humankind. At 78 years old, Poughkeepsie multi-instrumentalist McPhee is a national treasure, and he's making more music than ever before, pushing himself to tour incessantly, issuing astonishing new records at a fierce rate. But this release, with legendary…
In Early November
Two historical heavyweights of European free music, clarinetist Rüdiger Carl and drummer Sven-Åke Johansson, join forces with younger bassist Joel Grip for a night of incredible trios. Recorded a few months before the pandemic clampdown, in November of 2019, at Berlin's Au Topsi Pohl, the music is exploratory and swinging, with Carl's viscous clarinet and a brilliant rhythm team steeped in time-based feel but loose and sometimes oblique. Johansson was part of the first Peter Brötzmann Trio to …
Corona
A grand reunion of sorts in Berlin on the first day of November, 1996. Under the auspices of Free Music Production, Cecil Taylor, the great pianist and one of the premier musical minds of the 20th century, joined forces with his early comrade, drummer Sunny Murray, for a set of improvised duets. Murray was part of Taylor's important groups starting in 1959, including the trio with alto saxophonist Jimmy Lyons, with which Taylor toured Europe in 1962 and 1963, recording the seminal Nefertiti, the…
Higan
* In process of stocking. Edition of 300 * Includes fold out insert in duotone litho Reissue of a 2016 cassette. Andrew Chalk has been active since 1985 as Ferial Confine and has worked with many associates over the years, such as David Jackman (in Organum), Vortex Campaign, New Blockaders, The, Darren Tate (in Ora), Giancarlo Toniutti, Jonathan Coleclough, and Christoph Heemann (in Mirror). He has now released a number of releases under his own name which have won widespread acclaim, on labels…
Floreama
Following the work previously made on "Cocktail Bar" and "Erbe Selvatiche", Modern Sound Quartet release their third full-length "Floreama" in 1977, this time focusing their work around the world of flowers. The twelve tracks on this recording boast the highest form of Italian jazz-funk vibes, with some rock, disco and spacey moods thrown in for good measure. Each flower sets the track in a different mood and brings the listener in a different dimension, alternating upbeat funky moments to some …
Underground Mood (LP)
First launched in 1971, Flirt Records was one of the many notable production music imprints distributed by Flipper Music, iconic publishing company founded by Romani Di Bari in 1968 and house to some of the best Italian library music. Back in 1972 the label released this compilation entitled "Underground Mood" featuring music composed by Emma De Angelis, Roberto Conrado, Luigi Lopez as well as Amedeo Minghi, whose anthemic "Lustful" track went on to be sampled by Justin Timberlake in 2013. An in…
Cocktail Bar (LP)
Originally released in 1976, "Cocktail Bar" was the first release of the Modern Sound Quartet ensemble lead by Oscar Rocchi, one of the most brilliant yet unrecognized composer of the library music era. As the title might already suggest, the 14 songs bring an incredibly fresh mix of sounds and flavours, each one named after a different spirit, with every single track floating around a different soundscape and bringing different atmospheres. Wether it be a gin & tonic poolside, a melancholic dri…
No Accomodation for Lagos
Comet Records presents the Tony Allen & Afrika 70 reissue series with the classic late seventies first four solo albums of Tony Allen remastered and restored: Jealousy, Progress, No Accomodation for Lagos & No Discrimination, all coming in an heavy Deluxe Tip-On Jacket.
1978's No Accommodation for Lagos, Tony Allen's third solo album, is an effortless Afrobeat masterpiece. The Afrika 70 band floats through two of Tony's heaviest and most churning compositions. With this album, we start to hear T…
Abarten Der Körperlichen Liebe
Rare find! - Real detective work was necessary until this amazing unreleased music production by Dieter Reith, Abarten Der KöLiebe (Degenerated Love) from 1970 showed up in the archive of a German porn movie company. In fact this music production was lost for 48 years and is totally unheard until now. You are the first one listening to this forgotten masterpiece by one of the most beloved German Jazz musicians in 2019.
Orgelkonzert
** Art edition with hand-signed insert. Edition of 150** "No composer could do that and no 'musical' improviser either; it’s a mystical, spiritual, experiential thing, only he could do that." Chris Cutler Hermann Nitsch, father of the Viennese Actionism, is one of the most celebrated living artists: his transgressive performances continue to cause quite a stir, and his paintings are exhibited in the most prestigious museums worldwide. His music production, on the other hand, is still relatively …
Incontri & Reuniones
Double bassist Stefano Scodanibbio was a superlatively inspirational figure not only in the world of the double bass, but in the larger world of new music as well. Even three years after his premature death of ALS this sense of inspiration hasn’t dissipated but rather continues to come through whether in the work being done by those directly influenced by his example—the fine Norwegian bassist Hakon Thelin comes immediately to mind—or in the underlying warmth that seems to pervade the recordings…