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Spectrum
**180 gr. quality reissue, comes in a gatefold sleeve and includes a printed insert with a photograph of the original master tape box and additional notes and credits** Easily one of Volker Krieger's best albums, Spectrum was remarkably cut in just two days at MPS Studios in 1971 – with a group that includes Peter Baumeister on drums, Cees See on bongos and percussion, Peter Trunk on bass and cello, and John Taylor on Hohner electric piano. It kicks of with the amazing track "Zoom", a ser…
Live In Germany 25 June 1971
1975 was a turning point year for Kraftwerk and this live set from Koeln is a fine document of the band's live shows of the period. The album opens with an epic sidelong version of the previous year's big hit "Autobahn", their first lucky experiment with highly repetitive electronic structure, they would become known for later, and it also includes a fine rendition of "Ruckzuck", a classic tune from their 1970 first album. This is highly futuristic German Musik of the Seventies at its best.
Live In Koeln Sartory Saal 1975
Featuring two tracks from the previous year’s Autobahn including an epic sidelong rendition of the title cut this 1975 live set from Koeln is one of the finest of the legendary Kraftwerk group’s career. Rounded out by “Ruckzuck”, the first track from the very first Kraftwerk record from 1970, this beautiful set of brilliant motorik jams is crucial for any fan of krautrock and the work of Ralf and Florian.
Knobby Knoll
Edition of 200. Lauri McNamara is one of the crazies who make the New England sub-underground such a richly interesting universe to inhabit. She worked off and on with the late, lamented Egg, Eggs, but her main focus has always been on solo performance, accompanying herself on ukelele. A few other people make their presence felt on her debut LP, Knobby Knoll, but let's not get bogged down in their details. 'Cause really, this is Lauri's show, no matter who else might be sitting in. Unlike the ma…
An Air Of Unreality
"An "air of unreality" characterizes the best free improvisation. This performance-captured during last year's Vision Festival in Manhattan's Judson Church-definitely ranks among the best on record this year. Part of this unreality has to do with finding beauty and gratification in uncertainty, something that so often makes reality difficult to bear. Another part is transcendence, both of person and pedigree: the idea of a musician effaced by their instrument, and then by their creation. Music t…
So Funny
Depending on how you count, So Funny is either the ninth or tenth album, MX-80 Sound has released. Regardless, it's their first LP since the classic Crowd Control back in 1981, and it's a pretty goddamn amazing spin. The core of the band -- Bruce Anderson, Dale Sophiea and Rich Stim -- has been more or less stable for the better part of the last four decades, despite the fact they've never had any real commercial success. They've all pursued various different paths during that time, but they'…
II
Melbourne’s Exhaustion have been producing some of the coolest records on the Australian scene for the last few years. I mean, there’s no lack of great OZ noise these days, but Exhaustion have managed to create a sort of post-scum/prog hybrid that hearkens back to those long gone bands — like the early (Mick Turner era) Moodists –who emerged from the Vegemite-stinking ashes of the Little Band scene. They generate a certain kind of noise, yeah, but it doesn’t feel like anything anyone else is do…
Music For Piano
"Although it might sound perverse to say so, Music for Piano may well be my favorite Gary Wilson record. Most people who dig Wilson are very into his lyrics, but I actually find them to be a bit taxing after a while. Those early records all sound and feel amazing, but what I really wanted was to hear the music without the words. I had high hopes when I found a copy of Another Galaxy, the 1974 Gary Wilson Trio LP, but it had a very different heft than that which Gary displayed on You Think You…
Revolución Electrónica en Música Venezolana
Ultimate space-age exotica trip from Venezuela. In the early '70s, well-known composer and arranger Chelique Sarabia (who penned the famous “Ansiedad” when he was just a kid) decided to record an album of traditional and folkloric songs from Venezuela but giving them a modern touch, using especially developed equipment (M.R.A.A.), based off of the principles of the Moog. Chelique, helped by a team of gifted musicians, employed traditional instruments like the cuatro and the bandola llanera, filt…
Lisa Wants to Talk to You
Vinyl actualization of a Gary Wilson album originally released on CD in 2008. The second of Feeding Tube's Wilson retrievals (following 2011's Forgotten Lovers, FTR 065LP), the label considers this the most solid of Gary's post-revival albums. While it goes in a slightly different musical direction than the deranged porn-lounge inventions of You Think You Really Know Me (the classic '77 LP, heisted in toto by Beck during his Odelay phase), the naif-ache of the lyrics and the music's laid-back…
The Cave
We were first made aware of this Brooklyn band by Gary Panter. When we asked Gary about some specific projectors for light shows, he said we'd be best off conferring with his colleague, Curtis Godino. And oh yeah, Curtis also helmed a dastardly psychedelic music unit called Worthless. Checking out some of Worthless's previous recordings for Beyond Is Beyond, Stupid Head, and Greenway, we were struck by the weirdness and seamlessness of their psych stretching; if ever there was music made for lig…
Ship to Shore
2018 repress. Stunning debut album from 1976 by legendary/cult UK folk musician Nigel Mazlyn Jones. Originally issued as a private pressing, Ship to Shore
combines 6 and 12-string acoustic guitars with electric textures,
effects and unusual soundscapes, culminating in the haunting
progressive-folk 11-minute title-track. A folk-rock/acid-folk
masterpiece highly recommended to anyone into John Martyn, Nick Drake, Michael Chapman, Bob Theil, or Pink Floyd. Mastertape sound, including an insert …
Mette Rasmussen / Tashi Dorji
** 250 copies ** "Mette Rasmussen is a Danish saxophonist, based in Norway, who has been recording with some of our favorite players (Chris Corsano, Alan Silva, Mats Gustafsson, Ace Farren Ford, etc.) She has also formed this duo with Asheville-based guitarist, Tashi Dorji (whose combo, Manas, has had two LPs on Feeding Tube this far: FTR 208LP, 2015 and FTR 330LP, 2017). The duo material for this LP was recorded in Montreal, right around the same time Mette and Tashi recorded a trio set for Tro…
Dark Souls Need Light
"When Jersey teen Marianne Nowottny arrived on the scene in the late '90s, she had the looks of a typical NJ gum-snapper but possessed a voice that was way beyond what you'd expect to find hanging out in the parking lot of White Castle trying to bum cigarettes. Her vocals had the rich, smoky maturity of Marianne Faithfull's late-'70s work, hauled into an off-center bedroom pop universe that was almost impossible to decode. Her subsequent studio recordings have investigated magnificent nooks of p…
Flash Fuck / Vernacular Splatter
** 250 copies ** "In 2017 we released the "Possession Sessions" LP (FTR 325LP) by this extraordinary Columbus, Ohio outfit. And while we wait for them to conjure up new fields of beautiful spew, we thought it might be a public service to make their first two EPs available as a single LP. "Flash Fuck" was released in 2013 by Tony Proccacino's visionary grunt-punk concern, A Wicked Company. "Vernacular Splatter" came out two years later on the great Columbus label, Superdreamer. Both of these reco…
Witness Tree
**400 copies** "Vinylization of a self-released cassette issued earlier this year by our favorite Virginia-based guitar player. Witness Tree is a brilliant follow-up to Perry's eponymous debut LP (2018), and expands upon the form-abstractions he first displayed there. Mr. Perry has a firm and solid touch to his string wrangling, but unlike many of his contemporaries, he doesn't seem to feel compelled to resolve all the melodic questions he raises. Perry often stops in a place he finds interestin…
Slights Still Unspoken (1978-1979)
LP version. Includes download coupon. Mental Experience present an expanded reissue of Voigt/465's 1979 album Slights Spoken, titled Slights Still Unspoken (1978-1979). Formed in Sydney in 1976, Voigt/465 was a truly unique band from the exciting days of the Australian post-punk scene. Heavily influenced by such luminaries as the Velvets, Stooges, Syd Barrett, Pere Ubu, Can, Faust, Henry Cow, Slapp Happy, and Eno's Roxy Music, they created an abrasive sound in which krautrock, DIY, avant-gar…
For A World After
LP version. Includes download code. Mental Experience present the first ever reissue of Requiem's For A World After, originally released in 1981. Dark, progressive, synth ambient meets Berlin-School sounds on this obscure kraut album, which "tells the story of a world annihilation through nuclear war." For A World After is full of delayed psychedelic electric guitar, effects, cold drum machines, waves of analog keyboards (Korg MS20, Casiotone 201, Crumar DS-2, Jupiter-4), and cosmic atmosphere…
A Pine Tree Shilling's Worth
"Proud we are to reissue the final piece of Willie Lane's original Cord-Art LP trilogy. It was recorded in various spots throughout Western Mass, in the years following the release of Guitar Army of One. Initially issued in 2016, in an edition of 350, this lovely session disappeared into the fog of the forest before most folks were able to catch its scent. Now it has re-emerged with re-interpreted cover art by Max Milgram, and sonics we think will please even the most finicky listener. A Pine Tr…
Mouvements
Mental Experience present the first ever reissue of Mouvements, originally released in 1973. An impossible to find artifact from the Swiss underground avant-garde scene of Geneva, originally released as a private boxset limited to 150 copies in 1973, only sold at art galleries. A unique, instrumental mix of free-jazz, classical, psych-rock, folk, improv, kraut, funk, and musique-concrete with tape effects. In the late 60s, musician/guitar player Christian Oestreicher, "a savage in the era …