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Abbandonato Da Dio Nazione
Anthony Pasquarosa focuses the third eye back to 1910 to conjure a lysergic spaghetti Western experience. Expect to be transported to another realm where gunshots, galloping horses and psychedelic gunslingers mark the terrain. Pasquarosa reveals himself to be a master stylist and his third full length for VDSQ shows the widescreen breadth of his cinematic vision. Abbandonato Da Dio Nazione is expansively packaged with hand drawn artwork from the guitarist himself. Western's have never sounded li…
Morning Meditation
Transcendental acoustic guitar mysticism from the VDSQ shaman of Western MA. Anthony Pasquarosa is an artist and musician whose need to create is like a never ending search. He shouts at the audience in HC/Punk bands, pays tribute to early eighties electro punk and late sixties psych, plays old time music and is an excellent player of all stringed instruments.
Take Me With You
Take Me With You is a revelatory voyage through the captivating universe of voice artist and poet MJ Lallo. The works on this 2LP compilation were all recorded in her home studio between 1982 and 1997, primarily using drum computer, synth and her own voice processed through a Yamaha SPX 90 digital effects unit. They range from wordless harmonizer mantras and primitive drum computer meditations, to psychedelic latin dance-floor anthems and synth-drenched end-of-the-nighters.Lallo has created her …
Transportation Eps
Chandra Oppenheim was a child star like no other. As the daughter of famed conceptual artist Dennis Oppenheim. By age nine, Chandra was staying up late at her parents' art-world parties, collaborating in her father's projects, and performing her own plays at downtown hotspots such as The Kitchen and Franklin Furnace. This set the stage for Chandra's course-altering collaboration with members of The Dance, who were looking to form yet another project and found their muse/fuse in ten-year-old Chan…
Música Para Planetarios
Mexican guitarist and ambient artist Eblen Macari's masterpiece Música Para Planetarios (Music for Planetariums) was originally composed for weekly performances in the Luis Enrique Erro Planetarium in Mexico City. The album, released in 1987 was based around Macari's solo performances using Ensonic ESQ-1, a Korg Poly 800, two guitars and pre-hispanic Ocarinas. The arrangements on the album are expanded to include a full stable of pre-hispanic percussion and beautiful baroque harpsichord played b…
Cave Vaults of the Moon
Joanne Forman's Cave Vaults of the Moon created in 1987 for an exhibit of sculptures in Taos, New Mexico is a mesmerizing score for voice, Ensoniq Mirage, Juno 106, flute, guitar and effects. The playful extra-terrestrial recording wafted through the exhibit every day for its duration and then lay dormant for nearly 30 years. Unearthed now, Cave Vaults of the Moon sounds prescient and timeless, as if Pep Llopis and Iasos scored a Wicker Man remake set on Mars. Restored, remastered and cut using…
Torrent
Torrent is the first recording of Alex Mincek’s music since his 2011 self-titled debut on Carrier Records and launches Sound American’s Young Composer Portrait (YCP) series, which introduces emerging artists by releasing music from the span of their career alongside a series of interviews and essays that contextualize the ways in which their history, aesthetic, and sound thinking have informed their work to date. Torrent is being released as a deluxe art object meant to give the listener a m…
The Widow's Joy - Eastern European Immigrant Dances In America
Sound American and Canary Records collaborate for The Widow's Joy: Eastern European Immigrant Dances in America 1925-1930, the first release of Sound American Records. Canary Records curator Ian Nagoski has crafted the ultimate Lemko party record as a labor of love for the forgotten music of the Austro-Hungarian diaspora in the midwest region of the United States. The Widow's Joy with a cover by Mississippi Records' E. Isaacson features the music that helped immigrant coal workers and laborers f…
Brace Up!
In process of restock. Brace Up! is the first ever studio release from the duo of Chris Corsano (drums) and Bill Orcutt (guitar). Recorded in Brussels at Les Ateliers Claus by Christophe Albertijn on March 19th and 20th, 2018. Stage dive photograph by Jason Penner. "Over the past six years or so, drummer Chris Corsano has proven to be one of Bill Orcutt's most reliably flexible collusionists. Regardless of whether Bill is cluster-busting electric guitar strings, weaseling around with cracked ele…
Dos Cuacochis
Cuacochi in Nahuatl language means “to sleep in a tree”. As a wind player myself I have always been particularly fascinated by the sound of the air through my instruments. As a performer and improviser I have developed a big palette of wind sounds, mixing them with related sounds such as static radio noise and white noise. The „cuachochi“ series are pieces about air and noise.... and sleeping The Tree weights the nest The wind weights the tree and fate the rest (Burkhard Stangl) For 9 players o…
Diagonals
**Edition of 300, sold-out at source** Hailing from Paris, Jonathan Fitoussi has been exploring contemporary minimalist musical forms for almost a decade. His recent solo works have been described as a “fusion of electronic and acoustic sounds with melodic textures, colours and emotions in a cinematographic aesthetic style”, all of which is fuelled by his passion for recording, for analogue studio technology and for rare instruments. He’s also audio restoration engineer at Institut National de l…
Pour Que Les Fruits Murissent Cet Ete
Finders Keepers' newly minted Cacophonic sub-label triumphs with a remastered rarity by pioneering Belgian composer, Karel Goeyvaerts. 'Pour Que Les Fruits Mürissent Cet Été' is one of the earliest realisations by the former boss of the IPEM society (Belgium's Institute for Psychoacoustic and Electronic Music - make sure to check their recent compilation on Metaphon) and originally appeared in 1977 on the collectable Alpha Brussels imprint. It revolves around three extended pieces ranging from a…
Heresie
Sub Rosa present a reissue of Univers Zero's second album Heresie, originally released in 1979. A classic of chamber rock music, featuring heavy use of dissonance and dark, brooding, and extremely complex melodies. "This music on this LP might have little to do with rock, and might also be a massive downer, but the quality of the writing and playing is extremely high. Michel Berckmans' solo work on oboe and bassoon work is magnificent, and Patrick Hanappier's string playing (violin and viola) al…
2 / 3
Edition of 300. When it comes to music, time and geography can have a strange effect. Divisions form and dissolve. Things which were heard are can be forgotten. Things which were not are often remembered. As many of us know, this is increasingly the effect of the reissue market, with its radical reappraisals for history, pulling the lost and obscure from the shadows - musical objects now given the ability to travel and gain the attention they deserve. One of the more fascinating and important te…
1 / 3
**Edition of 300, last copies** When it comes to music, time and geography can have a strange effect. Divisions form and dissolve. Things which were heard are can be forgotten. Things which were not are often remembered. As many of us know, this is increasingly the effect of the reissue market, with its radical reappraisals for history, pulling the lost and obscure from the shadows - musical objects now given the ability to travel and gain the attention they deserve. One of the more fascinating …
Death Of The Moon & Other Early Works
Rune Lindblad was born in Gothenburg, Sweden in 1923 and began composing music in 1953. This was a time when composers in Germany and France were feuding over the merits of electronic music made by pure wave oscillators versus musique concrete, which used the tape recorder as its main instrument. Rune Lindblad however did not see these genres as mutually exclusive. In fact, Lindblad extended his work to incorporate other mediums along with his approach to music. Deeply involved with woodcuts and…
Early Experimental Electronic Music 1954-1961
Henri Pousseur was a Belgian composer, teacher, and music theorist active from the the 1950s on. Influenced by Pierre Boulez, Karlheinz Stockhausen, and Luciano Berio, Pousseur may be lesser known than those contemporaries but his composition and technique is regarded by many as equaling if not surpassing much of the work of those more famous names. Realized in the same Cologne radio studio as much of Karlheinz Stockhausen's most famous work, this collection brings together some of Pousseur's gr…
Roscoe Holcomb and Wade Ward
Limited edition reissue of this legendary LP, issued onFolkways Records back in 1962. A magical collection of Kentucky's own Roscoe Holcomb, one of the most legendary figures of Appalachian Music and a huge influence on the '60s folk scene, and Wade Ward, a Virginia fiddle and clawhammer banjo player who's style has been often imitated. Playing banjo, guitar, and singing in that beautiful high lonesome sound, Roscoe Holcomb covers the first side of this LP, in his wild and raw style. Wade Ward h…
Music of Xinjiang: Kazakh and Uyghur Music of Central Asia
Limited-edition LP with full-size insert of text and photographs by compiler Laurent Jeanneau. Xinjiang (Eastern Turkestan) is China's biggest province. The musical landscape here is one of the world's richest. The Uyghur and the Kazakh are the two main ethnicities represented on these recordings made by Laurent Jeanneau and Shi Tanding in June of 2009. The Kazakh (nomadic) and Uyghur (agricultural) have multiple linguistic ties. Much of this music shares many influences from the Arab world, Tur…
Sira Ba Kele
Baba Commandant And The Mandingo Band return with their second LP, Sira Ba Kele. After the Afro-beat fury of their first album Juguya (2015), the band has now distilled a potent mix of traditional and modern Burkinabe funk with a reverent take on the iconic Mandingue guitar music of the 1970's. Mamadou Sanou (Baba Commandant) leads the band with a confidence earned from years of toiling in the DIY underground of the West African music scene. His riveting growl and main instrument, the doso n'gon…