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Le Stanze
It's been 6 years since Ingar Zachs critically acclaimed solo album; M.O.S. (SOFA 532). On his 5th album, Le Stanze, Ingar Zach continues to develop his unique, personal music, also this time with percussion and electronics. The four compositions sho…
Visions of the country
Recorded in the height of Robbie Basho's creative career, "Visions of the Country" was originally released in 1978, and has been out of print for nearly 35 years. The album is comprised of technically superb instrumentation (6 & 12 string guitars and…
Amos and Sara Sing The Private World of Amos
Sing a Song Fighter and Oma333 proudly present the first ever vinyl release of "Amos and Sara Sing The Private World of Amos" the avant DIY pop masterpiece by Amos and Sara which was originally put out on tape in 1981, and features members of a bunch…
Ah!
George Khan could be called a forgotten pioneer of the London free music scenes, except that anyone who has heard or seen or met him could surely never forget him. A superb saxophonist and flautist, as well as one of the nicest and most laid-back …
Love's dream
Reissue of this 1974 Emanem LP, with bonus tracks. Hard-swinging Free Jazz recorded in a club in Paris, featuring original tunes by the vastly under-rated Bradford (cornet) with Trevor Watts (alto sax), Kent Carter (bass) & John Stevens (drums). Reis…
Natural History
** few copies back in stock, long out of print** Black Truffle present the first-ever vinyl issue of Alvin Curran's Natural History, originally released on cassette by Edition Giannozzo Berlin in 1983. A founding member of the radical electronic im…
Buzz soundtrack
One of my Iskra's favourite album " The slow motion unfolding of these pieces isolates the beautiful sounds embedded in even their most cantankerous outbursts. The luminosity of Rutherford's long tones, Guy's glissandos and Bailey's pedal-enveloped c…
Favole Per Ogni Eta
Oronzo De Filippi (aka Rino De Filippi, Awake, Rigesti), component of Braen’s Machine, is one of the most enigmatic figures of the library music scene. Although it is reductive and simplistic to frame him in an exclusive genre within an already varie…
the geometry of sentiment
John Butcher is up there with the Parkers, the Rothenbergs, the Zorns and the Harths, yet his style is inimitable; he has arrived at the top at last, and dominates in a world of bent overtones and multiple subdivisions of a single note. THE GEOMETRY …
Chapter Two 1981-83
PAUL RUTHERFORD (trombone, euphonium & electronics), PHILIPP WACHSMANN (violin & electronics), and BARRY GUY (double bass & electronics). The first time some early recordings of this trio have been issued. The bulk of the music in this set comes from…
The gentle harm of the bourgeoisie
Reissue of the definitive solo trombone album, from 1974, with additional material from the same sessions. His first album of this sort, it has been described by Derek Bailey (rather famously) as still the best record of solo free improvising you are…
At the Vortex
The whole of a London club date comprising two extended exuberant improvisations, making it very different to their previous releases. Perhaps the most ferocious and relaxed example of this trio on record. 79 minutes.
Fairly early with postscripts
IMPROVISED GUITAR SOLOS also with: Anthony Brax ton flute & sopranino saxophone (on 3 & 4 only) .Kent Carter: double bass (on 9 & 10 only). John Stevens: percussion (on 9 & 10 only).
Alone and together
Improvised unaccompanied soprano and sopranino saxophone solos of the usual high standard, plus duets with STEVIE WISHART (violin & hurdy gurdy) and MARCIO MATTOS (cello & electronics). All recorded in concert. 70 minutes - previously unissued.
Fixations (14)
Though saxophonist John Butcher is not short on instrumental prowess, his primary assets lie in the realm of ideas. On Fixations, Butcher has rejected conventional jazz thinking (swing, melodicism, harmonic cycles) in favor of creating his own perso…
Digswell duets
The 39 minute duet with Simon Emmerson is an early example of interactive saxophone and electronics, wherein Emmerson modifies Coxhill's sound, and Coxhill reacts accordingly, etc. The 34 minute duet with pianist Veryan Weston is an early example of …
