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Une Éclipse Totale De Soleil
2015 repress and remastered. Remastered CD edition of Une éclipse totale de soleil, Ghédalia Tazartès' third LP, originally released in 1984. Far away from contemporary music intellectualisms and the works of synthetic noise purists, this album features a new form of musical expression and is certainly one of the most original and creative records of the '80s. The value of this work was at the time underestimated and only a few people had a chance to listen to this beautiful music. The rec…
Gloriosa
Brighton's Map 71 are a duo comprised of Andy Pyne (percussion, electronics) and Lisa Jayne (words, voice). Together they have been working away at an approach that draws from post-punk, improvisation, electronics, and other such realms of music to create a refreshing environment where reflection, wry observations, the abstract, and immersion can develop. They have existed for a few years now and had several releases out both on their own Foolproof Projects imprint and via a couple of other labe…
GNz-11 The First Five Singles 1979-1984
Here is DDAA’s Holy Grail: the first five single reissued for the first time on CD! “GNz-11” traces the beginnings of the band that had never really been revisited before: the first five years 1979-1984 in term of record productions! But more precisely the origins of the band are still older: DDAA was founded in April/May 1977 (and not in 1979, as we can read on a well-known music database site: this information is wrong!). DDAA with Die Form (Philippe Fichot) are two crucial bands, two pioneers…
Pataphysic Power:The Underground Retrospective
Obscure 1970's French underground band cantered around Robert Diaz and Florence Leroy. Other members have included Armand Miralles and Kristof Temple. Feeling like a mix of Etron Fou Leloublan and Faust (in acoustic mode that is), with hints of Albert Marcoeur, Red Noise, it is full of invention and typically French eccentric touches. It was also much touted by Chris Cutler (of Henry Cow fame) at the time as the French Faust.Double CD retrospective of this amazing « mysterious » underground Fren…
Midnight Xpander
Veteran experimentalist, Marcia Bassett, returns with "Midnight Xpander", easily one of the most exciting entries into the field of drone and contemporary minimalism that we've encountered in a good while. Predominantly recorded with a Buchla 200 system at EMS in Stockholm, Sweden, and imbued with abstraction and the bristling tension of punk and noise, its subtle structures and intertwining harmonics immerse the mind in a deeply organic, hallucinatory realm that places Bassett at forefront of t…
Demonstration Takes & Retakes
Tristan Disco was an ephemeral Japanese project led by Takayuki Shiraishi (BGM, who released material on the Japanese experimental label Vanity Records, MLD) and focused on making dub-influenced Post-Punk. In 1982 they elaborate a no-wave full of unrehearsed breaks and cavernous vocals. Boundless dark jamming sessions through shades, effects and reverbs always submerged by a tense nervous bassline. On the B side Krikor delivers a hard-hitting Industrial reconstruction of "Social Dance" perfect t…
BBC Paris Theatre in London March 23, 1972
A singer-songwriter who wrote for the Turtles, Judee Sill -- in her early 1970s heyday -- was compared to Asylum label contemporaries like Joni Mitchell, though her music had stronger spiritual overtones. This nearly forgotten performance reveals a true talent that deserved so much more during her short lifetime. Judee Sill grew up in a very troubled home and came through it with some truly great music to tell so many stories that many of the more sentient listeners will appreciate.
Κλίμα (Klima)
Christina Vantzou and John Also Bennett return with Κλίμα (Klima), their third album as CV & JAB. Using an extensive sound genealogy including piano, flute, voice, and field recordings, the duo dive deeper into their idiosyncratic collaborative language. A reflection on microclimates and their ecologies, Κλίμα (Klima) is an invitation to probe the implicit memories of animal, plant and place, and our connection to the environments we inhabit.
Handmande Paper Pipe
Handmade Paper Pipe is the collaborative project of Danish improviser Claus Haxholm and eclectic Italian sound-maker Renato Grieco. These two set pieces are the result of mutual manipulation of each other's voices and archival materials. Not many words were spoken during the process and the result covers a many topoi of modern experimental palette and noteworthy is the presence of low frequencies that sometimes even touch the territories of a hypothetical abstract vocal dub.
Libres (Festival de Massy 26 Octobre 1975)
"Armonicord. In 1977 an album was released under the name of Armonicord, of which I have just found a copy through a mutual friend: Esprits de Sel. Having heard of the album's release at that time, the memory of the presence of harpsichordist Odile Bailleux and drummer Christian Lete undoubtedly made me imagine a possible sort of chamber music. In the cover, we can admire the graphic scores of baritone saxophonist Jouk Minor, all in curves and ellipses with instrument and timing indications. A m…
La pelle del fantasma
*150 copies limited edition* L'Arbre du Ténéré, known in English as the Tree of Ténéré, was a solitary acacia that was once considered the most isolated tree on Earth, standing alone for over 400 kilometers. It was a landmark on caravan routes through the Ténéré region of the Sahara in Northeast Niger, until it was knocked down by a drunk truck driver in 1973. La pelle del fantasma is the debut full length ot the duo composed by Maurizio Abate and Giovanni Donadini (Ottaven, Fantamatres) buildin…
Praxis
*200 copies limited release* One of our recent favourites that hasn't travelled far enough. A brooding beast of a record beautifully packaged in silk screened cover & sleeve. Mit insert. Emergence and retreat.
Rhythm Voice
The Swedish dancer, choreographer, and performer, Greta Lindholm, has remained, since her emergence during the late 1960s, a singular and unique force on the global contemporary dance scene. Having developed a synthetic and experimental approach to movement and generative sound, her boundary pushing body of work can be understood as a celebration of the body and its languages, and their intimate relationship with the voice; using primarily foot drumming and vocal rhythms, her body is transformed…
Four For Trane To Live Newport 1965
Four For Trane became one of the classic, iconic albums of the post-bop era. The explanation is three-fold. First, the material. Rather than follow Coltrane’s lead into the most extreme of his free-blowing anthems, Shepp selected three songs from the Giant Steps album, and one from Coltrane Plays The Blues (although “Cousin Mary,” from the former release, is also a twelve-bar blues). This is significant because it illuminates the two sides of Archie Shepp’s conceptual perspective – an urgency to …
Charlie Parker At Birdland 1950 "Revisited“
"This one was working. This one always had been working. This one was always having something that was coming out of this one that was a solid thing, a charming thing, a lovely thing, a perplexing thing, a disconcerting thing, a simple thing, a clear thing, a complicated thing, an interesting thing, a disturbing thing, a repellant thing, a very pretty thing. This one was one whom some were follow-ing. This one was the one who was working.” Gertrude Stein’s 1910–11 description of the creative eff…
Aluk
Vienna artist Klaus Filip plays music using nothing but sine waves produced with 'lloopp,' an improvisation software program he invented and continues to refine. Toshimaru Nakamura makes music simply by controlling a mixing board's internal feedback, inputting no external sounds. Two artists with highly individual playing methods, they came together to create this album of improvisational works. Two of the three tracks were recorded in a Tokyo studio in May of 2005, when Filip came to Japan alon…
Lost Performances 1966
"Rare performances and concerts. The Sound of the Munich Filmprodction and the concert of Helsinki are first releases. The Rotterdam concert was available in the Holy Ghost bootleg box." – Werner X. Uehlinger.   "Albert Ayler’s late 1966 tour of northern Europe was, happily, well documented in one way or another, though not always with the best sound quality, something this reissue series is attempting to address (and doing very well). The recording at hand includes 3 tracks from a film session …
All Variations Are Valid, Including this One
*2023 stock* Esther Ferrer, in fifty years of dedication to art, has assembled a multidisciplinary and profoundly critical body of work in the tradition of process art, redrawing the boundaries of language and time, placing the body in the center, and then turning it into both subject and object. This catalog reproduces a good number of the scores of Esther Ferrer, as well as a CD with sound works. Special care has also been taken in the covers of the book, of which more than 40 different versio…
Amid Zero Echo
*2024 stock . 300 copies limited edition* Thomas Dimuzio's Amid Zero Echo marks the release from this US underground legend from San Francisco. Four transcendental drone masterworks abstracted from electric guitar bristle with life through the dense, rich and detailed sonic expanse of Dimuzio's glorious sound world. Vibrating wires of the electric guitar inform a digital musique concrete modus operandi replete with unheard studio techniques which form a music with a strong organic core. These fo…
Espoo
*2024 stock* Vladislav Delay‘s EP »Espoo« features two new conceptual, rhythm-intense tracks. Whereas the groove of the opener »Olari« derives from a sound loop which is manipulated by filters and echoes and finally brings forth the intensifying beat, the reverse is done with »Kolari« on the b-side. Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent vacation-like melody, close to Terry Riley‘s minimalistic concepts. Both tra…