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William E. Jones's The Fall of Communism as Seen in Gay Pornography is the original soundtrack to the eponymous film, issued on a handmade, numbered seven-inch vinyl in a strictly limited edition of 100 copies. The release features new texts by Jones and Jarett Kobek, extending the film’s provocative exploration of political and sexual imagery into the medium of sound.
*150 copies limited edition* For the last 30 years Margarida Garcia and Manuel Mota have shared a common space of listening, risk, and reinvention. A singular language born from the absolute necessity of the moment. Following Domestic Scene (2024, Feeding Tube Records), The Figure in the Carpet confirms a body of work that continues to expand with rigor, subtlety, and an originality rarely encountered.
Here, sound is not merely gesture or melody; it is also fragment, remainder, residue — noise t…
*100 copies limited edition* El-Hadra is more than ambient music - it’s a sonic ritual that leaves a permanent mark on the soul. This album has transformed the way many perceive sound, becoming a personal landmark for countless listeners. Originally recorded in the late 1980s, it fuses elements of Sufi trance with hypnotic tabla rhythms, meditative zither, and deep ambient drone to form a truly transcendent experience. Listening to El-Hadra is like entering a space beyond time - a journey one ca…
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
Tip! *300 copies limited edition* An’archives is proud to present [sensitive], a new album, and the first solo vinyl release, by Japanese keyboardist and synth player, Mitsuhisa Sakaguchi. A deftly assembled suite of glistening electronic tonalities, [sensitive] is the latest in a lengthy run of excellent, idiosyncratic albums by Sakaguchi. A low-key yet productive artist, Sakaguchi has released banks of solo titles via his own Bandcamp page, and is also an in-demand improvisor for electronics: …
«The project “a sad song for A.” was born from an insight Stefano Gentile had, driven by his moods and, in particular, a regret he had experienced in the past. It all began almost by chance, one evening, during an informal conversation. Stefano suggested that I narrate what I was experiencing most intensely at that moment: anxiety. After thoroughly analyzing this emotional state, he asked me to translate it into words, to write texts that could give voice to the emotions surrounding it. From the…
Double feature stint on Kashual Plastik. Twofold recreational Nordic spice, cultivated for dreamy solitude escapades and meditative tune voyages in witchcraft mood. Side A comes from Finnish experimental musician Juho Toivonen, shaped in his home in the city of Pori. A veiled minimalistic dream of gentle noise loops and environmental sounds, meeting a desiring voice that echoes haunting, mantra-like lyrics. Ship horns and other slow mechanic found sounds convoy it into eternity, while we, the au…
As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive sense of poptimism, it’s easy to see how David Cunningham and Peter Gordon immediately hit it off upon initially meeting each other back in the late-1970s at the height of their youthful transgressions. Having initially worked together on the second Flying Lizards’ LP fourth wall, with its ingenious fusion of dismantled rhythms and rearr…
Wümme, Lower Saxony. 1972. A converted schoolhouse. Inside: a tangle of cables, reel-to-reel machines, custom electronics soldered together by hands that refused manuals. This was not a professional recording studio. This was Faust's laboratory—and So Far was the experiment that proved you could rewire rock music's circuitry without killing the patient. Six months earlier, Faust had released their self-titled debut—a savage dismantling of what a rock album could be. Tape edits sliced through son…
On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same noise storm.
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection—a rediscovery of autumnal warmth and luminous craft.
In 1984 Vortex Campaign invited Coil and The New Blockaders to collaborate. The result, unofficially referred to as Dolbied, was released on cassette in an edition of 50. The release has since gone on to become legendary, showcasing two of the most influential groups in the scene at the early stages of their development. The melancholy mad tenant is an authorised release, sanctioned by all three groups. The tracks have been professionally re-mastered and in addition to the Coil/The New Blockader…
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.
On The Madcap Laughs, Syd Barrett turns his post-Floyd fracture into a stark, lopsided songbook: blues shuffles, nursery-rhyme mantras and bare confessions recorded as if they might evaporate mid-take. The result is intimate, unsettling and enduringly luminous.
A heretical symbol of Rare Groove, with its alternative and avant-garde ferocity! Irvine Weldon's 1973 masterpiece, which continues to have a wide influence around the world even today! Although it is based on jazz, it is a work released in 1973 that is more soul/funk than the first album, and reflects more experimental and political aspects and ideas. For over 30 years, it has been loved by diggers all over the world and reigns at the top of the rare groove as a most wanted item, and today the …
** Available on CD for the first time and housed in a lovely reverse printed card gatefold sleeve ** Malik King was an important part of the St Louis jazz scene of the 70's & 80's. He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human A…
Big tip!!! Firework Edition Records is proud to announce the release of a new 7-CD box documenting Lars-Gunnar Bodin's (1935-2021) musical and artistic output during the years 1960-1987. Apart from more than 8 hours of electroacoustic music and text-sound compositions, the box also features extensive documentary visual material, along with essays by Jesper Olsson, Sanne Krogh Groth, Leo Nilsson, Åke Parmerud, Svante Bodin, Charlotta Bodin och Axel Bodin.
It is hard to give a picture of such a m…
On Reich/Richter, Steve Reich joins Ensemble Intercontemporain and conductor George Jackson for a single 37‑minute arc of pulsed colour, a chamber‑orchestral score conceived in dialogue with Gerhard Richter’s moving stripes, where pattern, blur, and return become musical form.
Fifth edition of the essential publication series for experimental and graphic music scores, from the Berlin-based collective smallest functional unit. A vital resource for performers, composers, and anyone fascinated by unconventional approaches to notation and the organization of sound.
Smu was founded in 2020 by Tony Buck (percussion), Mazen Kerbaj (trumpet, objects), Magda Mayas (piano, objects), Ute Wassermann (voice, objects), and Racha Gharbieh (organisation) with the aim of performing an…
On Live in Kallio, Markus Holkko Quartet turns a Helsinki neighborhood into a pressure chamber of color and rhythm, blending proggy contours, retro-fusion heat and modern Nordic lyricism into long-form live explorations that feel both heady and immediate, cerebral yet unafraid to let the groove bite.