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Huge Tip! Oiro Pena is a Finnish jazz collective helmed by prolific composer Antti Vauhkonen. Their last album, Puna, recorded in bedrooms, studios and other salubrious locations around Helsinki during 2022, is a mix of lo-fi spiritual jazz, experimental, and avant-garde music forms. It includes four vocal tracks recorded with Merikukka Kiviharju, which feature both original lyrics and those sourced from traditional Finnish folk songs. Vauhkonen first attracted attention as saxophonist in the gr…
* Edition of 199 copies * Between 1999 and 2000. By the early 2000s, Merzbow had entered a markedly new phase. The tape collages, junk electronics, and analogue chains that had defined his work across the 1980s and 1990s gave way to a digital practice built around laptop, software processing, and a rigorously composed approach to harsh noise. Across releases such as Merzbeat (2002), Animal Magnetism (2003), and the present album, Masami Akita reorganised his vocabulary around dense, sculpted str…
Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.
*100 copies limited edition* "When AJ Lee stepped back into the ring in September 2025 - after a ten-year break - she introduced herself to a new generation of fans with the words: 'If you haven't heard of me, I am your favorite wrestler’s favorite wrestler.' That is exactly what came to my mind as a lead for this blurb when Pokusa asked me to write it. Because that’s what they are: your favorite indie darlings' favorite indie darlings (even though no one uses that term anymore, let alone identi…
Mai Mai Mai’s artistic path has never rested on laurels, it’s been a constant evolution, a profound and poetic research, a dark and dusty journey through awareness and collaborations where the heart of the process has always been about building connections and understanding people and their rituals. Mai Mai Mai’s new album ‘Karakoz’ was mostly recorded in Palestine (Ramallah and Bethlehem) in 2024 during an ongoing genocide and follows his acclaimed Southern Gothic double-album ‘Rimorso’. The al…
Long-form duo work between Balázs Pándi (percussion) and Jon Wesseltoft (electronics), shaped as an open landscape of contrasts articulating space in both time and depth. The two players alternately trade and merge their instrumental identities, generating zones of improvised openness alongside densely constructed electroacoustic narrative. The vocabulary moves between quiet, ritually framed rhythmic space and saturated information, held as deliberate counterweights.
On Minimalistic ethio 80’s and 90’s from audiotapes የሐር ሽረሪት, DJ Mitmitta threads together lo‑fi synth jams and cassette‑era instrumentals from unsung Ethiopian bands, where battered Casios and drum machines sketch hypnotic, pastel‑toned echoes of wedding halls and roadside bars.
*2026 repress!* Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank …
The MerKaBa Brotherhood are Roman Norfleet (The Cosmic Tones Research Trio, Be Present Art Group) and Andre Raiah (Brown Calvin of Brown Calculus, Be Present Art Group). The duo draw from esoteric texts, sacred imagery, and mystic thought, shaping sound into space, tone, and pulse. It's a spare and almost geometric record featuring Sax, keyboard and percussion.
The album turns sound into a working language - textures as diagrams and melodies as signals. There is much to be learned and even more …
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
Mike Cooper returns to Discrepant with »The Dream Island of Birds«. Neither documentary nor abstraction, »The Dream Island of Birds« sits between field recording, memory, and invention — an island heard through time and circuitry.
In the early 1990s, Cooper met illustrator and writer Charles van Sandwyk while walking on a small island in Fiji. Van Sandwyk was living there quietly, working from a modest bamboo house near the beach. Years later, Cooper learned that following a serious car accident…
The second book in the trilogy of volumes dedicated to Grim Humour fanzine, which ran between 1983 and 1993 and lasted eighteen editions. Following on from the first one, published in 2020, this book continues the same approach and blends together reprinted original pages with rewritten features, some insightful reflections on them and additional material by both editor/publisher Richard Johnson and contributors including Andy Pearson, Tom Vague, Edward Ka-Spel, Gordon Sharp/Cinder, Wojtek Kozie…
Companion volume to Parkustomnie, drawn from the same 2016 sessions at the Conservatorio Jesús Guridi in Vitoria-Gasteiz. Guionnet (church organ) and García (electronics) again use volume as a compositional variable: the music is engineered so that at low playback levels the performance feels restrained and exquisitely subtle, while at high volume entirely new sonic strata emerge in overwhelming detail. Electroacoustic improvisation that turns the amplifier into part of the score.
Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…
Psychic Sounds presents Medicine Stunts, the long-awaited first vinyl pressing of haunting atmospheric meditations of Aaron Dilloway's most foreboding ambient works. Originally released by Lal Lal Lal in 2014, these atmospheric practices and mysterious meditations receive their first proper mastering and wax pressing, revealing new depths in the Wolf Eyes founder's exploration of shadowed sound territories. Recorded across 2009 and 2014 using an arsenal of unconventional instruments - tapes, jug…
On Noisextra, Masonna condenses his infamous live violence into ultra‑compressed shock cells: all‑frequency spray, cut‑up screams and convulsive drop‑outs that feel less like tracks than controlled electrical injuries to the stereo field.
Bomb! Estonian multi-instrumentalist Misha Panfilov returns with Days As Echoes, a sophomore release that channels the expansive spirit of Krautrock through the lens of contemporary ambient and spiritual jazz. Part of Panfilov's ever-expanding musical universe, the Misha Panfilov Sound Combo delivers six compositions that function as both individual meditations and a cohesive sonic narrative about hope, journey, and human connection. Drawing from an impossibly diverse palette that includes Ethio…
Big Tip! *Limited edition of 200 copies* Geometrik Records is delighted to once again play a part in the exclusive recovery of Marcelo Expósito's previously unpublished work, which had been lost since its original creation in the 1980s. Marcelo Expósito is one of Spain's most internationally renowned contemporary artists, whose work is regularly exhibited across Europe and Latin America. But he began his career at a very young age during the era of sound experimentation that flourished in the wa…
A late and welcome arrival from the Matchless vaults. Phlegm captures AMM in their classic trio configuration, Eddie Prévost on percussion, Keith Rowe on tabletop electronics, John Tilbury on piano, recorded live at the Huddersfield Contemporary Music Festival, November 2015. One continuous hour-long piece, a setting closely aligned with the group's longstanding commitment to electroacoustic improvisation and one of the final documented performances of the trio.
By this stage AMM's language had …