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Second half of a two-part album by Mens and Kouw, recorded live in studio in December 2014 and following directly from the first volume. The two long-form pieces extend the duo's pursuit of precisely tuned analogue synthesis: deep, warm drone fields that gradually disclose, to patient listening, a rich substructure of resonances, artefacts and slowly shifting collages of texture. Material that resists time as event-based articulation and proposes it instead as immersive sonic sculpture.
For close to a decade the sound of Italian cinema and television ran through four musicians from Rome. I Marc 4 were the rhythm section the country's leading composers reached for first, and between sessions they cut a long run of library albums under their own name. The scarcest corner of that catalogue sits on two companion imprints, Silver Music and Silver Men, issued in 1976 and seldom seen since. This new edition draws the strongest material from both onto a single LP, in the original milit…
The treasure of Japan’s jazz scene and its most formidable drummer, Takeo Moriyama, drives out a powerful, intense beat. This important work — recorded in April 1994 and the catalyst for Moriyama’s comeback — is being released on vinyl for the first time. Backed by a rock-solid lineup of players — Fumio Itabashi (piano), Toshihiko Inoue (S. Sax & T. Sax), Eiichi Hayashi (A. Sax), and Hiroshi Yoshino (bass) — the recording delivers a ferocious performance that condenses the universe of Moriyama’s…
*100 copies limited edition* "When AJ Lee stepped back into the ring in September 2025 - after a ten-year break - she introduced herself to a new generation of fans with the words: 'If you haven't heard of me, I am your favorite wrestler’s favorite wrestler.' That is exactly what came to my mind as a lead for this blurb when Pokusa asked me to write it. Because that’s what they are: your favorite indie darlings' favorite indie darlings (even though no one uses that term anymore, let alone identi…
Huge Tip! *White vinyl with obi strip* Twenty years into their singular journey, Valence-based trio France have become one of Europe's most hypnotic live forces - a hurdy-gurdy-powered engine generating waves of kraut, psych, folk and drone that blur the boundaries between physical experience and altered consciousness.
Good Thoughts, Bad Thoughts captures the band in full flight during their very first English tour, recorded at The state51 Factory in East London. Until this tour, UK audiences ha…
**300 copies** Masahiko Satoh is a Japanese jazz pianist, composer and arranger. Yoshisaburo 'Sabu' Toyozumi is one of the small group of musical pioneers who comprised the first generation playing free improvisation music in Japan. As an improvising drummer he played and recorded with many of the key figures in Japanese free music including the two principal figures in the first generation, Masayuki Takayanagi and Kaoru Abe from the late 1960s onwards. The Aiki was recorded live on the 26th Mar…
Intensely expressive free-verse vocal laments over sliding violins, hammered santouri, guitar, and oud - the hybrid sounds of the Mediterranean in the early 20th century. “Aman Aman” cry the singers on these recordings, their voices preserved on 78rpm discs cut between 1911-1935. The phrase roughly translates to “mercy,” a call of despair, but also one of joy and admiration. On many of these sides, that full range of emotion is transmitted at once. Some of these artists are legends, others lost …
The MerKaBa Brotherhood are Roman Norfleet (The Cosmic Tones Research Trio, Be Present Art Group) and Andre Raiah (Brown Calvin of Brown Calculus, Be Present Art Group). The duo draw from esoteric texts, sacred imagery, and mystic thought, shaping sound into space, tone, and pulse. It's a spare and almost geometric record featuring Sax, keyboard and percussion.
The album turns sound into a working language - textures as diagrams and melodies as signals. There is much to be learned and even more …
*300 copies limited edition* "A sprawling, meditative journey into inner and outer space, the new double album from Ivan The Tolerable sees Oli Heffernan retreat fully into the solo realm—crafting an expansive sonic world that feels both intimate and cosmic in scope. Recorded entirely alone and released via Riot Season, this latest work drifts away from structured forms and toward something more fluid, exploratory, and transcendent.Drawing on the devotional atmospheres of early ambient pioneers …
Death Is Not The End present a compilation gathering a cross-section of early gospel choirs and vocal harmony groups recorded between late 1920s and the mid-1950s - a period when spirituals & jubilee traditions merged with blues, jazz and early rhythm and blues, providing the musical routes for the coalescence of the civil rights movement born out of the black church. In the modern world these perennially vital recordings provide a fitting tonic for the near-dystopia we find ourselves living thr…
**Original 1988 copies of this obscure classic, few copies in stock** First LP album by these Italian post industrial legend (of Broken Flag fame), published by the Milanese label ADN, this is their praise of Marquis de Sade, entitled Boudoir Philosophy and inspired by the book of the same name: this is ritual dark electronica at their best. Formed in Milan, Italy on 23 December 1985 by Paolo Bandera (Sshe Retina Stimulants), Eraldo Bernocchi, and Luca Di Giorgio. Their unique sound is derived f…
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …
In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.
Triple LP edition, black vinyl. Infinite Fog are delighted to present another piece of the intriguing Coil puzzle. In the mid 1990s the core team of John Balance and Peter Christopherson were continuing their exploration of the outer reaches of electronic sound production as exemplified by the "Born Again Pagans" release, originally an EP only, featuring both the hugely danceable "Protection" smash which had Danny Hyde's influence writ in large letters all over it, as well as the first outings o…
Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that sensibility becomes th…
"After Aktor and Quietism last year, the Scotsman is in top form, churning out albums that are stunning in their intelligence and pop refinement. If Mannequin is so good, it's for three main reasons. The first is that Momus has returned from his experiments that saw him playing around with AI or composing K-pop songs. We welcome with delight his return to the basics of a pure and perfect pop characterised by a certain economy of means, a DIY ethos — a synth-pop hodgepodge that suits him perfectl…
Follow-up to Haarlemmerhout, pushing Polack's hyper-local Haarlem practice out into the wider world. Four long pieces are built from material gathered across continents - the temple of the reclining Buddha (Wat Pho, Bangkok), Schiermonnikoog in the Dutch Wadden, Hong Kong traffic lights, Gamelan percussion - then routed through electronic processing, nostalgic power chords, electroacoustic crescendo writing, and a final tenor saxophone gesture reminiscent of Albert Ayler's raw expressivity.
Zeno van den Broek's most aggressive work for the label, framed around chaotic systems and the energetics of protest and riot. Sine waves, noise and grid logics from his architectural-conceptual practice are pushed into pitch-black metal-electronic territory, with polyrhythmic structures driving the buildup and release of accumulated tension. A formal study of chaos that retains his rigorous minimalist vocabulary while shifting it into visceral, high-energy mass.
Originally released by Ghent's Dauw tape label in 2016 and quickly sold out, here reissued on CD with two new interpretations added. The original is a pair of eighteen-minute pieces: Dwaal layers orchestral washes against radio static and erratic noise, while Wold spreads sparse piano notes over a bed of fine hiss, supported by wind and bird recordings from Vriescheloo. The reissue adds remixes by Benoît Pioulard (organ and guitar) and Nicola Ratti (synth sputters and rhythm).