Best sellers
The Final Painting
Time stands stunningly still on The Final Painting, the dreamy, elegiac final album from legendary underground singer-songwriter/poet/painter Ed Askew.
Issue 137 (Magazine + 7", Orange)
Electronic Sound #137 bundled with an exclusive purple vinyl 7" by Doublespeak, the new synth supergroup of Vince Clarke, Neil Arthur and Benge. A widescreen cover of Fad Gadget's 'Back To Nature' on the A-side, the previously unreleased 'Sunset (Instrumental)' on the flip.
Magick Knives
Magick Knives channel desert night into sound: cinematic post‑punk steeped in gothic rock, darkwave and shimmered synths, where hypnotic bass, spectral guitars and whispered occult glamour coil into slow‑burn rituals.
The Mafia Film Music Collection
Three of Riz Ortolani's crime and gangster scores, long awaited by his admirers, gathered on a single two-disc set for the composer's centenary.
Mushin
On Mushin, Susana Santos Silva and Vasco Trilla strip trumpet and percussion down to pure responsiveness, letting sound arise and vanish like breath in a Zen exercise, where every gesture feels both unpremeditated and utterly focused.
Astral Disaster (Prescription versions)
3LP triple set featuring all the Prescription versions and the newly created AD II artworks by Steven Stapleton. The booklet features all lyrics, extensive liner notes and sheds light on the interesting circumstances of the creation of this Coil release by Gary Ramon who not only instigated the sessions but also provided the haunting location for their recordings. Has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Steven Stapleton design & layout by Ol…
Party Down the Hall
*50 copies limited edition* Aster are poets and experimental sound makers Alex Keramidas and Catherine Norris. Their practice is informed by perpetual choirs, sacrificial stones and top of the pops, as well as being guided by divination. Party Down the Hall is their first album - a collaboration built on ethereal narratives, samples and melodies, creating invocations for the modern era.“In an apartment in a big old building. It used to be a hotel where people would stay in order to be healed. No…
![Beton Library: Clockwork System Archive [1]](https://cdn.soundohm.com/data/products/2026-06/a1735488218_10-jpg.jpg.500.jpg)
Beton Library: Clockwork System Archive [1]
Artist Aubrey Taeuber bring us a fascinating new concept piece in the form of two long form sound collages weaving a tale of forbidden knowledge stolen by the elites and denied to the poor.
Yomillak - Korean classical music
Selection of Korean classical music, performed by the Orchestra National Center for Korean Traditional Performing Arts. Cast your mind back to the 15th century. That is, of course, difficult if not impossible to do, but the major piece recorded on these CDs, Yomillak, 'Giving the People Joy', provides something of a sonic reference point: it was first performed in 1447. Y'millak is the most extended piece of orchestral court music surviving in Korea, and it has for many centuries been used for r…
Kyoto 1970
Edition of 400. Wired was an ephemeral improvisational music project formed by Michael Ranta, Karl-Heinz Böttner, and Mike Lewis. On 28 April 1970, the trio recorded an extended studio session of approximately 140 minutes, in collaboration with Conny Plank, who engineered and mixed the recording in real time, incorporating elements of live electronics. This session was subsequently edited to album length and released in 1974 as part of the Free Improvisation 3LP box set issued by Deutsche Grammo…
Curse You, Foreign Lands
A 14-track tape pulling together rural Greek demotika recordings from the late 1930s to the mid-1950s. Soaring pentatonic improvisations, odd-metered rhythms, and vocal performances oscillate between heartbreaking laments and ecstatic celebrations.
Free Jazz in Japan: A Personal History
This book, the only history of free jazz in Japan, has been reprinted many times in Japan and is finally available to readers overseas in English translation. From its earliest stirrings in the 1960s until it reached international recognition in the 1970s and after, free jazz in Japan is a unique music that has found its perfect scribe. Soejima Teruto was a writer who fell in love with a music and devoted his life to it as promoter, critic, label owner, tour organizer, and much more. All new pho…
Orchestral Works 1
New CD from Agencement, the long running solo project of the Japanese violinist, improviser, and painter Hideaki Shimada, the first release on Pogus in five years, and it closes a circle more than three and a half decades in the making. As Al Margolis, the label's founder and a singular force within American experimental music since the early 1980s, has long made clear, Pogus had wanted to issue Shimada's work since the very beginning. That it finally appears now, with Margolis himself among the…
Wigmore Hall 1968 + John Tchicai Quintet, John Tchicai Peter Kowald Duo (2LP Bundle)
This 2LP bundle includes the two latest Formalibera albums: John Tchicai "Wigmore Hall 1968", and John Tchicai, Peter Kowald "John Tchicai Quintet, John Tchicai Peter Kowald Duo".John Tchicai "Wigmore Hall 1968" (LP)* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even among giants. Born in Copenhagen…
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Mens and Kouw have worked together since 2001, when their first album emerged from the clicks 'n cuts vocabulary via raw mixer feedback recorded to minidisc and broadcast live on Amsterdam's Radio 100. The duo has since migrated into tonal and timbral long-form, combining software, recorded acoustic instruments and modular synthesizer into electro-acoustic drone with audible debts to the American minimalist canon. First half of a two-part album, recorded live in December 2014.
Music for Real Airports (Box set 2)
Music for Real Airports is a multimedia art project by musicians the Black Dog and interactive artists Human which is presented in art galleries. It is also a new CD of music by the Black Dog. It is a response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno’s work from the ‘70s. Airports are important and revealing. They are dystopian microcosms of a possible future society. The necessity of safety requires that they be systems of human cont…
The Voice of the Eagle
“I don’t call a lot of my stuff far out,” Basho explained. “I just call it a different level of feeling. It’s far in, as far as I’m concerned...I spent years on the road singing folk songs that had no meaning. It dawned on me music is supposed to say something. Music is supposed to do something.” This is a Basho vocal album – his singing, which John Fahey described as “strangely compelling”, came straight from the heart and soul with no regard for restraint, phrasing or timing. Thankfully, he wa…
Meeting of the Spirits
A small, beautifully strange artefact: a 7" single bringing together two figures from different worlds and decades. On one side, the Berlin techno producer Stefan Goldmann reworks "Theme From Solis Ardor", a piece originally composed by Soviet electronic music pioneer Sergey Rodionov for Vladimir Naumov's 1988 film of the same name. On the other, Rodionov returns the gesture, covering Goldmann's "The Bribe", a track that first appeared on his Lunatic Fringe 12" for Macro.
Rodionov is among the m…
I'm On My Journey Home: Sacred Harp Singing, 1928-1934
Death Is Not The End, following their cassette reissue of Harry Smith's Anthology, present a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from the late 1920s through to the late 1930s. Necessary vinyl edition of Death is Not Final’s I’m On My Journey Home, Sacred Harp Singing, 1928-1934, a collection of recordings of Sacred Harp singing (a traditional sacred choral music with origins in the American South) taken from…
The Pain of Separation: Turkish Gazels, 1926-1935
A collection of spellbinding, melismatic vocal improvisations taken from 78s cut between the mid 1920s to mid '30s - a period defined by the aftermath of the Ottoman Empire’s partition, the Greco-Turkish War and the compulsory population exchange that followed. This same period also represented a time of intense efforts, following the establishment of the Republic, to westernise the new nation's music - coupled with a ban on traditional music education in schools, and later a complete ban on bro…