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Eugene Chadbourne and Paul Lovens on tour in May 1996, recorded in New York, in Michigan and in an Italian restaurant in Traverse City: guitar and banjo against drums, cymbals and saw, a suite for the waiters of the world.
Inuit singer Tanya Tagaq live at Victoriaville in May 2010 with Jean Martin on drums and computer and Jesse Zubot on violin: throat singing, cries and breath stretched into an hour of raw, physical improvisation.
Compositions by Finola Merivale for field recordings and electronics, with Catherine Sikora's tenor saxophone moving through shifting sonic environments between stark minimalism and dense, evocative layers.
Thelonious Monk by Francis Gooding, Mats Gustafsson, Fielding Hope, Patrick Preziosi, Andy Thomas, Arttu Tolonen, Bret Sjerven, Daniel Spicer & Wif Stenger, Miles Okazaki by Andrew Scott, Kiri Ra! by Wif Stenger, Jazz Is Dead By Tina Edwards, Dirar Kalash by Henry Boon, Dewey Redman on Impulse by Andy Beta, Water Damage by Matt Sonzala, Mikel Patrick Avery by Patrick Romanowski, The Torched Torch Singers by Alex Coles & more.
Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…
Another of Berendt's meetings, SABA 1967. George Gruntz, the Basel pianist who would later run the Berlin Jazz Festival for twenty years, with Sahib Shihab on saxophones and Jean-Luc Ponty on violin, and a group of Tunisian musicians: a bendir and darbuka drum ensemble and Salah El Mahdi on ney flute. The title turns Dizzy Gillespie's tune on its head.
UK Vibe, reviewing the Nicola Conte compilation that includes Djerbi, points out that the famous names are not the point: it is the lesser-known …
Berlin Philharmonie, 3 November 1976. Hannibal with George Adams on tenor, Diedre Murray on cello, Michael Cochrane, Steve Neil and Allen Nelson. His own 23rd Psalm, Coltrane's Bessie's Blues and My Favorite Things, Willow Weep for Me, and Swing Low Sweet Chariot as a memory of the Texas cotton fields.
Goblin's score for George Romero's Dawn of the Dead, released for the first time under the film's original title: New York Comic Con 20th anniversary edition on black vinyl with new artwork, limited to 750 copies.
Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…
A first-time vinyl & cassette release for pioneering Bengali ethnomusicologist, filmmaker and radio producer Deben Bhattacharya's Bali field recordings, captured in the historic villages of Puri Karangasem, Tegaltamu, and Kayumas Kaja between December 1973 and January 1974. Searingly beautiful and hypnotic, these are some of the finest candid, open-air sonic documents made of gong keybar orchestras accompanying authentic dance-dramas, ceremonial funeral rites and shadow puppetry plays. The 2LP i…
Berkeley Jazz Festival, 1974. Prince Lasha, the Fort Worth altoist and flautist who had made The Cry! with Sonny Simmons and Iron Man with Dolphy, with Hubert Eaves on piano, Ron Carter on bass, Roy McCurdy on drums and Kenneth Nash on percussion. Three pieces, including the sixteen-minute Mayflower.
*2026 repress* Recorded between 1979 - 1981 on a Mechlabor STM-610 reel-to-reel analog recorder at Gusztáv’s home in Budapest. Occult synthwave dressed with ritual, avant-garde/psych elements, merged in an absolute mystical masterpiece! For the first time after 36 years Mutant Embryo Records is proud to announce the official release of Gusztáv Fekete cryptic material. Recorded on reel tapes between 1979-1981 with true analogue sound, this album constitutes the Holy Grail of late 70's Hungarian u…
With Writing, Ahmed - the quartet of Pat Thomas, Joel Grip, Antonin Gerbal and Seymour Wright - turn a decade of notes, essays and sleeve texts into a woven chorus, mapping how their deep dive into Ahmed Abdul‑Malik becomes a living method for making future music.
Baden-Baden, Südwestfunk studio, 12 to 14 December 1969, the annual Free Jazz Meeting. Steve McCall had persuaded the organisers to invite the Chicago musicians living in Paris: Lester Bowie, Joseph Jarman, Roscoe Mitchell, and the pianist Dave Burrell. They met sixteen Europeans: Albert Mangelsdorff, Kenny Wheeler, John Surman, Willem Breuker, Terje Rypdal, Tony Oxley, Alan Skidmore, Heinz Sauer, Gerd Dudek, Eje Thelin, Bernt Rosengren, Hugh Steinmetz, Leo Cuypers, Claude Delcloo and Karin Krog…
Jan Garbarek's 1998 double album with Rainer Bruninghaus, Eberhard Weber, Marilyn Mazur and Bugge Wesseltoft, on vinyl for the first time in ECM's Luminessence series: tip-on gatefold jacket with booklet.
Sacher-Pelz, the 1979 solo project that preceded M.B., in a CDr reissue of L.E. Cherz Pas, first out on TIBProd. in 2010: four long pieces, about an hour of music. 30 copies in a black envelope.
34 tracks from Felix Kubin's singles, EPs and collaborations, 1998 to 2019, chosen by Kubin himself for this Japan-only 2CD, most never on an album and many new to CD. Limited to 300 copies, issued for his June 2026 Japan tour.
Second volume of Miúin's Kilkenny Electroacoustic Research Laboratory anthology, turning to the music cultures around the lab, including commissions by its engineer Tony Quinn. Cassette with book and A3 poster, curated by Neil P. Quigley.