Best sellers

Tip! When Peter “Sleazy” Christopherson passed away in 2010, he left several projects in different stages of completion. In 2014, seven of these tracks were assembled by people close to him and released as Time Machines II on a limited deluxe memory stick. The edition sold out almost immediately and has since become a collector’s item. Despite its title, Time Machines II is very different from Coil’s 1998 drone classic. More varied in sound, it recalls instrumental Coil works such as The Restitu…

Erik Enocksson's 2006 score for the Swedish film Farväl Falkenberg: pump organ, piano, chiming bells, whistling and acoustic guitar waltzes, with songs recorded on set. New edition for the film's 20th anniversary, 500 copies.

*300 copies limited edition* One is a self-titled psychedelic and progressive rock album released in 1969 by the British group One, originally issued on the Fontana label. Built around singer and multi-instrumentalist Alan Marshall and keyboard player Bobby Sass, the group brought together musicians with strong studio and live backgrounds, creating a sound that is loose, soulful and unusually expansive. The album mixes blues-rock, soul, jazz touches and psychedelic improvisation into five long p…

Frank Denyer's String Quartets 2 to 6, played by the Luna Quartet with heavy mutes at the volume of a conversation: microtonal single-movement pieces with sung notes, pellet bells, a buzzing string and a tap-dancer's shoe, meant to be heard in sequence.

Scottish singer and guitarist Alasdair Roberts and Norwegian just intonation explorer Fredrik Rasten stretch seven traditional Scottish ballads into slow, drone-rich spells: an hour of overtones, hurdy-gurdy, psaltery and two voices.

*2026 repress* Recorded on February 28, 1971, at the Henie Onstad Art Centre in Høvikodden, Norway, this remarkable document captures Soft Machine at the height of their creative powers—performing two continuous sets that blur the boundaries between composition and improvisation.   On this evening, the British avant-garde ensemble unleashed an unbroken flow of sound—dynamic, exploratory, and charged with the band’s signature blend of jazz, rock, and experimental electronics. All instruments—exce…

Julianna Barwick and Mary Lattimore's score for Threshold, the documentary on cross-country ski champion Jessie Diggins: sixteen cues with an open palette of harp, voice and more, after their duo album Tragic Magic.

fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant Howie AKA Edward Woodward. 'Ghost Signs' brings some darker shades of ambience and classic electronic sounds, with Berlin School style sequencing and a retro sensibility. Nigel uses vintage analog and virtual synths and old-school effects. Nostalgic…

Keyboardist Himiko Kikuchi's 1987 fusion album with guitarist Masatsugu Matsumoto, a full horn section and members of Spectrum, AB's and Yuji Ohno's band. Limited 180g reissue on Great Tracks, pressed in Japan.

2026 repress of the Stroom compilation spanning thirty years of home recordings by the Belgian architect and Absent Music founder.

"Utility Modern represents a kind of full creative circle for me. My musical journey began under the influence of Bill's work, and now we find ourselves collaborating, building something new together. In many ways, Utility Modern is an homage to the guitar and to the guitarists whose music shaped my artistic voice.My work is rooted more in process than in concept, and that process is deeply informed by an ongoing exploration of the instrument—its technique, physicality, and expressive possibilit…

Studio album by the Miles Davis quintet with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams, recorded at Columbia's 30th Street Studio in New York in June and July 1967 and first issued in 1968.

The 2005 album of the Montreal ensemble, back for its 21st anniversary: six songs of protest and love for strings, guitars, piano and group voices, recorded at Hotel2Tango with Howard Bilerman.

*200 copies limited release* Timeless sounds merge into a singular experience, giving birth to "L'Immagine di Me, Lontano," where timeless samples, devoid of memory, reimagined through the constant employment of granular synthesis, blend with echoes of distorted strings and distant pianos. Sounds excerpted from the sonic fabric of the world metamorphose into fragments of emotions, suspended between reality and imagination. The recordings, rich with unknown atmospheres, unveil their deepest essen…

A really must-have for any Library Breaks DJ vinyl collector. This is Silvano  Chimenti and Romano Rizzati (alias Walter Rizzati) I Gres Vol.1, a sought-after  funky breaks Library monster featuring the noted track "Restless" made famous  by DJ Leacy, and containing other dope breaks and beats.  I Gres were a studio group only founded by Silvano Chimenti that recorded 3  studio albums, recording Funky Library music. Band name brings the members  signs: the "G" of organist Giorgio Carnini , "R" s…

Without premeditation nor haste, Omertà re-emerges with its third album, Âmes Bleues (Blue Souls), gracefully deepening its own unique furrow, between lyrically rich songs and singular harmonic explorations. After ambling through the Corsican air currents and immersing itself in smoke, Omertà continues to unfold its geographical and sensory music, seemingly finding its reach in the suspension inherent in the subtle tension it produces. The group expands its sonic palette with soothing and psyche…

*Lucky restock* Originally released in 1996, Electric Salad captures Merzbow at one of his most intense and uncompromising moments. Masami Akita builds a dense sonic landscape from layers of distortion, feedback, electronic noise and shifting frequencies.The album pushes noise into a physical and immersive experience, where structure and chaos constantly collide. A powerful document of Merzbow's exploration of extreme sound as a raw and compositional material.

Recorded in New York City between July and August 1981, perhaps the finest example of Frippertronics in performance, mixed and produced by David Singleton and cut by Jason Mitchell at Loud Mastering for this 200g double LP.

The only album by the Swiss group Island, released in 1977 with a cover painting by H.R. Giger: dark, theatrical progressive rock without guitar, built on keyboards, saxophones and flute, with the long bonus piece Empty Bottles.

The only album by the French band Dün, self-released in 1981: an instrumental suite inspired by Frank Herbert's Dune, with flute, vibraphone and fast unison lines in the orbit of Magma and Zeuhl, plus five bonus tracks.

Akira Ishikawa's 1972 Latin set with Count Buffalo Latin Beats, arranged by Naoya Matsuoka: Cuban, Mexican, Brazilian and Puerto Rican standards pushed through fuzz guitar, Hammond organ and heavy drums.

Coloured Vinyl version. New York United is an experimental group at the musical intersection of a classic New York avant-garde scene and forward-looking electronic production. Comprised of multi-instrumentalist and 577-cofounder Daniel Carter (Saxophone, Flute, Trumpet, Clarinet), electronic producer Tobias Wilner from Blue Foundation (Synthesizers, Percussion, Vocals, Piano, Guitar), Wu-Tang Clan bass player Djibril Toure and 577’s Federico Ughi (Drums), their sound reflects their decades of co…

Masayuki Takayanagi alone with his electric guitar in August 1982: his first solo improvisation album, made after his recovery from near death, from Ornette Coleman's Lonely Woman to Lennie's Pennies. Official Three Blind Mice reissue on 180g vinyl.

Spencer Clark's second and last album as Black Joker, from 2010, remastered and pressed to vinyl for the first time: wooden-block percussion, flute-like keyboards and interlocking synth melodies under a night sky.

Tip! Originally released by Innova Recordings in 1996, Nyahh Records is delighted to re issue this ground breaking and pioneering work of electronic and acoustic work in a deluxe 2 disc set with a 26 page booklet containing new essays, scores  and never seen before photos. This collection includes recordings made between 1973 and 1985 including some of David Dunn’s work which he considers his ‘Environmental Sounds Works’, which include large scale pieces recorded in the Grand Canyon with up to 2…

Peter Brötzmann - tenor saxophone, tarogatoToshinori Kondo - trumpet, electronicsSabu Toyozumi - drums Recorded live on October 2nd, 2016 at Roppongi Super Deluxe, Tokyo, Japan by Kunimitsu TsuburaiAll music by Peter Brötzmann, Toshinori Kondo and Sabu ToyozumiMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhotos by Moto UeharaCover art by Sabu Toyozumi

2023 Reissue. Fripp & Eno's timeless electronic music classic No Pussyfooting on vinyl for the first time in nearly 30 years. The album's return to the 12" format is cut from masters approved by the artists, manufactured on 200g super-heavyweight vinyl and presented in a re-worked version of the original gatefold sleeve, using variant photos from the original photo shoot by Willie Christie.On September 8th 1972, Robert Fripp brought his guitar and pedal board to Brian Eno's home studio. Using En…

Neofolk from Todd Paulson of the Minnesota black metal duo Canis Dirus: acoustic guitars, wyrd folk and dark ambient shading. Grey vinyl with insert, 100 hand-numbered copies, Steinklang Industries.

*300 copies limited edition* Klaus Wiese’s monumental Ommayads appears on CD for the first time. A long-awaited reissue of one of the deepest and most mystical albums by German drone-ambient master Klaus Wiese. Originally released in 2004 as a very limited CDr edition, Ommayads now returns as a proper CD release, with carefully restored and remastered sound. The breath of Sufi mysticism. Ommayads is a 57-minute immersion into a space of stillness, resonance and suspended time. Named after the gr…

On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free jazz and chamber‑like intimacy.

Limited edition of 200 copies.* "In statistics, a ‘spurious correlation’ is a mathematical relationship in which two or more events or variables are associated but not causally related, due to either coincidence or the presence of a certain third, unseen, factor. Spurious correlations look like causal relationships in both their statistical measures and in graphs, but they're not real."

Few musicians, and few albums, embody such a joyful sense of freedom and vitality. Racco is where the artistry of Ryojiro Furusawa reaches its peak.

AMM as the trio of Eddie Prévost (percussion), Keith Rowe (electronics) and John Tilbury (piano), in a single piece of about an hour recorded at the closing concert of the Huddersfield Contemporary Music Festival on 29 November 2015.

Dub alliance of Mystica Tribe (Taka Noda) and Scopeotaku (Scott Prentice) between dub, techno and psychedelic electronics; CD in digisleeve, 13, October 2026.

“The artistry of ABoneCroneDrone is in the attention to detail. The album is beautifully performed, mixed and compiled with intelligence and strong sense of structure. It makes good use of a listener’s valuable time while issuing a challenge to hear in a fresh way.” John L. Walters.

Only album released by the British-Caribbean band Demon Fuzz, recorded in summer 1970 with Paddy Corea, Ray Rhoden, W. Raphael Joseph, Steven John and Smokey Adams, produced by Barry Murray and issued on Dawn in November 1970.

At last but not least... After 2 years of absence from our catalogue we are glad to reveal we are close to release a new edition of Fabio Frizzi’s fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project we are developing since five years!Since ever paired with Un gatto nel cervello, now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive.One of the holy grails in our catalogue, si…

Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott, released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would featur…

American percussionist Jeff Arnal and German pianist-composer Dietrich Eichmann’s two-decade partnership fuses polyrhythmic structures and vibrant textures in dynamic, improvised soundscapes. "Tides of Unrest" captures their creative synergy in a 2023 session, blending innovation, tradition, and collaboration.

Stephan Micus' 27th solo album for ECM, dedicated to the sea: a dozen instruments from Borneo, Japan, India, Armenia, Africa and beyond, from hang and kalimbas to shakuhachi, duduk, sapeh and sho.