We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
On A Thousand Breathing Forms, Steve Roden’s 2003–2008 archive blooms across six discs of loop‑based miniatures, conceptual structures and quietly lyrical instrumentals, charting a mid‑period where lowercase intimacy, rigor and melody fuse into one breathing organism.
First international vinyl reissue of Chiko Hige's Trap, his second solo album, originally on Japan Records in 1985. A tense, hypnotic record of hyper-kinetic grooves, clipping guitars and twisting saxophone lines: one of the cleanest distillations of the Japanese No-Wave idiom at its peak, and a record that still sounds startlingly contemporary four decades on.
This is the first in a series of various compilations to come with a focus on the 80’s japanese Minimal/Synth/Wave and electronica. While Japan is very known for the Japanese Noise (almost as Germany is known for NDW (Neue Deutsche Welle) or 70’s Kraut (Progressive).Electronic Music this aspect of the 80’s Japanese Music Culture still seems to be less explored and exposed to the interested listeners. In the early 80’s you had several outstanding labels such as Vanity releasing great artist…
On Before There Was Sound, Roscoe Mitchell’s 1965 quartet with Fred Berry, Malachi Favors and Alvin Fielder captures the AACM language in embryo: sharp themes, free rhythm and a restless sense of form already pushing past hard‑bop borders.
Hardcover, 468 pages, 21×27 cm! In the wake of his Cause And Effect cassette label and distribution service, Hal McGee launched Electronic Cottage International Magazine. From 1989 to 1991, its six issues focused on the independent home recording community – artists who had developed their craft in the post-punk DIY era. The contributors were nearly all members of the hometaper community. The magazine featured articles providing helpful tips and highlighted the challenges hometapers faced. It in…
On Irreparable Parables, Andrew Wasylyk invites a choir of kindred voices into his gently haunted sound world, turning his childhood‑warm, strings‑and‑Rhodes miniatures into a series of quietly radiant songs about fragility, hope and the stubborn endurance of feeling.
Paul Nova's career began with Bizarre Unit and the legendary 1981 7" Dancing / Away from the Screaming Car, before he founded Exhibit One Records in 1982 and released a sequence of four highly collectible vinyl records culminating in the LP Trees Without Leaves (1984). His music exists in the lineage of the coldest and most precise British synthesizer pop of the early Mute years, but with a restraint and a melancholy that gives it a character entirely its own. The original Exhibit One pressings …
Pianist Joel Futterman and bassist William Parker deliver an epic improvisatory journey on this three-track, hour-long studio recording. Futterman and Parker have worked together in duo and group contexts since the 1980s, and their deep creative bond is audible in every note of this suite.
Three of the most essential new releases from Metaphon and La Scie Dorée, gathered in a single bundle. Liliane Donskoy's Intégrale Acousmatique (3LP set) brings together for the first time the near-complete acousmatic works recorded at Ghent's Institute of Psychoacoustics and Electronic Music between the 1970s and 1980s - a towering, previously inaccessible body of work by a French composer trained by Milhaud, Messiaen, Schaeffer, Stockhausen, Berio, Ligeti, and Xenakis. Wired's Kyoto 1970 docum…
10" featuring this explosive encounter between two of the wildest and most irrepressible musicians on the current international adventurous scene: the American electronics artist Container (real name Ren Schofield) and the Australian drummer/percussionist Will Guthrie.
On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.
"Historically, ensembles combining taishōgoto and bagpipes (at least inside the milieu of “jazz”) have been on the tame side. The Winkler Twins, Dagnabbit, CUZ and other such units pandered to the bowtie set so exclusively that many people have all but dismissed the instruments as hopelessly moldy or even (in the words of critic Milo Fine) “tools of fascism and complacency.” That said, it is my pleasure to announce that the duo of William “Bill” Nace and Dave “David” Watson has made a mighty eff…
At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors!
Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …
France's near-revolution of May '68 kicked the country's small but vibrant counter-culture into overdrive and birthed a local underground music scene. The bands it spawned made music with far less rock purity than groups from the UK and US - their influences foregrounded improvisation, disjunction and genre-blending: Soft Machine, Pink Floyd, Frank Zappa, free jazz and radical politics. The introduction of the synthesiser in the early 1970s added fuel to the fire. This six-track compilation inau…
On Jazz In Libertà, Antonio Riccardo Luciani turns a nameless studio quartet into a lean, cinematic engine: two duelling keyboards, supple bass and drums, and a single Benson‑tinged guitar cameo conjure an entire universe of 70s Italian jazz‑funk and cop‑film tension.
*300 copies limited edition* In spring 2025, Abul Mogard and Rafael Anton Irisarri created the source material for their second album, Where Light Pauses in the Silence of the Sun, during a three-day residency at Morphine Raum in Berlin. Functioning as both recording studio and performance venue, the space has no stage, with the audience gathered around the performers. Working within an open framework, the duo reshaped the music each evening while recording the performances live to multitrack. R…
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him to explore an enormous sonic terrain. This freedom has also allowed him to develop a language in sound that remains utterly his own. Nowhere is this more evident than in his approach to instrument creation. During the 1970s Akio Suzuki devised a seri…
2026 stock Sacred Intent gathers conversations between artist Genesis Breyer P-Orridge (1950-2020) and longtime friend and collaborator, the Swedish author Carl Abrahamsson. From the first 1986 fanzine interview about current projects, over philosophical insights, magical workings, international travels, art theory and gender revolutions, to 2019’s thoughts on life and death in the the shadow of battling leukaemia, Sacred Intent is a unique journey in which the art of conversation blooms.
With (…
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…
A decade after its long-awaited release, Coil's landmark album Backwards returns in a special 10 year anniversary vinyl reissue. The black vinyl edition comes in a gatefold matt-laminate sleeve with silver detail, honoring the album's elusive, mercurial nature with understated elegance. After the ground-breaking release of 1990's Love's Secret Domain, Coil were not dormant - far from it. The main project was Backwards, which was started in 1992, updated considerably between 1993 and 1995, and tr…