Best sellers
He's Coming
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
Solid Static
On Solid Static, Musica Transonic / Mainliner - Asahito Nanjo, Makoto Kawabata and Tatsuya Yoshida - turn late‑90s Tokyo psych into a feral laboratory, smashing motorik riffs, free‑jazz volatility and distortion worship into one long, white‑hot detonation.
Zartir
The third album from Levon Eskenian’s remarkable ensemble is its most adventurous to date. As well as reclaiming the music of esoteric teacher G. I. Gurdjieff for folk instrumentation, Zartir situates Gurdjieff in a tradition of Armenian bards and troubadours including Ashugh Jivani, Baghdasar Tbir and the legendary Sayat-Nova. In parallel, an emphasis on pieces for sacred dance reaches its apex in The Great Prayer, an entrancing collaboration between the Gurdjieff Ensemble and the National Cham…
Chapter Two: Caverns of Crystal
*2026 stock. 250 copies limited edition* "Mystic Towers, and all related projects from Adam Kalmbach represent an important time for dungeon synth, one where we didn't really know what was going on and amazing records would come out of nowhere - it wouldn't be until much later when we were able to connect the pieces. Mystic Towers, Erdstall and Abandoned Places were all great projects but it would take time to emerge that these were not only created by the same individual, but all dedicated to t…
Bidule 2.0
On Bidule 2.0, eRikm tunnels into a cache of unheard Pierre Henry tapes, feeding analog “sound objects” from 1950–1974 through his custom digital apparatus to forge a dense, flickering work where early musique concrète and present‑tense signal processing fold into one another.
St. John Green
The album “St. John Green” is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era, the record perfectly captures the musical and cultural atmosphere of the late 1960s. The album blends various elements typical of psychedelia with sonic experimentation, garage lysergic influences and a free-spirited approach to songwriting.
Slot Machine Music, Vol. 1 & 2: Field Recordings from Middle American Casinos
"Video gambling addicts, academic researchers, and industry professionals alike describe the trancelike state into which problem gamblers suspend themselves with remarkable consistency: they unanimously call it the machine “zone,” a kind of inner experience during which the rhythmic flow of human-machine collusion borders on mysticism. Time is abolished in the act of contemporary video gambling—simulated slot reels roll, virtual poker decks deal, and all worldly concerns are lost—leaving only th…
Musica su Schemi
A testament to one of Italy's most radical musical experiments, now available in this carefully crafted limited edition for a new generation of adventurous listeners.
Point Of Eruption
German progressive with symphonic touch featuring Mellotron and flute, good keyboard playing and a fine guitar. Three of the six tracks are instrumentals. Dag Erik Asbjornsen lists the Troya LP in his book "Cosmic Dreams at Play" among the ten best Krautrock LPs of all time. The original album sells for 1000 € in mint condition. With 8-page booklet in LP size.
Independent Television
Independent Television unspools as a delirious, inside-out broadcast from the suburbs of perception. Arek Gulbenkoglu and Matthew Revert orchestrate a hall-of-mirrors soundtrack where the casual and the uncanny trade places, inviting listeners to attune themselves to the mutable psychic frequencies flickering just beyond the edge of comprehension.
Go On
Go On with the George Otsuka 5 was recorded in 1972 in Japan for the Three Blind Mice label. The album features a quintet led by drummer George Otsuka, a major figure in Japanese jazz in the 1960s and 1970s. The repertoire includes original compositions as well as contemporary hard bop standards.
Tuscany
*2026 Repress* Los Angeles based pianist, producer, and songwriter John Carroll Kirby traveled to Pietrasanta, Italy in the summer of 2018 on a self-imposed writing trip. During his stay he composed Tuscany, a two side-long solo piano exploration of this particular geographical envelope, a place where nature is shaped into form. Kirby would cycle 12 kilometers each day to Cascata di Malbacco, a waterfall with jade pools and silver stone, and the inspiration for Side A of Tuscany. His own Cascata…
Hip Seagull
This is both a blueprint and a definitive masterpiece. Effortlessly transcending eras and genres, Terumasa Hino continues to captivate audiences around the world. His sound and presence are truly top of the tops. Long before Japanese jazz was labeled as “Wa-Jazz”, and even before the rare groove movement emerged, Hip Seagull has been shaking dance floors, stimulating listeners, and fascinating collectors alike. Since his debut album Alone, Alone and Alone, Terumasa Hino has remained at the foref…
Wind
Celebrated jazz pianist and composer Masabumi Kikuchi returns with his latest album, "Wind," an evocative journey that intertwines technical mastery with deep emotional resonance. Released under the prestigious East Wind label, this album is set to redefine the landscape of contemporary jazz. With "Wind," Kikuchi showcases his unparalleled ability to blend traditional jazz elements with innovative modern sounds, offering listeners a unique auditory experience. The album comprises intricate compo…
Earthquake
"On Earthquake, the third and final cassette released on Slaughter Productions, Drift takes on a slightly different angle to the previous two cassettes. Where as The Beyond and Exile were firmly planted in pitch black ambient territory, the desolation on Earthquake is Saharan. Bright, Sirocco, and sun scorched. Afterall, who said Dark Ambient needs to be cold? In a sense, the listener is transported to an abandoned archaeogical dig while faint middle eastern tones waver in and out of the surfac…
Schematics For A Blank Stare - Volume Four
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
Eggshells
In recent years, many have become aware of the Egyptian oud player and composer Aly Eissa. He has long been a central part of the richly creative music scene in Cairo, but in recent years has really made his mark touring the world, both as a solo artist and with the trio The Handover.
Eissa was mentored in formative years by two legendary figures in Egyptian music; composer and multi-instrumentalist Abdo Dagher, and oud master Hazem Shahin. The music we are presented with on “Eggshells” is heavi…
L'Oriole
L'Oriole is the meeting point between violinist and composer Clara Lévy and sound artist Stéphane Clor. Combining violin, violoncello piccolo and a unique orchestra of resonators and transducers, the duo explores birdsong, resonance and the transformative power of sound. Acoustic instruments are projected into cymbals, drum skins, aluminium cans and other resonant objects, creating rich layers of colour, texture and spatial depth. Inspired by the work of Olivier Messiaen and his fascination with…
Vindögæ
*2026 stock* Reed players Mats Gustafsson and Andreas Røysum bonded over common understandings of the physical and political dimensions of music. Across generations and other accountant-like statistics (zzz...), they decided in 2021 to start playing together as a duo, and thus Vindögæ was unleashed on the Norwegian audience. It was on five cold December evenings, during which the country once again was preparing for lockdown, that the sound of Vindögæ opened up to a much-limited club audience. T…
March
Matching Mole was the band that drummer/vocalist Robert Wyatt formed after he left the pioneering UK outfit Soft Machine in July, 1971. Over the course of its brief, one-year existence, Matching Mole would develop a characteristic sound, a unique take on fusion, with interesting structures that encouraged individualistic expression through solos. When one of the members came across a forgotten live show on tape -- identified simply as 'March, 1972', they immediately contacted us, and this album …