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D
D is the debut studio album of composer Georg Deuter, a German New Age instrumentalist and recording artist known for his meditative style that blends Eastern and Western musical styles. The album was released in 1971 by Kuckuck Schallplatten.After travelling extensively in Asia in search of spiritual and creative inspiration, Deuter settled for a long time in Pune, India, where under the name Chaitanya Hari he became a neo-sannyasin - a disciple of Bhagwan Shree Rajneesh. With the aid of a mult…
Decay Music n. 2: In Girum Imus Nocte Et Consumimur Igni
Milan based Die Schachtel presents In Girum Imus Nocte Et Consumimur Igni (We turn round in the night and, behold, we are consumed by Fire) - a work for solo guitar by the Italian composer Stefano Pilia, the second release to appear on a new series from the imprint - Decay Music, highlighting inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract.Born in Genoa and based in Bologna, Pilia is a guitar player and electro-acoustic composer concerned with the scul…
Live at White Cube
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. These two performances are from Steve Beresford and London Sinfonietta.
Side A: Conducted by Steve Beresford, performed by…
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"In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise arti…
Split
Tip! *245 copies limited edition* Overjoyed to announce the release of this monumental record featuring two very different sides of the free-improv coin, pressed on heavyweight 180 gram mixed color vinyl. This intergenerational, wide-minded split LP blurs the hedges of national borders and the traditions of composition, marking a niche interzone inhabited solely by the uncles of punk and their experimental stepchildren.
Canadian noise pioneers, Nihilist Spasm Band, deliver a ripping side-long o…
Cantor Park
300 copies, black vinyl. Sometimes records just vibrate with a magical aura propagating endless energy and timeless positionment. Stefano Pilia & Valerio Tricoli have been maestros in their respective careers when it comes to dancing between modern concrete, unimagined landscapes and electroacoustic experiments slowly creating and almost hand-sculpting two of the most singular paths in the European avant garde scene.
After their long tenure in experimental collective 3/4HadBeenEliminated (Häpna,…
Nusa
*200 copies limited edition* "Nusa" is the last part of a trilogy started in 2020 with Masao Yamamoto and Akira Uchida. A project that began with light (“Sasanami”, 2020), moved through darkness (“Kurayami”, 2023), and returned to the ambivalence of the two (“Nusa”, 2026), which ultimately sustain and complement one another in all their variations and complementarities. Both in terms of tones and in the humanity that runs through us in these times of such stark contrast. For this last part of th…
Lifetime of a Flower
*Limited edition of 500 copies.* Eiko Ishibashi and Jim O‘Rourke created the installation Lifetime of a Flower for the Dortmund exhibition Flowers in 20th and 21st Century Art. In it they set parameters, but allowed the process itself to literally grow uncontrollably: they planted seeds in the garden of their Japanese house and filmed as the plants grew for the duration of the exhibition. Visitors were able to watch the stream in real time, while listening to a composition that reflected the org…
Somewhere in the Wind
Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…
This Heat
"There's an irony inherent in the term 'postpunk.' Many of the groups that define the genre (think Pere Ubu or Cabaret Voltaire) existed for several years before punk. But these outfits had little hope of finding an audience until punk stirred up an appetite for the extreme, while also spawning a new breed of independent labels that could support challenging music. " This Heat are a prime example. Formed in early 1976 by drummer Charles Hayward, guitarist Charles Bullen and 'non-musician' Garet…
Planes (LP)
Rare original 1974 edition of the privately released obscure album of brooding electronic music in early Kluster vein.
A New Day
*2025 stock* Rekindling the familiarly flowing interplay with fellow travellers Thomas Morgan and João Lobo – the trio’s musical partnership goes back over a decade at this point –, on A New Day Italian pianist Giovanni Guidi moreover expands the group’s instrumental grasp with the introduction of American saxophonist James Brandon Lewis, who makes his ECM debut here. Not only is the ensemble scope widened; with Brandon Lewis in tow, new dialects and fresh perspectives are broached, and differe…
The Rest Is My Ghost
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
Giant Beauty
2026 Repress! Custom die-cut rigid slipcase, 5 CDs in double card sleeves, 96 page perfect bound book including an interview between Seymour Wright and John Chantler and additional texts by silvia tarozzi, magnus granberg, nate wooley, valerie mol, pär thörn and lars grip and drawings by guillaume delcourt and aliocha delcourt. Limited Edition of 500 copies. [Ahmed] is the quartet of Pat Thomas (piano), Joel Grip (double bass), Antonin Gerbal (drums) and Seymour Wright (alto saxophone). Togethe…
A Sudden Point of Balance, Vol III
*2026 stock. 50 copies limited edition* This recording documents the third edition of the concert series A Sudden Point of Balance, held in the columbarium of Uppenbarelsekyrkan, Stockholm, on May 19, 2024. This edition included the performance of Monolit by Simon Hansson, presented as an installation for eight speakers.
Exotica
On Exotica, Sun Ra is recast as an unlikely lounge visionary, folding the lush fantasy worlds of Les Baxter and Hollywood mood music into raw, off‑kilter Saturn tapes that turn easy listening into uneasy, Afrofuturist escape.
Music on Paper by Chance (Score)
A rare printed score on parchment paper, approximately A3 size. Originally folded and sent as an invitation card to an exhibition, this work embodies Suzuki's philosophy of listening, chance, and the spatial dimensions of sound. Akio Suzuki (*1941 Pyongyang) is known as a pioneer of sound art, but the breadth of his activities and the form of his works far exceeds the normal boundaries of sound art. It is perhaps more as a "quester after sound and space" that he has received the most attention f…
People & Industry Special Edition
Castles in Space are thrilled to present this deluxe special edition of the second Warrington Runcorn New Town Development Plan album, "People & Industry". Originally released in September 2021, this is a beautiful new edition featuring four bonus tracks on a second 12"disc which have never been released on vinyl before.
“It’s been amazing to revisit this album”, says Gordon Chapman-Fox. “It’s one that people didn't get chance to hear, and it was overlooked following the success of the debut alb…
Issue 87 (Magazine)
Audion 87 arrives like a lovingly overstuffed mixtape passed between devotees, its 44 A4 pages packed with rabbit holes for anyone who still hears “progressive” as a verb, not a museum tag. At its core sit two major anchor features. The first is a deep excavation of choice German label classics, taking April and Schneeball as portals into a republic of small imprints, marginal bands and radical self‑organisation. Rather than recycling the usual Krautrock canon, the piece digs into catalogue corn…
Cumbión Planetario
Bogotá based Tropical futurists Rizomagic unveil their interplanetary mission to combine futurist technology with cosmic patterns, traditional rhythms and the woozy manipulations of pitched-down Cumbia Rebajada. Rizomagic are Edgar Marún and Diego Manrique, who met in 2020 while studying double bass and composition (respectively) at university in their hometown of Bogota. After finding a shared musical taste, they started producing music together during the first lockdown, swiftly producing and …