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On A Thousand Breathing Forms, Steve Roden’s 2003–2008 archive blooms across six discs of loop‑based miniatures, conceptual structures and quietly lyrical instrumentals, charting a mid‑period where lowercase intimacy, rigor and melody fuse into one breathing organism.
*500 copies limited edition* Since the late 1970s, Nigel Ayers (b. 1957, UK) has cut a bracing, subversive path through the contemporary underground, bridging DIY industrial enthusiasms with multimedia experimentation to form a singular body of work. Co-founder of the groups The Pump and Nocturnal Emissions (along with brother Daniel Ayers and then-partner Caroline Kaye), Ayers has been a contributor to and proponent of industrial music’s high-water marks, his Sterile Records imprint disseminati…
At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors!
Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …
Within all things audible, sine waves are arguably the simplest, yet most fundamental elements. They are consists of a single frequency and cannot be stripped back any further. On the other hand, as stated in the Fourier theorem, virtually all complex sounds can be broken down into a series of simple sine waves. In 2020, I was invited by Nicolas Bernier to create a work centred on sine waves as part of his collaborative research-creation project at the University of Montreal. Thinking about such…
Bursting into the 1980s on a new label (the then-upstart, now-legendary Rough Trade) and with an augmented, audibly panicked lineup, The Fall's Grotesque is the true pure-bred Fall release from the Marc Riley era. Released in the immediate wake of The Fall's most beloved single (Totally Wired), the album carries over that righteously famed teeth-chattering, bolstered in no small part by the drumming of new addition Paul Hanley, brother of bassist Steve Hanley and aged only 15 at the time of reco…
A work of genuinely monumental proportions. Jean-Claude Eloy's Gaku-No-Michi - subtitled "Tao of Music" or "Ways of Music" - stands among the towering achievements of 20th Century electroacoustic practice. Produced at the electronic music studio of NHK Radio in Tokyo between 1977 and 1978, its four hours of concrete and electronic sound unfold as what the composer called "a film without images" - an immense, spiraling architecture of sonic transformation that remains, nearly five decades on, as …
**2020 repress **Lovely Music presents a reissue of Robert Ashley's Private Parts, originally issued in 1978. This newly mastered CD release is a must-have for aficionados as well as a perfect introductory work to Ashley's oeuvre. Among Lovely Music's first six releases, it came to be known as "the yellow record". No one had ever heard anything like it; Ashley presented an unvarnished exposition of the inner workings of a man's mind. And on the other side, those of a woman. These two episodes we…
*2024 stock. 150 copies limited edition* Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here on Phage Tapes. Recorded and edited on January 13th and 14th, 2021 at Death Control Studio.
*250 copies limited edition* Toothpaste For Your Elephant marks the first release for London based Ó Mhaidin. Unfolding over 16 tracks, 3 of which are newly mastered reissues seeing vinyl for the first time, the compilation is born from a love of 80’s underground cassette culture, an homage to late nights spent listening to junked-up Americana, disregarded DIY oddities and neo no-wave.
Featuring contributions from Old Saw, Tarawangsawelas, Kulku, Fiesta En El Vacío, Thorn Wych and more, Ó Mhaidi…
*2026 repress!!!* Oh yes! First ever official reissue of the positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse M…
The compilation "Return to Acapulco - Music for Hotels Vol. 1" (13 / Silentes), curated by Vittore Baroni in the summer of 2024, included 16 songs composed by 16 musicians to provide soundtracks for the various areas of a typical seaside hotel. The following year, "Summer Fun", the second volume in a unique series exploring new ways to combine tourism and culture, contained 20 covers of well-known and lesser-known songs dedicated to summer, performed by 20 artists. Raising the bar, for the 2026 …
After a brief period during which they recorded only a couple of 7-inch singles for the Orfeón label that had a very limited distribution, Mexican rockers Antorcha fully embraced a DIY approach to managing their own career. They had evolved into a heavy psychedelic rock group, with no metaphors and no compromises. Anarchists in a country that could barely utter the word without trembling. It was the final years of the 1960s. Their influences came from Iron Butterfly, Black Sabbath, Blue Cheer, V…
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
* Limited Deluxe Edition - 200 signed copies - Heavyweight black vinyl, insert, 3,60m long leporello (accordion-style) Photo book, silkscreened cover. * Building upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated an…
Windy and Carl Meet Optigan Conservatory is a purposefully misleading title for the first collaborative work from four friends who met close to 30 years prior. All active participants in Michigan independent music circles since the early '90s, Windy and Carl are well-known for their foundational contributions to drift and guitar-born ambient sounds, with songs characterized by deep connections to the natural world and a hard to pin down yet impossible to miss emotional vulnerability. Optigan Con…
For those who loves the piece, this is a nice way to learn more about it. For those who don't know it yet, it will be a good introduction to listen to it. Gaku-no-Michi is an electro-acoustic work of wide proportions realised in 1977-78 at the Denshi Ongaku Studio (electronic music studio) of NHK radio (Nippon Hoso Kyokai), Tokyo. This work has been programed in numerous countries by various modern music festivals, as a full evening concert, from 1978 to 2006. This publication is made of a group…
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
The landmark that redefined the ECM trumpet album: Nils Petter Molvaer fuses Nordic trumpet with ambient, dub, electronics and drum'n'bass. A manifesto for future jazz; cinematic and groundbreaking.
On Bivabippabualukka, Sofie Birch turns a spiritually transformative period with her brother Alfred into a bossa‑tinted pocket of joy: playful, childlike songs where intuition, myth and healing spill out like fish from a cup of dreams.