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On High Tide, Eddie Suzuki and his New Hawaii band fold psych shimmer, island melody and 70s pop craft into a quietly visionary song cycle - a warm, Hammond‑lit portrait of “now Hawaii” that feels both homemade and gently cosmic.
Perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale. “winter chords” opens with slow serenity and a faint suggestion of hiber…
2026 stock, reduced price ** Original Single Sided, Numbered **
The name means "mercury lamp" - 水銀ランプ - and the industrial implications are entirely intentional. Suigin-Lamp was a trio: Kumiko Yamamoto on bass and sampler, Kazuhide Kawata on guitar, vocals, and sampler, and Kosei Yatani on violin and guitar. Flamenco Party, their only recording, was captured live at Shinjuku Ongakukan in April 1991 and released on Vanilla Records the same year - six tracks on a single-sided C62 cassette, number…
Huge Tip! 300 copies. Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussot…
2026 stock, reduced price ** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. **
The most radical formal gesture in Shocks! Shocks! Shocks! is not any single noise burst or sample collision but the refusal - sustained across the entire cassette - to settle into a genre. Violent Onsen Geisha is Masaya Nakahara, a Tokyo-born artist who has described himself as someone with no musical talent, and who produced, precisely be…
“Composition 429” is the first piece using a new writing method that Braxton calls “Lorraine.” The composer’s notes to the piece describe Lorraine as “a music system that governs the ‘sonic winds’ of breath.” Saxophonist and longtime collaborator James Fei contributes an essay detailing the Lorraine system, which uses a combination of traditional notation and color-coded symbols of the composer’s design to indicate “specific sound types or performance techniques,” drawing from Braxton’s long his…
Unearth the new issue of Ritual zine – an exploration of folk horror, the Gothic and the weird in film and television. Issue no. 2 hums with strange powers and arcane rites, folkloric detours and uncanny delights. Expect megalithic secrets with Adam Scovell, Rabbit Trap with Bryn Chainey, occult crime with Rupert Russell – plus doomed highwaymen and ghostly 1980s approaches to literacy education.
Modern and grounded in the 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939 – 1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians of the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus, and Lee Konitz, only to name a few. But despite that, he was an underrated artist during his lifetime, receiving the deserved recognition only after his death. Renaissance 2 November 1977 is his second album, played…
200 numbered copies, with handmade and buffered cover. Contains a A4 insert. Experimental trio Los Pélieu Lovers announce the release of Bruits de l'Ombre, a groundbreaking album that pays tribute to French beat poet Claude Pélieu through innovative sound collage and cut-up techniques. The project emerged from Tom Val, Maximilien Douche, and Magali Genuite reading Pélieu's poetry aloud while music played in the room, inspiring them to create something beyond traditional music and poetry readings…
Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a revised, remastered 45th anniversary reissue of Ennio Morricone’s bizarre sci-fi score for Aldo Lado’s The Humanoid (1979), a sort of parody-reboot-plagiarism-homage to the recent Star Wars success that featured a cast of actors famous for their recent appearances in The spy who loved me, and Moonracker: Richard Kiel, Barbara Bach and Corinne Clery.
The story encompasses stealing revolutionary scientific…
In an era where artistic boundaries blur and collapse, Tarek Atoui's practice stands as a radical reimagining of what music can be. His instruments don't simply make sound—they become sculptural entities that breathe, vibrate, and speak in languages that transcend traditional musical vocabulary. Now, coinciding with his major exhibitions across Europe, the Lebanese artist releases MONO LOGS, a groundbreaking three-LP set that documents these extraordinary instruments in conversation with some of…
Peel Sessions 1973-74 is a unique collection showcasing the legendary German experimental rock band’s dynamic live performances captured for BBC Radio 1’s John Peel sessions. This album brings together raw, electrifying recordings from 1973 and 1974, highlighting Can’s groundbreaking sound that blended psychedelic rock, avant-garde, and improvisational music. Fans and newcomers alike will experience the band’s creative energy and innovative spirit in an intimate setting outside the studio.
Featu…
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall. In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wav…
Tip! Edition of 300 copies. François Tusques needs no introduction to serious listeners of European free jazz. His 1965 Free Jazz album - recorded with Bernard Vitet, Michel Portal, Beb Guérin, and François Jeanneau - helped establish Paris as a vital center for the transatlantic avant-garde, laying groundwork for the city's role as spiritual home to visiting American firebrands like Don Cherry, Sunny Murray, and Clifford Thornton. His subsequent work with Barney Wilen (Le Nouveau Jazz, 1967), h…
*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…
Xerrox Vol. 3 is the eighth solo studio album by German electronic artist Alva Noto, released in 2015 as part of the ongoing Xerrox penthalogy, which began with Xerrox Vol. 1 (2007) and Xerrox Vol. 2 (2009).Inspired by formative influences such as Andrei Tarkovsky's 1971 film Solaris, La Isla Misteriosa y el Capitán Nemo by Juan Antonio Bardem, and Henri Colpi, Carsten Nicolai exchanges austerity for cinematographic lushness in the remarkably widescreen third volume of his Xerrox series.
In line…
Xerrox Vol. 2 is the sixth studio album, released in 2009 by German electronic artist Alva Noto. It is the second installment of the Xerrox penthalogy, based on the concept of digital replication of source material. As with the first Xerrox album, the starting point is a set of samples culled from external sources. This time, snippets and recordings from Sunn O))) collaborator Stephen O'Malley and composer Michael Nyman are featured, as is an excerpt from the 2004 Insen tour with Ryuichi Sakamot…
Xerrox Vol. 1 is the third studio album by German electronic artist Alva Noto. It was released in 2007 as part of the ongoing Xerrox pentalogy, based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data through endless reproduction. Due to the inherent fallacy of making copies from other copies, everyday sounds become so altered that they are hardly associated with their source material. As a resu…