Best sellers
Oblivion Seekers
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
A Requiem For Prime Time TV
A Colourful Storm's Fleetway Tapes series follows classic entries from Time Is Away, Vladimir Ivkovic, Felix K, Young Sparks and others with a heart-stopping selection put together by Berlin-based film journo Florence Scott-Anderton, a fathoms-deep, laser-focused mix that doesn't come around often, engulfing high-art/low-culture TV samples with a series of cues excavated from film - think of it as a sort of Blockbuster Video nostalgia-tinted answer to Time Is Away's flawless thematic mixes.
Quiet scenes fromTokyo
Debut solo album by the cellist and composer, half of the duo Live Footage: sixteen miniatures for cello and Roland Space Echo cut in a Tokyo apartment facing a freeway, extended technique standing in for portamento, filters and noise. Mastered by Rashad Becker. LP on Faitiche.
Various Artists - My Heart is Dust Before Him: 21st Century Gasba from Algeria
Across western Algeria, the gasba, a reed flute central to Bedouin folk traditions and ceremonial music, continues to appear in new forms. Once associated primarily with saint festivals and trance rituals, its distinctive hypnotic sound now sits alongside the drum machines, synths and electronic textures of contemporary raï. The recordings collected here come from Oran, the port city of Western Algeria widely regarded as the birthplace of raï. Before raï became an international pop phenomenon, i…
A Disco Pogo Tribute (Book)
Hardback cover, richly illustrated. A full-length book on Boards of Canada, the Scottish duo of Michael Sandison and Marcus Eoin, published by Disco Pogo with the approval of the band and of Warp. It is the fifth volume in the magazine's Tribute series, after Daft Punk, Aphex Twin, LCD Soundsystem and Andrew Weatherall, and the artist readers had been requesting most since the series began. Ships 10 November 2026.
Sandison and Eoin started recording in the Pentland Hills outside Edinburgh in the…
I'll Never, Never Die: Southern Gospel Boogie, 1948-55
DINTE presents a collection of southern gospel sides from late 1940s to mid 1950s capturing the post-WWII departure from rural folk & shape-note singing traditions that had previously defined the music, to quartets and vocal harmony groups embracing of driving, uptempo boogie-woogie rhythms and spirituals borrowed from the black church. Meticulously transferred and restored from the original 78 RPM and transcription discs by collector James Zurek.
Mediterranean Music-Water
**Edition of 350 copies, 16 page book. Previously unreleased! ** Less than a decade ago, the legacy of the Danish multi-disciplinary artist and composer, Henning Christiansen (1932 - 2008), had fallen into obscurity and remained almost entirely out of view. Outside of a small but dedicated following of sound-art fans and scholars, he ranked among the most obscure figures in experimantal music. Thankfully, over the years since, due to the devotion of a small number of labels, his work, in the for…
Sotto Le Nuvole
In Gianfranco Rosi’s portrait of Naples, Sotto le Nuvole (Pompei: Below The Clouds), the ground shakes periodically. Between Mount Vesuvius and theTyrrhenian Sea, the fumaroles of the Phlegraean Fields hiss volcanic gas and steam. Below the sleeping volcano, modern day Naples emerges in black and white and fills with voices, with lives. From the traces of history and the concerns of the present, Rosi documents a city immersed in its continuous past, with Daniel Blumberg’s minimal soundscape hove…
Trios
Martin Pyne’s new release, the double album Trios, focuses on his unique approach to the vibraphone. The album places his playing in the context of two contrasting trio lineups. In Vampire Coast Trio Martin is joined by one of his favourite drummers, Johnny Hunter, along with the extraordinary double bass player Michael Bardon. Together they make music with a truly transparent texture, full of both space and sonic detail together with richly lyrical melody and counterpoint. Martin says, “Michael…
Noon In Tunisia
Another of Berendt's meetings, SABA 1967. George Gruntz, the Basel pianist who would later run the Berlin Jazz Festival for twenty years, with Sahib Shihab on saxophones and Jean-Luc Ponty on violin, and a group of Tunisian musicians: a bendir and darbuka drum ensemble and Salah El Mahdi on ney flute. The title turns Dizzy Gillespie's tune on its head.
UK Vibe, reviewing the Nicola Conte compilation that includes Djerbi, points out that the famous names are not the point: it is the lesser-known …
Paranoia (Expanded)
** Black Edition of 200. 20th Anniversary Edition. For the first time re-released on 2xLP ** This was the first full-length album released by OEC by the Italian prophet of Murderous & Pain Electronics in 2000 as a CD. For the 20th anniversary of that album we are proud to go for the re-release into vinyl format of such a masterpiece. A slow death with great sorrow... Psychopathic ready to kill voice, self-abusing electronic sounds mixed to dangerous feed-backs & noises. An isolationist and disg…
Neural #78 – Voices, Humans, Machines (Magazine)
Interviews with Machine Listening, Tomomi Adachi, Erin Gee, Pedro Oliveira; article: The Watery Graves of Electronic Speech, or Phonemes in Davey Jones' Locker; reports: Festival de la Imagen 2025, Choose Your Filter!...
Neural is a printed magazine dealing with new media art, with a peculiar attention to the networked and conceptual use of technology in art (the so-called net.art), hacktivism, or activism using electronic media to express itself, and electronic music, investigating how the te…
Autechre Guitar
This record shouldn’t, strictly speaking, be possible at all.
Music For The Ritual Desecration Of Corpses
*200 copies limited release* Tip! The early collaboration between Maso Yamazaki (aka Masonna) and Rudolf Eb.er (aka Runzelstirn & Gurgelstøck) was based on the exchange of tape recordings and ideas by mail; they were guided more by a shared sensibility regarding extreme music and art than by a similar musical style. The first result of this cooperation was released in 1995 on Eb.er’s own Swiss label, Schimpfluch, as a cassette titled “Clitoris Projectile Pump Action”. In 1998, they performed as …
Renascent
The twenty-eighth Durutti Column album and the first in sixteen years, produced by Keir Stewart: Vini Reilly's guitar among warm ambient washes, piano and quiet beats, with guest vocals from Caoilfhionn Rose. Deluxe gatefold on transparent bottle green vinyl.
Romance
The Portuguese percussionist turns drums and cymbals into generative sources: seven tracks of spectral tones, sub-bass rumble and warbly VHS tones, shaped by electronic manipulation and by the chromatic dissonance of Carlo Gesualdo.
Katcharpari
Milan, January 1973. Enrico Rava's second record as a leader, with John Abercrombie on guitar, Bruce Johnson on bass and Chip White on drums, released by MPS/BASF. Rava has called it his breakthrough: the album that got Manfred Eicher's attention. Seven tracks, from Trial N. 5 to the Don Cherry tribute Cheerin' Cherry.
Violence!
Violence! brings the electrifying legacy of maestro Franco Micalizzi to the spotlight once again. Based on the celebrated soundtrack for the cult movie Il Cinico, L’infame E Il Violento, this release captures the raw energy and kinetic rhythm that made the film an enduring reference point for generations of soundtrack lovers and cinema fans.
A true magnet for genre enthusiasts, the film features an unforgettable, stellar cast, including Maurizio Merli, Tomas Milian, and John Saxon. Beyond its im…
Hazy World
A later album by the French avant-garde trio DDAA, active since 1977: six restrained, elaborate '(a)tonal songs & noises', 51 minutes, with Christine Coënon on voices. Oversized A5 gatefold cover, limited to 444 copies.
For The Raven
*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…