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Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in collaboration with The Living Earth Show, transforms an industrial-sized space into a resonating chamber where 136 precisely tuned strings create what can only be described as environmental music in its most literal sense. Fullman has spent decades …
Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and …
Biggest Tip Possible! Lars Göran Ulander Septet (1965) Lars Lystedt Quintet (1967) Per Henrik Wallin Trio (1977) Curated by saxophonist and improvisational musician Mats Gustafsson, Caprice Music continues the Öppet series, focusing on a relatively unexplored period of Swedish creative, experimental music from the 1960’s and 70’s. Öppet Två presents saxophonist Lars-Göran Ulander, who made a big impression on this series' curator in 1982, when he witnessed a solo concert at an art exhibition. Ma…
Tip! *100 copies limited edition* Flung is proud to present Sound as a Bell: collages of piano, percussion, electronics, and found sound stemming from the correspondence between sound artist Fergus Kelly and pianist John Tilbury. Through Kelly’s studio transformations of Tilbury’s recordings – where sounds are stretched, reversed, layered and refracted – the listener is left to drift in a tumbling kaleidoscope that inspires listening at once ambient, improvisatory, surreal, electroacoustic, and …
Music From Memory presents ‘Sleep Machines’, a new collaborative album from UK ambient pioneers O Yuki Conjugate and German producer and DJ Philipp Otterbach.
Michel Doneda on soprano saxophone, eRikm on samplers and scratches, Jean-Marc Montera on guitar and electronics, recorded in Metz and Lons-le-Saunier in May 1999. Liner notes by Thurston Moore.
Facsimile reprint of Walter Zimmermann's book Desert Plants, his interviews with American experimental composers from a 1976 trip to America, with a CD of the surviving interview recordings as MP3 files.
Limited edition CD & download album produced from a previously vinyl-only release, so available digitally here for the first time, with added live recordings from the same band. The album marks the first collaboration between Jazz In Britain and ReSteamed Records and is dedicated to Stan Tracey to mark the 100th anniversary of his birth. Thelonius Monk died on 17 February 1982. In early April, Stan Tracey recorded a tribute album to Monk, with a group he called Spectrum. This idea was dreamt up …
Cellist Tristan Honsinger and guitarist Olaf Rupp in their first recorded duo, Berlin, March 2010: one hour-long improvisation, Can You Imagine a Conversation Between a Table and a Chair?, in eight parts.
The Sun City Girls were unlike any band before them or that has come in their wake. Their catalog, their ethos, their *being* - you name it, with the Girls that “it” was singular and became legend. This singularity started early and extended to their release schedule and the means behind the same. While the band would prove to be wildly prolific throughout their existence, during their nascent days they quickly realized that they could not be contained by any sort of traditional label schedule. …
** CDs come in a 6-panel Digipak with booklet and poster. Booklet includes besides the Layout credit only credits as given on first editions. CD2 are bonus tracks from Danny Hyde's Archive. Artwork licensed from the estate of Ian Johnstone. Made in EU Tracklisting given for CD 2 on artwork is mixed up, corrected above. ** Deeply emotional and uniquely rewarding album, reminiscent of Coil's mid-1980s classic “Horse Rotorvator”. Fully remastered and enhanced 3LP/2CD supervised by Danny Hyde. Inclu…
The astounding second outing from the duo of Midori Takada & Jakob Bro, arriving on Copenhagen's Loveland Records just under a year after 'Until I Met You'. Across two stunning sides, subtle abstraction amongst sprawling ambiences, "Fourth-World" sensibilities, and pulsing minimalism. Limited LP.
William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.
Third album by Glass Triangle, Zeena Parkins on electric harp, Mette Rasmussen on alto saxophone and voice and Ryan Sawyer on drums: a studio session moving from delicate passages to dense, kinetic interplay.
Maurizio Bianchi's Carcimetrio, first issued by Simple Logic in 2006, back on CDr: four long pieces named after tumours and growths, over seventy minutes, mastered by Siegmar Fricke. 30 copies.
Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…
Sweden's late '60s creative explosion saw Roland Keijser's quartet forge unprecedented music, bridging American free jazz, minimal composition, and Swedish folk heritage. These lost Öppet Tre recordings capture a pivotal moment when Swedish musicians created sounds never heard before
Villingen, 23 October 1967. Irène Schweizer's trio with Mani Neumeier and Uli Trepte, a year before Guru Guru, meets Dewan Motihar's sitar, tabla and tambura, with Manfred Schoof and Barney Wilen. Three pieces, two of them long, and the seventeen-minute Sun Love. All About Jazz calls it an unqualified success.
The only two full-length records La Monte Young and Marian Zazeela released, together. Four sides and four dates, each one printed in the title to the minute: August 1964, July 1969, January 1973, July 1973. Nine years, from a bowed gong to three sine waves with nobody playing them.
Barre Phillips on double bass, Catherine Jauniaux on voice and Malcolm Goldstein on violin, live at Victoriaville on 22 May 2010: three veteran improvisers in a delicate, conversational trio.