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Tip Tip Tip! ** 2026 Repress ** XKatedral Anthology II is the second instalment in a series of archival releases dedicated to presenting music by composers affiliated with XKatedral working within the realm of slowly evolving harmonic and timbral music. This double-vinyl set contains an array of pieces dating from 2018 to 2020. This collection of pieces focuses on the use of synthetic sound and algorithmic composition languages as tools for precise work within the realm of spectral exploration.…
**Limited edition of 222 copies, black vinyl two color screenprinted cover** At eight o'clock on a March morning in 2024, as Amsterdam awakened around it, Charlemagne Palestine took his place at the console of the Vater-Müller organ in the Oude Kerk—the city's oldest building, a Gothic monument dating to 1306—and opened a portal. What emerged over the following forty-plus minutes, now captured on this limited edition LP, stands as one of the most concentrated distillations of Palestine's six-dec…
On Uranian Void, Jessika Kenney turns her ear toward the resonances of her own subconscious. Blurring sine waves, hydrophone recordings, a ghazal of Hafez, solo instruments, original texts, and voice, the album is a meditation on sound, space, and the fragile edges of perception. Kenney’s voice weaves in and out of every space perceived. Evocations of memory coalesce into compositions inspired by years of inquiry into acoustic phenomena, where shimmer and shadow are equally alive. Produced and r…
Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…
2022 Repress "Fractals" (1981): Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac. Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. "Fractals" is a series of short studies, all based on the same sound source. Seeking in the sound and its very logic a proposal upon which a construction is elaborated, each Fractal remains open and is a mere fragment of itself. "Fractals", music p…
*300 copies limited edition* SOL OP is based on a collective composition for unconventional pipe organs made by the three Danish composers and musicians Jonas Olesen, Anders Lauge Meldgaard and Sandra Boss. On three mobile, midified and modified pipe organs,the trio has constructed a musical universe inhabited by animals, humans and machines. SOL OP is based upon an exploration of the organs' more alternative sonic features. Incorporating the full instrument in the compositions – including the a…
Repetition of the same dream emerged from collaboration under unusual circumstances: during the early Covid-19 lockdown, Clara de Asis and Mara Winter found themselves together in Basel, using both a local church and a midnight tunnel to explore the limits of breath, resonance, and intuition. The album, spanning five works for flute, percussion, and electronics, is shaped as much by its resonant spaces and spontaneous method as by pre-composed material. The duo dissolves rigid lines between comp…
2013 release **
"Lost In Dreams comprises six pieces - Traumverloren I Für Klavier (2010), unfurling for over 30 minutes, its duration suited to Houben's clarifying this soft insistence embedded within mere repetition; and five dedicatory pieces of much shorter duration, bearing the titles in memoriam - Mussorgsky, Enescu, Schumann, Liszt and Messiaen. These brief epitaths privilege the presence of silence as much as any of Houben's works, with a surprisingly spry turn in the Enescu piece, sound…
With a mix of modern and traditional instruments these fourteen songs go through the progression of an Ethiopian Amhara wedding sung in Amharic. With the trio of singers, Lemma G. Hiwot, Zenebech Tesfaye, and Selamawit G. Selassie, alternating turns at the microphone, and sharing call and response duties, a relentless frenzy of hand clapping incites dancing and smiles. The consumption of tedj (honeywine) and the swirling love of a wedding was captured in the studio with euphoric energy to take a…
Piano is an album of three pieces, 'A Luca Marenzio ll', 'Ma fin est mon commencement', and 'Gebrechlichkeit', written by Slovak composer Adrián Demoč between 2018 and 2023. 'Ma fin est mon commencement' and 'Gebrechlichkeit' were written with three performance options in mind: specific instrumentation, open instrumentation with a similar quality of timbre and register, and a "monochromatic polyphonic" instrument, preferably the piano. 'A Luca Marenzio ll' was originally written as 'A Luca Maren…
2015 release **
"Even if the disc's title wasn't known, the attentive listener would be very conscious of air, both as a surrounding factor and with regard to its passage through wooden tubes and pipes. The "flutes" in question are recorders, played by Ruth Walser and tuned to various pitches, their "windways" (a wonderful word which I don't think I've ever before encountered) custom made by Geri Bollinger. Houben presents three works on this recording, two for flutes/recorders and organ, one fo…
2013 release **
"what do you do, if you work with just intonation and wish to write a piece for organ? you have to deal with the relation between equally tempered and over- or undertonal (just) intonation. 2001 i had several opportunities to make a study of some wonderful instruments. this eventually put me on the path towards this composition.in this piece only those frequencies of the organ sound that have close to whole-numbered ratios (+/- 6 cents) to a fundamental (in this case C’ at about …
Two sides recorded in 1973. On one, Young and Zazeela sing over a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. On the other, three sine waves alone, tuned on oscillators built for the purpose by Robert Adler. The sleeve tells you to turn the treble off.
For a group founded on refusal, The New Blockaders have collaborated a great deal. It is less a contradiction than it looks. Where most collaborations in music amount to two recognisable personalities meeting and reinforcing each other, TNB's have always worked in the opposite direction: material is passed over, altered, buried, returned, and what emerges belongs to nobody in particular. Paul Hegarty has described the process as one in which individuality gets swamped, the sound cut loose from a…
Janel Leppin - The Realist (OOYH 048), featuring the incredible new trio of Janel with Devra Hoff (Sharon Van Etten, Nels Cline, Xiu Xiu) on bass, and Chad Taylor (Chicago Underground Duo, Marc Ribot, jaimie Branch) on drums, which Phil Overeem called "the freshest sounds from one of the most fascinating artists in creative improvisation."
Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the point where literal sense gives way. Davachi turns that idea on the study of instruments and timbre, disciplines she sees as long governed by empirical, neuro-cognitive and modernist assumptions. Her objection is not that measurement is wrong but that it…
The first thing that should strike any attentive listener of Gary Mundy’s work as Kleistwahr is that this new collection of nine songs features drums on the opening two tracks. Combining a manic rhythm with searing white noise, a post-punk guitar chopping angular sounds like it belongs to the debut Banshees’ album, and despairing vocals, ‘Cold Blood Cold Night’ sets the tone for most of the album. While not every song is bound to this same pulverising beat at its core, there’s a lot of untamed n…
One of the landmarks of minimalism, Radigue's sonic investigation into life, death, and life elsewhere after death, considered to be Eliane Radigue's masterpiece. "Trilogie de la Mort is a work in three parts. The first, Kyema, was originally released by XI in 1992. The 2nd and 3rd parts, Kailasha and Koumé are being released for the first time and the trilogy now makes its debut as a whole [this 3CD set is being sold for the cost of 2 CDs to make up for the prior availability Kyema]. 'Kyema' is…
"Death is a lack with weight. At the moment that you realize that someone you love is irrecoverably gone, a small tear in your life opens up. As days go by, the sliver of grief grows, becoming a rift, a gap, a gulley, a canyon. At the point that you feel lost in the immensity of space where that person used to be, the expansion stops; the hole—the vast and airy part of your life that used to be occupied by that person—becomes solid. Maybe it decreases in size, but more likely, your memories grow…