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*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed beige cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with two pieces of black satin ribbon holding a little bell in silver or gold metal.There are two editions of 18 copies each one: 18 have the silver bell and 18 copies have the gold bell.Inside the envelope are:- a plastic envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- 2 insert…
Cinna Peyghamy unveils new album fusing Persian tombak and modular synthesis. Five years in the making, "Music For Tombak & Synth" bridges heritage, technology, and personal identity. The project, initiated in 2019 during Peyghamy's master's thesis research on contact microphones, was conceived as a means to reconnect with his Persian roots while exploringexperimental sound design. In the album, Peyghamy seamlessly blends the traditional Persian tombak with modular synthesis and digital sign…
Published by 180 Studios in 2025, this limited edition booklet accompanies data-cosm [n°1], the monumental new installation commissioned and produced by 180 Studios as part of their long-running creative partnership with Ryoji Ikeda - a collaboration that has spent more than a decade pushing at the boundaries of sound, light, and human perception. Conceived as both microscope and cosmos, data-cosm [n°1] is a total sensory environment in which the mathematical fabric of nature becomes something t…
Wrens creates music that is modern and without immediate comparison. This is revolutionary art, both musically and lyrically. Had Miles Davis lived to be 100, continuing on his path of repeatedly changing the direction of jazz, it would be easy to imagine that by 2026 it could have sounded like Wrens, not only because of the heavily affected and brilliant trumpet playing, but because it feels so contradictory to the institutions that breed much of this music today. When asked about the meaning b…
First collaboration between the brothers Sietse and Tjeerd van Erve - Orphax (drone and electroacoustic) and PONI, Person Of No Importance (dark lo-fi guitar songs). Inheritance is a near-translation of the family name van Erve, and the album returns to shared early influences from their father's record collection, late-night Dutch radio and the Belgian Studio Brussels station. Opener As Received builds slow drone into post-rock intensity; later tracks reach toward late-period Swans territory.
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
Trumpeter/composer Ambrose Akinmusire and guitarist/composer Mary Halvorson's album Slo-Mo Neon Luminate Hoverings is due June 12, 2026, on Nonesuch Records. The album features four new compositions by each musician as well as one collaboration. The album track “Soundcheck“ is available today and can be heard below; you can pre-order the album here. The duo, long admirers of each other’s musicianship, met at Halvorson’s Brooklyn apartment and began playing together periodically, going back as fa…
*200 copies limited edition* “Songs of Erosion” is a project by Clara Levy & Victor Guaita Igual revisiting the 13th-century Spanish songbook “Cantigas de Santa María” through the lens of erosion.
Rejecting a historicist interpretation, Clara Levy and Victor Guaita Igual develop a set of instructions inspired by geological processes. These serve as a basis for approaching pitch and rhythmic material, shaping it into new compositions. Among the cantigas explored by the duo, this record focuses on…
Savana Selvaggia collects two previously unreleased tracks by Giuliano Sorgini, highlighting one of the most visionary and experimental aspects of his library music: from an imagined African landscape through atmospheric melodies and analogue electronics ("I misteri del mondo"), to a mystical sound world where African and Middle Eastern influences merge with futuristic electronic textures and Krautrock-inspired rhythms (“Arabian Synthesizer”).
Crafted in his own Cat & Fox Studio in Rome, these …
Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…
Essential 1967 garage-psych debut by Chocolate Watch Band, raw prototype of protopunk energy with volcanic guitar work and inflammatory vocals by Dave Aguilar channelling Jagger like nobody else. Distorted riffs, cosmic psychedelic legerdemain, killer covers of Stones material.
A discreet but essential figure in the field of musical creation, Horacio Vaggione has been crafting an ambitious, precise and highly significant body of work for over the last fifty years, coupled with a demanding research activity. This disc offers four purely electroacoustic pieces which illustrate, each in their own way, this singular and fascinating grammar developed by Horacio Vaggione, a complex but fertile grammar which establishes a very special relationship between structure and textur…
300 copies, black vinyl. Sometimes records just vibrate with a magical aura propagating endless energy and timeless positionment. Stefano Pilia & Valerio Tricoli have been maestros in their respective careers when it comes to dancing between modern concrete, unimagined landscapes and electroacoustic experiments slowly creating and almost hand-sculpting two of the most singular paths in the European avant garde scene.
After their long tenure in experimental collective 3/4HadBeenEliminated (Häpna,…
Scale, addresses issues of observation, embodied transferences, telepathy and duration employing swipes, knocks, resonators and hypnotic patternings on the acoustic harp with the less controllable sounds of radio waves, homemade synths and feedback. Inspired by the timings and sensations of natural phenomena including daylight’s slow emergence at dawn and the pulsing ambiance of ocean currents. Nature as both utopic and disruptive. Attention is situated in an often luscious, contemplative sonic …
D is the debut studio album of composer Georg Deuter, a German New Age instrumentalist and recording artist known for his meditative style that blends Eastern and Western musical styles. The album was released in 1971 by Kuckuck Schallplatten.After travelling extensively in Asia in search of spiritual and creative inspiration, Deuter settled for a long time in Pune, India, where under the name Chaitanya Hari he became a neo-sannyasin - a disciple of Bhagwan Shree Rajneesh. With the aid of a mult…
Milan based Die Schachtel presents In Girum Imus Nocte Et Consumimur Igni (We turn round in the night and, behold, we are consumed by Fire) - a work for solo guitar by the Italian composer Stefano Pilia, the second release to appear on a new series from the imprint - Decay Music, highlighting inspired contemporary experimental efforts in the ambient, ethereal, and emotively abstract.Born in Genoa and based in Bologna, Pilia is a guitar player and electro-acoustic composer concerned with the scul…
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. These two performances are from Steve Beresford and London Sinfonietta.
Side A: Conducted by Steve Beresford, performed by…
Tip! *245 copies limited edition* Overjoyed to announce the release of this monumental record featuring two very different sides of the free-improv coin, pressed on heavyweight 180 gram mixed color vinyl. This intergenerational, wide-minded split LP blurs the hedges of national borders and the traditions of composition, marking a niche interzone inhabited solely by the uncles of punk and their experimental stepchildren.
Canadian noise pioneers, Nihilist Spasm Band, deliver a ripping side-long o…
"In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '90s, noise arti…