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*Special discounted pricing. 2026 repress* 40 years after the beginnings of the Italo disco movement 'Milano Undiscovered' leads us to discover the first ferments of the Milanese post-punk dance scene. In the early 80's future producers began to veer towards a form of dance music not yet defined, what once seemed like an experimental form, today sounds like a cornerstone for future development in the club scene of key city as Berlin, Paris, Stockholm and Amsterdam.
Italo disco was first mistreat…
** Special Time-Limited Offer ** On Happenings, Bobby Hutcherson pares things back to a quartet with Herbie Hancock on piano, Bob Cranshaw on bass, and Joe Chambers on drums. The transparency of the setting throws every gesture into relief: a single vibraphone note, a piano chord, a cymbal swell can tilt the whole mood. The tunes hover between impressionistic and singable, their harmonies unfolding slowly, their rhythms shifting between gentle propulsion and suspended drift. Hutcherson’s tone is…
** Special Time-Limited Offer ** After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and pe…
Extra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.
Inspired by Sam Kidel’s ›mimetic hacking‹ concept, Berlin-based composer Jasminev Guffond pipes opiated brass and woodwind motifs into a reverb chamber modelled on an Amazon fulfilment centre.
»Muzak for the Encouragement of Unproductivity« is a poetic inversion of Muzak’s traditional role in stimulating seamless productivity in the workplace. Beginning as a pre-radio music distribution network (1934, U.S.), Muzak was transmitted along electrical wires with the intention of being at once ubiquit…
Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacular, enveloping and surprising…
On Black Angels, Kronos Quartet turns George Crumb’s Vietnam-era nightmare into the axis of a stark, haunted program, binding early music, American modernism and Shostakovich’s war-torn melancholy into one of the group’s darkest, most enduring statements.
On Spirit Of Eden, Talk Talk dissolve the idea of a “band” into a hushed, slow‑burning soundscape, six long pieces where jazz, blues, chamber music, and near‑silence fuse into something that feels less like an album and more like a single, ritual act of listening.
On The Third Mind. A Sonic Tribute to the Dreamachine, a constellation of contemporary artists tune themselves to the flicker-frequency of Brion Gysin and William S. Burroughs. Hypnotic loops, drone hallucinations and cut-up sonics seek not to illustrate the Dreamachine, but to let it hear itself thinking.
First time on vinyl. Originally released on cassette in the spring of 1985, together with the eigth issue of Komakino fanzine -- included here in its original format. Relatively well-known names coexist with bands that lasted only a season. Still Life was and remains a half hour of pure abstraction. An intense and precious post-punk overdose! Features Karnak, Limbo, Janitor Of Lunacy, Panoramics, and De Stijl.
Special discounted pricing. Originally released on cassette in the winter of 1984, together with the 7th issue of Komakino fanzine—included here in its original format—Afterglow is more than a compilation: it’s a cultural time capsule, a tangible distillation of the hopes, noise, and fragile alliances of Italy’s burgeoning post-punk and new wave underground. Across 14 tracks from 8 groups, the album reveals the very spirit of the Afterglow operation. Some bands had already found their way into t…
Mega Tip! ** Incredible compilation assembled by, and including nonetheless than Brannten Schnüre. Gathering together unreleased tracks by Vox Populi! Limpe Fuchs, Läuten der Seele, Christoph Heeman and more, this is the most pleasant surprise we could get from Quirlschlängle. Still two months before Christmas, but the greatest gift is already here. ** "Nebengleis“ is one of those strange and rare German words that seem to be born both out of the dust of a bureaucratic, functional grammar and a …
2008. Paris and Glasgow. Eric La Casa recording sounds for Luke Fowler's 16mm triptych. Not compositions but investigations into the infra-ordinary - that space-time at low intensity where background noise meets the inaudible. How to create a meaningful dialogue between looking and listening? This question drove Fowler's film cycle. La Casa's answer: find a listening point in relation to everything taking place. The microphones amplify all living substances in motion - from the interior of the b…
On Lo squartatore di New York, Francesco De Masi fuses rock‑charged aggression with aching lyricism, setting Lucio Fulci’s urban nightmare to a score where feral action cues collide with the unforgettable tenderness of “New York One More Day” and the bittersweet elegy “Fay.”
100 copies limited release Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden …
Singular 1967 Elektra Records gem by Clear Light, LA psychedelic band featuring future Doors bassist Doug Lubahn and CSNY drummer Dallas Taylor. Double-drum setup creates uncanny soundscape, it blends folk, rock, psych, classical. Undiscovered at release, now cult classic.
2026 Stock, last copies. 5LP deluxe box and a 156-page clothbound book packaged in a custom white-birch wood box, limited to 665 hand-numbered copies The book features music manuscripts and notebook pages from the musicians' archives, an extensive itinerary, the complete history of the NYAQ, artists' bios, and musical analysis. 2013 release. Five LPs of entirely uncirculated music by the New York Art Quartet, featuring Roswell Rudd, John Tchicai, and Milford Graves; the bass chair is alternativ…
Whenever the term “Free Jazz” gets mentioned, the same questions more or less present themselves: “Is this easy to listen to?” “Is there structure, or is this just a few friends playing over each other?” “Is this another Coleman/Taylor/Dolphy homage?” Yes; yes; maybe—who cares? Free Jazz is (in my definite opinion) the last bastion of music (and maybe even art as a whole) where true innovation is not only still possible but also extremely well-executed—if done right. Enter “Second Sight” by Oslo…
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…