Best sellers

Flutist Nicole Mitchell and percussionist Joe Westerlund, a former mentee of Milford Graves, improvise in a rural studio near Chapel Hill: looped flutes, mbiras, metallophones and live electronics, with no overdubs.

Continue the series of Electric Bird reissues in collaboration with King Record with the a killer jazz-funk release, saxophonist Toshiyuki Honda's "Burnin' Waves", originally released in 1978. Son of jazz critic Toshiyuki Honda, the Japanese composer was a skillful flute and saxophone player, and in the 70's he worked with George Otsuka and the Burning Waves ensemble. In the 1980s he worked with Chick Corea, Tatsuya Takahashi, and Kazumi Watanabe, lead his own ensemble, Super Quartet as well as …

Akira Ishikawa's 1972 Latin set with Count Buffalo Latin Beats, arranged by Naoya Matsuoka: Cuban, Mexican, Brazilian and Puerto Rican standards pushed through fuzz guitar, Hammond organ and heavy drums.

Following their debut “Jazz Report From The Hood", which proved a major success and brought attention to Omasta as one of the most distinctive groups emerging from the contemporary jazz scene, the musicians return with their second album, “Hits Different”. The record develops the language established on their debut, pushing it into new territory and shifting the perspective from that of the protagonists themselves to that of a narrator telling the story. In just one year, Omasta went from an eme…

With DronosWalze / Dron, Conrad Schnitzler revisits and redefines the drone form, crafting a dual album that foregrounds his singular approach to electronic minimalism. These expansive pieces radiate immersion and mechanical elegance - each a testament to Schnitzler’s restless exploration and uncompromising sonic vision.

René Lussier conducts Vancouver's NOW Orchestra, recorded in February 1995: guitar and daxophone with Paul Plimley, Peggy Lee, Dylan van der Schyff and a full reed and brass section, in a suite of quick-changing vignettes.

A transmission from the borderlands of sound, Cold Calling on the Spirit Line brings together the singular musical world of Perzeptiverdampfkesselqualmtbesinnlich and the unmistakable voice and imagination of Edward Ka-Spel. Strange, intimate and quietly unsettling, the album unfolds like a late-night conversation with the unknown. Its songs move through fractured landscapes of dream logic, spectral electronics and shadowy atmospheres, where familiar signals become distorted and every message se…

Konoma by Takuro Okada is an evocative exploration of musical identity informed by Afro-American traditions and a Japanese artisanal spirit. With eight tracks that weave intricate guitar textures, this album reflects Okada’s meditation on cultural connection and the possibilities of stylistic fusion, pushing boundaries in contemporary instrumental music.​

Two sixteen-minute pieces of anenoises and choictronics recorded by Maurizio Bianchi as M.B. in 2017 at the Emoptyc studio in Opera, with artwork built on photos of anechoic chambers. 30 copies on BeTon Raw.

»Kashmiri Queens« – previously released as a limited CD – presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. This 12inch stands out for its authenticity, allowing the sounds of tablas, sitars, and various ethnic wind instruments to flourish openly without being interrupted. There's a notable departure from the usual …

Paul Bley's 1971 ECM album of three Annette Peacock compositions, recorded by two piano trios in New York in March and July 1967, with Barry Altschul on drums and Gary Peacock or Mark Levinson on bass.

People Skills - the long running project of Philadelphia's Jesse Dewlow - has spent close to two decades tuned to that lower, stranger frequency, and Several Years Later may be the fullest transmission he has yet let out of the room. Since the mid 2000s, Dewlow has worked at the seam where a song comes apart into weather. Repetitive guitar figures, idle tape phenomena, sound residue, voices sunk far beneath the surface - materials gathered under the sign of his Heresy Museum and set loose in sha…

2025 stock Warp's first ever 'guitar-playing' signing make a welcome return with this, their self-titled, second album for the label. Applying less of their signature 'shoegaze' aesthetic, the addition of Boredoms drummer E-da and electronic musician Shigeru Ishihara in the line-up, has given this album much more of a palpable feel than earlier releases on Warp and Too Pure. An invigorating return.

VERY last copies!!! - The first 500 mail-order copies version that includes the playable full-color picture-postcard reproducing David Tibet's painting of the track Like Swallowing SunBeams, inserted in risograph-printed CandyBag. The box set essentially represents a dark ambient/industrial re-imagination of Current 93's early apocalyptic works, where Andrew Liles has extracted and amplified the most disturbing and ritualistic elements, creating soundscapes that function as sonic invocations rat…

Thurston Moore on guitar with drummers Tom Surgal and William Winant, live at Victoriaville on 17 May 1996: a single album-length improvisation of feedback and percussion, named after a Tibetan Buddhist deity.

Fred Frith and René Lussier's duo, recorded at the 1986 Victoriaville festival and finished at Studio Victor: guitars, bass, violin, voices and tape in short, playful pieces. The CD adds four tracks recorded in New York in 1992.

Gli atti del convegno NoMus 2025 per i settant'anni dello Studio di Fonologia Musicale della Rai di Milano: saggi e testimonianze su Berio, Maderna, Nono, Zuccheri, radiodramma, televisione e pioniere dell'elettronica, con 165 immagini d'archivio.

The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.

SML is a Los Angeles based quintet featuring Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum, and Gregory Uhlmann.

*100 copies limited edition* Eighth Tower Magazine is a periodical publication dedicated to music and modern mythologies. It explores alternative and experimental sound practices, tracing connections between contemporary music, invisible cinema, and dark fiction. Eighth Tower investigates how modern mythologies are shaped, transmitted, and transformed. It is conceived as a space for reflection, documentation, and critical exploration, where sound, image, and narrative converge into a shared cult…

Wewantsounds presents the first official release of a legendary 1977 concert, capturing Don Cherry, Collin Walcott and Leon Thomas in their only documented performance together, joined for part of the night by the rest of Oregon. Long circulating among a few Cherry fans, Sunrise is a hypnotic forerunner to Codona, newly remastered, with Moki Cherry artwork and new liner notes by Jason Weiss.

Or (AKA John Talabot) is a Catalan producer, electronic musician & DJ residing in Barcelona. his 2012 debut album ƒIN received critical acclaim from The Guardian (5*), Anthony Fantano, Pitchfork (8.5 BNM) & DJ Mag. Highly anticipated, Talabot's first album in over a decade. A more left-field side of Talabot, with tangle of cartwheeling synth hooks, bursting with colour & looping electronics.

Marilyn Crispell alone at the piano, live at the Victoriaville festival on 2 October 1987: dense, Taylor-inspired clusters and open lyrical passages, with a Coltrane piece. The CD reissue of the 1988 LP adds Threads in the Ozone.

Lansdowne Books returns to World Countdown, the music newspaper that Charles Royal published in California every two weeks between August 1966 and July 1969. Original copies are very hard to find today. World Countdown - Volume 2 picks up where the first book stopped and reproduces every issue from July 1967 to May 1968. These are the months right after Monterey, when West Coast psychedelia was at full strength and the paper followed it issue by issue. In its pages: Love, Moby Grape, Spirit, Blu…

*2025 repress!!* Essential Italian funk library, a must have for any  digger ! Here’s the 1977 collaboration between master composers Remigio Ducros and Luciano Simoncini (Arawak, Jason Black, etc.), a groovy record with killer drum-breaks , dreamy flute harmonies, blazing horns and heavy Fender Rhodes  line.

Tip! Tip! Tip! We are incredibly excited to announce a landmark discovery and upcoming release that will be a must-have for collectors and fans of Italian film scores. After decades of being considered a lost artifact, the original soundtrack for the iconic 1975 giallo film, Nude per l'assassino (Strip Nude for Your Killer), has been found. This marks its first-ever official release, presented in a lavish vinyl edition that includes a 30x60cm poster and has been meticulously remastered from the …

On Cosmos Nucleus, Carlos Garnett turns his cosmic post‑Coltrane fire into a large‑ensemble manifesto: six expansive tracks where Pharoah‑like spiritual cries, funk currents and celestial brass fanfares coalesce around the incandescent “Mystery Of Ages.”

Montenegrin born in Istanbul, precocious pianist growing up in an embassy, brilliant musician. Prolific composer speaking eight languages, he arranged music for jazz, pop music, adopting multiple identities. For one label, he is Andy Loore; for another, Emiliano Orti. For others, he is called Alan Blackwell or Johnny Montevideo, but behind all these aliases, there is only one man: Janko Nilovic.Exploring the shelves of musical production, venturing into the less-illuminated corners of library mu…

Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…

The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz. After having wondered, together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), if free jazz wa…

Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.

*300 copies limited edition* Originally released in 2000 on Smalltown Supersound, Kim Hiorthøy’s first record Hei captures an artist who had made very little music before – yet it seemingly was the starting point of a musical career that would stay away from easy categorisation. Now, Hei (2026 Remaster) returns on blickwinkel, released digitally and on vinyl on 30 October 2026, as part of an ongoing series revisiting and reissuing Hiorthøy’s work. Made in Copenhagen with little equipment — an Ak…

Debut album by X, the 1980 Los Angeles punk landmark produced by Ray Manzarek of The Doors, with the twin vocals of John Doe and Exene Cervenka. Remastered by Jason Ward for the 2019 Fat Possum reissue.

Eugene Chadbourne and René Lussier, live in Paris and at Victoriaville in May 2002: acoustic and electric guitars, banjo and voice in a twisted hoedown of free improvisation, bluegrass and country blues.

Joe Harriott's 1964 quintet with Shake Keane, Pat Smythe, Coleridge Goode and Bobby Orr turns songs from the Broadway musical High Spirits into lyrical, swinging jazz, now on vinyl in stereo for the first time.

Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. One of the most quietly radical entries in Deutsche Grammophon's legendary Avantgarde series - the run of albums issued between 1968 and 1971 that did more than almost any other label project to document the experimental music of its moment - returns to vinyl. Recorded in London in 1971, the Scratch Orchestra's r…

*300 copies limited edition* Sophomore album from Palace Records label founder and heavily influenced by soundtrack and library music from the past including one of his hero's, John Cameron (Kes, KPM, Bruton) who features on the album (Swing Time). The record is an assortment of outré electronics (Siren Call, Squeaks And Bleeps), modal jazz (Swiftly, Waltz For Someone) and wonky disco (Line Stepper, The Shuffle). Other contributors to the album include members of Palace Records band The Kanpai Q…

Bonnie Dobson’s self-titled 1969 album is a striking blend of folk-pop and psychedelic nuances, marking a move beyond the traditional acoustic style that made her famous in the early 1960s. The album’s mood is often reflective and melancholic, balancing pastoral beauty with darker themes of change, loss, and uncertainty. One of the hidden gems of the album is track B4 “Pendant Que” by the celebrated Quebec songwriter Gilles Vigneault, which stands out since it is sung in French and reflects Dobs…

Box with both Caprice albums by Sevda, Maffy Falay’s Turkish folk and jazz group with Okay Temiz and Salih Baysal: the 1972 Jazz i Sverige record and the Montmartre live set, plus a DVD of the Swedish TV programmes.

On All the Numbers, Lester Bowie’s first sessions as a leader catch the future Art Ensemble core in 1967 workshop mode, running multiple takes of two pieces that keep splintering into different shapes, energies and internal logics.