Best sellers
Reflections Vol. 3: Water Poems
** Edition of 300. Glacial Blue Vinyl ** A meeting in tidal waters. Sixteen years in the making. On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou release their first full-length collaboration, arriving as the third installment of RVNG Intl.'s ongoing Reflections series - contemporary convergences, orchestrated with care.
The two artists first met in 2009 and have circled one another ever since, sharing stages intermittently, most notably at the Philharmonie de Paris in …
Treatise by Cornelius Cardew
*2026 stock* For this collection of live performances, we approached Treatise not just as a score, but as a piece of visual art—an abstract landscape that drew us in with its raw graphic beauty. We felt compelled to translate it into sound using our instruments, while also engaging with the work on its own terms. In researching Cardew’s notes and his Treatise Handbook, it became clear that he didn’t intend the piece to be an open-ended free-for-all. Rather, he encouraged performers to develop a …
A Concrete Pasture
Follow-up to Haarlemmerhout, pushing Polack's hyper-local Haarlem practice out into the wider world. Four long pieces are built from material gathered across continents - the temple of the reclining Buddha (Wat Pho, Bangkok), Schiermonnikoog in the Dutch Wadden, Hong Kong traffic lights, Gamelan percussion - then routed through electronic processing, nostalgic power chords, electroacoustic crescendo writing, and a final tenor saxophone gesture reminiscent of Albert Ayler's raw expressivity.
Affenstunde
A foundational record. The opening chapter of one of the most singular spiritual journeys in European music. Esoteric returns Affenstunde, the 1970 debut of Popol Vuh, to vinyl on July 31st, 2026, freshly cut at AIR Studios in London, with the original cover artwork restored and an accompanying poster. When Florian Fricke brought a Moog III modular synthesiser into a Munich studio in 1970, alongside percussionist Holger Trülzsch and engineer Frank Fiedler, he was working with one of only a handf…
Kyoto 1970
Edition of 400. Wired was an ephemeral improvisational music project formed by Michael Ranta, Karl-Heinz Böttner, and Mike Lewis. On 28 April 1970, the trio recorded an extended studio session of approximately 140 minutes, in collaboration with Conny Plank, who engineered and mixed the recording in real time, incorporating elements of live electronics. This session was subsequently edited to album length and released in 1974 as part of the Free Improvisation 3LP box set issued by Deutsche Grammo…
Bandits of Stature
Darla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet.
Resonance of Time
Electronic lullabies and folk songs from Ethiopia! A landmark recording from Ethiopia’s vibrant cassette era of the 1980s, Resonance of Time features pioneering composer Wesenyeleh Mebreku reimagining Ethiopian folk melodies through the humble circuitry of an early Casiotone keyboard. Historically, the works featured on Resonance of Time (የጊዜ ቃና Yegizie Kana) stand as quiet documents of Ethiopian musical memory. Many of the original songs included in this release emerged during important moments…
The Voice of the Eagle
“I don’t call a lot of my stuff far out,” Basho explained. “I just call it a different level of feeling. It’s far in, as far as I’m concerned...I spent years on the road singing folk songs that had no meaning. It dawned on me music is supposed to say something. Music is supposed to do something.” This is a Basho vocal album – his singing, which John Fahey described as “strangely compelling”, came straight from the heart and soul with no regard for restraint, phrasing or timing. Thankfully, he wa…
Pareidolia
Named after the tendency to impose familiar likenesses, such as faces, on random - usually inanimate - objects, Pareidolia is Jake Muir's way of interpreting the consonances between so-called “ambient” music and extreme heavy metal. Extracting the headiest, most atmospheric sections from hundreds of death metal and black metal tracks, Muir plays the role of both DJ and electroacoustic composer, concocting a lysergic elixir of fractal distortions and prolonged, decelerated riffs that slowly evapo…
Manifestations In The Shadow Of An Uncertain Land
Manifestations in the Shadow of an Uncertain Land unfolds through aleatoric composition and intuitive process, shaped by deeply entangled political and aesthetic lineages. Rooted in lived experiences of bodies and minds navigating the localized and global weight of imperialism, the work also draws from the temporal logic of film and literature, where memory, dread, and anticipation coexist. Working with voice and modular electronics, Lowe treats sound as a sculptural and cinematic force, informe…
Stories From Another Time 1982-1988
Originally released by Time Capsule in 2021 and long out of print, Stories From Another Time 1982-1988 returns in an upgraded edition following years of demand and rising collector prices on the secondhand market. Widely regarded as a modern cult classic, Mário Rui Silva's visionary recordings blend acoustic folk, cinematic soul, spiritual jazz and saudade-filled Lusophone rhythm into a deeply timeless and universal work that transcends genre and geography.
This new edition features half-speed m…
What Color Is Love
The 1972 masterpiece by Chicago singer-songwriter and guitarist Terry Callier, returning here in the Music On Vinyl 180g audiophile edition. Cut at the heart of Callier's tenure on Cadet, the jazz imprint of Chess Records, What Color Is Love stands as the artistic peak of his collaboration with arranger and producer Charles Stepney, captured across three Cadet albums, Occasional Rain (1972), What Color Is Love and I Just Can't Help Myself (1974), plus a fourth project that was cut short by Stepn…
Crystalline Tragedies / The Procession - Distant Motionless Shore
An unusual collective release: Comes and Aldinucci composed their two pieces in complete isolation, exchanging neither studio time nor materials, but both worked from the same Nietzschean opposition - the moral codex of the Christian church against the radical surrender to emotion. Aldinucci builds his side from a single field recording of a procession in rural Tuscany; Comes's Crystalline Tragedies traces three distinct sections through the affective dimension of major life passages.
Hadayro
* Edition of 199 copies * Originally released on cassette in 1985, H·A·D·A·Y·R·O is a landmark of Japanese noise music. It documents the early vision of Solmania and the singular sonic approach of Masahiko Ohno. For years, it remained a cult artifact among collectors and underground enthusiasts. This vinyl edition renews its impact, feeling more like a rebirth than a simple reissue. Solmania was far more than a band; it was Masahiko Ohno’s personal sound laboratory. At the heart of the album are…
Paintings
Final work in a trilogy (Sketches, Drawings, Paintings) marking Philipp Bückle's return to music after closing his Teamforest project. Recorded in 2014 across Copenhagen and Dortmund, the album combines a visually organic sensibility with experimental composition, the titles functioning as discrete sound paintings spanning warm September evenings, rainy days, a seascape, a wedding. Mastered for vinyl by Stephan Mathieu. Ambient drone abstraction grounded in figurative diaristic detail.
Ridge Of Humming Spoils
Final volume of Haarvöl's trilogy. After the noisy beginning of Bombinate and the move toward the periphery of Peripherad Debris, the trio arrives at the frontier as a psychoanalytic empty signifier: an edge that holds both interior and exterior. The album is built from what they call 'whispering remains', material left behind by previous compositional decisions, here treated as a vantage point looking both backward and forward. Drone microsound at the limit of the project's own grammar.
Peripherad Debris
Second album in Haarvöl's trilogy, picking up where Bombinate left off. Where the earlier work announced its sonic intention (bombinate, to hum), Peripherad Debris turns toward the conceptual periphery and to remnants of what has already been said: away from the centre, toward the outer turbulence where residual materials remain most stimulating. The album moves between quasi-ambient stillness and dense mass-sound nearly turning to noise, holding all positions in the same hesitant qualifier.
Bird Food
Recorded live at Radio Studio Zurich on February 19, 1968, nearly seven months before Santana, previously considered the trio's debut , Bird Food is the earliest known document of the Pierre Favre Trio. The tape lay dormant in the drummer's personal archive for over half a century, until Pierre Favre and trombonist Samuel Blaser uncovered it while sorting through old recordings.
The trio brings together Pierre Favre on drums, Irène Schweizer on piano, and Jiří Mráz on bass, who would later becom…
1
Mens and Kouw have worked together since 2001, when their first album emerged from the clicks 'n cuts vocabulary via raw mixer feedback recorded to minidisc and broadcast live on Amsterdam's Radio 100. The duo has since migrated into tonal and timbral long-form, combining software, recorded acoustic instruments and modular synthesizer into electro-acoustic drone with audible debts to the American minimalist canon. First half of a two-part album, recorded live in December 2014.
Zawinul
It would not be incorrect to claim that Zawinul was the first Weather Report album with regard to both its concept and sound since all protagonists are already present: Joe Zawinul, Wayne Shorter and Miroslav Vitouš. This album confirms that Zawinul was the primary creative generator of Weather Report, the connecting link between the band and Miles Davis’s keyboard-laden experiments on "In A Silent Way"; indeed, the composition in its complex orchestral form as composed by Zawinul is newly arran…