*200 copies limited edition* Gathering its most vivid elements, and drawing inspiration from the most emotionally touching mixtures of electronic synthesizers, driving rhythms - always 'clever' and sober - and melodic para-ambient offshoots, Like the Snow creates an album with almost 'epic' connotations, for its ability to involve and for the intensity of the emotions it is able to convey. At times sweetly melancholic and introspective, at times 'charged' with irresistible dynamic energy, but al…
*In process of stocking. Limited edition of 200 copies.* Enfold was created over the span of four months in the early morning hours. Its structure alternates between mechanistic dub techno rhythms and sections of deeper ambience. Each of the three names listed within the album's track titles symbolize multiple hours of improvised source material.
Field recordings appear throughout the album's duration. Thunder, rain, wind, and cicada sounds are prominent. The fifth track contains processed recor…
This is an unreleased and “lost” new album by Deison and Mingle conceived in 2014 /15 right after the recording and the release of their debut collaboration-album "Everything Collapse[d]". After the passing of Andrea Gastaldello (“Mingle”) in 2021 and founding these forgotten tracks led us to think that this work should have been listened to understand the essence of the original album. Published by a co-production of three label who have released various works by the duo in the past (Loud!, Fin…
Four LPs, a CD and a 120-page book from the Zurich festival for Alvin Lucier's 85th birthday in 2016: Lucier performing I Am Sitting in a Room and Music for Solo Performer, plus premieres and late works with Curtis, La Barbara, Ambarchi and O'Malley.
Double album by Miles Davis compiling studio recordings made in New York between 1970 and 1974, with Michael Henderson, Al Foster, Mtume, Pete Cosey and Reggie Lucas, produced by Teo Macero and first issued by Columbia in 1974.
"Below/Light" by Filer Coleman is a selection of ambient works by Jim Filer Coleman. It represents an antidote, or perhaps a counterpart, to the more aggressive music that he may be more known for such as Cop Shoot Cop and Human Impact. These tracks were recorded over a span of a few years, slowly evolving and seeking definition. Electrocoustic in nature, the approach was always exploratory and playful, searching for balance and connection with the natural world.
Jim Coleman was an instrumental …
Cabaret Voltaire's 1987 album, co-produced with Adrian Sherwood: the turn to synth-pop and mechanistic funk, remastered from the original tapes by Denis Blackham and back on Mute.
One more new Gianluca Becuzzi release on Silentes, this time in collaboration with Luigi Turra. Composer of musique concrete and graphic designer whose main interest is the musical balance between silence and the tactile perception of sound, Turra’s works were published by labels such as and/OAR, Unfathomless, Non Visual Objects, Smallvoices and many others. A lot has already been written about Becuzzi, here we would just like to remember his historic Darkwave / Industrial project…
Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
Limited edition of 20 copies which contain a photographic reproduction of the five Polaroids used for the cover. "Decomposed Days" is the new collaborative effort by Corrado Altieri (Candor Chasma, Monosonik, Uncodified) and Gianluca Favaron (Ab'she, Under The Snow, Zbeen), two major artist in the experimental electronic scene. Released one year after "The System of Objects", a tribute to Jean Baudrillard, "Decomposed Days" relates to the possible connections between space, time and memory,…
Latest in a series of releases from Dutch company Konkurrent where they give touring bands 2 days in their 24 trk studio to record 20-30 mins. of whatever they like! This feat. a collaboration between the guys from TORTOISE & the people from THE EX, the legendary Dutch anarcho punk band. 6 cuts that blend Tortoise's introspective subdued layers of sound w/ the Ex's dynamic, tense & confrontational punk rocking. An unlikely combo w/ interesting results!
2001 release ** "Kozo Ikeno is a trumpet and electronics player from Japan. He creates experimental jazz, abstract break beats and field recordings. He is out now with this new album produced in Italy by Braxtone Records. It is a real must for experimental music connoisseurs!!! All compositions by Kozo Ikeno, composed and recorded in 2001"
'Verrückt' was originally a split cassette release with Criminal Party from back in 1987 on the Japanese label Lunatic Propaganda. M.B. better known as Italian power electronics/avant-garde/noise artist Maurizio Bianchi contributed one side of the tape. Original copies are scarce, to say the least, so M.B. himself reissued it as a CDr and now St.An.Da. give it the vinyl treatment. Captivating '80s underground cassette music, bordering on ambient with its bubbling dreamlike soundscapes.
In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.
*200 copies limited edition* Iris Our is the new surrealist duo of artists Kiera Mulhern and Sydney Spann. Recital is honored to present their debut album, Victual Vittle Bottle Cunt. Both Mulhern and Spann have released celebrated solo works on Recital: Mulhern’s De ossibus 20 (2020) and Spann’s Sending Up A Spiral Of (2023). Close friends, they would meet up weekly on Saturdays to record; channeling their love, angst, and wit. The synergism of their friendship is evident: poems read in tandem,…
Konoma by Takuro Okada is an evocative exploration of musical identity informed by Afro-American traditions and a Japanese artisanal spirit. With eight tracks that weave intricate guitar textures, this album reflects Okada’s meditation on cultural connection and the possibilities of stylistic fusion, pushing boundaries in contemporary instrumental music.
Perila returns with a contemplative spiritual successor to her album »7.37/2.11«, which was also released on Vaagner’s sister label A Sunken Mall back in 2022. Featuring a collection of 8 pieces produced between 2021 and 2023, the album carries a serene vulnerability that underpins each work, drawing the listener in while gently grounding them amidst a drifting, ephemeral motion of echoing voices, droning guitars and sonorous soundscapes. Like a whispered conversation in the quiet moments of the…
*200 copies limited edition* "Notturni", Germinal's second album, deepens and pays tribute to more distinctly dark ambient influences while maintaining a firm focus on compositional minimalism. Forgotten loops and samples, buried melodies, rattling refractions and mysterious litanies delineate misty country settings and dreamy urban situations, which can be traced back to a minimum denominator: nocturnal landscaping.
*300 copies limited edition CD in 6-panel digisleeve* There are roads, paths that inevitably end up joining and there is not always an explanation that is dictated by a precise logic. in fact, there can be many reasons why one decides to take a common path, and in a musical world - which is extremely fragmented - one does not exclude chance or even the sum or escalation of those favourable circumstances that sometimes seem to be inevitable. Thus a simple empathic trigger was all that was needed,…
* Edition of 200 * Overgrowth: We consider technology as a tool at our disposal, while it has become the environment around us and takes only care of efficiency.
So, nowadays, the technical apparatus became more important than men and their needs.
It has no purpose, or a vision for a better mankind future. It only "works".
Biggest Tip Possible! Lars Göran Ulander Septet (1965) Lars Lystedt Quintet (1967) Per Henrik Wallin Trio (1977) Curated by saxophonist and improvisational musician Mats Gustafsson, Caprice Music continues the Öppet series, focusing on a relatively unexplored period of Swedish creative, experimental music from the 1960’s and 70’s. Öppet Två presents saxophonist Lars-Göran Ulander, who made a big impression on this series' curator in 1982, when he witnessed a solo concert at an art exhibition. Ma…
Huge Tip! Small repress. "I stood on top of the mountain and looked out over the landscape. It was so beautiful that my chest hurt. The light vibrated, time stood still, and the contours dissolved for a moment. Everything had changed; I felt it then. I took their little hands so as not to lose contact with the ground. Then we ran down the mountain, scraping our knees. Still, we didn't make it. You had already put away all the nautical charts, loosened the moorings and steered out among the skerr…
Originally released in 2000, Iron grew out of Pavlov's teenage fascination with heavy metal and the underground record-exchanging community of the late Soviet era. At fourteen, inspired by Iron Maiden's “Running Free,” he picked up a six-string guitar brought to him by his grandmother and decided that he and his friends could also play that kind of music. Before long, they were rehearsing in a Soviet youth club with whatever equipment was available, looking for the sound they heard in early heav…
By the end of the 1960s, Charles Lloyd was one of the biggest names in jazz. His quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette reached far beyond the usual jazz audience, while Forest Flower became one of the first jazz recordings to sell a million copies. In 1970, at the height of his career, Lloyd disbanded the quartet and withdrew to Big Sur. He continued to make records from time to time, but largely disappeared from the jazz scene while following a more inward and spiritual pa…
LP version.If cellist/composer Janel Leppin’s wonderful and widely celebrated 2022 solo debut album Ensemble Volcanic Ash was a creative eruption, her follow up To March Is to Love is a glowing magma flow that greatly expands her singular band’s sonic terrain. The project thrums with immediacy as Leppin and her all-star sextet honor their musical ancestors and reflect on disquieting times. Bandcamp Daily declared “There’s no end to the melodic intensity of Ensemble Volcanic Ash. Even at its lus…
Moonwalker, Aarburg, Switzerland, 29 March 1992. Sun Ra, fourteen months from the end, at synthesizer and piano with a ten-piece Arkestra: Marshall Allen, Michael Ray, Ahmed Abdullah, Tyrone Hill, Buster Smith. Ten pieces in fifty-six minutes, mostly repertoire, groove over improvisation. Released by Enja.
Black vinyl. Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the …
Ahead of their final studio album 'Danceteria' coming out later this month, we have the one and only Soft Cell on the cover of the latest Electronic Sound. There's a 16-page Marc Almond interview inside the magazine and we're bundling the issue with an exclusive blue vinyl seven-inch by the synthpop superstars. Make sure you don't miss out on this!
As most of you will know, Marc Almond's Soft Cell partner Dave Ball died nearly 12 months ago, just two days after they'd finished recording a new a…
Remastered and sounding better than ever, ‘Compiled 2.0 / 1981-84’ wraps up the most indispensible bits by Gudrun Gut and co’s all-female German post-punk unit Malaria! - effectively Berlin’s answer to The Slits or The Raincoats and one of the key Neue Deutsche Welle and post-punk units of the era.
*Limited edition of 111 copies.* The long-awaited reissue of ABSURDUM is finally released. Originally published by 13/Silentes in an incredible art edition of only 17 copies as a 3LP box and a handmade book, it is now being made available for everybody. ABSURDUM began as a series of writings by MB entitled DISSECTIONS. These 16 texts are now featured inside the poster cover that includes the CD of the entire work. No other words are necessary. It's only absurd. It's only MB
Standard edition. Lim…
Spittle Records present a reissue of Tasaday's second album L'Animale Profondo, originally released by T.A.C.'s Azteco Records in 1986. Here, the sound is, if possible, even more primal and direct than its predecessor; without compromises. Improvisation takes over... free and uncontrollable sounds that tell of an ensemble that was years ahead in European experimental music. Echoes of Einstürzende Neubauten but also of Throbbing Gristle... and beyond, in a deep, almost free jazz universe. Post-in…
Alessandro Alessandroni's 1976 poliziottesco score, cut in one day with Enrico Pieranunzi, Silvano Chimenti and Dino Piana: jazz-funk, deep soul and disco in the wake of Shaft. 50th anniversary edition, expanded with 14 unreleased tracks.
Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient minimalism, written with no deadlines after playing that 1979 album live in Milan.
Four soundtracks Bogusław Schaeffer wrote for art films of the Educational Film Studio in Łódź, 1967 to 1980, mostly made at the Polish Radio Experimental Studio: processed voice, dense percussion and jazz saxophone, remastered from original tapes.
Near a remote village with a not-so-important name lies the entrance to a dungeon, sadly notorious among the local inhabitants. Legend has it that no one has ever come out of it alive. This is the only certain truth; all the rumors about what awaits you inside are wildly different and often contradictory. This peculiar dungeon is actually a magical dungeon, the foolish (or perhaps amusing?) experiment of a diabolical 36th-level wizard: the dungeon is constantly changing, or perhaps it does not e…
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
The encounter between Ramona Ponzini and Maurizio Bianchi yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic collisions.Maurizio Bianchi, a pioneer of the Italian industrial scene, chisels soundscapes built from abrasive, material noises, dissonant cadences, and atmospheres both dust-laden and rarefied yet simultaneously dense. The listener moves across these terrains as if navigating…
First vinyl edition of Showtime, Sei Miguel's 1996 album and his first proper studio record, recorded live in Lisbon in 1994 with Rafael Toral on guitar, now presented as one piece with the cover photo originally planned.
In November 2017, something extraordinary happened in Shibuya. As Shuta Hasunuma began conjuring otherworldly sounds from a single Buchla Music Easel modular synthesizer, Keiji Haino—one of Japan's most uncompromising experimental voices—responded by singing "Kimigayo," the Japanese national anthem. What started as an unplanned encounter between two visionary musicians has now crystallized into U TA, an album that brilliantly captures the haunting and complex interplay of Haino's resonant …
Edition of 250. Deluxe edition + insert. For eighteen months, between 1984 and 1985, Patrick Lysaght played flute, strings, and percussion inside the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque, New Mexico. His audience and collaborators: 150 birds of 42 species.
The result is one of the earliest and most radical documents of interspecies improvisation. Predating the current wave of sound ecology by decades, For The Birds sits comfortably alongside the biophonic research of Bernie …