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** Edition of 300. Glacial Blue Vinyl ** On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou channel their friendship and atmospheric artistry into ceremonial focus. Spoken-word environments and orchestral imagination flow like tributaries into a unified stream, resulting in a collection of dreamlike songs and soundscapes anchored in sea, sky and stone. Through electro-acoustic instrumentation, voice, and environmental sound, Water Poems invites listeners into a subconscio…
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
Sonoris is pleased to announce the release both on vinyl and cd, with a new mastering by Giuseppe Ielasi, of some important works from the influential and respected artist Steve Roden. These tracks, which mix conceptual composition and musicality, transcend the ambient or lowercase categories too quickly applied to his music, due to its ghostly beauty. In the tradition of John Cage’s Cartridge Music amplified objects, Steve Roden extracts a fine and delicate music through his manipulation of spe…
Mount Maxwell returns with another full-length journey into memory, melody, and geography - this time roaming beyond the BC environs of his previous records into a stranger, less knowable country. While still woozily nostalgic in the vein of Only Children and The People’s Forest, this outing feels more exploratory and wide ranging in scope, with a denser mixture of influences at play.
The somnambulistic drift of Sea of Milk sets the stage with a series of wavering synth pulses that push us langu…
Sound trails, minimal structures built with pads, discreet electronic elements, slow, deep and enveloping bass lines, backgrounds of confused voices treated in reverse, circular movements alternating with liquid stasis and quiet... Creaks on layered sound substrates of indecipherable nature, which seem to emerge from a thick blanket of fog that reveals fragments of real landscapes here and there, ready to disappear from view again after a few moments, once more hidden by clouds of steam in const…
* Includes a 28-page booklet with liner notes by Senri Miyazato in Japanese and English (English translation by Linda Havenstein) * Historical recording of the sacred Izaiho ritual, an inauguration ceremony of female priests held once in twelve years in Kudaka island, which is located approximately five kilometers east west from the Okinawa island. Izaiho ended in 1978 due to a lack of successors, and this is a recording of the final ritual.
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection - a rediscovery of autumnal warmth and luminous craft.
2026 Repress. In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recording, realized without electronic alteration, invites deep listening, unspooling at an unhurried pace in a luminous acoustic field. Lamb’s music here is uncompromising in its patience: the two musicians linger in the borderlands of pitch and timbre, ca…
Collective interplay is essentially about listening and giving space. If ever there was a credo for this ensemble recording, this would be it. Sometimes the soloist or a small group steps forward, other times they play as a large unit. This collective of musicians are connected through old and new friendships, a set of relations that has been formed through two decades of co-creation on stage and in the studio, and their new recording is a reaffirmation of that with an A-side of free improvisati…
Originally released in 1970 on the short-lived Truth Records label, Bandolero by Bandolero emerges once again as one of the most unbridled and mysterious artifacts of Puerto Rico’s underground rock scene. Long out of circulation and shrouded in legend, the album is finally making a triumphant return—restored and ready to ignite a new generation of listeners.
Across eleven original tracks, Bandolero fuses searing fuzz guitars, swirling organ lines, and a propulsive Latin rhythmic core to create…
*2026 repress!* Long before the term Cosmic Americana was of common use there was a band ideally fitting the role. Back in 1976 the long psychedelic wave was rapidly fading away, but the market of private press was still in demand. The self-debut album of Relatively Clean Rivers came out the same year on the leader Phil Pearlman label. Pacific Is released just this sole album and was to a certain extent an original example of do it yourself. The brainchild of Phil Pearlman, the band was rapidly …
Eternity’s Pillars b/w Raise the Chalice & Reverential consists of three brand new tracks created and performed by the iconic duo of Stephen O’Malley and Greg Anderson and co-produced by sunn O))) and Brad Wood. Brad Wood recorded the material at Bear Creek Studios in Woodinville and Sea Grass in Los Angeles in 2025. The tracks on this maxi 12” are the first official sunn O))) studio recordings to feature only the original core duo on heavily saturated electric guitars and synthesis. sunn O))) g…
Specially priced bundles drawn from the catalog of Nimbus West — the American label widely regarded as the greatest single depository of West Coast avant-garde jazz. With the label's future uncertain and no represses planned, this is a final opportunity to explore one of the most vital and visionary corners of recorded jazz before it disappears from circulation for good.Nimbus West bundle five contains the following LPs:
Curtis Clark "Amsterdam Sunshine"
Curtis Clark "Deep Sea Diver"
Horace Tap…
*2025 stock* A collection of the best recordings selected by the Dutch sound artist Felix Hess from his "Frogs" series featuring frog calls from around the world, released on cassette tapes, vinyl, and CD-Rs from the early 1980s to the early 2000s. A limited-edition pressed CD of this long-discontinued series, with new artwork by Sakura Kondo. It is a series that inspired the artist, who was a physicist studying the trajectory of boomerangs, to create sound works later in life. Palenque is a rec…
Perpetual Possibility is an album that bears witness to the collaboration between Lino Capra Vaccina, living legend of Italian minimalism and the avant-noise duo Untitled Noise with an interesting album on the label Dark Companion. Perpetual Possibility is the faithful transcription of the concert held by the trio at the MA*GA Museum in Gallarate, Italy and is the first recorded live album by Lino Capra Vaccina. Untitled Noise weaves delicate electronic warps on which the gongs, vibraphone, pian…
*2025 much needed repress!!* Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
**Original 1983 pressing, sealed copies. Few available** In the late 1970s, Steve Piccolo was a founding member of the seminal No Wave jazz band Lounge Lizards along with John Lurie, his brother Evan Lurie and Arto Lindsay. He’d studied music at Bard and NYU and was doing performances, art and sound installations at night while during the day maintaining a job as a Wall Street computer analyst. This is his second solo LP, again a minimalist and radical rethinking of song, mixing a post-punk/DIY…