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Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while al…
On Kronos Quartet Performs Philip Glass, Kronos Quartet turns four string quartets into a self‑portrait of the composer, charting his path from theatre and film scores to music written directly for the group, all in a language of pulsed clarity and slowly deepening harmony.
*249 copies limited edition* The "static noise" project of Richard Ramirez, Werewolf Jerusalem was introduced to the world fully formed and consumed with darkness. Ramirez is no stranger to confrontation, which makes this album's mysterious approach all the more sinister. No track titles, murky and dystopian samples, and overwhelming sound that pulses and stutters but retains all of its lurching power, plowing endlessly forward until it all just stops. 24 years after its release, Werewolf Jerusa…
On Marquee Moon, Television reinvent rock as tense, skeletal architecture, eight songs built from interlocking guitars, nervous poetry, and negative space, culminating in a title track that turns a ten‑minute solo into pure street‑lit vertigo.
**300 copies on 2 x Green vinyls** "While developing my last film about the elephant graveyard myth, I tried to imagine what that jungle and landscape that protected it might sound like. To do this, I created a series of soundscapes, atmospheres to help me understand that park, to imagine it; I tried to place it in the near future, around 2046. All the sounds that make up those sound compositions come from my references throughout the project, and from the atmospheres and radiofrequencies captur…
1985 super rare tape, original copies ** The legendary ICP Orchestra (Instant Composers Pool) pushes sonic boundaries with their super rare tape-only release, Extension Red, White & Blue. A vibrant fusion of free jazz, avant-garde experimentation, and razor-sharp improvisation, this album captures the ensemble’s signature irreverence and mastery in a format as raw and immediate as their live performances. Extension Red, White & Blue is a riot of color and sound—a testament to ICP’s half-century …
The room where butterflies live. A place between worlds. Enter at your own risk - you may not find your way back out. Sai Yoshiko's fourth and final album of the 1970s stands as one of the most singular documents in Japanese music - a jazz-inflected fever dream that marked the end of an era. Originally released in 1978 on Columbia (LX-7058-A), Chou no Sumu Heya represented a dramatic departure from her earlier psychedelic folk explorations. Here was something else entirely: a surreal and dynamic…
Stephen O'Malley’s contribution to the Matière Mémoire’s stunning MMXX Series, Öst-Väst Sommaren (MMXX-11), is a vast expanse of intricate ambience, texture, and tone that encounters the Sunn O))) veteran exploring quiet, introspective depths. Issued in a limited edition of 500 copies, on a single sided crystal-clear vinyl LP with a laser engraved artwork on the other, housed in a transparent sleeve printed with the MMXX logo, and containing an artist print by O'Malley.
**Edition of 350 copies on transparent vinyl** La Scie Dorée presents a new album by Mirror (Christoph Heemann and Andrew Chalk) recorded at the Loft, Cologne. Christoph Heemann, with co-founder Achim P. Li Khan, was active in the celebrated group Hirsche Nicht Aufs Sofa in the 80's. In the mid-90's, Christoph concentrated on his solo career while collaborating with artists such as Jim O'Rourke and Edward Ka-Spel (Legendary Pink Dots) in the Mimir project. He also worked with Masami Akita (Merzb…
Recorded in 1973, Eclipse was intended as Jade Warrior's fourth Vertigo release but was shelved before pressing, circulating only as rare test pressings. Restored with the band's original running order and period artwork, this is top notch British progressive rock, blending delicate acoustic passages with bursts of heavy-rock intensity, African, and Middle Eastern rhythms. The missing link between Last Autumn's Dream and their later Island-era sound. Sourced and remastered from the original mast…
* Includes a 28-page booklet with liner notes by Senri Miyazato in Japanese and English (English translation by Linda Havenstein) * Historical recording of the sacred Izaiho ritual, an inauguration ceremony of female priests held once in twelve years in Kudaka island, which is located approximately five kilometers east west from the Okinawa island. Izaiho ended in 1978 due to a lack of successors, and this is a recording of the final ritual.
*300 copies limited edition* Big Blood, the intrepid voyagers into the outer reaches of hallucinatory noise-rock and eclectic freakadelia opt for a new path along the circuit board of creativity. Electric Voyeur was made by applying strict limitations using home-made electronic instruments and voice alone. The result is an album that is as trippy as it is devotional in its exquisite craftsmanship. The glorious scent of solder and silicon wafts all over this music. Crafted over the course of ten …
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.
Zach Rowden presents Cyclical Tombeau on Second Sleep, a haunting exploration of repetitive structures and drone that transforms the double bass into an otherworldly sound-making device. Through prepared techniques and extended bowing, Rowden creates circular funeral dirges that blur the boundaries between acoustic instrument and spectral presence. Connecticut-based Rowden has established himself as one of the most innovative voices in experimental bass music, known for his work with Tongue Depr…
2026 stock Looking at the world in which we live, I was often haunted by feelings of powerlessness and disillusionment. How could it be, that the force of destruction seems to cast a shadow over the beauty and universal creativity of our interconnected race. How can a single human turn things around so that we live the dignified life we so much long for and also deserve?
Feeling small and insignificant really cannot change anything for the better, I understand that we need to find the change wit…
Temporary nicer price * * 45th Anniversary Edition, 180 gr. Red Vinyl * *Franco Battiato also known as "Za" was the first album for Ricordi, and the Franco Battiato's conceptualism becomes very rigorous and authoritative. It is made of two long tracks, Za, in the author's own words "Apparently poor. Almost completely made up of one chord. Deliberately percussive (the right pedal is never used), it divides and subtracts resonances, with a technique of release. It needs a listening that I would de…
*2022 stock.* "[...] By no conventional logic should Floral Shoppe have made it beyond the deep-internet realms it emerged from. But like candy-colored mold, its power has rapidly spread while its then-teenage creator Ramona Xavier, the Portland artist now known as Vektroid, has remained an elusive figure, simultaneously a pioneer and an outlier. Her album remains one-of-a-kind in its depiction of anxiety and crisis rendered through waves of numbness that range from deeply unsettling to artifici…
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
Live Pass Tour ’80 captures Friction at the precise moment their legend hardens into tape. Recorded during the Pass Tour at Kanagawa University in 1980, just as the band were releasing their first full‑length 軋轢 = Friction, this set has been described as the “definitive, fully edited document” of their early peak, preserving the original line‑up with singer Masatoshi Tsunematsu still fronting the group. Where studio takes tighten and cool their New York‑shaped no‑wave and Tokyo Rockers energy, t…
** Special Time-Limited Offer ** On Speak No Evil, Wayne Shorter fronts a quintet of Freddie Hubbard on trumpet, Herbie Hancockon piano, Ron Carter on bass, and Elvin Jones on drums. Shorter’s compositions are haunted and luminous: melodies that are instantly memorable yet subtly elusive, harmonies rich with unresolved tension, forms deceptively straightforward. His tenor lines slide between inside and outside, often stating a theme in stark tones before twisting it into ambiguous shapes. The ba…