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Recorded in rural eastern Washington State, Walk in Praise of All Metals reflects the raw expanses of the‘Channel Scablands’, a region which gladly bares the scars of ancient volcanism, ice age floods, &hydroelectric power. Like the landscape—born of cataclysm, yet steady in its austerity, the music speaksthrough sustained resonance and momentary intersections. Structure emerges through sharedharmonics, with passages from Matt Sargent’s re-tuned guitar (13-Limit just intonation) activatingsympat…
Long overdue reissue of the first Windy & Carl album and first ever vinyl pressing. Originally self-released by the duo as a cassette in 1994, Portal set the template for their singular sonic explorations to come.
“…ethereal soundscapes that will transport the listener to other plains of reality.” —Acid Test!
“Carl layers willowy guitar arpeggios, foggy keyboards, and chimes over Windy’s murmured intonations and rippling basswork. Everything sounds fresh and unaffected in the careful hands of th…
Sorcery is the ninth album for Jim Jupp, aka Belbury Poly. It grew from Jupp’s love of early to mid-80s electronic music and a rediscovery of how that music had soundtracked his childhood love of all things sci-fi and fantasy. It’s moody and melodramatic electronica rendered in bright and evocative 80s sounds. The not quite 80s tunes have Belbury Poly’s trademark earworm melodies and are ever so slightly tongue in cheek. Jupp returns to a simple line up for this album - it's a very electronic so…
Corbett vs. Dempsey is thrilled to announce the release of ‘Reason’, the second album from international free music quartet The Sleep of Reason Produces Monsters.
200 copies limited edition, black vinyl edition Accessing the history of avant-garde and experimental music from Latin America has always been a complex affair - the true breadth of activity during the second half of the 20th Century sinfully under-documented, the result of political and economic circumstances that unfolded across decades. Over the last years, reissues have begun illuminating the remarkable creative triumphs that transpired in Peru, Chile, Argentina, Cuba, Brazil, Venezuela, and…
Passerine began in the fall of 2024 when my older son left home for college and friends began to ask if I were experiencing empty nest syndrome, or half-empty nest syndrome, as was the case. Each time, my reply was a simple, “nah, I’m good…everybody’s good.” And that was true. My wife, the boys, and I were all doing relatively well after many difficult, often harrowing years of helping our first-born navigate deep and dangerous mental health struggles — struggles so severe that we’d already had …
Madelyn Byrd returns to Glasgow’s Somewhere Press with a hazed set of weightless soundscapes. »Night Rider« opens in widescreen with the chirp of cicadas dancing across a desert landscape, before Shiroishi’s saxophone eventually cuts through the dark like neon. The story Byrd tells is close to their heart: they spent their teenage years in the Sonoran Desert, the vast subtropical expanse spanning parts of Arizona, California, and Mexico. Its seemingly alien landscape — pocked with giant, tree-li…
** Edition of 150 ** Huerta Ensamble is a collaborative research project by Mexican artists Concepción Huerta and Daniela Huerta, dedicated to exploring sound through synthesis and magnetic tape experimentation. Their practice delves into tuning, electricity, spatiality, psychoacoustics, and the fundamental principles of sound, with live performances unfolding through improvisation and the dialogue unique to each setting.The album, "S∞S", treats sound as a living organism — alive with resonance,…
Tip! Mekong Shellac is an extremely rare collection of classical and popular styles of Khmer music from the 1930s to the 1950s. Restored from the few original remaining copies, this compilation reveals a remarkable world of early 20th-century Cambodian folk music previously lost in time through war, cultural shifts, and modernization. These recordings were selected for their distinctive musical qualities, the physical condition of the 78 rpm records from which they were sourced, and the circumst…
Cien Fuegos present a reissue of the Peter Brötzmann Octet's Machine Gun, originally released in 1968. One of the most important albums of European free jazz, finally in the Cien Fuegos series. Recorded May 1968 at "Lila Eule", Bremen. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more ai…
First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.
Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.
*30 copies limited edition* The CDr is contained in a black cardboard envelope measuring 13x13 cm. about (250 grams thick) with a 10x10 cm sticker on the front. The CDr has a small sticker, and inside the envelope there is a photocopied insert in the format of a mini poster of the dimensions of 20x40 cm. open and 10x10 cm. closed, approximately (paper 80 gr. thick).The only difference in this reissue is the picture on front sticker that is a negative of the first edition
*250 copies limited edition* As part of their 20th year celebrations Gnod grace us with the latest output from their ongoing R&D project. Operating as a stripped back two piece the raw energy and sonic power shines through across the two tracks that make up ‘Nobody Knows this is Anywhere’. ‘Catholic FM’ and ’Sunset 102’ are but a fraction extracted from a mammoth 2 day recording session at Gnod farm back in 2019. Recorded straight to cassette at the time and with minimal editing done at some poi…
When Japanese artist Masayoshi Fujita was invited to create the soundtrack for Expo 2025’s vast living nature installation, Forest of Tranquility, he immediately envisioned a relaxing public space in which visitors could tune out the noise and restore their energies. Inside this green open-air sanctuary – visited by millions of people during the landmark Osaka event, which ran for six months – stood a central pond and 1,500 real trees, all rescued and repurposed from Expo’s former ‘70 site and o…
Laetitia Sonami's Dangerous Women: Early Works 1985-2005 traces twenty years of fearless electronic innovation. From her studies with Eliane Radigue in France to mentorship under Robert Ashley and David Behrman at Mills College, this 2CD collection captures her evolution from analog experimentation to pioneering digital performance with her legendary "lady's glove" interface.
Happy Today, the third album from guitarist/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time. The performance also captures a distinctly joyful night of togetherness set against the back…
Tip! Hot on the heals of their spectacular self-titled debut album, The Handover is back with their second long form composition, New Old Medicine. Aly Eissa (oud), Ayman Asfour (violin), and Jonas Cambien (vintage organ/synth) have been cutting their teeth on the international touring circuit for the past two years, landing from town to town in their seductive spaceship to blow people's minds and then dematerialize into the void. An outline for a new piece began to emerge along the route and la…
Recorded 29th May 1977 at A Day in Solidarity with Soweto: A Fund Raiser, Harlem Fight-Back, 1 East 125th St., New York Violinist Billy Bang made his recording debut as a leader with the Survival Ensemble, the first working band he ever led, on New York Collage in 1979. Bang, saxophonists Bilal Abdur Rahman and Henry Warner, bassist William Parker, and percussionists Rashid Bakr and Khuwana John Fuller played incendiary free jazz more clearly indebted to the New York avant-garde of the precedin…
*300 copies limited edition* A quiet intensity permeates Chantal Michelle’s music, like a veiled flame. Even at its most spare and delicate, an undulating tension unsettles the ear through wavering microtonal interference and uncanny spatial juxtaposition. She takes seriously the mandate of the composer to foster new relationships between various types of sounds, bringing together disparate field recordings, instrumental stems, and the sounds of circuitry in unheard configurations. Resolution is…