Best sellers
Kiliae I
*100 copies limited edition* 'Kiliae' is a collection of pieces that tell the story of a homecoming. It is a cohesive narrative that captures the feeling of what a home can be, drawing its inspiration from life in that place itself—life that has now become something different after having lived in foreign places for an extended period of time. Kiliae captures a certain atmosphere, a feeling that has built up during countless walks and bike commutes in and around the city of Kiel.
Rejoining
Before history will be made by machines, British musician Thomas Bush sends a new humane record. DIY chamber music, for the Kashual, no Plastik. Ten curious arrangements, looking for new horizons, those hiding behind the previous. They are short, they are epic. A great beautiful mess, in which Thomas Bush occasionally sings and speaks in veiled pitch. On hallucinated rhythms. Along the guitar, that’s everywhere. As chord. As melody. As sound. As a sliding desert stoner. Droning, zoning. Keeping …
Congliptious
On Congliptious, Roscoe Mitchell strips the Art Ensemble idea to its bones, pairing stark solo showcases with a fierce quartet blowout that makes freedom feel both methodical and combustible.
SQ Mice
“Protopost and Disques de la Spirales converge to unveil the very first extended release of the German-American-French group SQ Mice, freshly recorded from paris's underground scene! A collection of widely divergente songs and recordings, carefully sequenced to mess with any expectation. Spanning from no-wave gestures to the scent of post-rave nostalgia, this debut album encapsulate the electric stasis of early Seefeel songs mixed in the much lofi way of DJ Funk, where the liminal guitar of a Jo…
Trees without Leaves
Paul Nova entered the British minimal synth scene in 1980 as part of Bizarre Unit, the project that produced the single Dancing / Away from the Screaming Car (1981), the lone Bizarre Unit 7" that immediately became one of the most sought-after artefacts of the early UK minimal wave movement. In 1982, working alone, he founded his own Exhibit One Records and over the next three years released four vinyl records: two 7"s, a 12", and the LP Trees Without Leaves (1984). All four are now practically …
Schema 1+2
Tip! Dowser was formed in the late 1980s by Hiroyuki Nagashima. After numerous lineup changes, the current members are Hiroyuki Nagashima (instruments), Masateru Terai (instruments, voice), and Takashi Miyagawa (design). Dowser combines vintage synthesizers such as Buchla and EMS with virtual instruments to construct a distinctive sonic landscape that merges electronic music, rock, noise, and ambient textures.
Founder and leader Hiroyuki Nagashima is also an accomplished film composer, having cr…
Decimus 12
*100 copies limited eidtion* The 12 lp cycle of the zodiac of Decimus Magnus Ausonius was originally initiated in 2011. Over the course of 15 years, lps were release on various labels including Kelippah, Digitalis, Planam, Holidays and Further. This present LP represents the resolution of this arc.
Quartz Mirliton Cassettes
Biggest Tip! Quartz-Mirliton Cassettes has been among the most obscure of 1970s experimental music labels. This forthcoming VOD release, presented in two boxes, throws light on this mysterious cassette venture, its context and associated recordings. Closely associated with the London Musicians Collective, Quarz was launched by Paul Burwell and David Toop in 1977. Produced in tiny editions with handmade covers, the cassettes largely documented live sessions and field recordings made by a close ne…
Oneiric
Clay Pipe Music is thrilled to welcome to the label Norway’s Rural Tapes - the alias of producer and multi-instrumentalist Arne Kjelsrud Mathisen. His new record Oneiric is one for the dreamers - a trippy, cosmic aural experience of mostly instrumental music, recorded on analogue equipment at his Nygrenda Vev & Dur studio in rural Norway. Arne is also joined on two vocal tracks by long-time collaborators Alexis Taylor (Hot Chip) and Gary Olson (The Ladybug Transistor).
He says: “The word Oneir…
Inner Roads And Outer Paths
*300 copies limited edition* Inner Roads and Outer Paths is Herefordshire born Vic Mars’ third release on Clay Pipe Music. It follows last years ‘The Soundtrack To The Hospice’ commissioned by Gideon Coe for BBC 6 Music, and 2015s critically acclaimed ‘The Land and the Garden’.
Inspired by in part by Alfred Watkins words and photographs of Herefordshire, the record also harks back to a period in Vic’s youth spent exploring the abandoned houses and factories on the fringes of his home town; the i…
Easel Studies
Cate Brooks is back with her seventh release for Clay Pipe Music. Never one to stand still, ‘Easel Studies’ finds her pushing the boundaries of sound synthesis and experimentation on the Buchla Music Easel while still sounding beautifully beguiling and hypnotically melodic.
Live In Ankara
Recorded in November 1969 at the US Embassy, Live In Ankara saw the adventurous jazz trumpeter Don Cherry performing with saxophonist Irfan Sümer, bassist Selçuk Sun, and drummer Okay Temiz, with arrangements by trumpeter Maffy Falay, who had introduced Cherry to Temiz in Stockholm. Mostly comprised of Cherry originals and adaptations of Turkish folk songs, there are one-off takes of compositions by Ornette Coleman and Pharoah Sanders as well, the sparse musical ensemble giving Cherry ample room…
Iapetus
Wewantsounds continues its reissue program of Bob Shad's cult jazz label, Mainstream Records, with Hadley Caliman's superb 1972 album, Iapetus. Recorded in LA and featuring a heavyweight lineup of West Coast players including Todd Cochran, Woody “Sonship” Theus, Luis Gasca, and Victor Pantoja, the majority of the album was composed by Todd Cochran (aka Bayeté) soon after he had composed Bobby Hutcherson's Blue Note classic, Head On. A true hidden treasure, it is reissued here on vinyl for the fi…
Industrial tape
This is where it begins. Recorded in May 1980 and self-released the same year as catalogue number 01, Industrial Tape is the founding document of the MB project, the first cassette Maurizio Bianchi issued under his new name after closing the Sacher-Pelz chapter. Working alone in his home in the Mantuan town of Pomponesco, twenty-four years old, equipped with little more than an analogue synthesiser, a tape machine, and a small bank of effects, Bianchi laid down four pieces that would set in moti…
Atomique Tape
Edition of 101 copies. Recorded in June 1980 and self-issued the same year on cassette, Atomique Tape belongs to the legendary first wave of releases under the MB name, the moniker Maurizio Bianchi adopted that spring after closing his earlier project Sacher-Pelz. Across roughly twelve months, working from his home in the Mantuan town of Pomponesco, Bianchi produced an extraordinary run of self-released tapes that would, almost immediately, place him at the centre of the international industrial…
L’Oreille Voleuse
On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.
Orang-Utan
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.
Flirty Ghost
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…
Recordings 1980-84
Mike Vamp grew up in Frankfurt, played guitar in the early punk scene, then moved to West Berlin in 1980 and began experimenting with electronic music and synthesizers as the city's famous wall-era underground was at its most electrically charged. West Berlin in the early 1980s was defined by the painters of the Geniale Dilletanten movement and the music of Einstürzende Neubauten, Malaria!, Die Tödliche Doris, Sprung aus den Wolken, and Die Haut: a scene that celebrated difficulty and abrasion, …
Buttercorn Lady
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.