Best sellers

**2026 Remastered Repress** Gatefold edition with OBI and poster! Recorded in the summer of 1973 on an 8-track Ampex at Sound Work-Shop, the studio Piero Umiliani had built in his own building on Via S. Tommaso d'Aquino in Rome, To-Day's Sound documents a moment when Umiliani had concentrated, in a single eighty-square-metre room, an arsenal of electronic instruments still uncommon in Italian recording at the time: Minimoog, ARP 2600, EMS VCS3, Fender Rhodes, Clavinet, Lowrey organ, Space Echo, …

Exuma is the debut studio album by Bahamian folk musician Exuma. It was originally released in May 1970. In the early 1960s, Exuma (born Macfarlane Gregory Anthony Mackey) had moved to Greenwich Village, New York and started playing guitar and singing in the cultivating folk rock scene developing in that area. After producer Bob Wyld came up to him offering a record deal, he chose to adopt "Exuma, the Obeah Man" as his name. Wyld adopted the pseudonym "Daddy Ya Ya" and recruited a few musicians …

Two of Phill Niblock's final compositions for low-pitched instruments, heard together as he intended: BLK+LND for acoustic bass and bass clarinet, K&L for KL for two bass clarinets, both built from recordings layered into slow microtonal mass. Completed weeks before his death in January 2024. LP with insert.

Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in collaboration with The Living Earth Show, transforms an industrial-sized space into a resonating chamber where 136 precisely tuned strings create what can only be described as environmental music in its most literal sense. Fullman has spent decades …

Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell

Limited edition CD & download album produced from a previously vinyl-only release, so available digitally here for the first time, with added live recordings from the same band. The album marks the first collaboration between Jazz In Britain and ReSteamed Records and is dedicated to Stan Tracey to mark the 100th anniversary of his birth. Thelonius Monk died on 17 February 1982. In early April, Stan Tracey recorded a tribute album to Monk, with a group he called Spectrum. This idea was dreamt up …

Across four decades, Andrew Chalk has built one of experimental music's most singular bodies of work. Mystical Obscurant gathers new recordings into a survey in miniature — drifting guitars, blurred keys, and loop-based vignettes sharing one unmistakable atmosphere: a subjunctive music of suggestion, where memory unfolds at its own pace.

Six pieces by Kiyoshi Mizutani from 1989 to 1991, made with environmental sound, synthesizer, wire, guitars and backward tape. Povertech Industries, 1999.

Sorcery is the ninth album for Jim Jupp, aka Belbury Poly. It grew from Jupp’s love of early to mid-80s electronic music and a rediscovery of how that music had soundtracked his childhood love of all things sci-fi and fantasy. It’s moody and melodramatic electronica rendered in bright and evocative 80s sounds. The not quite 80s tunes have Belbury Poly’s trademark earworm melodies and are ever so slightly tongue in cheek. Jupp returns to a simple line up for this album - it's a very electronic so…

NoBusiness Records is proud to present Incantations, an extraordinary live recording featuring three uncompromising voices of free jazz and spontaneous composition: pioneering drummer Sunny Murray, visionary multi-instrumentalist Arthur Doyle, and the commanding trumpeter Rasul Siddik. Recorded at Thelonious in Bordeaux, France, on October 21, 1999, Incantations documents a volatile and deeply intuitive musical encounter. Across five performances, the trio creates a world of shifting rhythms, fr…

On KKKAAARRREEENNNIIINNNAAA, Charlemagne Palestine, Oren Ambarchi and Daniel O’Sullivan turn a 1997 “magic song” for a beloved dog’s spirit into a towering trio ritual. Organ drones, phase‑drifting cassette voices, Leslie‑swirled guitar and viola blooms coil around Palestine’s keening live chant, forming a single, dense, ecstatic invocation that feels like a séance conducted inside a vibrating cathedral.

Reemerging three decades on, C.C.C.C.’s Love & Noise hits vinyl for the first time, a still‑devastating artefact where Mayuko Hino’s charged electronics and Hiroshi Hasegawa’s Moog storms turn harsh sonics into something crushing, psychedelic and strangely exultant.

Maurizio Bianchi's Carcimetrio, first issued by Simple Logic in 2006, back on CDr: four long pieces named after tumours and growths, over seventy minutes, mastered by Siegmar Fricke. 30 copies.

Last copies. Edition of 250 copies. Curtis Roads (° 1951) is a sound artist and composer and researcher in electronic music composition. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology.  He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979.   A researcher at MIT (1980-1986), he also worked in the computer s…

Montreux, 7 July 1973: Gary Bartz brings the NTU Troop on stage as a quartet and plays the first half of the concert as one unbroken suite. Langston Hughes turned into song, alto and soprano over electric piano and bass. First vinyl edition since 1975, cut AAA from the original tapes by Kevin Gray.

Rudolf Eb.er, founder of Schimpfluch and once Runzelstirn & Gurgelstøck, in four self-experiments recorded at Om Kult in Osaka in 2026: psychoactive acoustics and cut-up decay on a white 9" lathe cut, thirty numbered copies.

Tip! *2026 much needed repress!!* Thorn Wych is a musical instrument maker and musician based in the Lancashire town of Bacup, specialising in work made from tree branches. Particular to her interest are UK native trees; so far Wych Elm, Lime, Wild Cherry, Oak, and Yew. With these unique instruments, crafted in her backyard workshop, she creates music that evokes memories of an unknown world—out of sync with time and place and beyond the boundaries of the material realm.  Her pieces consist main…

"Following on from their two track LP release, Mindset (2011), Open sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour. The piece emanates a calm, immersive stillness throughout. Already The Wire has said that Open "(displays The Necks') astute handling of pacing and momentum, finely honed collective sense of timing, (and) their shared ability to balance at length a group equilibrium". Here the band returns…

Three, the 21st album from legendary Australian instrumental trio The Necks, is a winding, textural, and visceral musical exploration through three individual, contrasting tracks that each delve into separate tenets of their sound.

*Limited edition of 300 copies.* Directed by Patrice Romme, The Devil's Nightmare was an Italian-Belgian production and featured main performers Jean Servais alongside a sensual Erika Blanc; also worthy of note is the disturbing presence of the graceful and filiform silhouette of Daniel Emilfork in the role of Satan. The film's components are typical of the Euro-horror genre of the time: a Gothic castle, eroticism, and bloody murders...all in a spectral and dense photograph. It is the music of M…

The final recordings of Antonio Infantino, made months before his death in 2018. Twenty-one tracks captured live, with no overdubs or post-production: voice, drum and the circling pulse of Lucanian tarantism, from the Beat poet who rebuilt the trance music of Basilicata into a songbook of his own.

After a nine-year hiatus, Marteau Rouge  — Pauvros, Foussat, Sato — made a comeback for a one-off concert, this time alongside Daunik Lazro, one of their long-standing friends.

French-Moroccan singer Basma Otmani sings in Darija over Temir Alcy's mix of ambient, leftfield and experimental folk: eleven songs on grief, a broken love and a slow return to light. Released by Stroom.

CD version. Bureau B present a reissue of Heldon's Un Rêve Sans Conséquence Spéciale, originally released in 1976. Heldon's Richard Pinhas has never been shy of pinpointing his influences while, at the same time, making music that is noticeably distinct from any of his designated sources. He has, for instance, made it clear that a significant font of inspiration was Robert Fripp's guitar style and melding of rock music with cutting-edge electronics (especially in collaboration with Brian Eno). I…

* Gatefold LP, 180 grams quality reissue * It’s incredible to witness this resurgence of Strata-East’s recordings over the last few years – an appreciation for the label’s ground-breaking approach to music-making, backed by a phenomenal catalogue, continues to attract listeners both new as well as its devoted faithful once again giving rise to its revered and cult-like status. The label’s return to prominence and its subsequent reintroduction to new audiences has been aided, in no small part, by…

For over ten years, Brussels-originals ladr ache have dipped their toes and vocal chords in all matter of musical mischief as only they know how. With éclats z, their latest recorded offering, new canons arise that belong to no place or genre. Between the layers of chant, other voices turn up in old tongues and secret languages, gliding alongside pipes and electronic warps, pulsing in time with the granularity of choice. Recorded over two years in different times and spaces, the living textures …

Third album by Glass Triangle, Zeena Parkins on electric harp, Mette Rasmussen on alto saxophone and voice and Ryan Sawyer on drums: a studio session moving from delicate passages to dense, kinetic interplay.

Iva Bittová, Gyan Riley and Evan Ziporyn as Eviyan, live at Victoriaville on 16 May 2013: violin, voice and kalimba, acoustic guitar and clarinets in songs between Moravian folk, minimalism and chamber music.

CD eissue of Don Cherry's classic Eternal Rhythm Group, recorded at the Berlin Jazz Festival, 1968. An amazing line up of: Cherry (cornet, gender and saron [gamelan], flutes), Albert Mangelsdorff (trombone), Eje Thelin (trombone), Bernt Rosengren (tenor sax, oboe, clarinet, flute), Sonny Sharrock (guitar), Karl Berger (vibes, piano, gender), Joachim Kühn (piano, prepared piano), Arild Andersen (bass), & Jacques Thollot (drums, saron, gong, bells, voice). Two "side-long" pieces with gamelan under…

Long deleted, last copies around: This is a simultaneous performance of "Coyote III" and "Pianovariation 1984". Recording of a performance at Seibu Museum of Art (Sôgetsu Hall), Tokyo, June 2nd 1984. Paste-on front cover with rubber stamped back cover. Includes double sided b&w insert. Blank white labels

2026 stock Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue. The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmur…

Naples, 1977. Luciano Cilio's sole recorded work is pure magic - four "quadri" where strings, woodwinds, wordless voices and solitary guitar trace the edges of silence. Closer to Arvo Pärt and Morton Feldman than to any Italian prog, yet entirely its own universe. Music that breathes, suspends time, breaks your heart without raising its voice. Decades ahead of its time. First ever remaster from the original tapes.

*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…

The 1972 official bootleg of the Islands line-up on tour in the USA, the last of the original King Crimson vinyl series, cut on 200g from masters approved by Robert Fripp.

Dramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that…

A powerful "electric Miles" sounding band reinterprets a couple of classics  - In A Silent Way and Freedom Jazz Dance - and adds some wholly contemporary improvisation to the mix."2026 Is Miles and Coltrane's Centenary year and if Jazz music needs any Gods then surely they fit the bill without question. When I heard In a Silent Way for the first time back in 1970 when I was 17 (incidentally that was the first year I heard Coltrane as well) it truly was music like nothing I had ever heard before.…

The problem with Harmonia is that words simply don't do the band justice. A super-group made up of Hans-Joachim Roedelius and Dieter Moebius (of Cluster) and Michael Rother (of Neu!) they re-defined not only the Krautrock genre but also electronic music in general with a mere two full-length albums ('Musik von Harmonia' and 'Deluxe') so saying that they are an important act, especially on the pages of this particular website just doesn't do them justice. With a flawless blend of electronic and e…

Huge Tip! A true exploration in spiritual jazz that follows Work Money Death's acclaimed previous albums, with pianist Richard Ormrod, bassist Neil Innes and drummer Sam Hobbs creating a powerful trio foundation for Tony Burkill's soulful tenor saxophone. Blending influences from Indian ragas to African rhythms, its intricate layersiharmonium, congas, trilling fluteibring warmth and depth to tracks like 'Headwaters Of The Soul' and 'The Fast Flowing River.' Spiritual jazz at its most immersive a…

Emil Beaulieau, the persona of RRRecords founder Ron Lessard and America's Greatest Living Noise Artist, on a 7" lathe cut: two untitled sides of turntable abuse and recycled sound, thirty numbered copies on black, clear and white vinyl.

Giuni Russo's 1981 CGD album, produced with Franco Battiato and Alberto Radius and arranged by Battiato and Giusto Pio: electronics, experimental pop and avant-garde singing, remastered on 180g yellow vinyl.