Best sellers

"If you think that the constellation of Nicholas Bussmann, Sven-Åke Johansson and Yan Jun is a sort of dream lineup, you are not far off the mark. The joint improvisations that you hear on tea time capture a sound that once came to Bussmann in a dream and that he made a reality with the help of his fellow musicians. The trio recorded the five pieces across two days at Johansson’s SÅJ studio with engineer Andrew Levine, working with Bussmann’s curious piano robot while Johansson was on percussion…

People Skills - the long running project of Philadelphia's Jesse Dewlow - has spent close to two decades tuned to that lower, stranger frequency, and Several Years Later may be the fullest transmission he has yet let out of the room. Since the mid 2000s, Dewlow has worked at the seam where a song comes apart into weather. Repetitive guitar figures, idle tape phenomena, sound residue, voices sunk far beneath the surface - materials gathered under the sign of his Heresy Museum and set loose in sha…

Fred Frith and René Lussier's duo, recorded at the 1986 Victoriaville festival and finished at Studio Victor: guitars, bass, violin, voices and tape in short, playful pieces. The CD adds four tracks recorded in New York in 1992.

Thurston Moore on guitar with drummers Tom Surgal and William Winant, live at Victoriaville on 17 May 1996: a single album-length improvisation of feedback and percussion, named after a Tibetan Buddhist deity.

»Kashmiri Queens« – previously released as a limited CD – presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. This 12inch stands out for its authenticity, allowing the sounds of tablas, sitars, and various ethnic wind instruments to flourish openly without being interrupted. There's a notable departure from the usual …

2025 stock Warp's first ever 'guitar-playing' signing make a welcome return with this, their self-titled, second album for the label. Applying less of their signature 'shoegaze' aesthetic, the addition of Boredoms drummer E-da and electronic musician Shigeru Ishihara in the line-up, has given this album much more of a palpable feel than earlier releases on Warp and Too Pure. An invigorating return.

Gli atti del convegno NoMus 2025 per i settant'anni dello Studio di Fonologia Musicale della Rai di Milano: saggi e testimonianze su Berio, Maderna, Nono, Zuccheri, radiodramma, televisione e pioniere dell'elettronica, con 165 immagini d'archivio.

*100 copies limited edition* Eighth Tower Magazine is a periodical publication dedicated to music and modern mythologies. It explores alternative and experimental sound practices, tracing connections between contemporary music, invisible cinema, and dark fiction. Eighth Tower investigates how modern mythologies are shaped, transmitted, and transformed. It is conceived as a space for reflection, documentation, and critical exploration, where sound, image, and narrative converge into a shared cult…

VERY last copies!!! - The first 500 mail-order copies version that includes the playable full-color picture-postcard reproducing David Tibet's painting of the track Like Swallowing SunBeams, inserted in risograph-printed CandyBag. The box set essentially represents a dark ambient/industrial re-imagination of Current 93's early apocalyptic works, where Andrew Liles has extracted and amplified the most disturbing and ritualistic elements, creating soundscapes that function as sonic invocations rat…

The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.

SML is a Los Angeles based quintet featuring Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum, and Gregory Uhlmann.

Marilyn Crispell alone at the piano, live at the Victoriaville festival on 2 October 1987: dense, Taylor-inspired clusters and open lyrical passages, with a Coltrane piece. The CD reissue of the 1988 LP adds Threads in the Ozone.

Lansdowne Books returns to World Countdown, the music newspaper that Charles Royal published in California every two weeks between August 1966 and July 1969. Original copies are very hard to find today. World Countdown - Volume 2 picks up where the first book stopped and reproduces every issue from July 1967 to May 1968. These are the months right after Monterey, when West Coast psychedelia was at full strength and the paper followed it issue by issue. In its pages: Love, Moby Grape, Spirit, Blu…

Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…

Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…

On Cosmos Nucleus, Carlos Garnett turns his cosmic post‑Coltrane fire into a large‑ensemble manifesto: six expansive tracks where Pharoah‑like spiritual cries, funk currents and celestial brass fanfares coalesce around the incandescent “Mystery Of Ages.”

Montenegrin born in Istanbul, precocious pianist growing up in an embassy, brilliant musician. Prolific composer speaking eight languages, he arranged music for jazz, pop music, adopting multiple identities. For one label, he is Andy Loore; for another, Emiliano Orti. For others, he is called Alan Blackwell or Johnny Montevideo, but behind all these aliases, there is only one man: Janko Nilovic.Exploring the shelves of musical production, venturing into the less-illuminated corners of library mu…

*2025 repress!!* Essential Italian funk library, a must have for any  digger ! Here’s the 1977 collaboration between master composers Remigio Ducros and Luciano Simoncini (Arawak, Jason Black, etc.), a groovy record with killer drum-breaks , dreamy flute harmonies, blazing horns and heavy Fender Rhodes  line.

Tip! Tip! Tip! We are incredibly excited to announce a landmark discovery and upcoming release that will be a must-have for collectors and fans of Italian film scores. After decades of being considered a lost artifact, the original soundtrack for the iconic 1975 giallo film, Nude per l'assassino (Strip Nude for Your Killer), has been found. This marks its first-ever official release, presented in a lavish vinyl edition that includes a 30x60cm poster and has been meticulously remastered from the …

Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.

Debut album by X, the 1980 Los Angeles punk landmark produced by Ray Manzarek of The Doors, with the twin vocals of John Doe and Exene Cervenka. Remastered by Jason Ward for the 2019 Fat Possum reissue.

The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tusques had had his fill of free jazz. After having wondered, together with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), if free jazz wa…

Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live record; this music happened in crowded rooms in Brooklyn on two dates in 2025 and there’s an urgency to connect with others and a pleasure in doing so that can be heard on both of these tracks. On the first of our duo records (Arborvitae, 2003) I primari…

Eugene Chadbourne and René Lussier, live in Paris and at Victoriaville in May 2002: acoustic and electric guitars, banjo and voice in a twisted hoedown of free improvisation, bluegrass and country blues.

*300 copies limited edition* Originally released in 2000 on Smalltown Supersound, Kim Hiorthøy’s first record Hei captures an artist who had made very little music before – yet it seemingly was the starting point of a musical career that would stay away from easy categorisation. Now, Hei (2026 Remaster) returns on blickwinkel, released digitally and on vinyl on 30 October 2026, as part of an ongoing series revisiting and reissuing Hiorthøy’s work. Made in Copenhagen with little equipment — an Ak…

*300 copies limited edition* Sophomore album from Palace Records label founder and heavily influenced by soundtrack and library music from the past including one of his hero's, John Cameron (Kes, KPM, Bruton) who features on the album (Swing Time). The record is an assortment of outré electronics (Siren Call, Squeaks And Bleeps), modal jazz (Swiftly, Waltz For Someone) and wonky disco (Line Stepper, The Shuffle). Other contributors to the album include members of Palace Records band The Kanpai Q…

Joe Harriott's 1964 quintet with Shake Keane, Pat Smythe, Coleridge Goode and Bobby Orr turns songs from the Broadway musical High Spirits into lyrical, swinging jazz, now on vinyl in stereo for the first time.

Box with both Caprice albums by Sevda, Maffy Falay’s Turkish folk and jazz group with Okay Temiz and Salih Baysal: the 1972 Jazz i Sverige record and the Montmartre live set, plus a DVD of the Swedish TV programmes.

Richard Raux's band after Magma, recorded at the Château d'Hérouville in 1974: spiritual jazz, progressive rock and Malagasy rhythms, with his brother Patrice on guitar. Restored and remastered for Souffle Continu's 100th release.

Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. One of the most quietly radical entries in Deutsche Grammophon's legendary Avantgarde series - the run of albums issued between 1968 and 1971 that did more than almost any other label project to document the experimental music of its moment - returns to vinyl. Recorded in London in 1971, the Scratch Orchestra's r…

On All the Numbers, Lester Bowie’s first sessions as a leader catch the future Art Ensemble core in 1967 workshop mode, running multiple takes of two pieces that keep splintering into different shapes, energies and internal logics.

Trost Records proudly announces the latest release in its ongoing cooperation with Berlin’s legendary FMP label, with the long overdue reissue of two classic live albums by the singular alto saxophonist Noah Howard, a key figure in New York’s free jazz revolution during the 1960s. Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton, while Schizophrenic …

Belgian improvisers Linus and Bonnie 'Prince' Billy reimagine the songs of Dutch songwriter Jules de Corte: slowed, expanded folk miniatures on religion, love and loss, with guitars, banjo, clarinet and lap steel.

Huge Tip! Industrial music legend Chris Connelly returns to his first love with White Phosphorus (Chris Connelly plays Throbbing Gristle), a suitably uncompromising homage to the "random, tense, scary & compulsively fascinating" phase of industrial music's catalysers and ur-agitators. Having carved a twisted career with behemoths Ministry and Revolting Cocks over the past 40 years, starting life with the formidable Fini Tribe and collaborating with disparate characters such as Killing Joke, Caba…

LP version.If cellist/composer Janel Leppin’s wonderful and widely celebrated 2022 solo debut album Ensemble Volcanic Ash was a creative eruption, her follow up To March Is to Love is a glowing magma flow that greatly expands her singular band’s sonic terrain. The project thrums with immediacy as Leppin and her all-star sextet honor their musical ancestors and reflect on disquieting times.  Bandcamp Daily declared “There’s no end to the melodic intensity of Ensemble Volcanic Ash. Even at its lus…

Cellist Tristan Honsinger and guitarist Olaf Rupp in their first recorded duo, Berlin, March 2010: one hour-long improvisation, Can You Imagine a Conversation Between a Table and a Chair?, in eight parts.

For a group founded on refusal, The New Blockaders have collaborated a great deal. It is less a contradiction than it looks. Where most collaborations in music amount to two recognisable personalities meeting and reinforcing each other, TNB's have always worked in the opposite direction: material is passed over, altered, buried, returned, and what emerges belongs to nobody in particular. Paul Hegarty has described the process as one in which individuality gets swamped, the sound cut loose from a…

Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…

Sinsuke Fujieda Group recorded Fukushima at Groove Studio Matsudo in May 2023. When Superfly Records put it out on vinyl in the spring of 2025 the thousand copies vanished within days, two further pressings followed, and copies on the second-hand market are now asking three figures. This CD is the record the LP could not hold: the five compositions restored to their full unedited length, three flute pieces that had only ever appeared digitally, and Jiva, a previously unheard piece for bamboo cla…

2024 small repress. "Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned this piece from Éliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the premiere of Adnos I (IMPREC 028CD) in San Francisco in 1974, a group of French students introduced Éliane Radigue to Tibetan Buddhism. When she returned t…