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In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.
With what might just be the richest immersion for the combined senses of the ears, eyes, and mind that we encounter in 2026, Marhaug Forlag returns with "Re-Make Re-Model", a stunning collaboration between Lasse Marhaug and Bruce Russell. Issued as a beautifully produced, highly limited Book / 2CD edition, capturing these two legendary artists mining the other's deep catalog of recordings, reworking an astounding 16 tracks into more than 100 minutes of blistering, radically experimental music, w…
On Let the Sky Open Under Your Feet, Skyjack fuse South African groove, European improv and chamber‑level detail into a live‑wired suite of cosmic jazz, where deep‑rooted rhythms and free flights feel like earth and atmosphere trading places.
It seems like it was only a few months ago that Jim O’Rourke changed everything with the release of the incredible Eureka. And if you actually think that, then by George, you’re the Rip van Winkle of 90s rock! It hasn’t even been a few months since Jim’s twin comebacks The Visitor and Simple Songs, his most recent albums in the mold of his classic “pop music” trilogy of Bad Timing, Eureka, and Insignificance. Those two are thirteen and seven years behind us already! O’Rourke freak or not, if you…
2026 Repress. Initially produced by Table of the Elements. Eliane Radigue's Adnos trilogy was composed between 1973 and 1980 and is among her finest compositions. Adnos is a deeply meditative work of infinite depth and sensitivity; one of the high points of modern minimal electronic composition. Packaged in a heavy duty 3CD jacket much like the recent Eleh releases and containing extensive archival materials.Eliane Radigue has composed for magnetic tape and electronic media since the late 1950's…
BJ Nilsen's first LP for the label, departing from his field-recording practice. Recorded during a Fall 2017 residency at Willem Twee Electronic Music Studio in Den Bosch, the five pieces document improvised sessions on modular synthesizers, tone generators and laboratory test instruments. The flâneur's ear, normally trained on wind or city traffic, is here turned on machine-generated material: analogue pulse, droning waves and subtle noise arranged with the same patient sense of texture.
When Eleh's debut Floating Frequencies/Intuitive Synthesis I was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while Eleh continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of Eleh as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the origina…
A vital tape work returning to circulation thirty-six years after its private cassette debut. Mieko Shiomi's 1990 memorial for George Maciunas, self-released that year on a privately circulated cassette and unheard in proper edition since, now receives a first ever CD reissue, mastered by Giuseppe Ielasi. In accordance with the composer's wishes, this edition presents the work's two sides spliced together into a single continuous piece.
By 1990 Shiomi had already lived several musical lives. A f…
2026 Repress! Custom die-cut rigid slipcase, 5 CDs in double card sleeves, 96 page perfect bound book including an interview between Seymour Wright and John Chantler and additional texts by silvia tarozzi, magnus granberg, nate wooley, valerie mol, pär thörn and lars grip and drawings by guillaume delcourt and aliocha delcourt. Limited Edition of 500 copies. [Ahmed] is the quartet of Pat Thomas (piano), Joel Grip (double bass), Antonin Gerbal (drums) and Seymour Wright (alto saxophone). Togethe…
Paysages Planétaires on Alga Marghen may be the great unrecognized masterpiece of ethno-electroacoustic music, a 3CD box that arrived in 2004 with almost no fanfare and has waited two decades for ears ready to hear it. Henri Pousseur and Michel Butor, collaborators across forty years and more than twenty works, here achieve something that resonates uncannily with Jon Hassell and Brian Eno's "Fourth World" concept. Yet Pousseur, the serialist pioneer who worked alongside Karlheinz Stockhausen and…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
Few groups have exerted an influence so out of proportion to their commercial fortunes as The Velvet Underground. Formed in New York in 1965, the band sold modestly across four studio albums and had effectively dissolved by the end of the decade, yet the sound it built - the drone, the controlled noise, the plain-spoken songs about subjects pop had left untouched - became one of the foundations on which the next half-century of rock was laid.
Music for Real Airports is a multimedia art project by musicians the Black Dog and interactive artists Human which is presented in art galleries. It is also a new CD of music by the Black Dog. It is a response to the reality of occupying the semi-public space of an airport, and a contemporary reply to Brian Eno’s work from the ‘70s. Airports are important and revealing. They are dystopian microcosms of a possible future society. The necessity of safety requires that they be systems of human cont…
** 2026 Stock ** 300 copies in Dark Crystal vinyl. The enigmatic sound architects of Nurse With Wound return with Backside, a haunting new studio album that bridges four decades of underground sonic archaeology. Released through Rotorelief in an exquisite limited edition pressing, this latest opus represents Steven Stapleton and Andrew Liles at their most revelatory, breathing new life into fragments of the long-lost Bladder Flask sessions from circa 1980. The paths of Nurse With Wound and Richa…
Foliage is a long-form graphic music score by Elliott Sharp, consisting of eighty risograph prints offered as abstract instructions open to any number of realisations by any instrumentalist or ensemble. Sharp works in the lineage of post-1945 graphic notation but with a contemporary twist: the score was produced by routing his own conventionally written music through graphics editing software, distorting, layering, inverting and blurring it until notation explodes into retinal artwork.
*2024 stock. Deluxe packaging* There have been other recordings of "Für Alina" and "Spiegel im Spiegel" but none like those on this disc, realized with the participation of the composer. Here Pärt, aided by exceptional interpreters, revisits those seminally important compositions which marked the birth of a new, "prismatic" period in his work, establishing a link between compositions embodying the fundamental traits of the "tintinnabuli style." Three interpretations of the duet ‘Spiegel im Spieg…
Considered among the all-time classic psychedelic recordings, the Ultimate Spinach ’68 self titled debut is unearthed in its unfathomably rare mono form! The unique blend of psych, jazz, rock, Gregorian vocals and Baroque instrumentation sets Ultimate Spinach apart from anything released at the time. It includes the now famous “(Ballad of the) Hip Death Goddess,” an 8:12 classic featuring the eerie, haunting vocals of Barbara Hudson, an oft covered staple of the genre.It was legendary record pro…
Half-speed mastered from the original tapes. Gatefold sleeve with archival artwork and 16-page booklet. May 25, 1973. Two records enter the world on the same day, bearing the first and second catalogue numbers of a brand new label called Virgin Records. V2001 is Mike Oldfield's Tubular Bells - a record that will sell sixteen million copies, launch an empire, and embed itself in the cultural mainstream forever. V2002 is Gong's Flying Teapot - a record about Pot Head Pixies who ride interstellar …
On Healsgebedda Budgerigar, Nurse With Wound turn memory itself into a delirious tape loop: three long, sample‑swollen excursions where pet chatter, phantom TV themes and street detritus melt into a woozy, psychedelic netherworld of half‑remembered sound.
Brazilian guitar music has a way of folding the whole century into a single instrument, and few players carried more of it in their hands than Luiz Bonfá. Most listeners know him through the songs he wrote for Orfeu Negro, the ones that helped carry bossa nova out of Rio and across the world. Introspection, cut for RCA in 1972, is the quieter counterweight to that fame: eight original pieces for solo guitar, recorded at a moment when Bonfá had stopped chasing the hit and turned inward.