Best sellers
The MerKaBa Brotherhood
The MerKaBa Brotherhood are Roman Norfleet (The Cosmic Tones Research Trio, Be Present Art Group) and Andre Raiah (Brown Calvin of Brown Calculus, Be Present Art Group). The duo draw from esoteric texts, sacred imagery, and mystic thought, shaping sound into space, tone, and pulse. It's a spare and almost geometric record featuring Sax, keyboard and percussion.
The album turns sound into a working language - textures as diagrams and melodies as signals. There is much to be learned and even more …
Doo Dah Nean
A bizarrely entrancing jewel from the depths of the Japanese underground, Doo Dah Nean was originally released in small run of hand assembled cassettes by the La Musica label in the late 90’s. The album is the sole release and evidence of Nean, an entirely under-the-radar trio that crossed the sensual, disassociated female vocals of Japanese iroke kayōkyoku music with off-balance shamanic rhythm and echoing electronic rumble. Nean were the trio of Yui on bass and electronics, Naoko on voice, and…
The Dream Island of Birds
Mike Cooper returns to Discrepant with »The Dream Island of Birds«. Neither documentary nor abstraction, »The Dream Island of Birds« sits between field recording, memory, and invention — an island heard through time and circuitry.
In the early 1990s, Cooper met illustrator and writer Charles van Sandwyk while walking on a small island in Fiji. Van Sandwyk was living there quietly, working from a modest bamboo house near the beach. Years later, Cooper learned that following a serious car accident…
Book 2: 1987 - 1990 (Book)
The second book in the trilogy of volumes dedicated to Grim Humour fanzine, which ran between 1983 and 1993 and lasted eighteen editions. Following on from the first one, published in 2020, this book continues the same approach and blends together reprinted original pages with rewritten features, some insightful reflections on them and additional material by both editor/publisher Richard Johnson and contributors including Andy Pearson, Tom Vague, Edward Ka-Spel, Gordon Sharp/Cinder, Wojtek Kozie…
Via Lactea
Mexican rock had a strong renaissance in the eighties, when most bands, majorly coming from the prog scene, turned to Spanish language again. One of the big acts from that era was Jorge Reyes' led Chac Mool. Chac Mool counted on its ranks with Carlos Alvarado, who was an accomplished musician on its own and who would record one of the most interesting electronic prog albums of the era, on which Reyes also collaborated. Originally released on mexican private label Momia in 1980. "Carlos Alvarado'…
The Ipcress File
Quartet Records presents its fifth newly recorded release of a classic film score, and its third devoted to the music of John Barry, following Séance on a Wet Afternoon and the three television films starring Katharine Hepburn. The unforgettable music of this five-time Oscar-winning composer continues to be celebrated around the world, and the impact of his innovative scores for dozens of films from the 1960s through the ’90s still reverberates today. The Ipcress File, directed by Sidney J. Furi…
Siticidelhous
Companion volume to Parkustomnie, drawn from the same 2016 sessions at the Conservatorio Jesús Guridi in Vitoria-Gasteiz. Guionnet (church organ) and García (electronics) again use volume as a compositional variable: the music is engineered so that at low playback levels the performance feels restrained and exquisitely subtle, while at high volume entirely new sonic strata emerge in overwhelming detail. Electroacoustic improvisation that turns the amplifier into part of the score.
Reflections Vol. 3: Water Poems
** Edition of 300. Glacial Blue Vinyl ** A meeting in tidal waters. Sixteen years in the making. On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou release their first full-length collaboration, arriving as the third installment of RVNG Intl.'s ongoing Reflections series - contemporary convergences, orchestrated with care.
The two artists first met in 2009 and have circled one another ever since, sharing stages intermittently, most notably at the Philharmonie de Paris in …
Noisextra
On Noisextra, Masonna condenses his infamous live violence into ultra‑compressed shock cells: all‑frequency spray, cut‑up screams and convulsive drop‑outs that feel less like tracks than controlled electrical injuries to the stereo field.
Days As Echoes
Bomb! Estonian multi-instrumentalist Misha Panfilov returns with Days As Echoes, a sophomore release that channels the expansive spirit of Krautrock through the lens of contemporary ambient and spiritual jazz. Part of Panfilov's ever-expanding musical universe, the Misha Panfilov Sound Combo delivers six compositions that function as both individual meditations and a cohesive sonic narrative about hope, journey, and human connection. Drawing from an impossibly diverse palette that includes Ethio…
The Lost Tapes
Big Tip! *Limited edition of 200 copies* Geometrik Records is delighted to once again play a part in the exclusive recovery of Marcelo Expósito's previously unpublished work, which had been lost since its original creation in the 1980s. Marcelo Expósito is one of Spain's most internationally renowned contemporary artists, whose work is regularly exhibited across Europe and Latin America. But he began his career at a very young age during the era of sound experimentation that flourished in the wa…
Five Stagings
Recorded in high summers and brutal winters in 2022 and 2023, Nightingale Floor’s debut album Five Stagings takes the listener through a quintet of spontaneously conjured and patiently crafted pieces for a quartet of musicians scattered across North-West England. Manchester-based poet Lauren McLean provides voice and words, joined by cellist Josh Horsley of Preston duo Powders, Benjamin D. Duvall of Liverpool four-piece Ex-Easter Island Head on sound collages, strings and trombone, with Tombed V…
Le Temps des Figures du Soleil Noir
With Le Temps des Figures du Soleil Noir, Unglee Izi extends his shadowy electronic cosmos into a four‑hour box set: a slow‑burning, ascetic immersion where time dissolves into glacial pulses, spectral overtones and a solitary mind listening to its own echo.
Honnomajika~Naharu × Otomo Yoshihide
This is the second album by the trio "Honnomajika Naharu", consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums). This is their first release in about a year since their last album (Honnomajika - Naharu X Keiji Haino: FDR-1052), and is a live album with Otomo Yoshihide (guitar & vocals) as a guest. It is another miraculous work, completely different in type from the previous album, as if the multiple layers of expression have been crystallized into on…
Setpieces
Setpieces captures Cath Roberts & Olie Brice at a new peak of focus and invention, distilling their long-running musical rapport into a set of raw, finely tuned improvisations. Roberts’ baritone lines carve out bold shapes and sudden whispers while Brice’s bass grounds and disrupts in equal measure, creating a vivid, unpredictable dialogue. A striking next chapter for two of the UK’s most distinctive improvisers.
Julius Eastman Vol. 2: Joy Boy
2024 Stock. On June 17, 2022, the acclaimed Los Angeles-based new music collective Wild Up will release Julius Eastman Vol. 2: Joy Boy, the follow-up to last year’s Julius Eastman Vol. 1: Femenine, a record that was hailed “a masterpiece” (The New York Times), “instantly recognizable” (Vogue), “absorbing” (Pitchfork, in its 8.1 review), and “singularly jubilant” (NPR, who placed Femenine among its top 10 records of 2021, across all genres).
Arriving, once more, on New Amsterdam Records, Julius E…
Oblivion Seekers
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Aman Aman (Greek-Anatolian Laments)
Intensely expressive free-verse vocal laments over sliding violins, hammered santouri, guitar, and oud - the hybrid sounds of the Mediterranean in the early 20th century. “Aman Aman” cry the singers on these recordings, their voices preserved on 78rpm discs cut between 1911-1935. The phrase roughly translates to “mercy,” a call of despair, but also one of joy and admiration. On many of these sides, that full range of emotion is transmitted at once. Some of these artists are legends, others lost …
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 1 (1965-89)
A curated collection of music and sound experiments from the archives of the now defunct Kilkenny Electroacoustic Research Laboratory.
Music For Modified Melodica
Suzuki's third solo album, framed by a single instrument she modified herself: a melodica re-engineered to play via foot bellows, so that high-pressure airflow overblows the small reeds into a sustained, loud excitation. The pumped breaths are amplified through time delays, layered with oscillators and manipulated highs to develop the combination tones that emerge at extreme volumes. A durational, psychoacoustic drone work that 'rewards endurance with transcendence', performed live.