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Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia. The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butterfly; Orchestral Excerpts (From The Symphony Of Life), In The Basement and City Of Stone are high-grade fusion jams with one eye on Weather Report and Return to Forever, the other on the organic Australian sound of Alan Lee and John Sangster.
The al…
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
On Cold Shoulder, Oren Ambarchi and Will Guthrie distil decades of experiment into a quietly blazing live duo set: spiralling Leslie‑soaked guitar and hyper‑sensuous drums move from hovering abstraction to glowing, melodic clarity with the ease of players who no longer need to prove anything.
Long-form duo work by Jon Wesseltoft and Lasse Marhaug, ongoing since 2008 as an investigation into psycho-acoustics and the phenomenology of sustained sound. The Hex of Light, recorded in 2013, consists of two stringently close-knitted pieces built around microtonal frequency interaction and slowly unsettling shifts; each gradually blooms within its own sonic time, exposing binaural beats, ghost overtones and microscopic tonal motion. Trance-inducing drone in the most rigorous sense.
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Recorded at Munich’s Muffathalle twenty years ago, in September 2004, this previously-unreleased concert recording of the Tomasz Stanko Quartet is a fascinating document, capturing a developmental chapter in the music between the song forms of the Suspended Night repertoire and the improvised areas that the Polish musicians would explore on Lontano. The Munich show was a highlight in a year in which the Stanko Quartet played a record number of gigs, with extensive tours of the US and Europe. T…
This book, the only history of free jazz in Japan, has been reprinted many times in Japan and is finally available to readers overseas in English translation. From its earliest stirrings in the 1960s until it reached international recognition in the 1970s and after, free jazz in Japan is a unique music that has found its perfect scribe. Soejima Teruto was a writer who fell in love with a music and devoted his life to it as promoter, critic, label owner, tour organizer, and much more. All new pho…
Bogotá based Tropical futurists Rizomagic unveil their interplanetary mission to combine futurist technology with cosmic patterns, traditional rhythms and the woozy manipulations of pitched-down Cumbia Rebajada. Rizomagic are Edgar Marún and Diego Manrique, who met in 2020 while studying double bass and composition (respectively) at university in their hometown of Bogota. After finding a shared musical taste, they started producing music together during the first lockdown, swiftly producing and …
Vijay Iyer presents a powerful new trio, in which he is joined by two key figures in creative music, Tyshawn Sorey and Linda May Han Oh. “We have an energy together that is very distinct. It has a different kind of propulsion, a different impulse and a different spectrum of colours”. Repertoire on UnEasy, recorded at Oktaven Audio Studio in Mount Vernon, New York in December 2019, includes Iyer originals written over a span of 20 years, plus Geri Allen’s “Drummer’s Song” and a radical recasting…
Original 1989 LP edition. Singer, harmonica virtuoso, and keyboardist Karen Mantler has inherited her father, Michael Mantler's sense of whimsy and her mother, Carla Bley's musical fearlessness -- not to mention her electric-shredded-wheat hairstyle. Although Mantler's debut album was produced by Bley and new husband Steve Swallow and features fellow avant-jazz offspring Eric Mingus as co-lead vocalist and Jonathan Sanborn on bass, 1989's My Cat Arnold isn't quite jazz, but it's not exactly pop …
The music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The album’s twelve pieces are layered and interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. An electrifying leap forward for the band’s shared language, Demand to Be Taken to Heaven Alive! aims to liberate the listener into a spiritual, ecstatic, and…
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …
Vienna FLAMMeS, or: The noise of these post-jazz improvisers resounds from paradise. According to a widespread cliché, improvisation in jazz is supposed to help promote the free play of the imagination. It was the Viennese flugelhorn player Franz Koglmann who vehemently contradicted the image of the naively self-actualizing jazz musician. As a composer of cerebral “cool” pieces, whose melancholy sprang from a razor-sharp analysis of his own means of expression, Koglmann was the most qualified pe…
"Messrs. Corsano and Dorji are both familiar names in the Feeding Tube discography. Chris has played drums on eight FTR LPs (and recorded two other), and Tashi has played guitar on six (details upon request if you are lazy.) But this is the first time they have appeared on vinyl as a duo, and we are damn proud to have them. Over the past years Chris has recorded with a lot of the era's best guitarists -- Bill Nace, Ben Chasny, Thurston Moore, Nels Cline, David Vanzan, Bill Orcutt, Rick Bishop, G…
Tip! *100 copies limited edition* "A Decent Run is the result of a journey that began in 2000 and was recorded in 2024, seven years after the death of Tom Raworth, whose poems I used as the basis for ten tracks—ten songs—to which I added two pieces by Steve Lacy. It is a journey through many different kinds of music, lyrics, images, and sounds, yet one shaped by a single principle: the idea of music and improvisation as a collective, choral process, in which space and prominence are given to ind…
On his second release for ECM New York-based saxophonist Oded Tzur introduces a heightened sense of urgency and a conceptually augmented approach to his distinctive voice, weaving one underlying musical idea through a series of elaborate and impassioned designs. The quartet’s lineup is unchanged from 2020’s Here Be Dragons and the group’s interplay has grown even more expressive in the meantime. Throughout Isabela the saxophonist and his collaborators – pianist Nitai Hershkovits, Petros Klampani…
"Nusa"is the result of a dialogue between the photographer Masao Yamamoto and the composer and musician Akira Uchida, initiated by IIKKI, between April 2025 and March 2026. "Nusa" is the last part of a trilogy started in 2020 with Masao Yamamoto and Akira Uchida. A project that began with light (“Sasanami”, 2020), moved through darkness (“Kurayami”, 2023), and returned to the ambivalence of the two (“Nusa”, 2026), which ultimately sustain and complement one another in all their variations and co…
„Not So Late / Because it Happens“ on CD and „Because it Happens“ on LP is the material recorded live on August 5th 2025 in London at legendary Cafe OTO. Three masters of improvisation: Mikołaj Trzaska on saxophone, John Edwards on double bass and Mark Sanders on drums. They don't use the term "improvisation," preferring instead to speak of "live composition" and the audience, who are an essential component of the concert ritual. The community created by the performers and the audience's attenti…
Recorded at Studio Grez, Brussels, on March 10th, 2025, by Augusto Pirodda and Giotis DamianidisMixed by Augusto PiroddaMastered by Titos Kariotakis at Royal Alzheimer HallArtwork by Peter Jacquemyn Design by Jeroen Wille
*200 copies limited edition* Michaela Turcerová’s compositions unfold in slow motion. The saxophonist and composer’s glacial music zeroes in on the granularities of each note as it rings, soaking in every subtle shift in texture and pitch. Šumum exemplifies this patient approach to writing music, branching out from themes of loss and togetherness into an intricate tapestry of introspective sound. These four pieces invite deep collaboration between performers, who together shape the music through…