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Few figures within the long, strange arc of American experimental music have occupied terrain quite as singular as Tom Recchion's. Co-founder, in the mid-1970s, of the Los Angeles Free Music Society - the gloriously unruly collective of basement noise-makers, exotica obsessives, tape manipulators, and assembled-instrument visionaries whose lineage runs through Smegma, the Doo-Dooettes, and Le Forte Four - Recchion has spent the subsequent decades assembling one of the most idiosyncratic bodies o…
"Pop, the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, Pop was originally released in 2000 on the iconic Frankfurt imprint Mille Plateaux. Pop was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmth.”"Pop blossoms to life in on…
Gary Sullivan's Bodega Pop project returns to Dinte with a cassette-only collection of traditional sounds plucked from CDRs found in the night-markets of Savannakhet, Vientiane, and Luang Prabang.
Announcing Open Symmetry; New York-based composer Tristan Perich’s first release on Erased Tapes. The 50-minute work for 3 vibraphones and 20-channel 1-bit electronics is performed by the dynamic French group, ensemble 0, who return to Erased Tapes following their 2023 collaboration with Peter Broderick. Perich’s music spans the electronic/classical divide, with explorations that pair string instruments, piano, organ, and other acoustic instrumentation with custom-built 1-bit electronics. Open S…
On Fragments: The Complete 1969 Salle Pleyel Concerts, The Cecil Taylor Unit detonates across two uncut Paris sets: a newly unearthed, vividly mastered document of Taylor, Sam Rivers, Jimmy Lyons and Andrew Cyrille stretching free jazz into an overwhelming, architectural storm of sound.
"World Of Echo is proud to announce the release of Fully Nowhere: a World Resources archive, compiling material drawn from limited lathe 7” singles and LPs released by the Aotearoa/New Zealand label, World Resources, predominantly across the 1990s. Supplemented by previously unreleased archival recordings, and material drawn from recent sessions, it’s a revelatory listen, a judicious selection of drone, noise pop, fractured electronics and laminal improvisation from the small community of musici…
One of the most sought-after jewels from Italy's legendary Cramps Records finally gets the reissue treatment it deserves! Raul Lovisoni and Francesco Messina's stunning 1979 masterpiece Prati Bagnati Del Monte Analogo – produced by the one and only electronic pioneer Franco Battiato – returns in a faithful reproduction that honors the original sleeve design.
This is Italian Minimalism at its most delicate and transcendent. Not the rigid academic exercises you might expect, but something far more…
**A 4+ hours labyrinthine work, previously unreleased** Jim O’Rourke is among the great voices of his generation - a true musical polymath, whose diverse efforts, since his emergence within the Chicago scene during the late 1980s, have continuously altered the creative landscape. Without him - from his relentless support of the careers of neglected artists, to contributions made within the vast and radical diversity of his output - now tracing across hundreds of releases - so much of what is, co…
Some recordings can foreshadow the future in ways that are hard to grasp in the moment, and Teodros Makonnen With His Organ (Teodros Makonnen ከኦርጋኑ ጋር) is one of them. Known as Teddy Mak, Teodros Makonnen helped define the digital sound of Ethiopian music that emerged from the 1980s onward, not only as a keyboard player but also as a producer, songwriter, performer, and sound designer. Although electronic instruments and digital production are now taken for granted in Ethiopian music, the early …
Nat Birchall, saxophonist and composer, one of the most authentic voices in contemporary spiritual jazz, presents Path of Enlightenment, a sonic journey through rarely explored scales and modes, from Ethiopia to Byzantium, from ancient Egypt to South Africa.
For this new recording, Birchall deliberately chose the quartet format - tenor sax, piano, double bass and drums - seeking a cohesion and intimacy that allows the music to breathe and tell its story. Joining him are his trusted collaborators…
*300 copies limited edition* Following 'The Sympathy Portal' LP, released earlier this year, 'The Neon Weeps Tonight' was similarly recorded during lockdown and released as a very limited CDr in early 2022 before its being mooted for this slightly edited reissue. This time comprising six compositions, it begins proceedings with Edward in a typically reflective mood that sometimes feels barbed as much as steeped in a yearning for times lost as melodic yet sombre keys assume a haunted quality befo…
Inexplicable Hours is the sequel of the successful Kevin Drumm 6CD box 'Elapsed Time' also released by Sonoris last year. The first record documents a new direction in his music, with some of his last electroacoustic experimentations with audio generators, field recordings and various electronic devices. The second one explores the same ambient/drone territories as the boxset, but less static and more complex than it appears after a superficial listening. And as always with recent KD's music, a …
This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his wor…
** Limited edition LP release includes a four panel insert of notes and photos from the recording session ** Field recordings of Lobi traditional xylophone (gyil) music recorded by Hisham Mayet on location in Ghana's Upper West Region, West Africa in 2019. Featuring Aaron Bebe Sukura, considered one of the gyil's master musicians from this area. Long form trance music with acoustic instruments sounding like several minimalist orchestras getting to maximalist sonic peaks. The gyil music of the …
I’ve not thought about Psychick Youth for a long time, the anti cult cult, but the reality is I had a great time and met a lot of good people, many of whom I’m still in touch with today. Left in the hands of others who just weren’t there, people jumped on the gravy train and ultimately failed to answer any questions. Failed books and failed documentaries followed, where the main priority seemed to be taking the money and hoping for the best, kinda sad really.
The press described it as: “Thee Tem…
At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors!
Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …
This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it’s a Play Time record. That’s a subtle but important distinction, for a couple reasons. One, the sound of Magic Object—a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog—doesn’t really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. Let’s back up. The…
Sarah Davachi's first book, From the Ruins of the Literal: Critical Organology, Timbre, and the Poetics of Affect, published by her own Late Music imprint. The title is borrowed from Paul Ricoeur, whose account of metaphor locates meaning at the point where literal sense gives way. Davachi turns that idea on the study of instruments and timbre, disciplines she sees as long governed by empirical, neuro-cognitive and modernist assumptions. Her objection is not that measurement is wrong but that it…
Beyond the Black Crack was the concept of Reverend Dwight Frizzell, a musician, film maker, Doctor of Metaphysics and minister in the Universal Church of Life. It remains a little known classic, and one of the most unique listening experiences in modern experimental music. Recorded between 1974 and 1976 in locations as diverse as factories, the pyramid opposite Harry Truman's grave site as well as more 'conventional' concert settings. Beyond the Black Crack is a dark, dizzying and exhilarating j…
French-born, London-based composer and musician Pascal Bideau aka Akusmi announces his second full-length Terra Incognita, an album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. The listener is invited to experience seven faraway sonic imaginariums, as global and spiritual jazz are fused with modern electronics and life affirming minimalism into a hypnotic, polyrhythmic odyssey.
The album's rich multilayered sound world features contrib…