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Clay Pipe Music is thrilled to welcome to the label Norway’s Rural Tapes - the alias of producer and multi-instrumentalist Arne Kjelsrud Mathisen. His new record Oneiric is one for the dreamers - a trippy, cosmic aural experience of mostly instrumental music, recorded on analogue equipment at his Nygrenda Vev & Dur studio in rural Norway. Arne is also joined on two vocal tracks by long-time collaborators Alexis Taylor (Hot Chip) and Gary Olson (The Ladybug Transistor).
He says: “The word Oneir…
“Protopost and Disques de la Spirales converge to unveil the very first extended release of the German-American-French group SQ Mice, freshly recorded from paris's underground scene! A collection of widely divergente songs and recordings, carefully sequenced to mess with any expectation. Spanning from no-wave gestures to the scent of post-rave nostalgia, this debut album encapsulate the electric stasis of early Seefeel songs mixed in the much lofi way of DJ Funk, where the liminal guitar of a Jo…
On Mussolini ultimo atto, Ennio Morricone turns the final days of Mussolini into tense, tragic chamber drama, fusing pared‑back orchestral writing, unnerving timbres and fragile lyricism into a score where history feels like a slow, inexorable noose tightening.
Recorded in November 1969 at the US Embassy, Live In Ankara saw the adventurous jazz trumpeter Don Cherry performing with saxophonist Irfan Sümer, bassist Selçuk Sun, and drummer Okay Temiz, with arrangements by trumpeter Maffy Falay, who had introduced Cherry to Temiz in Stockholm. Mostly comprised of Cherry originals and adaptations of Turkish folk songs, there are one-off takes of compositions by Ornette Coleman and Pharoah Sanders as well, the sparse musical ensemble giving Cherry ample room…
On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.
Originally released in 1976 on Piero Umiliani’s own Sound Work Shop imprint, Drammi e Speranze -issued under the pseudonym Rovi - stands as a refined example of his late-period library work. Performed by a compact string ensemble and subtly augmented by piano, Hammond organ, Eminent organ, and Rhodes, the album unfolds through a series of classically-informed compositions where melody takes center stage. Each piece is concise, evocative, and purpose-built - reflecting the functional yet highly e…
One of the true cornerstones of Belgian minimal wave and proto-EBM, Absolute Body Control was formed in Antwerp in 1980 by Dirk Ivens, a figure who would go on to reshape European electronic music through his subsequent work with The Klinik, Dive, and Sonar. Fuelled by an unwavering devotion to the cold, skeletal pulse of Suicide and D.A.F., Ivens launched the project with Mark De Jonghe on synths and Veerle De Schepper on backing vocals, self-releasing music on his own Body Records label and di…
The Vanity Box vol 2 presents another beautiful boxet with releases by legendary Japanese DIY label Vanity, active in the late 70s and early 80s. It was conceived by Studio Warp, in collaboration with Agi Yuzuru and the whole roster of artists involved with Vanity.
LP-1 Dada - Jyo(Vanity 0001, originally released in 1978)Dada is an electronics and guitar duo formed in 1977 by Kenji Konishi of Kigadoumei (when Terutsugu Hirayama was a member) and guitarist Mutsuhiko Izumi of Karisma (when Kozo …
Tip! Kitchen. Label is proud to present Agate, the latest album by Japanese artist Meitei, marking a deepening of the world he first shaped through his Kofū trilogy released between 2020 - 2023. Named after the mineral agate, a stone formed through slow accumulation, pressure, and time, the album reflects Meitei’s patient approach to sound. Agate brings together extended and newly rearranged works from across the Kofū cycle alongside new compositions and passages, refining material developed thr…
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…
On Smog, Piero Umiliani weaves Italian cinematic cool, West Coast jazz and vocal chiaroscuro into a quietly devastating portrait of early‑60s Los Angeles, with Chet Baker and Helen Merrill tracing the city’s alienated glamour in smoke.
On Early Combinations, Art Ensemble history is still in wet cement: Roscoe Mitchell’s proto‑Ensemble and Joseph Jarman’s quartet collide in two long 1967 tapes where themes for cancelled gigs and failed auditions already sound like future classics.
Eighth Tower Magazine is a periodical publication dedicated to music and modern mythologies. It explores alternative and experimental sound practices, tracing connections between contemporary music, invisible cinema, and dark fiction. Eighth Tower investigates how modern mythologies are shaped, transmitted, and transformed. It is conceived as a space for reflection, documentation, and critical exploration, where sound, image, and narrative converge into a shared cultural landscape.
Volume I - co…
øjeRum is the moniker of Danish artist Paw Grabowski. Since 2007, his mostly tape-based works have unfolded like private diaries—intimate, textural, often centered around an vintage pump organ Paw found left abandoned in a dilapidated Danish home, and to which he would return, sometimes in the dead of winter, to play and record on. The works featured on this release are centered around this pivotal engagement and collect some of his earliest releases from around 2014 to 2017. These were then car…
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.
On Buttercorn Lady, Art Blakey leads a brief but blazing mid‑60s Jazz Messengers lineup at The Lighthouse, launching a young Keith Jarrett and Chuck Mangione in a hard‑bop set that feels both like a proving ground and a joyous passing of the torch.
On Diastima, Luigi Turra moves inside Sylvain Chauveau’s sparse graphic scores with a hyper‑reduced electroacoustic vocabulary, turning each page into a fragile interval of tension, suggestion and nearly vanishing sound.
Tip! 428 pages. This is exactly what we need. Big time. Johannes Rød returns with the massively expanded edition of his essential guide - a monument of discographic research spanning six decades of creative music documentation. 381 pages plus 47 unnumbered pages of label artwork. 185 labels mapped with obsessive detail and passionate advocacy. From the explosive emergence of free jazz in the mid-1960s through ESP-Disk, BYG Actuel, and Actuel, through the European improvisers' movement documented…
Birdman Records is proud to be reissuing Invisible Men, the early space explorations of electronic music pioneer F/i. In the mid-80s F/i was on the cutting edge of electronic bombast, producing cassette tapes of late-night interstellar sessions to be traded world over with the handful of heads that were plugged into similar perambulations. As a link between Throbbing Gristle and the Spacemen 3, this period of F/i has been woefully forgotten, until now. Later in the 80s, F/i would morph into Voco…
Australian composer-performers Judith Hamann and James Rushford have worked together in countless projects for two decades, perhaps most notably in Golden Fur, their trio with Sam Dunscombe. Black Truffle is pleased to announce Midmeste, their first work as a duo. Its title is Middle English for ‘the middlemost point’, alluding to how the piece builds on the points of overlap between the highly personalised musical languages Hamann and Rushford have developed in recent years.
Performed on cello …