Best sellers
Unusual Sounds: The Hidden History of Library Music (book)
Fully illustrated book on library music and records published by Anthology Editions in 2018.
Loveless
* Black vinyl in gatefold sleeve, inners + printed inner sleeve * my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most ground-breaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future. The second my bloody va…
CULTurally appropriated songs and revisited memories
Cults have always had their own soundtracks: songs written to win over, to bind, to manipulate, repeated until they settle beneath thought, becoming core belief and identity. In the disquieting afterlife of such music, CULTurally appropriated songs and revisited memories begins. The new album from Zürich-based experimental electronic duo Perverts in White Shirts (Nathalie Dreier and Dave Phillips) is a two-hour cringe-pop journey of disarming, catchy tunes. A post-fringe hauntology for those sha…
Drukqs
Twenty-five years on, Warp returns Aphex Twin's Drukqs to physical formats. Thirty tracks across a hundred minutes: prepared piano miniatures, drill'n'bass with the brakes cut, musique concrète, a voicemail from his parents. The last gap in the vinyl discography, closed.
Metamusik Festival Berlin ‘74
Carrying on from recent archival releases from masters of Indian classical tradition such as Kamalesh Maitra and the Dagar Brothers, Black Truffle is pleased to present a previously unheard recording of a concert by Pakistani vocalist Salamat Ali Khan. Born to a musician family in Hoshiarpur in the northwestern state of Punjab, Khan moved with his family to Lahore in Pakistan after the 1947 partition of India, becoming a child musical prodigy. Khan was a master of the kyhal form of Hindustani cl…
Rituals of The Last dawn
On Rituals of The Last Dawn, Saba Alizadeh draws Persian classical memory into long‑form electro‑acoustic rites, two side‑long pieces that breathe like prayers for a wounded world - hushed, spacious, and quietly defiant.
Strange Lights Over Garth Mountain
Welsh musician Gwenifer Raymond’s 2018 debut album, You Never Were Much of a Dancer, introduced a new voice on acoustic guitar, receiving 5 stars in The Guardian, big spreads in MOJO and UNCUT, and airplay on multiple BBC programmes. This led to months of touring on the European festival circuit. Her second album, Strange Lights Over Garth Mountain, finds Raymond ranging into unexplored experimental territory, drawing from her Welsh roots.
House with a Curse
Scottish composers Andrew Wasylyk and Tommy Perman are back with a new collaborative soundtrack album, 'House With A Curse'.
Walk in Praise of All Metals
Recorded in rural eastern Washington State, Walk in Praise of All Metals reflects the raw expanses of the‘Channel Scablands’, a region which gladly bares the scars of ancient volcanism, ice age floods, &hydroelectric power. Like the landscape—born of cataclysm, yet steady in its austerity, the music speaksthrough sustained resonance and momentary intersections. Structure emerges through sharedharmonics, with passages from Matt Sargent’s re-tuned guitar (13-Limit just intonation) activatingsympat…
Reason
Corbett vs. Dempsey is thrilled to announce the release of ‘Reason’, the second album from international free music quartet The Sleep of Reason Produces Monsters.
Four Louies Live
Bill Orcutt built The Four Louies by dropping Steve Reich's Four Organs onto "Louie Louie" - two of the most stubborn riffs in American music, high minimalism and dumb garage, forced into the same frame. This is what happened when he took it off the record and into a room. At Roulette last March the four organs became six, the rock trio swelled into a small army, and the plunderphonic stiffness of the studio version simply burned off. Six organists, twin drummers, William Winant on maracas, Chri…
Atol Scrap
"The story of each re-release begins with the original. In the late 90s, Uwe Zahn (Arovane), along with Robert Henke (Monolake) and Stefan Betke (Pole), began releasing music on Torsten Pröfrock’s (Dynamo) newly launched DIN label. This was a very inconspicuous undertaking, but fans of the flourishing IDM, glitch, and constantly evolving abstract techno genres quickly picked up on the quality of sound coming out of Germany. After a few successful EPs, Zahn began working on his debut full-length,…
Música Electroacústica Centroamericana - Vol. 1
200 copies limited edition, black vinyl edition Accessing the history of avant-garde and experimental music from Latin America has always been a complex affair - the true breadth of activity during the second half of the 20th Century sinfully under-documented, the result of political and economic circumstances that unfolded across decades. Over the last years, reissues have begun illuminating the remarkable creative triumphs that transpired in Peru, Chile, Argentina, Cuba, Brazil, Venezuela, and…
The Black Record
Necessary reissue of a truly seminal, minimalist totem and founding document of the avant-garde underground!
Songs of Milarepa
Five pieces in tribute to Milarepa, the eleventh century Tibetan poet and saint. Radigue on synthesizer, Robert Ashley reading in English and Lama Kunga Rinpoche in Tibetan, the last track running sixty-two minutes.
Drinkin My Own Sperm
Beautiful reissue of the 1977 debut solo LP by Alvaro -- the Chilean with the Singing Nose. Alvaro Peña-Rojas was an advertising exec who ended up living in a squat in London when he chucked his professional career to fulfill his dream of being a musician. Rooming with he-who-would-become Joe Strummer, Alvaro was a founding member of the squat's pub-rock band, The 101ers. After the Pistols opened for The 101ers at the Nashville Rooms, Strummer felt like he was destined to become a punk, and foun…
One Arm Bandits
"One Arm Bandits is an hour-long piece in four parts, scored for four cellists. The cellists play only open strings, thus using only their right arms, never fingering the strings with the left hand. Recorded in Alvin Lucier's dining room, this work features cellists Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann. Lucier oversaw and produced the recording, and approved the final takes. One Arm Bandits was an important project for Alvin Lucier. The idea for the piece goes back to…
Passerine
Passerine began in the fall of 2024 when my older son left home for college and friends began to ask if I were experiencing empty nest syndrome, or half-empty nest syndrome, as was the case. Each time, my reply was a simple, “nah, I’m good…everybody’s good.” And that was true. My wife, the boys, and I were all doing relatively well after many difficult, often harrowing years of helping our first-born navigate deep and dangerous mental health struggles — struggles so severe that we’d already had …
Overleaf
*150 copies limited edition* Overleaf is the new album by Paris-based musician Théo Martin, following Anti Atlas, released on Laaps two years ago. Overleaf was recorded over the course of a few intense months in 2026. Every recording made during this period eventually found its place within the album, transformed, fragmented and reassembled, sometimes far removed from its original form. The process gradually became a kind of puzzle, built from accumulated sounds, accidents and imperfections. Tap…
Wildweeds Vol. II
Loren Connors' second art book: 108 full-color pages of fragile flower paintings, drawings and haiku, gathered over a year of mailed envelopes, with a preface by Yuko Otomo. Hardbound, 8.5 x 11 inches, first edition of 150.