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In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. The second performance is with David Toop.David Toop is a composer/musician, author and curator based in London who has w…
Tip! »Inferno« retains its characteristic melodies and atmospheres, drawing on the esoteric influences of »Societas X Tape« (the BoC 2019 NTS mix for Warp Records’ 30th anniversary) as well as the dark atmosphere of »Tomorrow’s Harvest«, which is further intensified by the increased use of spoken-word recordings. The first BoC album in thirteen years has a running time of seventy minutes.
Edition of 500. Widely regarded as one of the essential entries in the vast Muslimgauze catalogue, Mullah Said returns once more via Staalplaat in a third edition vinyl pressing and a reworked digipack CD edition of 400 copies - both featuring updated artwork with additional gold printing. Originally issued in 1998 as the eighteenth installment in Staalplaat's Muslimgauze subscription series, Mullah Said represents Bryn Jones at the height of his powers. Engineered by John Delf at his Abraham Mo…
This 2LP bundle includes the two latest Formalibera albums: John Tchicai "Wigmore Hall 1968", and John Tchicai, Peter Kowald "John Tchicai Quintet, John Tchicai Peter Kowald Duo".John Tchicai "Wigmore Hall 1968" (LP)* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even among giants. Born in Copenhagen…
2025 Small Repress. Incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 106 page book. Born between wars, Eliane Radigue’s musical journey began in the Paris studios of musique concrète OGs Pierre Schaeffer and Pierre Henry during the 1950s and 60s, experimenting with magnetic tapes, honing her craft in sound construction. But it wasn’t until the 1970s when Eliane moved to…
*100 copies limited edition* Flung is proud to present Devet by Manja Ristić: A sonic tracing of cosmologies, thresholds, and elemental memory, centred around the symbolism of the number nine as a marker of completion, passage, and spiritual architecture. Crafted from environmental sound, improvisational sequences, and site-specific interventions, the collection unfolds as a sonic storytelling of nature’s bold framing of our existence.
The integration of ancestral knowledge systems, ecological w…
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …
On Anthem for Peace, Alan Braufman leads a razor‑sharp quartet through compact, hook‑rich tunes that braid spiritual jazz, buoyant post‑bop and modal, Eastern‑tinged themes into a forward‑moving set that feels both steeped in history and fully present tense.
A four-movement work probing the reciprocal interference of sound and space. The source material is reduced to elementary sonic primitives - sine waves, white noise - then physically degraded through tape manipulation to generate pulses, beats and emergent waveforms. From this collision between idealised digital signal and the analogue artefacts of magnetic media, van den Broek builds a heightened spatial perception where pure tone and altered source act on the listening field simultaneously.
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volcanic and oddly tender.
On his Clarinet Quintet, Jürg Frey stretches time until it feels almost weightless, using soft clarinet breaths and hushed strings to trace a slow, luminous drift where tiny inflections become whole landscapes of feeling.
A special discounted bundle gathering Marion Brown's two finest reissues of the season. Three For Shepp (Elemental Music, 1966), the Georgia-born saxophonist's Impulse! debut and a cornerstone document of the late-60s New York avant-garde - recorded with an all-star band of Dave Burrell, Stanley Cowell, Grachan Moncur III, Sirone, Beaver Harris, and Bobby Capp, splitting its program between Brown originals and Archie Shepp compositions in a conscious echo of Shepp's own 1964 homage to Coltrane, …
"I call it ‘the Shadow Pattern Vignette’. A fragmentary and pleasingly non-discriminatory exercise in audio capture which, when sequenced, compiled or arranged alongside other such vignettes, leads to the finished work of Nate Ivanco’s Shadow Pattern. You can reach into the hermetic depths of his Hamilton Tapes micro label, recent transatlantic appearances via Infant Tree, Chocolate Monk or adhuman, or indeed, this new LP ‘Live at Somewhere’ and find the Shadow Pattern Vignette. Forever in evide…
"Ramune and the Power Plant" is the first duo album by Otomo Yoshihide and Ruike Shinpei, who have performed together many times in groups such as ONJQ. This recording captures almost the entire completely improvised live set held in October 2024 at the café-music gallery Kakululu in Ikebukuro. In this project Otomo primarily uses turntables as his main instrument and, on some tracks, electric guitar; Ruike plays trumpet as his primary instrument and employs electronics on certain pieces.
Record…
On They Came Like Swallows – Seven Requiems for the Children of Gaza, Bonner Kramer and Thurston Moore channel decades of noise, songcraft and studio sorcery into seven slow‑burning laments, where volcanic drones, grief‑stricken melody and a haunted Joy Division cover fuse into a stark act of sonic mourning and resistance.
Happy Today, the third album from guitarist/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time. The performance also captures a distinctly joyful night of togetherness set against the back…
Kassel Jaeger (aka François J. Bonnet) returns to Shelter Press after Swamps / Things, Shifted in Dreams, and the recent reissue of the classic Zauberberg, co-composed with Akira Rabelais and Stephan Mathieu. With this major new album, entitled Sub Re, Bonnet continues his long exploration of the musical possibilities of sound, extending the concrete approach developed at the Groupe de Recherches Musicales, the historic and essential Parisian studio that Bonnet has been directing since 2018. Sub…
Violinist Mike Khoury came together with Sharif Sehnaoui (guitar, percussion, bouzouki) and Raed Yassin (bass) to create some very natural and organic improvised music during the Irtijal Festival in 2018. Khoury said, “the three of us had an instant connection with a common understood language that predated all of us.” The music was not a part of a festival performance but a sparate effort by the three musicians. Khoury is best known for his work as a soloist, in duet with percussionist Ben Hall…
Originally released by Ghent's Dauw tape label in 2016 and quickly sold out, here reissued on CD with two new interpretations added. The original is a pair of eighteen-minute pieces: Dwaal layers orchestral washes against radio static and erratic noise, while Wold spreads sparse piano notes over a bed of fine hiss, supported by wind and bird recordings from Vriescheloo. The reissue adds remixes by Benoît Pioulard (organ and guitar) and Nicola Ratti (synth sputters and rhythm).
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without losing its earthy pulse.