We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Best sellers

Riddles of the Sphinx
Lost 1977 electronic score by Soft Machine's Mike Ratledge, crafted with enigmatic Denys Irving on modified Moog/ARP synthesizers delivering ten hypnotic sequences of minimalist repetition. Transferred from BFI archives after master tapes vanished, this new 300-copy reissue follows the long out-of-print 2016 edition. Essential Riddles Of The Sphinx finally unearthed.
Sekalaisia äänityksiä
*100 copies limited edition* A surprise archival LP collecting scattered recordings from across Juho Toivonen’s recent work. Following Kuun Sininen Rinki, Sekalaisia Äänityksiä brings together pieces previously released on small-run compilations, rare physical editions and limited formats to another limited release presented by New Zealand imprint What Lies Beneath.  Side A includes much loved “Peura”, originally released on the Kashual Plastik’s A Mistake By Mistakes compilation, “Kanava 5” fro…
Infra (3CD Box)
One of the titanic cybernetic works Kayn issued on Colosseum, Infra (1978-79) returns across three CDs and an extensive booklet: Isotrope, Nastie, the two Formantes, the two Randoms and Apeiron. Mastered by Jim O'Rourke from the tapes held in the Lydia and Roland Kayn Archive.
Music Is Invisible (Pentimento Volume Three)
The third part in Jon Hassell’s Pentimento trilogy captures the much-missed artist performing as part of a trio with Rick Cox and John von Seggern in London in 2015, in what would turn out to be his final ever concert. Carefully edited and mixed by Jeff Rona into something much more than a traditional ‘live album’; themes, motifs and riffs from his critically adored albums Listening To Pictures and Seeing Through Sound occur throughout these unique, semi-improvised mutations, making this a fitti…
Music For Terminals
*300 copies limited edition* Sophomore album from Palace Records label founder and heavily influenced by soundtrack and library music from the past including one of his hero's, John Cameron (Kes, KPM, Bruton) who features on the album (Swing Time). The record is an assortment of outré electronics (Siren Call, Squeaks And Bleeps), modal jazz (Swiftly, Waltz For Someone) and wonky disco (Line Stepper, The Shuffle). Other contributors to the album include members of Palace Records band The Kanpai Q…
Silver Tendril
*300 copies limited edition* "Silver Tendril" like his recent work, it focuses on the nuances of the sound's "physicality." The intensity of the '90s returns in a refined form, withadded nuance and subtlety. Where "Pulse Demon" emphasized that raw directness (which alreadyforeshadowed the Harsh Noise Wall), "Silver Tendril" develops rhythmic structures within whichsonic chaos suddenly erupts. This is not TNB-style chaos, but rather a gradual breakdown, a perverse shift from structure to chaos.
How To Destroy Angels
First ever reissue of Coil's 1984 debut on L.A.Y.L.A.H.: seventeen minutes of gongs, bowed metal and slow decay, subtitled Ritual music for the accumulation of male sexual energy. Single-sided 180 gram vinyl with etched B-side and a previously unpublished hard board insert.
Illusion Suite
Stanley Cowell's only ECM album, recorded in 1972 with Stanley Clarke on bass and Jimmy Hopps on drums. Reissued in the Luminessence series, tip-on gatefold jacket with new liner notes by Ethan Iverson.
Un Moment de Bonheur
Jean Derome and Louis Sclavis share a quartet with Bruno Chevillon on double bass and Pierre Tanguay on drums, live at Victoriaville on 19 May 2001: flutes, clarinets and saxophone on compositions by both leaders.
The Missing Link
Fred Anderson's 1979 session with Larry Hayrod, Hamid Drake and Adam Rudolph, first issued by Nessa in 1984; the CD adds Drake's previously unreleased Tabla Peace.
Almost Starlight
Almost Starlight is the extraordinary new album by Jem Finer (hurdy-gurdy) and John Matthias (violin). Produced by Jay Auborn and recorded in a Medieval Church, deep in the Devon countryside, in the Summer of 2025, the music is suffused with light, heat and the natural acoustics of the space. The album defies categorisation; forced to pigeon hole it the nearest approximation would be ‘modern-classical’ but this ignores its myriad influences and explorations which encompass inspiration from Arvo …
Mekong Shellac: Cambodian Artifacts from the 78-rpm era
Tip! Mekong Shellac is an extremely rare collection of classical and popular styles of Khmer music from the 1930s to the 1950s. Restored from the few original remaining copies, this compilation reveals a remarkable world of early 20th-century Cambodian folk music previously lost in time through war, cultural shifts, and modernization. These recordings were selected for their distinctive musical qualities, the physical condition of the 78 rpm records from which they were sourced, and the circumst…
Signals
Huge tip! Following her 2025 minimalist/ambient album ‘just like any other day (어느날): background music for your mundane activities’ on Shelter Press, Okkyung Lee moves in another direction with London’s Explore Ensemble. Flung is proud to present Signals, a release that eludes categorisation while shifting between electronics, acoustic composition, and improvisation. It places Lee’s improvisational language in dialogue with the instrumentalists of Explore Ensemble’s sextet, whom together become …
Deceit
"From its word-playful title (Deceit / This Heat – say it aloud and twist your tongue) to the lyrics densely written on the back cover, This Heat's second album from 1981 is much more verbally direct than their largely instrumental 1979 debut. The group had things on their minds and statements they wanted to make. "'The first album was about the Dread, but dread not really understood yet,' says Charles Hayward. 'With the second album, we were starting to understand what made us afraid. The whole…
NAD
French-Moroccan singer Basma Otmani sings in Darija over Temir Alcy's mix of ambient, leftfield and experimental folk: eleven songs on grief, a broken love and a slow return to light. Released by Stroom.
Ginshu (Silver Pathos)
Akira Sakata with Shinpei Ruike on trumpet and Jun Inui on drums, recorded at the Shibata Etsuko Gallery in Ginza on March 30, 2026. Sister Records.
Gintama (Ginza Mix)
Akira Sakata and drummer Jun Inui in duo, recorded at the Shibata Etsuko Gallery in Ginza on April 7, 2024. The first of their Gallery series on Sister Records.
Gin Ai (Silver Love)
Akira Sakata with Takashi Seo on contrabass and Jun Inui on drums, recorded at the Shibata Etsuko Gallery in Ginza on April 10, 2025. Sister Records.
New Call From France
Jef Gilson (born Jean-François Quiévreux, 1926) had played clarinet with Claude Luter in Boris Vian's band, switched to piano in 1947, and in 1963 formed the big band through which half of French modern jazz would pass. In 1965 he was musical director of Les Double Six. That year Woody Shaw and Nathan Davis played in his orchestra. New Call From France, released by SABA in 1966 and credited to the Jef Gilson Nonet with Jean-Louis Chautemps, is the record he made for the Black Forest label at the…
Complete Communion: Live in Stuttgart 1966
The legendary Don Cherry with his great 1966 quintet featuring Gato Barbieri (tenor sax) Karl Berger (piano) Bo Stief (bass) Aldo Romano (drums) which can also be heard on three fine releases on ESP-Disk, and with the New York Total Music Company in 1968. His quintet was on very fine form at this time, it captures a crucial stage of Cherry’s journey from free jazz to yet wilder territories. The recording was made for radio broadcast and is nice and clear: this is the first time it has been is…