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Best sellers

Blitzkrieg
One of Germany's longer lasting bands had first started as Blitzkrieg (until they found out a British band used the name as well) and changed their name to Wallenstein and kept their former name for the album, gracing it with a war-themed gatefold cover. Produced by the unavoidable Dieter Dierks and released on the ultra collectible Pilz label in early 72, this debut album is stunning effort that transformed the 200 MPH speed notion into music. Keyboardist Jurgen Dollasse's very international gr…
Katcharpari
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
Live At Helluva Lounge
The hardcore noise improvisation duo featuring Martin Escalante, a ferocious noise saxophonist from Mexico, and Tatsuya Yoshida will release a CD featuring the complete recordings of their live performances in Kobe and Okayama from their previous 2025 tour, to coincide with their second Japan tour this August!
The Faust Tapes
There’s something perversely fabulous about the thought of this warped masterwork wandering into 60,000 unsuspecting British homes in 1973. Faust’s second-and-a-half album hit the shops to celebrate their signing to the nascent Virgin Records, who were looking to take advantage of the zeitgeist for German music at that time. Undeterred by the fact the band’s unwillingness to engage with the commercial landscape had seen them dropped from Polydor, Branson and co cooked up a suitably spectacular m…
Celebrating Fred Anderson
On Celebrating Fred Anderson, Roscoe Mitchell honors a fellow Chicago giant with a live quartet that turns remembrance into motion, weaving Fred’s themes and Mitchell’s originals into long, tensile arcs of chant, swing and open-form ritual.
Rip, Rig & Panic
Featuring Roland Kirk, Elvin Jones, Jaki Byard, and Richard Davis. This incredible line-up strengthens 'Rip, Rig and Panic' as another indispensable Roland Kirk album.
Motor Tapes
Closing the achingly long four years wait since her last full-length, the American composer/percussionist Sarah Hennies returns with “Motor Tapes”, her second release with New World Records. Comprising three astounding new pieces, made in collaboration with three acclaimed ensembles - ensemble 0, Talea Ensemble, and Ensemble Dedalus - that simultaneously encounter her moving into new uncharted territory, while remaining rooted in her singular practice, exploring musical, sociopolitical, and psyc…
Peter der Große / Gudbrandsdal
Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.
V.I.R.U.S.
Tip! Noton releases the Limited Edition CD Box Set of Alva Noto & Ryuichi Sakamoto’s V.I.R.U.S. Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S. series in 2002. After more than a decade from the release of the collection’s final installment with Summvs in 2011, Noton reissued all the five albums between May and November 2022. With its impressionistic atmosphere, in this collaborative project two genera…
Thank You, Guitar
In the ongoing battle between technical virtuosity and authentic expression, most guitar "shredders" have chosen the wrong side - trafficking in overwrought drama while remaining devoid of soul, viewing music as competitive sport rather than spiritual exploration. Enter Cyrus Pireh, whose latest Palilalia release Thank You, Guitar represents nothing less than a revolutionary approach to "transcendental shred electric guitar music" that upcycles the despised 32nd-note neck sprint into something g…
Il Ras del Quartiere
On Il ras del quartiere, Goblin reroute their horror‑prog DNA into neon‑lit funk and sleek electronics, rescuing a cult 1983 Vanzina film from VHS purgatory with a newly remixed, visually lavish edition that finally gives these four pieces their own stage.
Mômo
The album Mômo comprises a collection of Adam de la Cour’s concert pieces – more specifically, his most important solo keyboard-based compositions. De la Cour draws his inspiration from languages where abrupt tonal shifts and grotesque exaggeration are simply how things function. His influences come as much from psychotronic cinema, rubber-mask practical effects, vaudeville, genre tropes, and forms of satire as from contemporary classical music. De la Cour shares a particularly close artistic pa…
Music From the Other Side of the Fence
A collection of previously unreleased material (between '75 & '90) by Enno Velthuys.Compiled by Hessel Veldman.
Seven Of Wands
Gilgongo Records presents the highly anticipated debut vinyl edition of John Wiese’s acclaimed album, 'Seven of Wands', originally released on Pan back in 2011. Uniquely beautiful, immersive, and transportive, it utilizes strategies and techniques of musique concrète and electroacoustic music, while emphasizing the mixing desk as a true instrument. As a composer, Wiese is an elusive one. Employing a very healthy range of conceptual framework throughout his oevure, he’s unmistakably recognizable,…
Bonnie Dobson
Bonnie Dobson’s self-titled 1969 album is a striking blend of folk-pop and psychedelic nuances, marking a move beyond the traditional acoustic style that made her famous in the early 1960s. The album’s mood is often reflective and melancholic, balancing pastoral beauty with darker themes of change, loss, and uncertainty. One of the hidden gems of the album is track B4 “Pendant Que” by the celebrated Quebec songwriter Gilles Vigneault, which stands out since it is sung in French and reflects Dobs…
Hélas
On Hélas, Neoboris’s boy‑and‑girl duo turns late‑90s Bordeaux and Pau into a neon scrapbook: punk directness, wave romance, rave afterglow and variété hooks tangled in 15 songs that mourn and celebrate a love that refused to apologise.
Naldjorlak
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This album brings together two complete performances …
Joao Gilberto
*2026 repress* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi), "O Barquinho" (Ro…
Silver Music
For close to a decade the sound of Italian cinema and television ran through four musicians from Rome. I Marc 4 were the rhythm section the country's leading composers reached for first, and between sessions they cut a long run of library albums under their own name. The scarcest corner of that catalogue sits on two companion imprints, Silver Music and Silver Men, issued in 1976 and seldom seen since. This new edition draws the strongest material from both onto a single LP, in the original milit…
Go On
*2026 stock* Drummer George Otsuka was a fixture of the Tokyo jazz club scene from the sixties onwards, leading a series of working bands that earned a reputation for tight ensemble playing and consistently high temperature. 'Go On', one of the early releases on Three Blind Mice, captures the quintet at the moment when its hard bop foundation was beginning to stretch into something more searching: there's still plenty of swing, but the modal frames and freer improvising of the surrounding scene …