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MMMD returns with Absens, a commanding new album that expands their deep monolithic sound into a darker, more intimate terrain: across nine tracks, the record fuses subterranean low frequencies, complex inter‑modulations and brooding textures with distant threads of folk, all rendered through custom‑made instruments and meticulous sound design. Absens is an exploration of absence and presence, where physical weight meets spectral intimacy — MMMD assemble these elements into an immersive work tha…
«Steam Waterfall» is the second album in an expanded version of Paal Nilssen-Love's Large Unit. But this isn't the same Extra Large Unit you heard on «More Fun Please» from 2018. This is a live recording from the Oslo Jazz Festival in 2022 featuring core members of Large Unit along with a range of younger musicians Paal had met through workshops and teaching in the two years leading up to the concert. The number of musicians heard is 25—the largest Unit to date—but during the performance, there …
Tip Tip Tip! XKatedral Anthology Series III is the third installment in the label’s ongoing archival series, and it arrives as both a celebration and a statement of intent. Marking ten years of XKatedral, this double‑vinyl set gathers works composed between 2014 and 2025 by artists who treat harmony and timbre as slow‑moving terrains rather than backdrops. Synthetic and acoustic sources, algorithmic procedures and close‑mic’d performance all serve a common aim: precise, patient work in the realm…
Limited edition of 500 copies with a unique psychedelic day-glo cover, more historical photos and updated and detailed liner notes by Dungen guitarist Reine Fiske. “One of Sweden’s most obscure psychedelic treasures from the late 1960’s. Imagine vintage Cream and Syd Barrett-led Pink Floyd morphing into a primeval Hawkwind sonic brain attack and you’re on the right track. They just may be the most impressive examples of vintage Swedish psychedelia you’re ever likely to hear. ”
**Special version with extra DVD, edition of 100 only** An Island In The Moon is the perfectly conceived minimal ambient project from Italian composers Pier Luigi Andreoni (Doubling Riders, ATROX) and Silvio Linardi. Andreolina being a mix of the names of the two musicians who were both deeply involved with the label Auf Dem Nil on which the album was originally released in 1990. The duo stick to a disciplined and simple palette using only two synthesizers and a Roland S50 sampler. They are join…
"I was obsessed, am obsessed, by The Groundhogs, so gave C93 a chance to cover their perfect "Sad-Go-Round" from their perfect Solid album. I also loved Black Sabbath, but had listened to them so much that I never wanted to hear them again. So Michael Cashmore's Perfect Playing of their intro to "Paranoid" was Perfect Way To Wave GoodBye to them, and slip into my visions of Lucifer Over London, May G+D damn him again. "The Seven Seals_" I wrote whilst sitting at my desk in my Then House in Aubre…
*2026 stock* For this collection of live performances, we approached Treatise not just as a score, but as a piece of visual art—an abstract landscape that drew us in with its raw graphic beauty. We felt compelled to translate it into sound using our instruments, while also engaging with the work on its own terms. In researching Cardew’s notes and his Treatise Handbook, it became clear that he didn’t intend the piece to be an open-ended free-for-all. Rather, he encouraged performers to develop a …
On May 21, on what would have been Arthur Russell’s 75th birthday, Audika Records presents a remastered/redux double vinyl rerelease of the much-beloved compilation Love Is Overtaking Me of Arthur’s folk, pop, and country songs including “Planted a Thought”, “Close My Eyes”, and “I Couldn’t Say It To Your Face”.
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…
*50 copies limited edition* Even for a prolific artist such as Delphine Dora, 2026 is a very busy year with the release of three albums already before the end of April; the harmonium and vocal improvisations of ‘D’une nostalgie inconnue’ on Akti, the impressionistic piano and keyboard instrumentals of ‘L’ineluctable du temps’ on Marionette and the church organ explorations of ‘Vents d’aether’ made in collaboration with Jérôme Bouve for Hallow Ground. ‘La lune’ is another impressive addition to D…
One of 12k’s most endearing artists is back with a new album. From Argentina, Federico Durand presents La Manzana Mágica, an album in signature Federico style inspired by his collection of Cinderlla stamps, in a way only Federico could do. Named after the folk-tale heroine, Cinderellas, throughout the last century, were considered inferior to official postage stamps, but became a sought-after collector’s item. There are some pieces whose origin, circulation context, or illustrator’s name are unk…
Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves.
This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.
*2026 stock. 350 copies limited edition*
John Tilbury - Piano
Keith Rowe - Guitar, Electronics
Kjell Bjørgeengen - Video, Electronics
Recorded by Shaun CrookCafe Oto, London, UK26 March 2018
Mixed & Mastered by Giuseppe Ielasi
Artwork by Kjell Bjørgeengen and Salvatore Panatteri
Paradessence, Visible Cloaks’ third full length, is a work of emergence and illusion. The album’s fourteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavernous space shaped by sparse hyperreal representations of the natural world. The arrangements are simultaneously grandiose and fragile, both an inversion and culmination of what came before and as adventurous as anything they’ve produced so far.Since transforming from Cloaks to Visible Cloaks in 2014, Spence…
In Osni the Flare, the second chapter of Tristan Allen's mythic trilogy, the composer, producer, and puppeteer follows a mortal’s transformation into deity through the discovery of fire. Recorded over four years using wordless vocals, organs, ocarinas, an arsenal of toy instruments, and intricate sound design, Osni the Flare unfolds the origins of flame and temporality across four acts. Weaving a creation myth that shifts between beauty, shadow, and wistful embers, Allen provides a portal to met…
Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire
Original Cassette material from Bryns Jones home, Audio Restoration by Radboud Mens.
"Bedouin In Mercedes" by Muslimgauze is an album characterized by its powerful and prolific innovation in experimental music. It features a blend of ambient electronics, polyrhythmic drumming, and a variety of voices and sound effects that create an immersive and visceral listening experience. The music combines elements of Middle Eastern cultural influence with electronic and industrial sounds, reflecting the artist's deep political and cultural engagement, particularly concerned with the Middl…
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
Moon Glyph is pleased to present a compilation of new, unreleased tunes from established veterans of the label and newcomers alike. Staying true to Moon Glyph’s transportive aesthetic, “Amethyst” spans across abstract genres from ambient, psychedelia, jazz, electronic, fourth world percussion and more. Across its 17 tracks, you’ll hear Cole Pulice’s hypnotic overlapping saxophones, Vic Bang’s intricate arrangements of micro samples, IE’s patient desert landscapes and Starbirthed’s shimmering cel…