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Skintone Edition Vol.1 begins the remastered reissue of 14 essential Susumu Yokota albums from his Skintone label (1998–2012), released individually and in two box sets over 18 months, celebrating Yokota’s innovative legacy in ambient and electronic music.
Bonnie Dobson’s self-titled 1969 album is a striking blend of folk-pop and psychedelic nuances, marking a move beyond the traditional acoustic style that made her famous in the early 1960s. The album’s mood is often reflective and melancholic, balancing pastoral beauty with darker themes of change, loss, and uncertainty. One of the hidden gems of the album is track B4 “Pendant Que” by the celebrated Quebec songwriter Gilles Vigneault, which stands out since it is sung in French and reflects Dobs…
Never-before-released 1981 live recordings by Alterations, the great British free-improv quartet of David Toop, Peter Cusack, Steve Beresford and Terry Day. Hundreds of instruments cover the floor; the music reacts to room, noise and audience alike. Playful and rigorous at once. From Sub Rosa's SubLogos series. LP.
Originally issued in 1970 within the third suite of LPs comprising Deutsche Grammophon's Avant-Garde series, the French composer and electroacoustic pioneer Luc Ferrari's Presque Rien No.1 / Société II stands among the most important and groundbreaking albums issued within the canon of 20th Century avant-garde and experimental music. Containing two radically distinct works, Presque Rien No.1 (1967-1970) and Société II (1967), it doubles as a near perfect illumination of the incredible range of c…
TBM is proud to present Tomorrow, the new piano trio album by Hideo Ichikawa, a musician defined by two distinctive facets: the consummate technical pianist and the composer whose work shines through innovative, lyrical expression. Released on the TBM label, this record captures Ichikawa at a remarkable creative peak, where precision and imagination meet with rare naturalness.
On Tomorrow, Ichikawa reaches extraordinary artistic heights—an album that feels both deeply considered and vividly aliv…
French composer Sylvain Bombled aka Mayerling is back on HITD with ‘Finis Terrae’, marking the project's first album in 8 years. In the winter of 2025, the musician came up with these five pieces while in solitary retreat on the northern coast of Ouessant, the westernmost island of metropolitan France. The rough weather, the awe-inspiring beauty of the surroundings and the majestic grandeur of the natural elements play a pivotal role in each composition, allowing Mayerling to delve into his inne…
The music on Horse Lords’ Demand to Be Taken to Heaven Alive! feels both impossibly detailed and eminently human. The album’s twelve pieces are layered and interwoven, tonally and rhythmically complex––moiré-like patterns of interaction and tessellation that play out for both mind and body, full of sonic warrens with an inescapable groove. An electrifying leap forward for the band’s shared language, Demand to Be Taken to Heaven Alive! aims to liberate the listener into a spiritual, ecstatic, and…
Double LP reissue, remastered. Two original albums - Ambiances and Images (early 1970s) - collected on one set. Includes inlay with the original liner notes and a selection of Viktor's paintings, photographs and film stills. Institut for Dansk Lydarkaeologi / BIN.
Sold out at the label. Sparkling or Silent finds crys cole and Oren Ambarchi pausing their restless, always‑on‑the-move discographies at a curious angle, as if turning the light slightly to see what has been glinting at the edges all along. Both artists have long carried an electroacoustic sensibility in their work - in cole’s hyper‑attentive treatment of small sounds and negative space, in Ambarchi’s use of guitar and electronics as malleable matter rather than fixed instruments - but here that…
The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Pa…
Recorded 1984-87 in Brooklyn and never before on vinyl, jazz pianist Masabumi Kikuchi's Rokudai cycle - Earth, Water, Fire, Wind, Air, Mind - turns synthesizers and a Shingon Buddhist framework into improvised electronic music. Remastered by Taylor Deupree. Complete six-2LP set.
On God Spill, Victoria Mingot drags folk guitar through faulty circuitry and hissed devotion, stacking rough improvisations, blurred vocals and glitched drones into a slow, translucent act of repair where presence and disappearance keep trading places.
Waxwork Records, in partnership with Back Lot Music, presents Obsession Original Motion Picture Soundtrack by Rock Burwell. Obsession follows a hopeless romantic that finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.
“A big focus while composing Obsession was the idea of exploring the uncanny valley, finding the space where emotions get warped into something disorienting, where you’re no longer sure what’s real" Burwell notes. "C…
On Everything You Giveaway, Pablo’s Eye turn Richard Skinner’s seaside vignette into a drifting meditation on loss and camouflage, where a missing jade earring becomes a quiet parable about hiding what hurts in the very element that once held it.
CD edition. A title like a manifesto, and music with the conviction to carry it. For a few nights at the close of 1972, the Jazzhus Montmartre in Copenhagen held a trio that would barely survive the season. Abdullah Ibrahim - then still recording as Dollar Brand - sat at the piano; Don Cherry stood with his trumpet; Carlos Ward raised his alto. From the performance of November 14 came The Third World-Underground, a record that surfaced only in Japan, on Trio Records' Nadja imprint in 1974, and t…
Released on Polydor in 1972, this is Roy Ayers hitting his stride. The Ubiquity sound has clicked into place: jazz improvisation, funk underneath, soul harmony, spiritual weight, all of it pulling in the same direction. The vibraphonist leans hard into groove without losing the openness, soul-jazz tipping over into the jazz-funk that would carry him through the decade. The band is loaded - Harry Whitaker on electric piano, organ and voice; John Williams on bass with Ron Carter stepping in on "We…
**Original 1988 copies of this obscure classic, few copies in stock** First LP album by these Italian post industrial legend (of Broken Flag fame), published by the Milanese label ADN, this is their praise of Marquis de Sade, entitled Boudoir Philosophy and inspired by the book of the same name: this is ritual dark electronica at their best. Formed in Milan, Italy on 23 December 1985 by Paolo Bandera (Sshe Retina Stimulants), Eraldo Bernocchi, and Luca Di Giorgio. Their unique sound is derived f…
On By the Lake Festival, Faust bottle a singular Berlin afternoon: iconic early pieces - including a choral‑bolstered “Why Don’t You Eat Carrots?” - rendered raw, sun‑bleached and unrepeatable, preserved in a lovingly remastered document that leaves every glorious flaw intact.
On Solid Static, Musica Transonic / Mainliner - Asahito Nanjo, Makoto Kawabata and Tatsuya Yoshida - turn late‑90s Tokyo psych into a feral laboratory, smashing motorik riffs, free‑jazz volatility and distortion worship into one long, white‑hot detonation.