Best sellers

At last but not least... After 2 years of absence from our catalogue we are glad to reveal we are close to release a new edition of Fabio Frizzi’s fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project we are developing since five years!Since ever paired with Un gatto nel cervello, now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive.One of the holy grails in our catalogue, si…

Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott, released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would featur…

Stephan Micus' 27th solo album for ECM, dedicated to the sea: a dozen instruments from Borneo, Japan, India, Armenia, Africa and beyond, from hang and kalimbas to shakuhachi, duduk, sapeh and sho.

The first full-length collaboration between Steven Stapleton and Tony Wakeford, originally on Tursa in 1992: Wakeford's songs set inside Stapleton's surreal tape landscapes. First vinyl edition, on transparent green or blue vinyl, in a gatefold.

Masayuki Takayanagi alone with his electric guitar in August 1982: his first solo improvisation album, made after his recovery from near death, from Ornette Coleman's Lonely Woman to Lennie's Pennies. Official Three Blind Mice reissue on 180g vinyl.

Only album released by the British-Caribbean band Demon Fuzz, recorded in summer 1970 with Paddy Corea, Ray Rhoden, W. Raphael Joseph, Steven John and Smokey Adams, produced by Barry Murray and issued on Dawn in November 1970.

*100 copies limited edition* Eighth Tower Magazine is a periodical publication dedicated to music and modern mythologies. It explores alternative and experimental sound practices, tracing connections between contemporary music, invisible cinema, and dark fiction. Eighth Tower investigates how modern mythologies are shaped, transmitted, and transformed. It is conceived as a space for reflection, documentation, and critical exploration, where sound, image, and narrative converge into a shared cult…

𝕷𝖎𝖒𝖔𝖑𝖎𝖙𝖍 𝖙𝖍𝖊 𝖕𝖔𝖜𝖊𝖗𝖋𝖚𝖑 𝖘𝖙𝖔𝖓𝖊 𝕾𝖑𝖊𝖊𝖕𝖘 𝖎𝖓 𝖙𝖍𝖊 𝖉𝖆𝖗𝖐 𝖒𝖎𝖓𝖊𝖘 𝖔𝖋 𝕽𝖆𝖉𝖒𝖚𝖘𝖈𝖍. 𝖀𝖘𝖊 𝖙𝖍𝖊 𝖜𝖔𝖗𝖉𝖘 𝖋𝖗𝖔𝖒 𝖙𝖍𝖊 𝖆𝖓𝖈𝖎𝖊𝖓𝖙 𝖘𝖈𝖗𝖔𝖑𝖑𝖘 𝖆𝖓𝖉 𝖞𝖔𝖚 𝖜𝖎𝖑𝖑 𝖇𝖊 𝖒𝖎𝖌𝖍𝖙𝖞 𝖆𝖘 𝖆 𝖌𝖔𝖉. 𝕹𝖆𝖔 𝖐𝖓𝖔𝖜𝖘 𝖍𝖔𝖜 𝖙𝖔 𝖚𝖘𝖊 𝖙𝖍𝖊 𝖜𝖔𝖗𝖉𝖘. 𝕬𝖓𝖉 𝖁𝖚𝖗𝖚𝖙𝖍 𝖐𝖓𝖔𝖜𝖘 𝖎𝖙 𝖙𝖔𝖔. 𝕹𝖆𝖔 𝖎𝖘 𝖆𝖉𝖉𝖎𝖈𝖙𝖊𝖉 𝖙𝖔 𝖙𝖍𝖊 𝖕𝖔𝖜𝖊𝖗 𝖔𝖋 𝖙𝖍𝖊 𝖘𝖙𝖔𝖓𝖊𝖘. 𝖁𝖚𝖗𝖚𝖙𝖍 𝖜𝖆𝖓𝖙𝖘 𝖙𝖔 𝖇𝖗𝖎𝖓𝖌 𝖆𝖇𝖔𝖚𝖙 𝖙𝖍𝖊 𝖆𝖕𝖔𝖈𝖆𝖑𝖞𝖕…

Spencer Clark's second and last album as Black Joker, from 2010, remastered and pressed to vinyl for the first time: wooden-block percussion, flute-like keyboards and interlocking synth melodies under a night sky.

Long overdue reissue of the first Windy & Carl album and first ever vinyl pressing. Originally self-released by the duo as a cassette in 1994, Portal set the template for their singular sonic explorations to come. “…ethereal soundscapes that will transport the listener to other plains of reality.” —Acid Test! “Carl layers willowy guitar arpeggios, foggy keyboards, and chimes over Windy’s murmured intonations and rippling basswork. Everything sounds fresh and unaffected in the careful hands of th…

Coloured Vinyl version. New York United is an experimental group at the musical intersection of a classic New York avant-garde scene and forward-looking electronic production. Comprised of multi-instrumentalist and 577-cofounder Daniel Carter (Saxophone, Flute, Trumpet, Clarinet), electronic producer Tobias Wilner from Blue Foundation (Synthesizers, Percussion, Vocals, Piano, Guitar), Wu-Tang Clan bass player Djibril Toure and 577’s Federico Ughi (Drums), their sound reflects their decades of co…

A collector's field guide to 400 gospel soul records from the mid-1960s to the late 1980s, from choirs and vocal harmony to funk and disco, chosen and annotated by Greg Belson of The Divine Chord Gospel Show.

Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950s and '60s as a master of the electric guitar and jazz improvisation, Takayanagi was a restless spirit, deeply engaged with the era's new movements in contemporary art, music, literature, and philosophy. His work, beginning in the late 1960s placed him on the leading edge of these developments; he began expanding on the most radical element…

Cecil Taylor, Bill Dixon and Tony Oxley in concert at Victoriaville on 19 May 2002: piano, trumpet and percussion in an intimate, often delicate trio set.

Andy Ortmann's two-hour triple LP of electroacoustic pieces, musique concrète and speech synthesis, the work that his 2023 set Psychoacoustic Electronics picks up from. Edition of 300.

Tip! Originally released by Innova Recordings in 1996, Nyahh Records is delighted to re issue this ground breaking and pioneering work of electronic and acoustic work in a deluxe 2 disc set with a 26 page booklet containing new essays, scores  and never seen before photos. This collection includes recordings made between 1973 and 1985 including some of David Dunn’s work which he considers his ‘Environmental Sounds Works’, which include large scale pieces recorded in the Grand Canyon with up to 2…

*Much needed repress!!* Ak’chamel, The Givers of Illness plunged into truly deranged extremes to summon the decayed, otherworldly essence captured on Spiritually Unemployed, embracing unhinged and esoteric methods during the tracking process. Recorded in a makeshift adobe studio amid liminal border-zone ruins. Nocturnal treks along forgotten stretches near the U.S.-Mexico line, through derelict border outposts and sun-bleached vehicle husks, yielded unique recording opportunities: Ak’chamel drag…

Cosey Fanni Tutti returns with 2T2, a deeply personal nine-track electronic album that transforms recent upheavals into transcendent sonic exploration. Moving between propulsive beats and expansive meditations, this limited white vinyl release channels personal bereavements and global turbulence into a work centered on inner strength and creative resilience.

*200 copies limited edition* A 'monolithic' experiment in extremely minimal non-music constructed in two long parts. If the first part is dominated by a background based on a single sound rich in harmonics that oscillates on its own wave-like vibrations, resting on a substrate of what can be at the same time a synthetic pink noise or the real 'capture' of a natural quasi-silence, in the second part a few sounds of a more overtly electric/electronic matrix, a tangle of faint high-pitched looped e…

Bomb! 328 pages hard-cover book, large format +  2CD of previously unreleased recordings. Keith Tippett (1947-2020) occupies a singular place in the history of British improvised music - a pianist of extraordinary range whose work moved fluidly between free jazz, large-scale orchestral composition, and solo improvisation of rare depth. Born in Bristol and trained first as a chorister, Tippett arrived in London in the late 1960s and rapidly established himself as a central figure in the city's cr…

Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.

Neofolk from Todd Paulson of the Minnesota black metal duo Canis Dirus: acoustic guitars, wyrd folk and dark ambient shading. Grey vinyl with insert, 100 hand-numbered copies, Steinklang Industries.

A canon for three bassoons inspired by Hilma af Klint's 1915 Altarpieces: multiphonics, beating dissonances and whistle tones, between Scelsi, Radigue and Sunn O))). Produced by Randall Dunn.

The 2005 album of the Montreal ensemble, back for its 21st anniversary: six songs of protest and love for strings, guitars, piano and group voices, recorded at Hotel2Tango with Howard Bilerman.

*300 copies limited edition* Crossing borders between traditions, sonic territories, and instruments, musicians Tomáš Niesner and Aldana Duoraan created their first collaborative album Plot. The sound of khomus meets guitar melodies simplified into pentatonic scales, intertwining in a dialogue that remains playful while moving between meditative passages and bewitching, hypnotic moments. Solid yet ever-changing, these melodies explore a delicate relationship between the present interactions, the…

Recorded in New York City between July and August 1981, perhaps the finest example of Frippertronics in performance, mixed and produced by David Singleton and cut by Jason Mitchell at Loud Mastering for this 200g double LP.

Limited edition of 200 copies.* "In statistics, a ‘spurious correlation’ is a mathematical relationship in which two or more events or variables are associated but not causally related, due to either coincidence or the presence of a certain third, unseen, factor. Spurious correlations look like causal relationships in both their statistical measures and in graphs, but they're not real."

On Revolutionary Pekinese Opera, Ground Zero - under the ferociously precise direction of Otomo Yoshihide - detonates a cut‑and‑splice orchestra where free improv, noise, opera and plunderphonics collide with undimmed urgency.

*150 copies limited edition* It's a weird record. The artists would like to be anonymous, so no credits or info given. Music is a bit (structured) Sunburned Hand of the Man meets Can meets Portishead but I'll let the listener judge so to say...

fluXus returns to CiS with a beautiful new album entitled 'Ghost Signs'. fluXus is Cornwall based artist Nigel Rushbrook. Born on the same day as Ralph Vaughan Williams and Alistair Crowley, Nigel lives and records in a cottage once owned by Sargeant Howie AKA Edward Woodward. 'Ghost Signs' brings some darker shades of ambience and classic electronic sounds, with Berlin School style sequencing and a retro sensibility. Nigel uses vintage analog and virtual synths and old-school effects. Nostalgic…

Julianna Barwick and Mary Lattimore's score for Threshold, the documentary on cross-country ski champion Jessie Diggins: sixteen cues with an open palette of harp, voice and more, after their duo album Tragic Magic.

Akira Ishikawa's 1972 Latin set with Count Buffalo Latin Beats, arranged by Naoya Matsuoka: Cuban, Mexican, Brazilian and Puerto Rican standards pushed through fuzz guitar, Hammond organ and heavy drums.

A really must-have for any Library Breaks DJ vinyl collector. This is Silvano  Chimenti and Romano Rizzati (alias Walter Rizzati) I Gres Vol.1, a sought-after  funky breaks Library monster featuring the noted track "Restless" made famous  by DJ Leacy, and containing other dope breaks and beats.  I Gres were a studio group only founded by Silvano Chimenti that recorded 3  studio albums, recording Funky Library music. Band name brings the members  signs: the "G" of organist Giorgio Carnini , "R" s…

First reissue and first vinyl edition of the 1995 album on which Rita Marley sings songs by Ignacio Scola and Gregorio Paniagua, sophisticated experimental pop rooted in soul and Jamaican music, with a side of remixes by Suso Sáiz.

The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…

Corbett vs. Dempsey is thrilled to announce the release of ‘Reason’, the second album from international free music quartet The Sleep of Reason Produces Monsters.

*Lucky restock* Originally released in 1996, Electric Salad captures Merzbow at one of his most intense and uncompromising moments. Masami Akita builds a dense sonic landscape from layers of distortion, feedback, electronic noise and shifting frequencies.The album pushes noise into a physical and immersive experience, where structure and chaos constantly collide. A powerful document of Merzbow's exploration of extreme sound as a raw and compositional material.

AMM as the trio of Eddie Prévost (percussion), Keith Rowe (electronics) and John Tilbury (piano), in a single piece of about an hour recorded at the closing concert of the Huddersfield Contemporary Music Festival on 29 November 2015.

American percussionist Jeff Arnal and German pianist-composer Dietrich Eichmann’s two-decade partnership fuses polyrhythmic structures and vibrant textures in dynamic, improvised soundscapes. "Tides of Unrest" captures their creative synergy in a 2023 session, blending innovation, tradition, and collaboration.

Turkey’s first stereo LP. A foundational recording of Anatolian psychedelia. Audio transferred from the original analog master tapes, mastered and lacquer cut by Frank Merritt at The Carvery, London, and pressed on 180g heavyweight black vinyl at Record Industry in the Netherlands. Released by the legendary Yonca Müzik label in 1973 as Turkey’s first stereo LP, Türküz Türkü Çağırırız! now returns as the first official reissue. The album captures Mazhar Alanson and Fuat Güner at a pivotal moment …