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Rova Saxophone Quartet's studio album of compositions from 2013 to 2017, recorded in Oakland: Bruce Ackley, Steve Adams, Larry Ochs and Jon Raskin moving between written structures and group improvisation.
*Limited Edition* Japanese pianist Masahiko Sato joins forces with Peter Warren on bass and Pierre Favre on drums in an enthralling collaboration. Recorded live at Studio 70 in Munich, the two expansive tracks showcase the trio's boundless creativity. Sato's piano work, reminiscent of the era's best free improvisation, occasionally channels a Cecil Taylor-like intensity, interspersed with moments of reflective pause. Favre adeptly balances restraint and bursts of energy, complementing Warren's b…
Second volume of Miúin's Kilkenny Electroacoustic Research Laboratory anthology, turning to the music cultures around the lab, including commissions by its engineer Tony Quinn. Cassette with book and A3 poster, curated by Neil P. Quigley.
34 tracks from Felix Kubin's singles, EPs and collaborations, 1998 to 2019, chosen by Kubin himself for this Japan-only 2CD, most never on an album and many new to CD. Limited to 300 copies, issued for his June 2026 Japan tour.
In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.
The collaboration between Anthony Moore and filmmaker David Larcher began in the late 60s, at the start of both their respective careers and lasted many years. Following on from last years release of the soundtrack to Mare’s Tail (the first collaboration with Larcher), this year sees the release of the soundtrack to his 2nd film, Monkey’s Birthday. This LP is a condensation of the essence of this 6 hour film. The sound is partly taken directly from the existing soundtrack and partly from stereo …
Maurizio Bianchi's Erthion, first issued by Young Girls Records in 2010, back on CDr: eight tracks titled after verses of the biblical Lamentations, about an hour, mastered by Pharmakustik. 30 copies with mini poster.
Maurizio Bianchi's Kathamenja, first issued by Lona Records in 2011, back on CDr from BeTon Raw: five tracks, close to seventy minutes, with the original preface printed in the package. 30 copies.
Maurizio Bianchi's Carcimetrio, first issued by Simple Logic in 2006, back on CDr: four long pieces named after tumours and growths, over seventy minutes, mastered by Siegmar Fricke. 30 copies.
Maurizio Bianchi's N.E.S.W. (Negativity-Enmity-Spurn-Worse), first issued by Lona Records in 2014, back on CDr: four long tracks that rotate the points of the compass, almost seventy minutes. 30 copies.
Maurizio Bianchi's March-Ex, first issued by Lona Records in 2009, back on CDr from BeTon Raw: five tracks, about an hour, with the voice of Yoko Ishimoto Kamimura and mastering by Siegmar Fricke. 30 copies.
Cults have always had their own soundtracks: songs written to win over, to bind, to manipulate, repeated until they settle beneath thought, becoming core belief and identity. In the disquieting afterlife of such music, CULTurally appropriated songs and revisited memories begins. The new album from Zürich-based experimental electronic duo Perverts in White Shirts (Nathalie Dreier and Dave Phillips) is a two-hour cringe-pop journey of disarming, catchy tunes. A post-fringe hauntology for those sha…
Follow up to 2020's Plays For Trane, this is Plays For Trane Vol. 2. The band dives further into John Coltrane's catalog, turning it inside out, bending it, holding it with care. Forkelid, together with Mattias Ståhl, David Stackenäs, Vilhelm Bromander and Jon Fält, revisit the jazz giant in a celebrated transformation, reimagining the sounds of John Coltrane.
*250 copies limited edition* Venus is a new LP by Swedish group Organ of Corti and marks their fifth release on Dead Mind Records. For the occasion, Chinese-American vocalist and musician Audrey Chen enters the magnetic world of Mattias Gustafsson, Dan Johansson and Joachim Nordwall. While tape turns and circuits hum, these six pieces slowly unfold. Familiar fragments are repeated until they lose their origin. Synthesizer tones drift through layers of magnetic residue, while Chen's voice appears…
Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…
The new issue of Electronic Sound dives into the world of tape music – from Pierre Schaeffer and Delia Derbyshire to today's sharpest loopers – and comes bundled with an exclusive Steve Reich CD, Tape Pieces, pairing his mid-'60s phasing landmarks Come Out and It's Gonna Rain across some 30 minutes.
*300 copies limited edition* "After Klanggalerie coaxed a sleeping dog out of the hut with "Extra Weapons / Double Dog Dare, Summer '84" by The Lo Yo Yo, ADN throws me the next sweet bone with the re-release of Look de Bouk's avec des coussins bleus (AD9 012, LP). Look De Bouk were even split partners with Alig Pearce, Mick Hobbs, Joey Stack & Caroline Brooks on AYAA's "Double Dog Dare" cassette and were also linked together again on the "Bad Alchemy Nr 17" live @ AKW compilation. Here slinging …
On Phren, Marta Salogni and Stefano Pilia build a shared electro‑acoustic architecture where guitar, tape machines and field recordings circulate like memory in motion. Signals move through modular processes, echoes and Revox loops until origin and reflection blur, turning six slow‑unfolding pieces into a living study of sound, time and feeling.
By the end of the 1960s, Charles Lloyd was one of the biggest names in jazz. His quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette reached far beyond the usual jazz audience, while Forest Flower became one of the first jazz recordings to sell a million copies. In 1970, at the height of his career, Lloyd disbanded the quartet and withdrew to Big Sur. He continued to make records from time to time, but largely disappeared from the jazz scene while following a more inward and spiritual pa…
At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of David Tudor’s legendary LP, "Microphone", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Still mind-blowing nearly half a century after it was first released, now complete with a new English translation of the album’s original liner notes, this is just about as exciting as reissue…