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Rare 1987 double LP on Edition Michael Frauenlob Bauer with the composer himself performing his 1970's text-composition recorded live in 1984. Truly extreme stuff.
Nearly five decades after its creation, Manuel Göttsching's groundbreaking New Age Of Earth returns to vinyl, offering a pristine window into one of electronic music's most influential albums. The guitarist and synthesiser player formed Ashra after disbanding Ash Ra Tempel, the outfit he had led since 1971, moving away from the space rock of his previous group toward a far more electronics-based project. Recorded in Berlin between March and June 1976, the four pieces on New Age Of Earth represen…
Om Kalsoum! They call her ’The Rose of the Nile’, ‘The Queen of the Nile’, ‘The Daughter of the Nile’ or even ‘The 4th Pyramid of Egypt’ since she’s known as the greatest Egyptian singer of all times. Om Kalsoum’s mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide.
At the end of her overwhelming career sh…
Through the dense blend of Japanese New-Wave, set against a backdrop of moldy kimonos and punctured paper screens, Hip-See-Kid's mini-LP, Romancing The Music, emerges like a sonic bullet train, carving its way through the chaos of sound and emotion. Overflowing with purebred Punk-Funk, shards of Soul, and threads of shredded Jazz, this album is nothing short of a gold nugget in a sea of sadness.
Romancing The Music captures a unique fusion of genres, delivering an audacious auditory experience t…
Limited to 800 copies! Each book is numbered and signed by the author. Large format book. Descenes and Discords: An Anthology is a powerful time capsule of the birth and evolution of punk music through the pages of two influential fanzines: Descenes and Discords. These publications, originally printed and distributed in Washington, D.C. during the late 1970s and early 1980s, captured the raw energy, irreverent spirit, and revolutionary ethos of the underground music scene - first local, then nat…
Xerrox Vol. 1 is the third studio album by German electronic artist Alva Noto. It was released in 2007 as part of the ongoing Xerrox pentalogy, based on the concept of digital replication of source material.
Using the process of copying as a basis, the Xerrox series deals with the manipulation of data through endless reproduction. Due to the inherent fallacy of making copies from other copies, everyday sounds become so altered that they are hardly associated with their source material. As a resu…
"Over 40 years of sustained performance and publishing, English saxophonist, improvisor and composer John Butcher has shaped much of what the soprano and tenor saxophone can do, and what their roles and vocabulary in improvised music might be. There’s a situated purposefulness to Butcher’s music. It is always concerned with its context, flexibility, space and company: how group playing works and flows; how aspects of improvisation fit into a living musical world; how and what the saxophone can b…
*350 copies limited edition* This journey begins with ominous drones. Long sustained signals. An eerie mewing that sounds like kittens lost in space. These sequences spin backwards and forwards set against a buzz of low frequency oscillations. Morphing first into flocks of swooping birds, before transforming into something more melodic. Symphonic. Tangerine Dream first mapped this void on Zeit. A Sci-Fi movie sample announces a slow, rolling rhythm. Its pulse eventually augmented by broken beats…
What happens when experimental musicians share their studio with an aviary of canaries? The answer lies in Live With The Birds, one of the most unexpected and joyful documents in the Maciunas Ensemble's discography. Released by Het Apollohuis in 1997, this recording captures a remarkable interspecies collaboration where Paul Panhuysen and his ensemble discover their most enthusiastic improvisers have wings.
The setup was deceptively simple: aluminum strips suspended from rubber bands, allowing f…
Wewantsounds is delighted to continue its extensive reissue program of Meiko Kaji's early discography, originally released by Teichiku Records in Japan between 1972 and 1974. The Quentin Tarantino muse—famous for her starring roles in Lady Snowblood and Stray Cat Rock—was also a gifted singer. Otoko Onna Kokoro No Aika is another collection of superb cinematic songs featuring Kaji's signature mix of Japanese Pop and Groove, backed by lush, atmospheric orchestrations. This includes her rendition …
Paysages Planétaires on Alga Marghen may be the great unrecognized masterpiece of ethno-electroacoustic music, a 3CD box that arrived in 2004 with almost no fanfare and has waited two decades for ears ready to hear it. Henri Pousseur and Michel Butor, collaborators across forty years and more than twenty works, here achieve something that resonates uncannily with Jon Hassell and Brian Eno's "Fourth World" concept. Yet Pousseur, the serialist pioneer who worked alongside Karlheinz Stockhausen and…
Nearly four decades after the fact, the full story of Coil's aborted commission for Clive Barker's Hellraiser can finally be heard - and it is every bit as extraordinary as the legend suggested. The Unreleased Themes for Hellraiser [expanded ritual], released by Mental Groove Records / Musique Pour La Danse, is the definitive edition of one of experimental music's most mythologised what-ifs: a lost soundtrack now restored, expanded, and assembled into a coherent and deeply unsettling whole.
The …
The latest issue of Electronic Sound plunges deep into the dark, uncompromising world of Clock DVA, Sheffield's electro-industrial provocateurs, with an extensive cover feature retracing the group's explosive formative years. What begins with main man Adi Newton rubbing shoulders with future members of The Human League in The Future quickly escalates into a tale of banned venues, constructivist aesthetics, and fearsome live performances that rivalled those of Throbbing Gristle and Cabaret Voltai…
Huuuuge Tip! Edition of 200. Where the bells begin, everything else follows. Long before Charlemagne Palestine discovered the thick molasses sonority of the Bösendorfer piano, before the strumming technique that would define his maximalist-minimalist vision, there were bells. Colossal carillon bells in the tower of St. Thomas Church on Fifth Avenue in New York, where a teenage Palestine hammered hymns into the Manhattan sky before spending hours lost in spectral improvisations that drew Moondog,…
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
When Bass Communion was invited to appear at a Fourth Dimension/LTCo label event at Cafe OTO in May 2024, Steven Wilson (the man behind BC) agreed on the condition that his long-time friend and fellow traveller of music’s furthest reaches Frans de Waard could join him. Being acquainted with Frans’ work and having even released a couple of things by him ourselves over the years (on Fourth Dimension), we were more than happy with this idea.
However, when the pair met in London at Steven's studio t…
Cage's 1963 piece for voices and percussion with solos plus three more experimental compositions from the 1960's by the other composers, performed by the San Francisco Conservatory New Music Ensemble and released on Wergo's "Große Interpreten Neuer Musik" series in 1971. Never re-issued on either LP or CD.
Two of the composer's most beautiful and beloved immersive compositions from the early 1970's, respectively for chorus, viola and percussion, and for flute, clarinet, violin, cello, piano and percussion, released on Columbia Odyssey's "Modern American Music Series" in 1976. Essential.
The first ever official release by this legendary Melbourne post-punk band who only ever existed for a number of months in 1978, but who cast an important and influential light in Australian (and global!) music, influencing the likes of the Boys Next Door/Birthday Party and The Models, the group's membership and its diaspora reading like a who's-who of crucial Australian music of the past 50 years.
In the band was a young Rowland S. Howard, who would soon go onto join the BND/Birthday Party; Oll…
On Motherland, The Visitors - brothers Earl and Carl Grubbs on alto and tenor saxophone - channel late Coltrane’s searching fire into a spiritual soul‑jazz ritual, all tenderness and incantation wrapped in a warm, analogue glow.