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On El Llamado (Der Aufruf), Mario de Vega distils a performative piece for dispersed voices and whistles into a stark, fixed composition, turning a global collection of wind instruments and a single outdoor activation into a study of call, place, and the politics of listening.
On Schematics For A Blank Stare Volume 4, Jeffery Scott Greer digs deeper into his cracked-beat, sample-scarred universe, sketching late-night instrumentals that flicker between head-nod hypnosis and uneasy, half-remembered dream logic.
What an opportuunity ! On the suggestion of Maciej Karlowski, percussionist Ramón López invited me to play in Lublin Jazz Festival. From a list of great musicians who might join us to form a trio the name of Trevor Watts was one that immediately excited me for quite a few reasons: Firstly, he along with John Stevens , Paul Rutherford , Evan Parker and Derek Bailey allowed me as a novice to enter into the rarified world of The Spontaneous Music Ensemble. I was a total greenhorn in free improvisat…
Tip!
David Murray - Saxophone Kahil El'Zabar - Percussion / Kalimba / Voice
Recorded at the 10th OCT-LOFT International Jazz Festival, B10 Live, Shenzhen October 27th, 2023
The Italian imprint, Von, returns with "The Haunted", two stunning sides that delve into the rich sonorous world of Camille Norment. Comprising stunning recordings for glass harmonica and other sound sources - pressed on crystal clear vinyl in a highly limited edition available exclusively through SoundOhm - recalling everything from mid-century electroacoustic music, the sounds of the koto, gamelan, and Tibetan singing bowls, it's one of the most immersive and mesmerizing releases we’ve heard a…
Huge Tip! Small repress. "I stood on top of the mountain and looked out over the landscape. It was so beautiful that my chest hurt. The light vibrated, time stood still, and the contours dissolved for a moment. Everything had changed; I felt it then. I took their little hands so as not to lose contact with the ground. Then we ran down the mountain, scraping our knees. Still, we didn't make it. You had already put away all the nautical charts, loosened the moorings and steered out among the skerr…
Kreng transports us through the swirling darkness and into the unknown with “Wormhole”, his first album in over a decade. What does a trip towards another world sound like? We’re about to find out. The master of tension, melancholy, and the deranged is back after a long period working in the worlds of theatre and cinema. Last seen on Miasmah with the grief stricken The Summoner, Kreng now returns with Wormhole, following closer in the footsteps of the cult classics L’Autopsie Phénoménale de Dieu…
Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue.
Aus dem Zeltbuch (2022/23), based on a text-collage by Marianne Schuppe, reveals a surface of a word-sound texture on the edge of acoustic intelligibility. Aus dem Zeltbuch questions our perception of language in a musical context by creating bilingual area…
*2026 repress* Searching was self-recorded in Ronald’s living room on a 4-Track Tape Recorder in 1984. The recordings symbolise his engagement to cross-over everything that was known to him musically at that time. Most importantly, all recordings reflect his personal way of searching; searching for his own characteristic sound. Rhythmical patterns meet well balanced distortion, shaping the music into a mirror of his character. He was part of several Dutch Latin and Jazz bands, including Cascada …
"The shock and awe that Bitches Brew produced within and without the jazz world on its release in March 1970 was largely unexpected, the result of the music’s uncompromising power and what many felt to be its perplexing, eccentric sound and structure. In retrospect, we know how Miles’ unconventional studio methodology and Teo Macero’s subsequent compositional editing of the voluminous taped material innovated the remarkable finished product. But what has only marginally been discussed is the ext…
Pharoah Sanders' seminal 1974 album Elevation, a cornerstone of spiritual jazz, receives a stunning all-analog reissue on 180-gram vinyl via the prestigious Verve Vault Series, set for release on March 13, 2026. Originally recorded in 1973 across live performances at Los Angeles' Ash Grove and a studio session, this Impulse! masterpiece captures Sanders at the peak of his transcendent powers, blending ecstatic saxophone improvisation with modal grooves and profound cultural resonance.
Produced …
On LRG/The Maze/S II Examples, Roscoe Mitchell frames three radically different constructions - a lucid brass-and-reeds trio, a labyrinthine percussion octet and a stark soprano solo - as parallel studies in space, timbre and compositional intelligence.
"Dear Listener, this recording starts with a sound that has energized me over many years: the 'Dark Woods' of the clarinet, bassoon, cello and bass; the 'Bright Sparks' of the alto and trumpet; the wood and metal of the percussion bringing it all together. The album also contains many of my multitudes: settings of and improvisations with poetic text (here read by their author, Erica Hunt), the combination and contrasting of compositions with improvisations, and works both open and set; then the …
On Nonaah, Roscoe Mitchell turns the alto saxophone into a fault line, setting stark solos, prickly duets and dense small‑group pieces against one another to test how far a single composition and a single sound can be stretched.
On this meeting with the Spontaneous Music Ensemble, Bobby Bradford steps into John Stevens’ London laboratory and, alongside Trevor Watts, Julie Tippetts, Bob Norden and Ron Herman, turns free improvisation into a fiercely alert, shape‑shifting chamber music.
Keiji Haino considers this live album as an integral work that cannot be separated. We suggest that you enjoy the whole album without interruption and turn the volume up to the maximum.
On Air Time, Air - Henry Threadgill, Fred Hopkins and Steve McCall - hit their 1977 stride, stretching from tightly coiled themes to wide-open improvisation, turning the sax-bass-drums trio into a restless, three-way imagination engine.
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
On Early Combinations, Art Ensemble history is still in wet cement: Roscoe Mitchell’s proto‑Ensemble and Joseph Jarman’s quartet collide in two long 1967 tapes where themes for cancelled gigs and failed auditions already sound like future classics.
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosphere, recorded late at night in the cozy, smoky setting of SFJ headquarters.
Inspired by everything from Henry Mancini to Dorothy Ashby, this LP captures an eerie, playful essence, like a ‘flirty ghost’, while celebrating exploration and self-expressi…