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Following our reissue of Silvano Chimenti's classic "Disco Music", we're happy to delve back into the Usignolo catalog with the reissue of C 364, one of the most iconic releases of the series, the incredible "Antico E Moderno" by Mario Molino. Bringing some of the most eccentric, chaotic and spaced out vibes you could hear in the mid 70's, Molino's mind bending arrangements are timeless classics, still standing the test of time and showing how he was way ahead of his time. Literally translating …
*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…
Masabumi Kikuchi's groundbreaking album Air, originally released in the 80s, is set to be reissued, offering both new listeners and longtime fans an opportunity to delve into the avant-garde soundscapes that transformed the jazz genre. This remastered edition not only preserves Kikuchi's original sonic vision but also features additional tracks that further highlight his innovative approach to composition and collaboration.
The world's music scene has been abuzz with the re-release of Air, a pro…
Water is a stunning showcase of Kikuchi’s pioneering spirit and profound artistry. The album features tracks such as "Moon Splash," "Spectrum," "Aurola," "Blue Spring," and "Water Song," which embody a seamless fusion of ambient soundscapes and intricate jazz arrangements. Each track immerses the listener in a world of sonic fluidity, reflecting the essence of water itself: ever-changing, adaptable, and deeply resonant. Recorded between 1984 and 1986 at Cracker-Jap Studio in New York City, Water…
”Music and art without definite labels is a necessity for a better living - create your own individual genres and open up for more death-jazz-core-noise-metal-poetry to enter your world of destroying the local and global stupidities around us” - Mats Gustafsson "We really hope this slab of stupid, violent death rock will ruin someone’s day. Haha." - David Sandström Backengrillen is a new ensemble with their roots in HC, punk, noise and free Jazz. All members from Umeå, with roots in the original…
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
Few albums capture Italian library music at its most purposefully conceived as Nel Mondo Del Lavoro. Originally released in 1972 on Sermi - one of the foundational labels of the Italian production music scene, co-founded by Sergio Pagoni and Michelangelo Cunsolo in close orbit with Bruno Nicolai and Ennio Morricone's world - the album was commissioned as the soundtrack to a RAI television documentary series on the petroleum industry, Sapere: Il Petrolio. What Rino De Filippi built from that brie…
Francesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty.In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, "Due…
Our approach to making records has always involved an exchange of individually created sounds, which are joined together through live improvisation, studio recording, and the use of diagrammatic visual scores. Over the last several years, we have been interested in expanding very small fragments of these discreet pieces of audio into long-form compositions. This process has resulted in a new approach to how we build tracks from the ground up. In this particular workflow, one of us is largely resp…
Discotchari is delighted to release a first-of-its-kind various artists compilation: Tehrangeles Vice (Iranian Diaspora Pop 1983–1993), fully licensed from Taraneh Enterprises. The album is a groundbreaking exposé of the vibrant subcultural hub of Tehrangeles (portmanteau of Tehran + Los Angeles), and the action packed, true story of the Iranian diaspora music industry. Featuring 12 tracks remastered by award winning Osiris Studio, lyrics and translations to all featured songs, original cassette…
A cascading piano improvisation by Xiu Xiu's Hyunhye Seo, recorded live during a Nam June Paik exhibition in Turin. On Side B, Japanese avant-garde pioneer Phew reinterprets Seo's performance into a new electronic landscape. Music as surrender, dialogue between performer, space and the present moment.
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
By no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert …
On Super Compact Disc, Masonna rams his entire harsh‑noise vocabulary into a brutally compressed format: hyper‑short eruptions of feedback, distortion and mangled voice that hit like jump‑cuts between micro‑meltdowns, leaving no room to breathe or acclimate.
Personal correspondence between Genesis P-Orridge and Jean-Pierre Turmel over a fifteen-year period. This book pays tribute to one of counter-culture's single most iconic figures of the past fifty odd years, someone who has over the course of he/r career influenced countless fellow artists and theorists. Comprised of an exclusive unpublished interview with the artist conducted by Nicolas Ballet in 2016, theoretical texts on he/r work, and archival documents from the personal collection of Jean-P…
Mega Tip! **Sourced from the master tapes. First-time vinyl reissue ** By the early '70s, Milford Graves had more or less stopped gigging. Having learned his lesson the hard way in multiple-night runs like a legendary Slugs' residency with Albert Ayler, he knew that the level of energy that he put out during a performance would be difficult to sustain over the long haul. A concert was a kind of absolute ritual for him, after which he would be totally spent, emotionally and physically. Graves rar…
Wewantsounds is delighted to release Ayam El Disco, a new selection of Egyptian 1980s disco and boogie cassette tracks curated by Egyptian DJ Disco Arabesquo, following his highly acclaimed Sharayet El Disco. Most tracks make their vinyl debut in this set. A journey through the funky sounds of 1980s Egypt, Ayam El Disco ("Disco Days") features Ammar El Sherei, Al Massrieen, and other underground artists from Cairo's vibrant cassette culture. The audio has been remastered for vinyl by David Hacho…
Ten tracks, one subject. Edmondo Giuliani's Il Mare: Musica Con Strumenti Elettronici was originally conceived in 1972 as the score for an obscure sea documentary, recorded in Amedeo Tommasi's own studio and issued on the near-invisible micro-label Dischi Egede as part of a library series titled "Brani Per Sonorizzazione". The brief couldn't have been simpler - music for the sea - and what emerged from it is one of the more singular electronic records of the Italian library era. Sonor Music Edit…
How do we listen when we know the human is absent? Neue Deutsche Kunst present a collection of music created for their own films, from Bubblegum Pop (literally - the first track is about Kaugummi), Dada Chanson, sugary Psychedelia, Cartoon Prog, Fake Jazz - documenting a period of Unheimlichkeit in the technological development of humankind. The music was neither composed nor recorded, no soundwaves were moved, no microphones abused. Absurd lyrics speak of non-reality, LSD, violence and revoluti…
One year after Brighter, Initials MB returns with his 6th album Cinema, an instrumental record extending the momentum initiated with Bang bang! (released in 2023 on the le pop club label). Cinema immerses the listener in a retro, cinematic atmosphere, where a gentle nostalgia floats — like an idealized vision of 1960s film music. The artist’s signature sound is fully present: a delicate blend of light pop, baroque influences, and psychedelia. Carefully crafted arrangements bring together violins…