Best sellers
Lichtstimme
The starting point is E. T. A. Hoffmann's The Sandman: a world where perception and reality drift apart, and the question of identity remains unresolved. Recognition, in Hoffmann, is never quite secure. The doppelgänger is less a figure than a condition, the point at which the self can no longer vouch for itself.The first record, Lichtstimme begins in an open, almost weightless sonic world. Something still appears untouched. The music carries a sense of proximity, clarity and trust. But this sen…
Siena Sessions
One of the critical figures in Chicago's creative music scene, alto saxophonist Nick Mazzarella has been a mainstay for over 25 years as a leader, composer, and player. This gorgeous recording was made at Shape Shoppe Paradiso, the Italian studio of former Chicagoan Griffin Rodriguez. Mazzarella was introduced to bassist Silvia Bolognesi by cellist Tomeka Reid, and he began informally playing with Silvia and drummer Cristiano Calcangile in 2016. Seven years later, Bolognesi invited Mazzarella to…
不体失創造 ( Futaishitsu Souzou)
First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.
12 Conversations
Noton is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.
Flight For Four
Los Angeles, 1969. The first record of the John Carter - Bobby Bradford Quartet, the West Coast free jazz band Ornette Coleman had brought together in 1965, with Tom Williamson on bass and Bruz Freeman on drums. Five Carter pieces for Bob Thiele's new Flying Dutchman, from Call to the Festival to Domino.
For We Have Heard
"As a band leader, Lugerner has released multiple albums to critical acclaim - Narratives (2010) These Are The Words (2010) & Live at The Bunker (2012). His compositions have been described as "a textured, nearly seamless blend of composition and improvisation" by Francis Davis of The Village Voice - while the New York Times calls him "an impeccably trained multi-reedist, with an emphasis on 'multi' - he plays clarinet, bass clarinet, oboe, English horn and flutes, along with saxophones...…
Minutiae
Minutiae is the first full-length release form Stockholm’s Ināra Quartet, made up of brothers Kasper (guitar, banjo, mandolin) and Mauritz Agnas (bass, cello), Johan Graden (piano, harmonium, synths) and Mischa Grind (percussion). Drawing on wide performance and composition experience in free improvisation, jazz, and composed new music, the quartet have carved out a unique niche where radical approaches to rhythmic organisation and group interaction are wedded to immediately accessible, folkish …
1983-1985
Fukuoka, early '80s. In the backstreets of Hakata, between neon lights and moonlight, three figures shaped darkness and grey shades from the Far East. The "Moonlight" EP and all the Neo Museum rarities finally collected in one vinyl release: the most ritualistic and lunar side of Japanese new wave shines again.
The Wide Point
Walldorf Studio, near Frankfurt, 1 and 2 May 1975. Albert Mangelsdorff on trombone, Palle Danielsson on bass, Elvin Jones on drums. Seven pieces, thirty-nine minutes, released by MPS the same year.
Mangelsdorff had recorded with Jones once before, on the 1968 duet album Albert Mangelsdorff and His Friends. The Wide Point is the first of his trombone-bass-drums trio records, the format that would produce Trilogue with Pastorius and Mouzon the following year and the Montreux album in 1980. The ban…
The System (OST)
"A quick scan of the world’s favourite crowdsourced discography reveals that Sonic Youth co-founder Lee Ranaldo was not a total stranger to crackling electric experimentation in the years following his songwriting turns of the 20-teens. Yet »The System«, ingeniously culled and sequenced from Ranaldo’s soundtrack work for Dutch filmmaker Joris Postema’s ›eco-doc‹ of the same name, nonetheless feels like a reawakening. Quietly released in a vastly different (and much more ›filmic‹) form by Doxy Mu…
More Chips
Tres Hongos, Jacob Wick on trumpet, Marc Riordan on piano and Frank Rosaly on drums, recorded live in Amsterdam in 2024: a trio of sharp turns, quick contrasts and restless momentum.
Abhaile
Compositions by Finola Merivale for field recordings and electronics, with Catherine Sikora's tenor saxophone moving through shifting sonic environments between stark minimalism and dense, evocative layers.
Gittin' To Know Y'All
Baden-Baden, Südwestfunk studio, 12 to 14 December 1969, the annual Free Jazz Meeting. Steve McCall had persuaded the organisers to invite the Chicago musicians living in Paris: Lester Bowie, Joseph Jarman, Roscoe Mitchell, and the pianist Dave Burrell. They met sixteen Europeans: Albert Mangelsdorff, Kenny Wheeler, John Surman, Willem Breuker, Terje Rypdal, Tony Oxley, Alan Skidmore, Heinz Sauer, Gerd Dudek, Eje Thelin, Bernt Rosengren, Hugh Steinmetz, Leo Cuypers, Claude Delcloo and Karin Krog…
Today's Special
On Today’s Special, Hanne Lippard and Renato Grieco turn speech into score and accompaniment into acoustic typography. Reduced, exacting compositions for voice, viola da gamba, piano and Wurlitzer shadow the rhythm and contour of language, transforming wordplay, online debris and intimate anecdotes into a dryly comic, strangely moving suite of musical rhetoric.
Together To The Tune Of Coltrane's "Equinox"
Big Tip! Known for her contributions to the Black Arts Movement of the 1970s, Sarah Webster Fabio published a plethora of poetry collections and works of cultural criticism. Together to the Tune of John Coltrane’s “Equinox” is her fourth and final record for Folkways, and sees her vivid language and distinctive voice becoming enmeshed with a dynamic backdrop of exploratory jazz. Fabio pays homage to Black jazz and blues musicians Duke Ellington, Bessie Smith, Billie Holiday, and John Coltrane. F…
Kilkenny Electroacoustic Research Laboratory Anthology Vol. 2 - Raidió na hEorpa
Second volume of Miúin's Kilkenny Electroacoustic Research Laboratory anthology, turning to the music cultures around the lab, including commissions by its engineer Tony Quinn. Cassette with book and A3 poster, curated by Neil P. Quigley.
Live In Ankara
Recorded in November 1969 at the US Embassy, Live In Ankara saw the adventurous jazz trumpeter Don Cherry performing with saxophonist Irfan Sümer, bassist Selçuk Sun, and drummer Okay Temiz, with arrangements by trumpeter Maffy Falay, who had introduced Cherry to Temiz in Stockholm. Mostly comprised of Cherry originals and adaptations of Turkish folk songs, there are one-off takes of compositions by Ornette Coleman and Pharoah Sanders as well, the sparse musical ensemble giving Cherry ample room…
Giant Beauty
2026 Repress! Custom die-cut rigid slipcase, 5 CDs in double card sleeves, 96 page perfect bound book including an interview between Seymour Wright and John Chantler and additional texts by silvia tarozzi, magnus granberg, nate wooley, valerie mol, pär thörn and lars grip and drawings by guillaume delcourt and aliocha delcourt. Limited Edition of 500 copies. [Ahmed] is the quartet of Pat Thomas (piano), Joel Grip (double bass), Antonin Gerbal (drums) and Seymour Wright (alto saxophone). Togethe…
A La Altura: Visionary Mexican Music 1977-1999 - Volumes 1 & 2
Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…
Atrium
Tip! After two decades in the experimental music scenes of New York and Western Massachusetts, Wednesday Knudsen might be known equally as a sought-after improv collaborator and the vocalist and guitarist for the beloved long-running psych band Pigeons, as a member of the New England folk rock ensemble Stella Kola, or the psych kraut supergroup Weeping Bong Band. Atrium, is Knudsen’s fifth solo album, marking her rich recording history with a stunning masterwork. Channeling the “atmosphere of pr…