Best sellers

Gatefold packaging. Terumasa Hino is undoubtedly one of the most famous Japanese jazzmen. Learning the trumpet at the age of nine, he began his career as a professional musician by playing in the orchestra of an US Army base, before joining Hideo Shiraki's Quintet and then forming his own band in 1964. On Hi-Nology, his brother Motohiko Hino appears on drums, Hiroma Suzuki on electric piano, Kumitsu Inaba on electric bass and Takeru Muraoka on tenor sax. The inspiration from the "electric period…

Stunning, moody, spiritual jazz from Ireland, recorded in 1979; featuring original compositions such as the deep collectors’ cut Spon Song, subtle Latin flavours on Spacer’s Delight, and a beautiful modal arrangement of the traditional Irish air Castle of Dromore. ‘A legendary recording in Ireland, Ozone reflects Noel Kelehan’s keen appreciation of classic quintet-era Miles, with touches of the cerebral fusion of Ian Carr and the arranging genius of Neil Ardley. Not just a landmark Irish jazz se…

Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…

* Limited to 100 hand-numbered copies. Pink colored c40 cassette with white imprint. Comes in regular jewel case and 4pp 170gsm paper covers. Includes download code. * In a forthright response to the always speculative query, "Which musicians would you like to see collaborate", Coherent States proudly presents the "Na boca do Alvanel" album by David Maranha and Stefano Pilia. Delving deeper, "and why?" becomes clear: Stefano’s extended guitar manipulation and David’s ethereal violin, flute & org…

Four decades after Prati Bagnati del Monte Analogo, Francesco Messina returns to his hundred-year-old Schimmel piano for seven pieces of hazy drone and ambient minimalism, written with no deadlines after playing that 1979 album live in Milan.

Time spent in hospital rooms. The weight still unfolding. The uncertain future. More questions than answers. Pieces of my heart, heard through the sounds of HH. For my wife. Shaped by what we are moving through together. An attempt to meet pain with love. Keep going. Try to rest. When can we. Holding each moment close, celebrating it as if it were both our first and our last. Knowing that love, in its truest form, is never measured by grandeur but by the depth of what is shared between two souls…

Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…

Every Fela Kuti album in one box: 51 records on 29 CDs, from Koola Lobitos highlife to Underground System, with rarities, two unreleased tracks, the A Slice Of Fela DVD and a 52-page booklet by Chris May.

Ten arrangements, dialogues, compositions. Direct, diverse, dating you quietly, never naming the act. They arrive on tape, twisted sided. Shaped by Belgian drummer and sonic wanderer Karen Willems. A mover between scenes. Breaker of frames. Restless in sound. She likes to step into that space, where you can push, strike, remain in motion. Where curiosity earns its name by never staying the same. “Fancy cannot cheat” is title for her latest beat. There is ambient breath. There is classic stretche…

The first band to make music with networked microcomputers: Jim Horton, John Bischoff, Rich Gold and Tim Perkis's KIM-1 recordings from the San Francisco Bay Area, 1978-1983. Limited double LP on Death Is Not The End.

Small repress soon available - Dutch Oscillation Series (DOS) proudly announces the release of a box set featuring the complete electronic works of Ton de Leeuw (1926–1996). This publication marks the first instalment in a new series that brings the history of Dutch electronic music to life for a broad audience. The official presentation will take place on Saturday, 12 September, during the Gaudeamus Festival for contemporary music in Utrecht. Unique discoveries from the archive. For far too lon…

Abdou El Omari was born in 1945 in Tafraout, south of Agadir -- a village suspended between the pink granite peaks of the Anti-Atlas and the waves of the Atlantic. A landscape already musical in itself. He grew up in the dry mountain light, surrounded by the rhythms of nature and Berber's culture. Very little is known about the man -- a veil of mystery still surrounds his life, only deepening the fascination. In the 1970s, as Morocco was transforming, Abdou El Omari shaped a sound of his own -- …

*300 copies limited edition* Crossing borders between traditions, sonic territories, and instruments, musicians Tomáš Niesner and Aldana Duoraan created their first collaborative album Plot. The sound of khomus meets guitar melodies simplified into pentatonic scales, intertwining in a dialogue that remains playful while moving between meditative passages and bewitching, hypnotic moments. Solid yet ever-changing, these melodies explore a delicate relationship between the present interactions, the…

Acclaimed Hungarian, Berlin-based producer, composer and pianist Àbáse (AKA Szabolcs Bognár) returns, sharing a special, 5 anniversary remaster of his breakthrough project 'Laroyê'. Releasing via Bridge The Gap & Oshu Records, this sensitive exploration of Afro-Brazilian culture originally began as an audio diary, documenting Szabolcs’ travels and collaborations in Brazil through a collection of voice memos, fragmented beats, sketches and field recordings. As his journey progressed, and his coll…

234 pages, paperback, 14 x 17cm. Over 200 flyers, compiled by Masala Noir, Paris. Nobody was supposed to keep these. A flyer is made to be handed out on a Tuesday, read once, and dropped in the street on the way to the show. It has a job, the job lasts about four days, and then it is rubbish. That is the whole reason this book exists and the whole reason it is worth having: what you are looking at is the accidental survival of a form designed to be thrown away. And what a form. No budget, no cli…

Still sealed copy of the 2020 double LP set on Black Truffle with compositions from the mid-2010's for electric guitars and ensemble, performed by Stephen O'Malley and Oren Ambarchi among others.

Rare 1992 program published by Istituto della Voce / Comune di Roma / RAI with biographies and lyrics by the two Nuova Consonanza-relaated avant-garde composers.

Great dynamic electro-acoustic music for voices, instruments and tape composed in the 1960's and early 70's by the founder of the Peabody Electronic Music Studio and released by Folkways in 1973, never re-issued on either CD or LP. With insert.

Rare 1987 re-issue on Edition RZ of the 1985 LP on Electrocord with the Rumanian composer's powerful hyper-spectral music for orchestra in two superb compositions from the early 1980's.

On Pillars, Francesca Flora & nobile build a haunted architecture out of nothing but voice and machinery. Flora’s sighs, screams and murmurs are dissected and reassembled into slow-motion laments and grotesque lullabies, as if Ballard’s singing statues had learned to confess, choke and glow from within.

Visionaries in Mexico have sought ways to look beyond the stars for millennia. Ancient civilizations like the Maya and Aztecs designed their cities as gigantic star maps, orienting their buildings to mark equinoxes, solstices, and zenith passages. This inquisitive form of meaning-making through art has long been endangered—first by Spanish colonizers; then by the Mexican government’s throttling of artistic expression in the late 20th century; and now by the violent anti-Mexican sentiments of the…

Continue the series of Electric Bird reissues in collaboration with King Record with the a killer jazz-funk release, saxophonist Toshiyuki Honda's "Burnin' Waves", originally released in 1978. Son of jazz critic Toshiyuki Honda, the Japanese composer was a skillful flute and saxophone player, and in the 70's he worked with George Otsuka and the Burning Waves ensemble. In the 1980s he worked with Chick Corea, Tatsuya Takahashi, and Kazumi Watanabe, lead his own ensemble, Super Quartet as well as …

Akira Ishikawa's 1972 Latin set with Count Buffalo Latin Beats, arranged by Naoya Matsuoka: Cuban, Mexican, Brazilian and Puerto Rican standards pushed through fuzz guitar, Hammond organ and heavy drums.

'May Spring Last a Lifetime’ is the first duo release from improvising tenor saxophonists Tom Challenger and Evan Parker. The album emerged after years of informal practice sessions; then, following two live performances, the duo recorded this session at Arco Barco in Ramsgate. The album is Evan Parker’s fifth appearance on the False Walls label. Evan: “Duo is the simplest form of group playing. And so it’s the simplest, the purest in a certain sense, and the most challenging. There’s nowhere to…

Black Leather Jesus, the Houston harsh noise project Richard Ramirez started in 1989, on a white 8" lathe cut: two sides of almost seven minutes, Washed and Waiting, recorded in Pennsylvania in March 2026. Thirty numbered copies.

277 pages. 196 x 268 mm. Open NOW JAZZ NOW and you're not just looking at a book - you're entering the minds of three lifelong obsessives. Byron Coley (music writer and critic), Mats Gustafsson (saxophonist, The Thing, Fire!), and Thurston Moore (Sonic Youth founder, solo artist) have spent decades accumulating, discussing, debating, and above all listening to free jazz and free improvisation. This book is the result of that shared mania. What they've created isn't a conventional history or a ra…

With DronosWalze / Dron, Conrad Schnitzler revisits and redefines the drone form, crafting a dual album that foregrounds his singular approach to electronic minimalism. These expansive pieces radiate immersion and mechanical elegance - each a testament to Schnitzler’s restless exploration and uncompromising sonic vision.

Late-90s guitar pieces by Loren Connors, most on vinyl for the first time: the unrealized 1996 double 7" Battle of Clontarf, The Five Points EP, the Star of Bethlehem suite and Gershwin's I Love You, Porgy. 180g LP, edition of 300.

Flutist Nicole Mitchell and percussionist Joe Westerlund, a former mentee of Milford Graves, improvise in a rural studio near Chapel Hill: looped flutes, mbiras, metallophones and live electronics, with no overdubs.

Following their debut “Jazz Report From The Hood", which proved a major success and brought attention to Omasta as one of the most distinctive groups emerging from the contemporary jazz scene, the musicians return with their second album, “Hits Different”. The record develops the language established on their debut, pushing it into new territory and shifting the perspective from that of the protagonists themselves to that of a narrator telling the story. In just one year, Omasta went from an eme…

A transmission from the borderlands of sound, Cold Calling on the Spirit Line brings together the singular musical world of Perzeptiverdampfkesselqualmtbesinnlich and the unmistakable voice and imagination of Edward Ka-Spel. Strange, intimate and quietly unsettling, the album unfolds like a late-night conversation with the unknown. Its songs move through fractured landscapes of dream logic, spectral electronics and shadowy atmospheres, where familiar signals become distorted and every message se…

VERY last copies!!! - The first 500 mail-order copies version that includes the playable full-color picture-postcard reproducing David Tibet's painting of the track Like Swallowing SunBeams, inserted in risograph-printed CandyBag. The box set essentially represents a dark ambient/industrial re-imagination of Current 93's early apocalyptic works, where Andrew Liles has extracted and amplified the most disturbing and ritualistic elements, creating soundscapes that function as sonic invocations rat…

»Kashmiri Queens« – previously released as a limited CD – presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. This 12inch stands out for its authenticity, allowing the sounds of tablas, sitars, and various ethnic wind instruments to flourish openly without being interrupted. There's a notable departure from the usual …

2025 stock Warp's first ever 'guitar-playing' signing make a welcome return with this, their self-titled, second album for the label. Applying less of their signature 'shoegaze' aesthetic, the addition of Boredoms drummer E-da and electronic musician Shigeru Ishihara in the line-up, has given this album much more of a palpable feel than earlier releases on Warp and Too Pure. An invigorating return.

Two sixteen-minute pieces of anenoises and choictronics recorded by Maurizio Bianchi as M.B. in 2017 at the Emoptyc studio in Opera, with artwork built on photos of anechoic chambers. 30 copies on BeTon Raw.

Ten tracks from Lebanon's private press cassette scene of the late 1970s and 1980s, many tied to Ziad Rahbani's Bypass Studio circle: disco, soul, jazz, bossa and AOR, some tapes issued in tiny runs and some never released at all.

People Skills - the long running project of Philadelphia's Jesse Dewlow - has spent close to two decades tuned to that lower, stranger frequency, and Several Years Later may be the fullest transmission he has yet let out of the room. Since the mid 2000s, Dewlow has worked at the seam where a song comes apart into weather. Repetitive guitar figures, idle tape phenomena, sound residue, voices sunk far beneath the surface - materials gathered under the sign of his Heresy Museum and set loose in sha…

Thurston Moore on guitar with drummers Tom Surgal and William Winant, live at Victoriaville on 17 May 1996: a single album-length improvisation of feedback and percussion, named after a Tibetan Buddhist deity.

Gli atti del convegno NoMus 2025 per i settant'anni dello Studio di Fonologia Musicale della Rai di Milano: saggi e testimonianze su Berio, Maderna, Nono, Zuccheri, radiodramma, televisione e pioniere dell'elettronica, con 165 immagini d'archivio.

The three albums Reich made for ECM between 1978 and 1982, reissued as facsimile sleeves in a card box: Music for 18 Musicians, the Octet / Music for a Large Ensemble / Violin Phase LP, and Tehillim. Cut all-analogue from the original tapes.