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*300 copies limited edition* Bay Area based experimental metal entities Sutekh Hexen and Seattle’s Hissing unveil SH:HS, a long-awaited collaborative release capturing the raw intensity of their joint improvisational project, SH:HS (Sutekh Hissing Arkestra). Originally conceived as a live convergence of both bands’ full lineups, SH:HS documents two volatile and distinct performances recorded in 2017 and 2019. These recordings, born from spontaneous interaction and unrestrained sonic exploration,…
*300 copies limited edition* Returning after the introspective descent of The Sarajevo Spiral, Cyclic Law presents Antimon, the latest ritual transmission from the long-standing collective Nam-Khar. Founded in 2009, the project has continuously navigated the liminal intersections between ritual ambient, psychoacoustic exploration and esoteric introspection, employing an arsenal of ethnic instrumentation, analog synthesis and immersive visual elements to construct deeply transformative sonic envi…
For their thirtieth anniversary, Ultra-Red, the international sound art and popular education collective is releasing the first volume of Ulta-red: A Journal of Militant Sound Inquiry, investigating movement-based listening practices that take the forms of militant inquiry and political education. In the words of Ultra-red, "No movement without listening!"The initial issue of Ulta-red examines "conjunctural analysis," or "naming the moment," as a practice of collective inquiry. The issue begins …
After two LPs and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest LP, Odds Against Tomorrow. Taking its title from Robert Wise's 1959 film noir, Odds Against Tomorrow retrofits familiar folk / blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion of the territ…
‘La Balsa’ was the first Argentine massive rock hit. In 1967 Los Gatos became the most famous local rock band with this song. At the front, as composer and singer, was Litto Nebbia. Although this milestone has remained eternally linked to Nebbia's name, almost eclipsing the rest of his work, it is really his solo career that unveils the artist's overwhelming talent and his determination to create music freely, regardless ofcommercial considerations.
“Fuera del cielo” (1975) is an art rock/space …
An adventurous instrumental jazz-rock fusion album that captures the free-form chemistry between keyboardist Howard Wales and guitarist Jerry Garcia. The record blends jazz improvisation, psychedelic rock, blues, funk, and progressive influences into fluid, exploratory compositions driven by Wales' inventive keyboard work and Garcia's expressive, melodic guitar playing. Supported by musicians including John Kahn, Bill Vitt, and Martin Fierro, the album emphasizes spontaneous interplay over conve…
Edition of 30 (!) Eight pieces by the graduating artists of the Nordic Sound Art programme, issued in 2015 by the Royal Danish Academy of Fine Arts in an edition of 300, compiled by Jonas Olesen, who coordinated the programme throughout its life, and supported by the KUNO Publication Fund.
Nordic Sound Art ran from 2007 to 2015 as a joint study programme within the KUNO network, shared between the art academies of Copenhagen, Helsinki, Bergen, Tromsø and Umeå. Students spent a year moving betwee…
Within all things audible, sine waves are arguably the simplest, yet most fundamental elements. They are consists of a single frequency and cannot be stripped back any further. On the other hand, as stated in the Fourier theorem, virtually all complex sounds can be broken down into a series of simple sine waves. In 2020, I was invited by Nicolas Bernier to create a work centred on sine waves as part of his collaborative research-creation project at the University of Montreal. Thinking about such…
On A Thousand Breathing Forms, Steve Roden’s 2003–2008 archive blooms across six discs of loop‑based miniatures, conceptual structures and quietly lyrical instrumentals, charting a mid‑period where lowercase intimacy, rigor and melody fuse into one breathing organism.
Limited and numbered edition, featuring original artwork and a newly designed, beautifully crafted collector’s sleeve with new liner notes by Bradford Bailey, and pressed on 180g vinyl. One of the most quietly radical entries in Deutsche Grammophon's legendary Avantgarde series - the run of albums issued between 1968 and 1971 that did more than almost any other label project to document the experimental music of its moment - returns to vinyl. Recorded in London in 1971, the Scratch Orchestra's r…
*2026 repress!!!* Oh yes! First ever official reissue of the positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock. Due to its super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse M…
**2020 repress **Lovely Music presents a reissue of Robert Ashley's Private Parts, originally issued in 1978. This newly mastered CD release is a must-have for aficionados as well as a perfect introductory work to Ashley's oeuvre. Among Lovely Music's first six releases, it came to be known as "the yellow record". No one had ever heard anything like it; Ashley presented an unvarnished exposition of the inner workings of a man's mind. And on the other side, those of a woman. These two episodes we…
2026 stock. Very last copies around. Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and lost. This incredible movement, kick-started by Halim El-Dabh, Pierre Schaeffer, and Pierre Henry, shortly after magnetic tape became widely available following the Second World War, was quickly adopted by many of the most noted composers of the day,…
The compilation "Return to Acapulco - Music for Hotels Vol. 1" (13 / Silentes), curated by Vittore Baroni in the summer of 2024, included 16 songs composed by 16 musicians to provide soundtracks for the various areas of a typical seaside hotel. The following year, "Summer Fun", the second volume in a unique series exploring new ways to combine tourism and culture, contained 20 covers of well-known and lesser-known songs dedicated to summer, performed by 20 artists. Raising the bar, for the 2026 …
* Limited Deluxe Edition - 200 signed copies - Heavyweight black vinyl, insert, 3,60m long leporello (accordion-style) Photo book, silkscreened cover. * Building upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated an…
On Automaginary + Totality, Natural Information Society & Bitchin Bajas meet across two studio sessions separated by a decade, weaving rhythm, gravity and invisible force into organic convergences now united on CD for the first time - separate arcs made whole.
Windy and Carl Meet Optigan Conservatory is a purposefully misleading title for the first collaborative work from four friends who met close to 30 years prior. All active participants in Michigan independent music circles since the early '90s, Windy and Carl are well-known for their foundational contributions to drift and guitar-born ambient sounds, with songs characterized by deep connections to the natural world and a hard to pin down yet impossible to miss emotional vulnerability. Optigan Con…
A title like a manifesto, and music with the conviction to carry it. For a few nights at the close of 1972, the Jazzhus Montmartre in Copenhagen held a trio that would barely survive the season. Abdullah Ibrahim - then still recording as Dollar Brand - sat at the piano; Don Cherry stood with his trumpet; Carlos Ward raised his alto. From the performance of November 14 came The Third World-Underground, a record that surfaced only in Japan, on Trio Records' Nadja imprint in 1974, and then all but …
At the turn of the millenium the original „Astral Disaster“ subcription-only vinyl release was somewhat of an Unholy Grail for Coil collectors!
Virtually unobtainable in its original fiercely limited format of only 99 copies, it is the only album apart from the original „Musick to play in the Dark“ record to combine the genius of Balance and Sleazy with both Drew McDowall and Thighpaulsandra's talents. Like „Musick“ it is an essentially tidal/lunar record with literal washes of sound enveloping …