Best sellers
Radio Experiment Rome, February 1981
In Radio Experiment Rome, February 1981, Robert Wyatt dismantles the barriers of song structure in a playful, vulnerable encounter with live radio. Captured in RAI’s studios, this session documents his real-time creative process as fragments of melody, vocal improvisation, and tape trickery mingle in a tapestry of radical intimacy.
Observations
On Observations, eRikm and Pierre Bastien stage a tightly focused encounter between hacked turntables and mechanical orchestra, sculpting trance‑like, Dubuffet‑dirty rhythms and razor‑sharp details from one hyper‑attentive night in Brussels.
Foliage
Foliage is a long-form graphic music score by Elliott Sharp, consisting of eighty risograph prints offered as abstract instructions open to any number of realisations by any instrumentalist or ensemble. Sharp works in the lineage of post-1945 graphic notation but with a contemporary twist: the score was produced by routing his own conventionally written music through graphics editing software, distorting, layering, inverting and blurring it until notation explodes into retinal artwork.
Various Weights
First collaboration between Frans de Waard and Martijn Comes, deliberately built without an underlying concept. Each artist supplied the other with a pool of source sounds: de Waard sent Comes Korg MS20 and Koma Field FX recordings and field material; Comes sent de Waard a processed stylophone, a loop and recordings from the University of Twente's web Software-Defined Radio. Two epic pieces result: Comes's harmonic deep-sonority drone, de Waard's quieter acousmatic-minimalist hover.
It Deel I
First album in IT DEEL, a multi-year project by the Kleefstra Bros (Jan Kleefstra on poetry, Romke Kleefstra on guitar) with Popfabryk, addressing the ecological degradation of Frisian nature. Each volume is composed in residency at the Thomaskerk in Katlijk and presented live before pressing. Volume I is built with Polish composer Michał Jacaszek, whose electro-acoustic vocabulary surrounds Jan Kleefstra's Frisian-language spoken word with ambient and drone landscapes.
It Deel II
Second volume in the IT DEEL project. The Kleefstra Bros invited Norwegian duo Streifenjunko (Eivind Lønning on trumpet/electronics, Espen Reinertsen on sax/electronics) into the Thomaskerk in Katlijk, composing between improv, jazz and sound art. Streifenjunko brought field recordings from the forests around Oslo, brought into dialogue with the Frisian forests around the church and Jan Kleefstra's Frisian-language spoken word. A meditation on how we treat our local forests.
Forza G
Mariachi parodies, experimental jazz, lounge cues for party scenes, and a main theme that returns in five different versions. Composed in 1972 for Duccio Tessari's aviation comedy, the score to Forza "G" is one of the least visited corners of Ennio Morricone's busiest year, and now arrives on vinyl for the first time, as part of Cinevox's new Hidden Gems series.
L’Oreille Voleuse
On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.
chry-ptus
The first piece Eliane Radigue ever composed on a modular synthesizer, Chry-ptus was realised in 1971 on a Buchla 100 - the same one Morton Subotnick had recently installed at New York University. Conceived as two simultaneous tapes intended to be played together with or without synchronisation, the work produces, on each new realisation, a different play of sub-harmonics and overtones, slight shifts in amplitude and location altering the surface while leaving the underlying structure intact. Th…
Soundtracks for Toshio Matsumoto
250 copies. A third, extraordinary document. Purge.xxx continues its quiet, singular excavation of the work of Japanese composer Takashi Inagaki with Soundtracks for Toshio Matsumoto - five soundtracks gathered for the first time, newly transferred from the original tapes, mixed and mastered, and accompanied by an original essay by Jennifer Lucy Allan.
Toshio Matsumoto (1932-2017) was a foundational figure in Japanese experimental cinema - a film director, video artist, and theoretician best kno…
Music For Percussion
Ryoji Ikeda - Japan’s leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. Ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. He elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and in…
Cuspa Llullu
Second collaboration between Anla Courtis and Daniel Menche, recorded across Portland and Buenos Aires. Two side-long pieces traverse a kaleidoscopic sound labyrinth: Side A moves through metallic, multi-layered corridors in constant mutation, Side B opens outdoors and gradually visits a sequence of interior regions toward a final climax. The sound material is treated as living, vibrating matter rather than inert sample, a study in frequency-as-organism on the drone-noise threshold.
Saxophone Studies
Two long drone pieces built around recordings of improvised saxophone. The first is a seventeen-minute work derived from material James Fella sent Orphax in 2006: multi-layered and roughly cut, with non-harmonic multitones colliding in the room and ear to produce a piercing psychedelic effect. The second, recorded with his father in late 2017, is bass-heavy and centred on baritone, working through multi-layering and phasing into a slow form from which melodic fragments quietly emerge.
Focus Intensity Power
BJ Nilsen's first LP for the label, departing from his field-recording practice. Recorded during a Fall 2017 residency at Willem Twee Electronic Music Studio in Den Bosch, the five pieces document improvised sessions on modular synthesizers, tone generators and laboratory test instruments. The flâneur's ear, normally trained on wind or city traffic, is here turned on machine-generated material: analogue pulse, droning waves and subtle noise arranged with the same patient sense of texture.
1984 (A Happening 2)
Limited Edition of 300 copies with handmade covers. A document of singular rarity. Issued by United Dairies in March 2026 in a hand-made, heavy-gauge black vinyl edition limited to 300 copies, 1984 - A Happening recovers the second ever public performance of Nurse With Wound, captured on tape in 1984 and held in Steven Stapleton's archive across the four decades since.
The history is nearly mythological. Across the years 1984 to 1986, NWW operated briefly and reluctantly as a live band, performi…
Woman's Colours
One of the most iconic Italian library music albums ever, Woman’s Colours by the Giancarlo Barigozzi Group (with Sergio Farina and Oscar Rocchi) emerged from Milan’s vibrant studio scene. Originally released in 1974 under the supervision of Fabio Fabor, it’s a refined concept work blending jazz-funk, jazz-rock, bossa nova and exotica, featuring Wurlitzer, Fender Rhodes, fuzz guitars and expressive flutes, balancing groove and elegance. Over time it has attained cult status, now regarded as a cor…
Orphax Reworked (4CD Box)
Four-CD box collecting reworks of Orphax's 44 Sketches of 44 Seconds, in which Sietse van Erve handed forty-four short source sounds to friends with an open brief to take them outside their usual practice. The contributing artists - TVO/Ruaridh Law, Modelbau, Fani Konstantinidou, Machinefabriek, Jos Smolders, Elif Yalvaç, Siavash Amini and Orphax himself - produce over four hours of new music, each retaining their compositional fingerprint while submitting to a constrained shared palette.
Geträumt Hab Ich Vom Martinszug
Second edition of 500 on transparent green vinyl. The third stanza of Friedrich Hölderlin’s poem ‘Dem sonnengott’ evokes a narrator who is tortured by Spleen until slumber makes his childlike gloom disappear with music. Although today’s readers might judge these nineteenth century musings of the Imagination as mere stylistic platitudes, they also still speak beyond the grave as universal truths. A mere two hundred years later, similar anxieties and hopes are still channeled through various art f…
Unrest
* Remastered repress. Comes with printed inner sleeve. * Two records in one, hinged at the exact moment a rock band decided to dismantle itself in the studio and see what was left. Unrest was the second album by Henry Cow, recorded at Virgin's Manor studios across February and March 1974 and released that May. It was the first to feature Lindsay Cooper, whose bassoon, oboe and recorder replaced the saxophone of the departed Geoff Leigh, completing the line-up of Fred Frith, Tim Hodgkinson, John …