Best sellers

NoBusiness Records is proud to announce the release of New Light, a previously issued live recording featuring three singular figures in the history of free jazz and improvised music: legendary drummer Sunny Murray, multi-instrumentalist Arthur Doyle, and trumpeter Rasul Siddik. Recorded live at Thelonious in Bordeaux, France, on October 21, 1999, New Light captures an intense and uncompromising meeting of three musicians whose work has consistently challenged convention while expanding the expr…

Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music. Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic s…

Facsimile reprint of Walter Zimmermann's book Desert Plants, his interviews with American experimental composers from a 1976 trip to America

** 2021 Remastere repress** This is the second movie with Zeudi Araya, filmed in a hurry to take advantage of the success of the previous “La ragazza dalla pelle di luna”. “La ragazza fuoristrada”, set between Egypt and Ferrara, Italy, deals in an unusual way with the theme of racial integration, still a taboo at the time especially in remote Italian provinces. Despite the fact that the title evokes the legendary "Dune Buggy" (the main character, Luc Merenda, is a journalist who goes to Egypt to…

Les Rallizes Dénudés with Fujio Yamaguchi as a member, burst into a historic live performance at Shibuya Attic in October 1980, and this is finally officially released!

NoBusiness Records proudly presents Rivbea Live! Series, Volume 5, a previously released live document capturing the remarkable creative energy of the Black Artists’ Group at Studio Rivbea in New York City on February 6, 1974. Featuring alto saxophonist and composer Julius Hemphill, trombonist Joseph Bowie, cellist Abdul Wadud, drummer Charles “Bobo” Shaw, and special guest violinist Raymond Lee Cheng, this essential archival recording offers an intense, searching encounter at the crossroads of …

The complete works for ordinary piano by microtonal pioneer Ivan Wyschnegradsky, mostly unpublished, from the late Étude sur le carré magique sonore back to preludes written in Petrograd in 1916. Played by Martine Joste, who knew him well.

Biggest Tip Possible! Lars Göran Ulander Septet (1965) Lars Lystedt Quintet (1967) Per Henrik Wallin Trio (1977) Curated by saxophonist and improvisational musician Mats Gustafsson, Caprice Music continues the Öppet series, focusing on a relatively unexplored period of Swedish creative, experimental music from the 1960’s and 70’s. Öppet Två presents saxophonist Lars-Göran Ulander, who made a big impression on this series' curator in 1982, when he witnessed a solo concert at an art exhibition. Ma…

** 3LP, black vinyl edition**  Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throug…

Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and …

Huge Tip! *White vinyl with obi strip* Twenty years into their singular journey, Valence-based trio France have become one of Europe's most hypnotic live forces - a hurdy-gurdy-powered engine generating waves of kraut, psych, folk and drone that blur the boundaries between physical experience and altered consciousness. Good Thoughts, Bad Thoughts captures the band in full flight during their very first English tour, recorded at The state51 Factory in East London. Until this tour, UK audiences ha…

Fourth chapter of Éliane Radigue's Occam Ocean: three long pieces for alto saxophone, voice, treble viol, birbyné and bass clarinet, shaped with Bertrand Gauguet, Yannick Guédon and Carol Robinson through oral transmission.

*100 copies limited edition* 180g black vinyl record housed in a full color, double-sided 350 GSM C2S board stock wraparound jacket. Anti-static, scratch-resistant inner sleeve. Full color center labels. Packaged in a premium protective poly bag. Includes a unique 35mm slide. Mixed and mastered by Brock Van Wey. Photographic compositing, layout, and design by zakè.

"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…

*75 copies limited edition* DNZ122 Drew Wesely – Silence is a Sharpened Blade Silence is a Sharpened Blade speaks in the language of materiality — a stripped bare mantra of nylon and wood conjures unspoken and veiled interiors, channeling the intimacy of a single guitar alone in a room. Silence is a mirror, a shadow, an absence. It speaks when words fail in the poetry of negative numbers. Where do we go when the lights burn out? What is beauty in hell? What can pierce a heart of stone? Silence i…

Bomb! 328 pages hard-cover book, large format +  2CD of previously unreleased recordings. Keith Tippett (1947-2020) occupies a singular place in the history of British improvised music - a pianist of extraordinary range whose work moved fluidly between free jazz, large-scale orchestral composition, and solo improvisation of rare depth. Born in Bristol and trained first as a chorister, Tippett arrived in London in the late 1960s and rapidly established himself as a central figure in the city's cr…

In Sonic Boom, Spectrum & E.A.R. Vinyl, Danny Passarella turns Pete Kember’s solo history into a 300‑page artifact: every record from “Angel” to A ? Of When, unreleased audio, new interviews and ephemera mapped into a definitive, tactile chronicle.

The pianist and composer Javad Maroufi (Tehran, 1925-1993) is the great interpreter of Iranian classical music. His repertoire defines a precise encounter between Western classical music and the traditional folklore of his homeland. Through his academic training, he absorbed the lessons of the works of Chopin, Mozart, Bach and Beethoven, but his refined pianism echoes and reinterprets the popular melodies of ancient Iran. A profound and delicate song of the drama of life, between joys and sorrow…

The complete electronic works of Dutch composer Ton de Leeuw, eight pieces from 1956 to 1982 restored from the original tapes, including the Prix Italia oratorio Job and Chronos, rediscovered in an archive.

Few gestures in the history of recorded sound have been as absolute as the one Richard and Philip Rupenus made in a garden shed in rural Newcastle in 1982, when – as The New Blockaders – they committed Changez Les Blockeurs to tape and, with it, drew the founding line of noise as an art of pure negation. From the outset TNB armed the music with a manifesto: blockade as resistance, an anti-music and anti-art set against every convention of composition, performance, and even personality, the sound…

Electronic lullabies and folk songs from Ethiopia! A landmark recording from Ethiopia’s vibrant cassette era of the 1980s, Resonance of Time features pioneering composer Wesenyeleh Mebreku reimagining Ethiopian folk melodies through the humble circuitry of an early Casiotone keyboard. Historically, the works featured on Resonance of Time (የጊዜ ቃና Yegizie Kana) stand as quiet documents of Ethiopian musical memory. Many of the original songs included in this release emerged during important moments…

JJ Whitefield dives deep into the golden era of library music, drawing inspiration from KPM, De Wolfe, Bruton Music, CAM and the composers who shaped the genre. Slow Moods presents 14 original instrumentals packed with atmospheric grooves, exotic touches and meticulously layered overdubs. East Asian and East African influences meet locked-in rhythms and sharp arrangements.

*300 copies limited edition* One is a self-titled psychedelic and progressive rock album released in 1969 by the British group One, originally issued on the Fontana label. Built around singer and multi-instrumentalist Alan Marshall and keyboard player Bobby Sass, the group brought together musicians with strong studio and live backgrounds, creating a sound that is loose, soulful and unusually expansive. The album mixes blues-rock, soul, jazz touches and psychedelic improvisation into five long p…

𝕷𝖎𝖒𝖔𝖑𝖎𝖙𝖍 𝖙𝖍𝖊 𝖕𝖔𝖜𝖊𝖗𝖋𝖚𝖑 𝖘𝖙𝖔𝖓𝖊 𝕾𝖑𝖊𝖊𝖕𝖘 𝖎𝖓 𝖙𝖍𝖊 𝖉𝖆𝖗𝖐 𝖒𝖎𝖓𝖊𝖘 𝖔𝖋 𝕽𝖆𝖉𝖒𝖚𝖘𝖈𝖍. 𝖀𝖘𝖊 𝖙𝖍𝖊 𝖜𝖔𝖗𝖉𝖘 𝖋𝖗𝖔𝖒 𝖙𝖍𝖊 𝖆𝖓𝖈𝖎𝖊𝖓𝖙 𝖘𝖈𝖗𝖔𝖑𝖑𝖘 𝖆𝖓𝖉 𝖞𝖔𝖚 𝖜𝖎𝖑𝖑 𝖇𝖊 𝖒𝖎𝖌𝖍𝖙𝖞 𝖆𝖘 𝖆 𝖌𝖔𝖉. 𝕹𝖆𝖔 𝖐𝖓𝖔𝖜𝖘 𝖍𝖔𝖜 𝖙𝖔 𝖚𝖘𝖊 𝖙𝖍𝖊 𝖜𝖔𝖗𝖉𝖘. 𝕬𝖓𝖉 𝖁𝖚𝖗𝖚𝖙𝖍 𝖐𝖓𝖔𝖜𝖘 𝖎𝖙 𝖙𝖔𝖔. 𝕹𝖆𝖔 𝖎𝖘 𝖆𝖉𝖉𝖎𝖈𝖙𝖊𝖉 𝖙𝖔 𝖙𝖍𝖊 𝖕𝖔𝖜𝖊𝖗 𝖔𝖋 𝖙𝖍𝖊 𝖘𝖙𝖔𝖓𝖊𝖘. 𝖁𝖚𝖗𝖚𝖙𝖍 𝖜𝖆𝖓𝖙𝖘 𝖙𝖔 𝖇𝖗𝖎𝖓𝖌 𝖆𝖇𝖔𝖚𝖙 𝖙𝖍𝖊 𝖆𝖕𝖔𝖈𝖆𝖑𝖞𝖕…

Plush shag carpeting, jazz flutes, analogue synths, funk grooves, exotica, and sultry, Italian-style vocalising: Erotica 70 is the new album from Larry Manteca, known for their inventive, tongue-in-cheek reimaginings of classic Italian soundtrack aesthetics. This time around, the Milanese collective sets its sights on the distinct sonic landscape of 1970s commedia sexy—a film genre that, for better or worse, defined an era and fed richly into the cinematic education of Larry Manteca’s members. T…

This is supposed to be a 40th anniversary reissue. Well, it still is, but with year of a delay. It was told enough about the early Metgumbnerbone recordings. We just keep some quotes here. "It’s hard to imagine anything more haunting than the folk horror ritual sounds which Metgumbnerbone conjured forth in the Ruins of Industry." - Kristian Olsson, Shock Tilt "Working mainly with percussion, Metgumbnerbone evolves an improvisational continuum that depicts subterranean and old, eerie, murky templ…

Merzbow's 1996 CD Oersted on two LPs, remastered by James Plotkin: four long untitled pieces made with tapes, EMS Synthi, metal electronics and filters, plus two bonus tracks.

** Hand numbered edition of 250 ** There is a profound resonance between the practices of Nam June Paik and Park Jiha - separated by generations yet united by a shared impulse to dissolve boundaries between Korean tradition and contemporary expression. Paik, the pioneer of video art, wove shamanic ritual and Buddhist philosophy into the fabric of technological media; Park Jiha channels ancient instrumental voices through the sensibility of experimental minimalism. Both artists inhabit a liminal …

Ryan Weinstein's follow-up to Laughing as Coffin Prick, recorded at home in Northeast Los Angeles: skewed new wave, warped pop and electronics, with Steven Brown of Tuxedomoon among the guests. Temporal Drift, 2025.

Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…

Near a remote village with a not-so-important name lies the entrance to a dungeon, sadly notorious among the local inhabitants. Legend has it that no one has ever come out of it alive. This is the only certain truth; all the rumors about what awaits you inside are wildly different and often contradictory. This peculiar dungeon is actually a magical dungeon, the foolish (or perhaps amusing?) experiment of a diabolical 36th-level wizard: the dungeon is constantly changing, or perhaps it does not e…

Sweden's late '60s creative explosion saw Roland Keijser's quartet forge unprecedented music, bridging American free jazz, minimal composition, and Swedish folk heritage. These lost Öppet Tre recordings capture a pivotal moment when Swedish musicians created sounds never heard before

In November 2017, something extraordinary happened in Shibuya. As Shuta Hasunuma began conjuring otherworldly sounds from a single Buchla Music Easel modular synthesizer, Keiji Haino—one of Japan's most uncompromising experimental voices—responded by singing "Kimigayo," the Japanese national anthem. What started as an unplanned encounter between two visionary musicians has now crystallized into U　　　　　　　TA, an album that brilliantly captures the haunting and complex interplay of Haino's resonant …

** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …

*300 copies limited edition* Berlin-based percussionist and vocalist Teresa Riemann presents Can I stare at you publicly?, a new collection of solo works for percussion and voice. The pieces are meticulously composed, while their origins lie in improvisation, and improvisation remains part of the way Riemann performs them. The compositions stay open, allowing her to interpret them differently each time and keeping the music in a state of movement rather than fixing it into a final form. On “The …

In a new duo collaboration that defies conventions and background, Midori Takada and Jakob Bro took up residence in Tokyo’s Avaco Studios to record their first album, あなたに出会うまで / Until I Met You. The title, taken from a Midori Takada composition, refers to the spiritual bond that arises in every new friendship, whether in music or in life. Until I Met You is pure acoustic music, a tapestry of dreamlike compositions with beautiful melodies that sees ambient music icon Midori Takada on grand piano…

*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…

First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.

Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde. Summers grew up in rural Inverne…

Italian experimental music is notoriously resistant to definition and location. If ever there was an object to encapsulate the spirit of that movement, it is the composer and musician Roberto Musci’s debut album from 1984 - The Loa Of Music. Recorded after a decade traveling the world - drifting between African, Indian, and the Near & Far East - studying music, making field recordings, and collecting instruments, not only is it a perfect culmination of such an experience, but a lens into the rig…