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Best sellers

Towers of Silence
On Towers Of Silence, Adult Fantasies’ Belgi‑dirge pop blooms anew: slow‑burn songs where Nico‑ish ennui, Coil‑like dread and late‑night guitars seep through perfectly sequenced, woozy mixes that feel like memories you’re sure you never lived.
Still Beauty
With Still Beauty, PITP label head zakè (Zach Frizzell) and California-based marine eyes (Cynthia Bernard) present a suite of lovingly constructed pieces that combine organic, tape-saturated drones with angelic, spacious vocals and a host of other texturally nuanced instrumentation. Building on the hushed promises of their collaborative debut, Unfailing Love (2021), the two artists immerse us in the processes of loss, grief, and renewal, spiriting us through overlapping shadows into newfound lig…
Aftermath and Transitions (Traces Of The Ukrainian Underground in Cologne (1994-1996))
All profits of this album will be given to Svitlana Nianio!
Siege
*150 copies limited edition* Aux Armes returns with Siege, a merciless and deeply charged new album released by Minneapolis-based label Phage Tapes. Built from punishing industrial electronics, stark rhythmic structures, and an atmosphere of permanent confrontation, Siege is music shaped by endurance. Its nine tracks move through tension, resistance, sacrifice, and remembrance, balancing mechanical force with a stark emotional weight. There is no release from the pressure: every pulse feels like…
Spoki
On Spoki, Ingus Bauskenieks cracks open his private sonic world: homemade electronics, odd pop instincts and spectral melodies that refuse consensus, turning “ghosts” into solitary songs built strictly on his own terms.
M/B/Too/4/T/&/M
Long before Spotify algorithmically ruined discovery, Joshua Burkett was wandering the New England underground with nothing but a guitar and enough patience to make tar smells feel like déjà vu. This compilation LP is your time machine back to when "knew someone who knew someone" was the only distribution network you needed.
Electronic Mind Waves
In the summer of 1976, a peculiar album appeared in Italian record shops bearing no artist name - only the cryptic moniker Elektriktus. The music posed a question that wouldn't be answered for decades: who had created this hybrid of jazz sensibility and kosmische synthesis? The answer was hiding in plain sight. Andrea Centazzo - recognized figure in European free improvisation who had shared stages with Steve Lacy, Evan Parker, and Derek Bailey - had been leading a double life between touring wi…