We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
* Remastered repress. Comes with printed inner sleeve. * Two records in one, hinged at the exact moment a rock band decided to dismantle itself in the studio and see what was left. Unrest was the second album by Henry Cow, recorded at Virgin's Manor studios across February and March 1974 and released that May. It was the first to feature Lindsay Cooper, whose bassoon, oboe and recorder replaced the saxophone of the departed Geoff Leigh, completing the line-up of Fred Frith, Tim Hodgkinson, John …
Tip! *120 copies limited edition* Our first personal contact with Bryn Jones was in 1995 when the Muslimgauze album "Silknoose" came out on my Daft Records label and the contact was always excellent. He knew that Eric, who did the mastering, and I loved his music since the beginning. Later on we planned a mini CD with 4 Muslimgauze / Sonar and 4 Sonar / Muslimgauze remixes so we exchanged some audio pieces to work with and to our great surprise Bryn sent us two DAT tapes with 16 remixes in total…
For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own ear. Issued …
A cornerstone of the acousmatic tradition, finally on vinyl. François Bayle's Jeîta ou Murmure des Eaux arrives as a limited LP via Recollection GRM and Shelter Press - one of the composer's most singular and spatially ambitious works, composed in the wake of a concert given at the Jeita Grotto in Lebanon in 1969, where Bayle had traveled to mark the opening of the cave's newly discovered upper gallery. Bayle joined the Groupe de Recherches Musicales in 1960, studying under Pierre Schaeffer and …
*300 copies limited edition* Ben Kelly is one of the UK’s most influential designers. Kelly is best known for his interior design of the legendary nightclub, The Haçienda in Manchester. His practice has produced influential work for 180 Studios, Virgil Abloh, The Sex Pistols, The V&A, Vivienne Westwood, Malcolm McLaren and Factory Records. The Vinyl Factory first collaborated with Kelly to commission and stage his installation RUIN, produced in collaboration with Virgil Abloh, at 180 Studios in …
Sunset and Forever finds Cindytalk once again stepping into the faultline between collapse and renewal, extending a project that has always treated the band itself as sculptural material to be broken apart and reformed. From the earliest days of Camouflage Heart and In This World, Cinder’s vision fused post‑punk dissonance, industrial dirge, and abject rock deconstruction with a strangely luminous vocal presence – the same voice that threaded through early This Mortal Coil and Cocteau Twins reco…
Long whispered about and barely seen, Whitehouse’s Psychopathia Sexualis finally claws its way out of 1982’s creamy‑vinyl underworld, reborn on CD as a fully remastered, meticulously documented legacy edition for the noise faithful and the merely morbidly curious.
Quartet Records, in collaboration with GDM and EMI General Music, presents a reissue of Ennio Morricone’s iconic album Colori, celebrating its 55th anniversary. In the summer of 1971, Morricone entered the legendary Orthophonic Studios in Rome alongside his longtime collaborators Bruno Nicolai, Alessandro Alessandroni and Edda Dell’Orso, and recorded a selection of ten tracks drawn from some of his recent film scores, many of which had not yet been released. He remixed some cues and re-recorded …
The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in service of an idea of infinity passing thr…
* Remastered repress. Comes with printed inner sleeve. * In Praise of Learning, the third Henry Cow album, released on Virgin in 1975, is where the band's politics and its music fused into a single hard object. It followed a brief, consequential merger with the pop trio Slapp Happy: after the collaborative Desperate Straights, the two groups joined, then came apart again, leaving Henry Cow with a vocalist for the first time in the extraordinary Dagmar Krause. Recorded at the Manor in February an…
Recorded at Ardent Studios in October 1977 as part of the sessions that birthed Gravest Hits, the tracks on Gravest Gravy were contained on seven 1/4 inch reels. The tapes were transferred by Brian Kehew, the tracks were selected for inclusion by Henry Rollins, engineered by Ian MacKaye and Don Zientara at Inner Ear Studios and mastered by Pete Lyman at Infrasonic Sound.
Originators of a mutant and primal, stripped-down sound with its roots in the primordial soup of Rock 'n Roll - The Cramps cra…
Originally released in 1977, Moondog In Europe was visionary composer Moondog’s first release after moving from NYC to Germany. Regarded as reflecting the historicity of his new environment, the album is more structured and formal than most of his previous releases; however, his layered song-cycles are just as circular and experimental, and still backed by a fair amount of tribal percussion.
“Viking I” opens the album with Moondog’s solo celesta playing and retains the quirk and charm of his pre…
* Remastered repress. Comes with printed inner sleeve. * Leg End is the debut of Henry Cow, recorded at Virgin's Manor studios in May and June 1973 and released that summer. The band had formed five years earlier around two Cambridge students, Fred Frith and Tim Hodgkinson, and had spent the intervening time building a reputation in London's experimental margins, running their own concert series under names like Cabaret Voltaire and Explorers' Club, sharing stages with Lol Coxhill and Derek Bail…
*250 copies limited edition* The quartet of Ivo Perelman, Matthew Shipp, William Parker and Bobby Kapp returns with Synesthesia, a new recording that captures their deep connection and evolving voice in contemporary free jazz. Following the acclaimed Ineffable Joy and Heptagon, the group continues to explore spontaneous composition, open form, and strong collective interplay. This time, the music leans further into a modern jazz language, with sharper focus, clearer shapes, and a refined sense o…
Issued in 2008 as the first installment of a three-part series, Stunt marks a striking departure for Giuseppe Ielasi. Best known up to that point for the patient ambient and electroacoustic work on labels like Häpna and 12k, Ielasi sets aside guitars and field recordings here in favour of a single tool: one turntable, and a large pile of vinyl records.
The six pieces collected on this 12" were assembled over three months from short segments, loops, and longer improvisations drawn directly from t…
The Keplar label presents the next instalment in a series of reissues from the catalogue of Sasu Ripatti’s seminal Vladislav Delay project. Originally released on Mille Plateaux, the vinyl edition of »Entain« from 2000 omitted two shorter tracks and included all others in an abridged form. With this reissue, the full album as it was pressed on CD is finally made available on vinyl. Besides a new remaster by Kassian Troyer, it was also given new cover artwork by Marc Hohmann that picks up on that…
*50 copies limitede edition* "Selected Instrumental Works" gathers fourteen instrumental pieces composed and recorded by Mathew Sweet under the Boduf Songs name. Stripped of voice and overt song structure, the music turns specifically to atmosphere, tone, and grainy resonance to carry the emotional weight. Piano sits at the center of the record, along with sparse electronics and sustained textures, focusing on harmonic shifts that unfold with deliberate patience. These dark, reflective, and medi…