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Tracing Basalt in the Onsernone Valley by Pablo Diserens and Ludwig Berger transforms the Swiss valley’s basalt terrain into a living instrument, blending environmental recordings and experimental acoustics into a meditative portrait of place and presence.
The Return Of The Durutti Column is an iconic debut, pairing Vini Reilly’s introspective guitar sketches with Martin Hannett’s atmospheric production. Hailed as a bridge between post-punk, ambient, and classical motifs, the album stands out for its refined vulnerability and timeless melodic experimentation.
Hyperentasis is a double LP celebrating the unique connection between legendary saxophonist Akira Sakata and the city of Thessaloniki. Home to Defkaz Records and the birthplace of the Damianidis brothers, Thessaloniki has welcomed Sakata countless times. This release captures two of his landmark performances as a bandleader in the city. The first LP features the group Entasis with Giovanni Di Domenico (upright piano), Giotis Damianidis (electric guitar), Petros Damianidis (double bass), and Alek…
A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…
Twenty years after its original release, Ben Frost's "Steel Wound" returns as a testament to isolation transformed into transcendence. Born from solitude at a derelict cabin on Australia's windswept coast, this masterpiece of textural guitar manipulation still sounds like a transmission from another world—one where beauty emerges from the marriage of abandonment and obsession.
*150 copies limited edition* Richard Youngs is neither a stranger to Fourth Dimension Records or creating music from a disparate array of sources that then fall somewhere near that space where immersive drones converge with something altogether more frayed, ravaged or disquiet. 'Zerkelus', named after an imaginary Babylonian king, comprises two lengthy side-long parts, with the first being akin to something of an extended orchestral tune-up utilising voice, oboe and indiscernible sources to crea…
*200 copies limited edition* In 1984, Música Electroacústica Mexicana was released as the third volume in the series Colección Hispano-Mexicana de Música Contemporánea, co-curated by Antonio Russek and artist Ángel Cósmos. This anthology served as a tableau of the contemporary state of Mexican electroacoustic music, featuring works by Russek, Raúl Pavón Sarrelangue, Roberto Morales Manzanares, and Vicente Rojo Cama. It marked the first-ever electroacoustic music release from Mexico. Although exp…
2025 Stock, sold out at source. Double CD, released in oversized gatefold card sleeve, with 28 pp. booklet. First ever release of this really important masterpiece. In the annals of electronic music, certain works achieve an almost mythical status before they reach the public ear. Such is the case with Éliane Radigue's Ψ 847 (pronounced "Psi 847"), the French composer's 1972 breakthrough that has remained largely unheard for four decades until its recent release as a deluxe double CD from ORAL R…
Misha Panfilov, the Estonian composer whose name has become synonymous with space-age exotica and cinematic soundscapes, withdraws once more into the solitude of his studio and emerges with To Blue From Grey In May – a profound meditation on sound, time, and seasonal transformation. Recorded amid the ever-changing light and shadows of Tallinn between March and May 2025, this new album stands as a testament to complete immersion in the creative process. Here, Panfilov threads himself into the ver…
Huge Tip! ** Edition of 300.** The long overdue first proper jazz album on Discreet Music! After years of releasing experimental electronics, drone, and avant-garde sound art, the Swedish label finally documents what's been happening in their own backyard: ferocious, life-elevating free jazz performed by three of Sweden's leading improvisers. Niklas Persson Trio - saxophonist Niklas Persson, double bassist Patric Thorman, and drummer Raymond Strid - started ten years ago on Thorman's initiative.…
The heart sits and takes in all wakes of the universe. A blessing to discover sound and how it enters the body and is shared to all. I feel the sound wraps in and out of my heart and pours through the saxophone. Searching, discovering the Creator. I pray this music reaches into your heart, goes all the way to the deepest place and blossoms up the most beautiful gardens of joy and love, curiosity. I am forever grateful to meet souls such as Lex, Miguel, and Caroline. Through these recordings I po…
Hurtling through the perpetual into this moment is the now and future Bitchin Bajas. An effulgent mass located somewhere beyond land or water, Bitchin Bajas' Inland See is flowing toward you, through the hi-fi, arriving with precision extractions of electroacoustic synthesis, revolving in a post-ambient craft that lifts the listener up powerfully, like you’re floating – in saltwater, or helium – effervescent, effortless, elemental.
*300 copies limited edition* At this point the vast swathes of unreleased Muslimgauze material Bryn Jones left behind when he passed away over 25 years ago is as legendary as any of his work. And sure enough, there's still some being unearthed today. The second entry (and only 12”-sized one) is in a series of four (three 7"s and one 12") taken from one of Jones' customary completely unlabelled DATs he sent to labels seemingly as fast as he finished them.
A new series of singles collecting one of…
Tip, very special package! *36 copies limited edition*
Reissue of a tape made by M.B. in 2013. Probably this is the most experimental side of Bianchi. It was recorded as a live improvisation in the stairs of a building in the Industrial Zone 1 in opera. Here M.B. is alone with his voice, tubular effects, mechanical percussions. The package is completely handmade with wire mesh, with an industrial sculpture made of corrugated pipe, tongs, screws and metal pieces, assembled to the wire mesh with e…
Infinity Gradient unites Tristan Perich’s meticulous 1-bit electronics and the grand timbre of James McVinnie’s pipe organ in a sustained, seven-part exploration of sonic architecture. This hour-long symphony envelops listeners in a hybrid sound world that fuses mathematical clarity with the emotive breadth of the organ, traversing austere pulses and prismatic harmonic clusters with exceptional scale and subtlety.
*200 copies limited edition* A few years in the making, Dauw finally announces the reissue of the humble bee’s quietly classic morning music. Now, for the first time, the remastered album is available on vinyl, presented as a double LP, alongside a digital edition.
Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — betwee…
Comes with its original record bag/shopper! When George Maciunas died in New York in 1978, aged 47, Joseph Beuys and Nam June Paik did what artists do when words fail: they played. The piano duet they performed at Düsseldorf's Kunstakademie lasted precisely 74 minutes, the numbers inverted as if time itself could be bent backward in grief. An alarm clock ended the performance at 9:14 pm, another numerical echo of Maciunas's brief, incendiary life. This wasn't theater. It was something rawer, mor…
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
A 72-minute realisation of 'Intermission 6' (1953), one of the most open of Feldman's piano works. The piece was realised in October 2024 by Antti Tolvi. The score consists of a single page with 15 events (chords or single notes) which can be played in any order, and can be performed by one or two pianists. Feldman writes that “The pianist, or pianists, begins with any sound on the page, will hold until barely audible, then proceed to whichever other sound he may choose. Sounds may be repeated.”…
The latest issue of Electronic Sound Magazine features Gary Numan on the cover ahead of his UK tour celebrating the 45th anniversary of his seminal album Telekon. This special edition comes bundled with an exclusive limited edition red vinyl 7" featuring two tracks from Telekon personally selected by Numan: I'm An Agent and Remind Me To Smile. Telekon stands as a stark and futuristic landmark of electronic music, capturing the sound of a young artist grappling with sudden and overwhelming fame. …