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Embryo’s Sculptures captures Pink Floyd in a stunning live performance at the Rainbow Theatre, Finsbury Park, London, on 20 February 1972. This remarkable recording preserves a pivotal moment in the band’s evolution, offering a fascinating glimpse into the creative forces that would soon culminate in The Dark Side of the Moon.
At this stage, Pink Floyd were moving into one of the most inventive and defining periods of their career. The set features a substantial amount of material that would lat…
On Live at ISSUE Project Room, Loren Connors and Alessandra Novaga turn the guitar into a nearly weightless medium, tracing an improvised, slow‑burn dialogue of tremors, silences and ghost‑melodies that feels less like a concert than a séance for two.
Sutcliffe Jugend Vol. I and Vol. 2 'Campaign 1979-2000'. Two Box Sets and 20 LPs celebrating Sutcliffe Jugend’s 44th Anniversary of their first music experiments in 1979, VOD-Records is proud to announce the release of an ultimate deluxe retrospective set including 2x10 LPs wooden box with booklet, certificate and t-shirt with special sleeves + booklets + t-shirt.
Founded in 1982 by Kevin Tomkins, who would depart less than a year later to join Whitehouse, the English transgressive art unit, Su…
Gen Ken Montgomery ran a tiny record shop and sound art gallery called Generator in downtown New York — one of the first such spaces in the city — and it was from here that his practice took shape. A self-taught autodidact with no formal training in music or art, Montgomery built his first tape in 1981, Gen Ken and Equipment (150 copies), from cheap synthesizers, toy instruments, household gadgetry, and electric machines: an ice crusher named Icebreaker, an aquarium pump, a refrigerator, a shoe-…
One of the best kept secrets in contemporary British Jazz, Leeds based collective Work Money Death returns to ATA Records with a towering gesture of free improvisation. Born from the loss of guitarist Chris Earl Dawkins, A Portal to Here draws on a deep well of Spiritual Jazz to soar toward new heights of sonic transcendence. Music as testament, tribute, healing and remembrance.
On Diastima, Luigi Turra moves inside Sylvain Chauveau’s sparse graphic scores with a hyper‑reduced electroacoustic vocabulary, turning each page into a fragile interval of tension, suggestion and nearly vanishing sound.
On Repetitive Music vol. 1, Misha Panfilov strips things back to synth and piano, threading slow‑turning patterns and hushed harmonies through Tallinn and its outskirts like illuminated loops traced in winter air.
Alice Kemp is a British artist working with noise, performance, fetish objects, installation and many other forms of media. Throughout her work, she articulates a broken and illogical syntax of the subconscious through trance states, dreams, and disturbances. She has performed extensively, occasionally as an associate to the Schimpfluch-Gruppe of Swiss extreme aktionists.
It is a rarified violence that the Kemp invokes on her 9 Dreams In Erotic Mourning. Something disfigured. Something fucked. S…
Ak’chamel, The Givers of Illness plunged into truly deranged extremes to summon the decayed, otherworldly essence captured on Spiritually Unemployed, embracing unhinged and esoteric methods during the tracking process. Recorded in a makeshift adobe studio amid liminal border-zone ruins. Nocturnal treks along forgotten stretches near the U.S.-Mexico line, through derelict border outposts and sun-bleached vehicle husks, yielded unique recording opportunities: Ak’chamel dragged tape decks like sacr…
De Mond blend gargles of stomach ache electronic dubs with the energy of a raging ozz garage band and the blasting beat of a heavily sampled hip hop act, sauced with neon vocals sang through the exhaust pipe of a lost balkenbrei eating uncle from Peer in backward Limburg! We always heard the echo's of late 90's / early 2000's Providence / Load loudness in De Mond's live shows, without the masks, though with the red paint dripping all over the floor. There's surely that high energy warehouse punk…
Philip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971. At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the…
"There's an irony inherent in the term 'postpunk.' Many of the groups that define the genre (think Pere Ubu or Cabaret Voltaire) existed for several years before punk. But these outfits had little hope of finding an audience until punk stirred up an appetite for the extreme, while also spawning a new breed of independent labels that could support challenging music. " This Heat are a prime example. Formed in early 1976 by drummer Charles Hayward, guitarist Charles Bullen and 'non-musician' Garet…
Two of the latest releases from Tochnit Aleph - Daniel Löwenbruck's project, for three decades one of the most radical and consistent spaces in the international experimental landscape, now operating from Denmark - that share a common obsession: sound as act, as summons, as a gesture that the recording does not archive but transforms. El Llamado (Der Aufruf) by Mario de Vega and A Profound Loss of Meaning by Alice Kemp are two works that inhabit the threshold between performance and record - and…
I first encountered Pascal Comelade’s music thirty years ago—and nothing has sounded quite the same since. I was immediately captivated: he is an artist like no other, whose sincere and selfless love of music is always evident, especially in his tender reworkings of other people’s songs. Comelade seems to work like a watchmaker: meticulous, precise, and obsessive—yet always drifting into something dreamlike. His music opens hidden doors, telling strange and beguiling stories filled with obscurit…
Black Vinyl. XKatedral, in collaboration with La Becque Editions, announces a new album from Stephen O'Malley, co-founder of SUNN O))). Les Sphères (effondrez-les) presents two long-form compositions for pipe organ, performed by O'Malley alongside Kali Malone and Frederikke Hoffmeier. Recorded on Christmas 2021 at Église Saint-François in Lausanne, Switzerland, the album captures Les Grandes Orgues, an instrument of extraordinary lineage: Scherrer (1777), Walker (1867), Kuhn (1995). Three centur…
*2026 stock. 300 copies limited edition* "Perila casts her slow burn, drowsy magic on Vaagner’s A Sunken Mall sublabel, drawing on the ambiguous nuance of daily life for another diaristic entry to her quietly expanding, precious catalogue. Continuing to occupy a personalised corner of the contemporary ambient sphere, somewhere between Félicia Atkinson and claire rousay’s liminal tone and Burial’s South London nightscapes; Perila transmutes fleeting feelings into a singular sort of ephemeral ambi…
In The Nursery is the Sheffield-based project built around twin brothers Klive and Nigel Humberstone, who have been making music together since 1981 when they formed a trio with guitarist Anthony Bennett. The group emerged from the same Sheffield scene that produced Clock DVA and connected with Cabaret Voltaire, releasing their first record in June 1983 on Paragon and aligning initially with the UK's post-industrial underground. The Temper EP of 1985 was ferociously harsh, built from grinding me…
Ash Wednesday is an Australian musician from Adelaide who arrived at the late 1970s Melbourne post-punk scene via the proto-punk group JAB, whose tracks appeared on the Suicide Records compilation Lethal Weapons, and then via The Models, a band he co-founded with Sean Kelly that would later become a chart-topping pop group while Wednesday himself moved in a very different direction. His experimental work from the early 1980s unfolded across several parallel projects: solo electronic pieces; Mode…
Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.
"Composition and its performance can have an organic relationship, a balance between written and the improvised. Muriel Grossmann’s wide compositional and performing talents are clearly reflected in four-voice pieces such as Diversity and Quintessence, suite-like compositions such as Flügel and Echo, as well as brisk, energetic works like Andrew. The quartet composed of Radomir Milojkovic on guitar, David Marroquin on upright bass, and Marko Jelaca on drums, has become a sound lab — a group wher…