Music from Germany

Original 1974 Italian edition on United Artists with original innersleeve of the 5th Can album. Simply essential.

Rare original 1973 Italian edition on United Artists with embossed sleeve and original innersleeve of the 4th Can album. Simply essential.

Original 1972 US edition on United Artists (sonopress pressing) with original innersleeve of the 3rd Can album, at bargain price because of the condition.

Very rare original 1971 edition on Liberty with gatefold sleeve of the 2nd Can album. Simply essential.

Rare original 1970 edition on Liberty of Can's collection of early soundtracks.

Original 1972 compilation on Ohr with the Best of Birth Control and again crazy cover.

Original 1971 first edition on Ohr the debut album by one of the weirdest and most radical groups linked to krautrock, the free improvising duo of Paul and Limpe Fuchs.

Original 1970 first German edition on Liberty with gatefold cover of the essential Amon Düül II second double album, at bargain price because of the condition.

Rotations+ is a trio project of Sven-Ake Johansson with German turntablist Ignaz Schick and Austrian trumpeter Franz Hautzinger recorded live at the beloved Berlin experimental venue KM28 in September of 2023. The collective improvisations are instilled with a deep interest in color and timbre, and each track offers a fresh perspective. While Johansson toggles to accordion on the album’s final track, squeezing tender lines alongside Hautzinger’s moody brass and Schick’s scratch-pocked layer of w…

“Embryo meets the world” is a new compilation with previously unreleased Embryo's Ethno Jazz from 1979/80, recorded on the German band`s trip to Asia and recently discovered in the archives. It includes seven unknown studio sessions from Kabul, Essaouira, Cairo and Athens, produced with members of the Kabul Radio Orchestra or oud players and singers from Eritrea, Syria and Iraq. Eastern meet Western musicians, improvising with an astonishing deepness over wonderful traditional melodies from Afgh…

Previously unreleased music from the archives of Can cofounder Holger Czukay will be released as an album in the new year. Out on March 28th through Grönland Records, Gvoon - Brennung 1 contains 65 minutes of material that's believed to date back to the '90s. The genesis for the release started last year at Berlin dance performance Take Off Sound, when artist Arthur Schmidt, AKA Gvoon, brandished a flash drive and handed it to Dirk Dresselhaus. It is a case of pop cultural archaeology. A search …

2024 Repress.Originally the B-side to Rückverzauberung 2, "Du Musst Nichts Sagen" marched towards a dark fortress, following a point-blank trail and inspired by the mute grit of the many. The remixes present three distinct alternatives, starting with the "Fanfaren Mix" that cranks up the amount of fanfare, the "Informel Mix," created as the soundtrack for an experimental video (http://youtu.be/49_-S5nWdMI) and the "Doppelvoigt Mix" which takes an interview given by Wolfgang Voigt and translates …

2024 Repress. If experimental minimalistic dance music as we know it today had existed during the lifetime of Arnold Schönberg and Paul Hindemith, it might have sounded much like this present album. Something fascinating and possibly well known, is that Kompakt label founder Wolfgang Voigt has a fondness for historical music like this. Freiland-Klaviermusik stays true to this idea, maintaining its focus on music composed for the piano, but composed with a very different approach. It's once again…

Apodiktische Gewissheit ("apodeictic certainty") is the title of a cooperative audio-visual project from Berlin-based artist Gerhard Mantz and Wolfgang Voigt. The project is premised on a digital video piece from Gerhard Mantz. Steadily flowing geometric forms and themes move evenly around a fixed center towards the viewer. A hypnotic undertow-like effect of seductive beauty emerges - impossible to elude. Wolfgang Voigt seizes on the digital aesthetic and the mechanical flow of the images, givin…

Huge Tip! Double LP, Gatefold edition. Born on November 23rd, 1944 in Paris, France, Frédéric Rabold already played with his father in American Army Clubs at age 16. In 1965, Rabold joined the Axel Lauser Quartet, three years later he finally founded his own band, the Frédéric Rabold Crew. In the following years he collaborated with guitarist Martin Ederer, singer Lauren Newton, as well as avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangel…

Huge tip! It is a huge honour to announce the publication of Peter Brotzmann’s final concerts on Otoroku. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again. Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and …

Split 7” of a cover of a Klaus Nomi song by Stefanie Ressin and a ‘version’ by Asmus Tietchens.

One of Germany's longer lasting bands had first started as Blitzkrieg (until they found out a British band used the name as well) and changed their name to Wallenstein and kept their former name for the album, gracing it with a war-themed gatefold cover. Produced by the unavoidable Dieter Dierks and released on the ultra collectible Pilz label in early 72, this debut album is stunning effort that transformed the 200 MPH speed notion into music. Keyboardist Jurgen Dollasse's very international gr…

Alva Noto returns to his much awaited Xerrox project with Vol. 4, the fourth installment of the five-piece intended series based on the concept of digital replication of source material.

The long-awaited release of a fan favourite, Live in Keele 1977, is the latest in Can’s series of live albums, released on Mute and Future Days. Live in Keele 1977 is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner. This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Sch…