Le Corps De L’ouvrage
1994 release ** "Composer, performer and improviser René Lussier is one of the dominant figures in contemporary Canadian music. In 1989 he won the Paul Gilson Prize for his radio work Le Trésor de la langue which he recorded on the Ambiances Magnétiques label and which he presented in concert version in Canada and abroad. Here he presents his latest album entitled “Le corps de l’oeuvre” which is made up of a series of instrumental pieces for large and small ensembles written and refined over the…
Imaginative Reflections
2025 stock ** "The sounds on this album seem to come from another world. They spread through space, then disappear, or rather: fade away, evaporate, crystallize, settle as a sedi- ment. This music is about fading away, about reverberations, echoes. European instruments sound Asian, and Asian instruments are integrated into European art music. Xiaoyong Chen, who emigrated to Germany in 1985, once a student of composition with György Ligeti and now a professor of composition at the Hochschule fü…
Plays The New Compositions For The Eb Alto Saxophone
1995 release ** A fusion of jazz and avant-garde featuring saxophone with orchestra:Roman Palester – Concertino For Alto Saxophone And String OrchestraBrian Fenelly – Concerto For Saxophone And String OrchestraBrian Fenelly – Tesserae VIII For Solo SaxophoneAugustyn Bloch – Notes For SaxophoneJuji Yuasa – Not I, But The Wind...For Amplified Alto Saxophione
Edible Black Ink
1996 release ** "Joyous melodies, pop music textures, rhythm complexity of a Frank Zappa-sort, re-working of material quoted from Baroque-period composers, and a generous sense of humor all work together to make an interesting and entertaining collection of new works from this Los Angeles-based composer. Performed by the California Ear Unit, selections include: "The Vulture's Garden" (1990), "Edible Black Ink" (1989), "Murphy Nights" (1989), "Count Your Change" (1989), "Clean Your Gun" (1991), "…
Music For 12 / Devil's Trills / 4 Versions / Chamber Symphony
1991 release **
Elena Firsova - Music for 12 10:12Yuri Kasparov - Devil's Trills. Variations on Tartini's Theme 7:16Vladislav Shoot - 4 Versions 13:15Edison Denisov - Chamber Symphony 20.05
Dual Synthesis
*2025 stock* The third release of Tristan Perich's "Compositions" is "Dual Synthesis," a dense cascade of 1-bit electronics and harpsichord, performed by Daniel Walden. Produced, mixed and mastered by Michael Riesman.
Degrees of transparency
This is volume 2 in a collection created in collaboration with Echonance Festival, Amsterdam, coming just one year after volume 1 (Phill Niblock / Looking for Daniel) and just in time for the third edition of the festival in February 2025. Here is and opus centered on the piano by composer and sound artist Gabriel Paiuk. Those thought provoking pieces are rendered with exquisite precision and depth by the extraordinary musicians, pianist Reinier van Houdt, Maurice Quartet, and Paiuk himself.
June 7, 2013
*100 copies limited edition*
Kenneth Kirschner: piano
Design & Artwork by Yorgos Vourlidas
Crank and Cloud Orchestral Works
One of Carola Bauckholt's major talents is the gift of attentive and passionate listening. Through persistent research, she uncovers the hidden musical potential of ambient sounds such as the gurgling of a fountain, a grinding crank, birds, dogs, construction machinery or a babbling baby, which then become the core of entire works. These sounds need a mediator like Bauckholt who translates them, thinks them through musically, and places them into often surprising contexts. This album features th…
Wunderkammer
*100 copies limited edition*
Elena D'Alò: fluteCosimo Fiaschi: soprano saxophoneLuca Venitucci: accordion, objectsSarvin Asa: celloGabriele Pagliano: prepared double bassNicholas Remondino: percussion, objectsFrancesco Toninelli: percussion, objects
Obras Electroacústicas 1969-1981
Eduardo Polonio (1941–2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. The anthology "Eduardo Polonio: Obra electroacústica 1969–1981" revives his legacy with a selection of essential pieces from his early electroacoustic period. The album includes eight compositions created between 1969 and 1981, spanning from Polonio's early experiments at the Alea Electronic Music Laboratory in Madrid to his later work at the Phonos Laboratory in Ba…
The Rest Is Silence – Music Of Our Time
*2025 stock* "Stefan Winter, head of the Winter & Winter boutique label, has a different attitude to popularising classical music. Rather than relying on the familiarity of old favourites, he believes that contemporary classical music is more accessible than its ascetic, atonal reputation suggests, and can find an audience outside its assumed intellectual elite. Hence this compilation of excerpts from the label's catalogue…" - The Independent"Winter & Winter is something of a special case when i…
Kantrimiusik
*2025 stock* “There is freshness, there is (self) irony, there is a desire - and for once let's say it without shame - to have fun with music. [...] Nature triumphs in all its aspects: noises and sounds of birds, pouring rain, thunder, animal cries, alternating on the lines of a fiddle violin.” - Corriere di Bologna
Playback Play
*2025 stock* Famous for his examination of unusual and exotic instrumental sounds, here Mauricio Kagel focuses on the most mundane of sound materials. While attending a music trade show, Kagel was taken by the many levels and orbits of sound activity emanating from the various booths and stages. In 'Playback Play' (subtitled 'News from the Music Fair, A Radio Piece') he has arranged a spatially sensitive tableau of crowd noises, sales pitches and fragments of the sort one hears in music store sh…
Lacinia
Returning to Die Schachtel with his fourth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and elect…
Zone Grise
Didier Rotella’s "Zone Grise" unfolds in a space of perpetual transformation, where sound navigates between density and purity, acoustic and electronic, structure and fluidity. Catharsis combines hybrid instruments and spatialized textures to evoke a dramatic journey of evolution and renewal, while Fragrances draws inspiration from perfume composition, blending musical elements into a rich, multi-layered tapestry. Mogari reflects on ritual and humanity through augmented instruments and poetic ge…
Niu
*Edition of 250 hand-numbered copies, handmade textile artwork, printed inner sleeve* Rauelsson's third solo album for Sonic Pieces focuses on simplicity and minimalism. It recalibrates his love for ambient with an austere approach that conjures an atmosphere of silence and solitude. On Niu, the artist has traded his craft for shimmering layers of sound clusters and electronic editing in favor of a predominantly raw and acoustic recording. Recorded primarily in Sofia and Berlin and mixed at Saal…
Pierre-Laurent Aimard, Teodoro Anzellotti, Edicson Ruiz, WDR Sinfonieorchester, Ensemble Modern, Klaus Ospald
Klaus Ospald: Escribíbastille musique presents its thirty-third release »Klaus Ospald: Escribí« featuring world premiere recordings by Pierre-Laurent Aimard (piano), Teodoro Anzellotti (accordion), Edicson Ruiz (double bass), WDR Sinfonieorchester and Ensemble Modern, and conductors Enno Poppe, Peter Hirsch, David Niemann and Lin Liao. From a piano concerto and a concerto for double bass with accordion to an ensemble piece and a clarinet sextet, the album combines four of Ospald’s instrumental works from 2014 to 202…
Lucier & Bach: Sitting In A Room
2024 stock bastille musique presents its seventeenth release »Lucier & Bach: Sitting in a Room« featuring Hanna Herfurtner (soprano, voice), Clara Blessing (oboe), Joosten Ellée (violin), Linda Mantcheva (violoncello) and Elina Albach (harpsichord, organ). The album combines Alvin Lucier’s sound art piece I am sitting in a room with arias by Johann Sebastian Bach (from BWV 61, 1, 58, 199, 57, 36, 248, 68). Recorded in co-production with Deutschlandfunk, the set also includes a 48-page bilingual …