Five Compositions
2015 release **
"Pieces written for a sextet of flute, clarinet, percussion (quiet, white-noisy/rattley-type things), violin, viola and cello. They each follow a similar pattern, presenting a solitary idea – a chord, an instrumental texture – that alternates with short silences and gradually evolves with each return. The first, two and three, is almost like breathing. The sounds themselves are beautifully and carefully devised, particularly the gently descending peals in mulberry grove, but it …
Beten. Prayer
2015 release **
This really is a special one. Solo voice carries so many connotations, of speech, of song, of chant, of prayer. It’s the most directly human, personal, unmediated instrument of all. It’s the way we speak to each other, comfort each other, entertain ourselves, reassure ourselves, talk to our gods. There are elements of all on this CD; remarkably so, because on first listen at least all seven pieces inhabit similarly restrained, private and reticent soundworlds. There is a general …
Complete Cello Works
This first complete recording of Roger Reynolds' cello works is being released to celebrate the composer's 80th birthday. This special 2-CD set contains many first recordings. French cellist Alexis Descharmes and Reynolds have a close artistic relationship which led to this composer supervised set. Alexis Descharmes is an internationally regarded musician and specialist in contemporary music. He has worked with the Ensemble Intercontemporain, Ensemble Alternance and Ensemble Court-circuit…
Fleurs d'X
Fabio Selvafiorita is a composer known to the public of experimental music for his massive musique-concrete work Death by Water composed with Valerio Tricoli. This CD is neither musique concrete or “extreme” experimental music: it's a CD of music for solo classical guitar. Consistent to the baroque guitar literature and its short musical forms, Fleurs d'X consists of musics written for a bard of an imaginary future kingdom's court. This is the best way to imagine this astonishing collection of m…
Anfangen (:Aufhoren)
2013 release **"A split disc with five compositions by Stiegler and two by Ablinger, each performed by some combination of violin (Sabine Akiko Ahrendt), cello (Jan-Filip Tupa) and clarinet (Diego Montes). I think I'd only heard Stiegler's work before in conjunction with Hannes Seidl on their early Wandelweiser release, "das wetter in offenbach". Here, he evinces a rather playful approach, especially in the two "Treibut" (flotsam) pieces, 1/2 (2011) and II (2009); playful but with a nicely bitte…
Two pianos and other pieces, 1953-1969
Two Pianos and Other Pieces 1953-1969 collects the most experimental and beautiful works for multiple pianos from Morton Feldman’s formative years, exhuming scores rarely captured before - including “Two Pianos,” “Piece for Four Pianos,” “Piano Four Hands,” “Piano Three Hands,” and “Two Pieces for Three Pianos.” Led by pianists John Tilbury and Philip Thomas, the ensemble expands with strings, brass, and percussion, depending on the piece. This collection shines during passages of radical quietn…
Seguente
Re-release of ed. RZ LP Luigi Nono plus three remarkable recordings. All works by Luigi Nono: ("A Carlo Scarpa" for large orchestra), ("A Pierre" for contrabass flute, contrabass clarinet and live electronics), ("Guia Al Gelidi Mostri" for electronically treated winds, voices and strings). Plus an additional CD of compositions not on the original LP: "Caminantes" and "No hay caminos, hay que caminar." Regarding Nono's concept of "new listenings": "This no longer means revolutionizing the e…
Chamber Works 1992 - 2009
Chamber Works 1992–2009 showcases the breadth and quirks of British composer Laurence Crane over fourteen pieces for chamber ensemble, composed across nearly two decades and interpreted by Apartment House. Crane’s language thrives on the surface simplicity of steady rhythms and legible harmonies - progressions often cycle between just two chords, melodies unfold in minimal, singing arcs. But beneath the façade, odd details and playful subversions quietly destabilize any sense of predictability: …
Ensemble Works 3
'Palimpsest' (1979) for piano & ensemble. Cory Smythe, piano. 'Echange' (1989) for bass-clarinet & ensemble. Joshua Rubin, bass-clarinet. 'Akanthos' (1977) for soprano & ensemble. Tony Arnold, soprano. 'Thalleïn' (1984) for 16 instruments. 'O-Mega' (1997) for percussion & ensemble. Steven Schick, percussion & conductor. Steven Schick, conductor. 'Zythos' (1996) for trombone & 6 marimbas. Benny Sluchin, trombone.
An exhilarating Xenakis progran, built around works for soloist and ensemble. Most…
Onsets
Ici-bas' (2009) for ensemble & electronic sound. Hyperion Ensemble with members of Talea and the Bergersen Quartet. Tim Hodgkinson, conductor. 'Ulaaraar' (2005) for bass clarinet & strings. Tim Hodgkinson, bass clarinet and conductor. Ioan Marius Lacraru, Cornelia Petroiu, violas. Theodor Iancu, Andrei Kivu, cellos. Ion and Ciprian Ghita, basses. Anon, small gong. 'Amhas/Nirriti' [2001) for ensemble & electronic sound. Hyperion Ensemble. Tim Hodgkinson, conductor. 'Jo-Ha-Kyu' (2000-2010) for str…
Visitazioni
Two works from different periods come together in this "case-book": Ora (1997/2001) and Visitazioni (2011/ 2013). Times ... ways ... experiences intersect. Ora is a single stream of sounds and silences of 120 minutes. It can be "healed" (replaced) according to the feel of the listener. Its division into sections - like the same graphic score - have this unique feature. Headphone listening at a low volume is absolutely privileged. Visitazioni, referring to similar principles but changing the ways…
Pneuma
Pneuma presents five distinctive pieces by British composer Martin Iddon, performed by specialist new music ensembles. The set includes “pneuma.sarx” for Trio Atem (flute, voice, cello), “pneuma.kharis” (flute, cello, voice), “Danaë” (solo piano, Catherine Laws), and two works for larger instrumentations. Iddon’s music occupies unique territory, weaving together sparse, breathy textures and sudden shifts in color and gesture, drawing frequent reference to medieval and early Renaissance models - …
The Piano Works 9
'Haiku' (1950-51), 'Sixteen Dances' (1950-51), 'Alternate versions for piano & percussion'. Jovita Zhl, piano. Thomas Meixner, percussion. 'It is rare to discover a previously unknown work by John Cage today. So, what are the chances to discover two major piano pieces from the same period of 1950-51? Thanks to the dedicated work of Don Gillespie (who was Cage's contact at his publisher, C. F. Peters Corp.) and composer Walter Zimmermann, we have the two works recorded here. Both works were disco…
The Works for Organ
This release is the first complete recording of all of Cage's works for organ, plus 4'33' (on the DVD version only). Gary Verkade, organ of Gammelstad Church, Sweden. 'Some of 'The Harmony of Maine' (Supply Belcher)' (1976). 'Souvenir' (1984). 'ASLSP' (1985). 'Organ2ASLSP' (1987). Bonus Track on DVD only: 4'33' (1952). The organ is ideally suited to Cage's aesthetic - its multitude of stops make it the ultimate 'prepared' instrument. The fact that sound emanates from a number of pipes placed at …
Violin & Orchestra
Carolin Widmann’s widely acclaimed ECM recordings have traversed a broad arc of music – from Schubert to Xenakis. Here she turns her attention to one of the pivotal compositions of Morton Feldman. Violin and Orchestra, composed in 1979, marked a new direction, with an almost painterly attention to detail in slowly unfolding music. It is not a concerto in the strict sense of the term, not soloist with orchestral support. The violinist must move inside the glowing colour-field of sound. In t…
Clouds and Sky
Clouds and sky (2010), for piano and orchestra. Jan-Philip Schulze, piano. WDR Sinfonie-Orchester. Peter Rundel. 'rota' (2008) for contrabass-clarinet & string quartet. Gareth Davis, contrabass clarinet. The JACK Quartet. 'red and blue' (1999) for percussion sextet. Ensemble S. 'a self-same song' (2010) for contrabass-clarinet solo. Gareth Davis, contrabass-clarinet. Johannes Schöllhorn (b.1962), is a student of Ferneyhough, Huber and Nunes, and is among Germany's leading younger generat…
The chord catalogue / Within fourths/Within fifths
2013 release **
"The Chord Catalogue is sort of a sister to Music for 88. It is also an examination of pianistic possibilities done with a focus so tight that obscuring any intrinsic aesthetic qualities in the execution seems to be the intention. (Also like Music for 88, Johnson recorded the piece for Phill Niblock’s Experimental Intermedia imprint). Beginning with “The 78 Two-Note Chords” (the section titling further eliminates risk of artistic suggestion), the set of pieces exhausts its way th…
Lost in dreams - works for piano
2013 release **
"Lost In Dreams comprises six pieces - Traumverloren I Für Klavier (2010), unfurling for over 30 minutes, its duration suited to Houben's clarifying this soft insistence embedded within mere repetition; and five dedicatory pieces of much shorter duration, bearing the titles in memoriam - Mussorgsky, Enescu, Schumann, Liszt and Messiaen. These brief epitaths privilege the presence of silence as much as any of Houben's works, with a surprisingly spry turn in the Enescu piece, sound…
YZ3Z2Z1S2, a Five-Letter Sufi Word
"My second complete Sufi word -- or cycle -- consists of five contrasting letters -- or movements -- calling for various combinations of soloists [2, 3, 4, 5], instrumental ensemble [1, 3, 5], and real-time electronics [2, 4, 5]. It confidently extends a global poetic design made of a quest for meaning, a taste for extraordinary adventures, an interest in the perfume of mystical ecstasy, and the pleasure of carefully sculpting the time and shapes that make up writing." Jean-Luc Fafchamps i…
8 duos
Born in 1934, Christian Wolff is the last surviving member of the group of composers that also included Morton Feldman and Earle Brown, which gathered around John Cage in New York in the 1950s. Wolff's own music has remained faithful to that Cageian experimental tradition ever since, and the eight works for pairs of instrumentalists here show how, in the right hands, the varying degrees of freedom his works allow their interpreters can produce astonishingly beautiful results. The common denomina…