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An opera commissioned by Bayerisher Rundfunk Munich's Hörspiel und Medienkunst department about an internationally renowned swindler, who almost took down the European and American banking system. Featuring the voices of Robert Ashley, Sam Ashley, Thomas Buckner, Jackie Humbert, and Joan La Barbara. Recorded and mixed by Tom Hamilton. Robert Ashley on the piece: "Your Money My Life Goodbye is one of forty-nine vocal-ensemble pieces of various lengths (from ten minutes to ninety minutes or more) …
1990 CD issue of Robert Ashley's 1978 piece for voice and electronics. A two-part composition with narration (part one in Spanish and part two in heavily altered English) commissioned by public radio station KUNM in Albuquerque, this music has a plain, serene beauty. Part one is a narration by Guillermo Grenier in dreamy, flatly inflected Spanish, backed by a four-note synthesizer track, and punctuated by mysterious, heavily processed vocalizations. Ashley throws in extensive sound washes and ot…
Selection of Korean classical music, performed by the Orchestra National Center for Korean Traditional Performing Arts. Cast your mind back to the 15th century. That is, of course, difficult if not impossible to do, but the major piece recorded on these CDs, Yomillak, 'Giving the People Joy', provides something of a sonic reference point: it was first performed in 1447. Y'millak is the most extended piece of orchestral court music surviving in Korea, and it has for many centuries been used for r…
This disc collects two early, forward looking works by Argentine born Mauricio Kagel, now living in Germany. Both works are constructed in such a way so that no two performances can ever be alike. Transición II was an early exploration of what "live electronics" are now being used to achieve. The score is in individual pages which can be placed in any order by the performers. It works on three levels. LIVE: The pianist performs on the keyboard while a percussionist performs inside the pian…
2004 release **
"Another joint production by Edition Wandelweiser and Radio Bremen testifies to the originality of the Japanese composer Makiko Nishikaze. Her idiosyncratic diptych pianopera l & II (2002), with its unpredictably alternating sound structures, follows no discernible logic, yet its musical structure never seems arbitrary, so that the music, despite the great aesthetic distance, certainly seems related to Luigi Archetti's CD discussed at the beginning. It is the varied penetration i…
We were saddened to learn of the passing of Lou Harrison as this disc just entered production. It is perhaps fitting that it provides an overview of Harrison's work, from 2 movements of a mass composed in 1939 to 3 vocal arias composed in 2000. Mass to St. Anthony was begun when Hitler invaded Poland; a mass for voices and percussion expressing both outrage and hope. Harrison completed the Gregorian-like chant for the entire 5 movements of the work, but only finished the percussion accomp…
On Simoom we hear three of Lois V. Vierk's works for "big instruments," that is, multiples of the same instrument, treated more like single entities than like groups of voices: Go Guitars for five electric guitars tuned microtonally around "E," Cirrus for six trumpets, and Simoom for eight cellos. All three works employ what Vierk describes as "Exponential Structure," which utilizes exponential relationships to control time, pitch movement and rates of change. Within this system, Vierk creates v…
Documentation '20 Years Inventionen', CD III. The string quartet 'sei-jaku' by German composer Klaus Lang, documented on this CD, was performed on 6/30/2002 in the Großer Sendesaal of the SFB Berlin by the Arditti String Quartet during the festival Inventionen 2002.
John Cage's Freeman Etudes are the modern equivalent of Paganini's virtuoso solo violin etudes. Each etude is completely notated down to the smallest detail, and the composer states "...are as intentionally as difficult as I can make them...So I think that this music, which is almost impossible, gives an instance of the practicality of the impossible." The detail and complexity of these etudes give them a unique and unusual spot in Cage's oeuvre.
These first two books (there are 8 etudes p…
A major discovery and first recording of an important Cage piece from 1944. In 1944, John Cage was invited to participate in “The Imagery of Chess” exhibition at the Julien Levy Gallery in New York City. The artists included Calder, Noguchi, Motherwell, Breton, Duchamp, Ernst, Man Ray, Tanning and other leading surrealists.Cage contributed a painting entitled “Chess Pieces”. It was purchased at the show and went into a private collection. For decades it was deemed lost and was (almost) forgotten…
This landmark recording of John Cage’s prepared piano works performed by Mario Bertoncini was recorded back in December 1991. The sonatas are divided into four groups, each divided by the less overtly structured, rhapsodic interlude pieces. Bertoncini sensitivity to the displaced sonic characteristics of the piano is remarkable and suggests a rigorous dedication to Cage’s work.
This CD presents the first recording of the second half of John Cage's Freeman Etudes for violin. Those familiar with the previously-released volume of this work will already know what to expect: the bewildering complexity of the Etudes and the astonishing virtuosity of Irvine Arditti's performance.
Convinced that the later, more complex etudes were unplayable, Cage abandoned work on the Freeman Etudes in 1980, after completing the first sixteen and beginning the eighteenth Etude. It wasn't…
From the liner notes of Eric Salzman: “John Cage wrote for keyboards throughout most of his life. Most famously, he invented the so-called "prepared piano" but he also wrote for unprepared piano in both traditional and untraditional ways. His later piano works employ an almost ferocious complication and virtuosity at the outer limits of performer possibility. Earlier he used electronic extensions, chance and performer collaboration in complex ways. His early keyboard music was written for himsel…
An expanded version of the previous rz LP by Jani Christou. All works by Christou, the late, legendary "freely-atonal" Greek composer. Features: "Enantiodromia" (1965-68, for orchestra); "Praxis" (1966-69, for string orchestra and piano), "Epicycle" (1968, for instruments, actors and voices); "Anaparastasis III" (1968-69, for soloist, ensemble and continuum [tapes]); "Mysterion" (1965-66, for narrator, actors, 3 choirs, orchestra and tapes)"Jani Christou tried to use and incorporate philosophica…
Recorded after performances at New York's prestigious 92nd Street Y in 1996 with the participation of the composer, Ensemble Music 2 is the follow up to the initial, critically acclaimed and best selling volume of Iannis Xenakis' Ensemble Works on Mode. This disc contains the first recording of Xenakis' memorial work A la Mémoire de Witold Lutoslawski, to the great Polish composer. A literal monument in sound, comprised of massive blocks of brass arranged as a dirge-like fanfare. Composed in 199…
Iannis Xenakis' oeuvre is unique in modern music--it is music of great visceral power, energy and sheer sound. Music from another world. Music that grabs the listener, riveting his attention. Conductor Charles Zachary Bornstein is a Xenakis specialist. Bornstein learned that of the 700 to 800 performances of Xenakis' music worldwide each year, only a handful were in America. He formed New York's ST-X Ensemble (named after Xenakis' series of ST- compositions from the 1960s) in 1994 to fill the vo…
Restocked, reduced price: beautifully prepared overview of Gottfried Michael Koenig's work (including early 60s WDR electronic classics), produced in conjunction by the Instituut of Sonologie and NEAR/Donemus w/ Edition RZ. During the early '60s, Koenig began writing a program -- named simply 'Project 1,' or PR1 -- designed to compose and generate music via the computer; when in 1964 he accepted the position of creative director with the Institute for Sonology in Utrecht, Holland, he took the so…
**Comes in glossy gatefold sleeve with 20-page booklet ** Features 6 works by the influential Italian avant-gardist of the 20th century, dating from 1961-1990. Pranam I (for voice, 12 instruments and tape, 1972); Anagamin. Celui qui choisit de revenir ou pas (for 12 strings, 1965); Quattro pezzi su una nota sola (for chamber orchestra, 1959); Quartetto n. 4, (1964); Okanagon (Tam Tam and double bass, 1968); Quartetto n. 2 (1961). "For Giacinto Scelsi, music was above all a manifestation of the e…
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…