Features 6 works by the influential Italian avant-gardist of the 20th century, dating from 1961-1990. Pranam I (for voice, 12 instruments and tape, 1972); Anagamin. Celui qui choisit de revenir ou pas (for 12 strings, 1965); Quattro pezzi su una nota sola (for chamber orchestra, 1959); Quartetto n. 4, (1964); Okanagon (Tam Tam and double bass, 1968); Quartetto n. 2 (1961).

"For Giacinto Scelsi, music was above all a manifestation of the energy of sound in the making. Since the early 1950's, at the latest, the idea of sound as a cosmic force, rooted in the Indian notion of music, had become fundamental to his thinking -- from then on, tones and sounds were for him phenomena whose 'depth' had yet to be experienced. Rooted in these assumptions as well is Scelsi's belief that he as subject must completely withdraw, surrendering himself to that which endeavors to free itself through him."