Les Émigrés
1991 release **Vinko Globokar (born 7 July 1934) is a French-Slovenian avant-garde composer and trombonist. Globokar's work is noted for its use of unconventional and extended techniques, closely allying him to contemporaries Salvatore Sciarrino and Helmut Lachenmann. His music places great emphasis on spontaneity and creativity, and, unlike the work of Sciarrino and Lachenmann, often requires improvisation. His extensive output is largely unknown outside of experimental music circles. As a trom…
Hallo, Do You Hear Me? / Ausstrahlungen / Fluide / Atemstudie
1994 release **Vinko Globokar (born 7 July 1934) is a French-Slovenian avant-garde composer and trombonist. Globokar's work is noted for its use of unconventional and extended techniques, closely allying him to contemporaries Salvatore Sciarrino and Helmut Lachenmann. His music places great emphasis on spontaneity and creativity, and, unlike the work of Sciarrino and Lachenmann, often requires improvisation. His extensive output is largely unknown outside of experimental music circles. As a trom…
Marimba & Percussion Solo
1987 release ** Includes recordings of: Toshimitsu Tanaka-Two movements / Minoru Miki – TIME / Dmitri Schostakowitsch – Polka & Oportunist from his Ballets Nebojsa / J. Zivkovic – Drei Phantastische Lieder, Tensio, Strah*Ctpax
Autumn Rhythms (New Flute Music)
1996 release ** "The works on this recording are recently composed flute pieces by six distinguished senior American composers from the generation born in the fist quarter of the 20th century (1900-1926). All of the works have been written by these composers at age 65 or older - autumn rhythms and all represent a new departure for each. Four of the works are for the one keyed wooden baroque flute - the flute for which Bach and Mozart composed their flute music. The instrument is now enjoying a r…
A Decade
1994 release ** "Zeitgeist is an oddly comprised quartet with two percussionists, a keyboardist, and a woodwind player. Here, they perform four pieces by Frederic Rzewski written between 1984 and 1993, works rather different in character than the neo-romantic piano pieces for which he's better known. "Wails" derives influence from Greek theater, particularly Aeschylus, employing steel drums, sopranino saxophone, and bass clarinet in a very dance-like piece full of reedy twirls and light rhythms.…
Annum Per Annum
1995 release ** Contemporary music for organ by Arvo Pärt, John Cage and Giacinto Scelsi.
Ascending Music
The pieces brought together here were assembled as the fruit of collaboration undertaken by Falzone and Evans-Weiler. Instrumentation is the strongly unifying element. The reed organ, once ubiquitous in the private music setting of the home as well as a default practice instrument for organists, is now regarded as something of a relic of the past. However, the instrument continues to afford certain distinct advantages, particularly with regard to dynamic variation by virtue of the player’s direc…
Simultaneous Contrast
After-Image traces composer Lila Meretzky’s exploration of memory, color, and time through chamber, vocal, and electroacoustic works, culminating in luminous studies for strings and percussion inspired by personal and historical narratives.
A lifetime of annotations
Feldman and Tobias Hume (performed by Luciana Elizondo and Guy Vandromme).
Contemporanea
1994 release ** Contemporary music for winds by Alessandro Solbiati, Pietro Borradori, Ruggero Laganà,Massimo Ambrosini, Claudi Scannavini, Paolo Aralla, Umberto Bombardelli, Cristina Landuzzi.
Level Two
1993 release ** Free improv quintet led by saxophonist George Haslam, who is joined by trombonist Paul Rutherford, pianist Howard Riley, bassist Marcio Mattos and drummer Tony Marsh, plus vocalist Liz Hodgson on two tracks. “George Hasam's Level Two has been in existence, with various personnel changes, since 1987. It plays improvised music, a form Haslam describes as located between Level One (the performance of compositions) and Level Three (completely abstract sonic textures). Of course even …
Scelsi, Byzantium, The Alchemists
1994 release ** "From the Byzantine Alleluia that begins this ritual to the Scelsi Alleluia that brings it to a close, a circular program weaves a path through the world of Christian theology, Jewish tradition and alchemy, brought together by the universalist music of Giacinto Scelsi. Michael Maier was an alchemist composer whose three voice fugues speak of bizarre cures and spiritual unions. Veronika Krausas set a text by Quintan Ana Wikswo evoking the first female alchemist, Maria the Jewess. …
Cabaza Percussion Quartet
1990 release ** 20th Century percussion music by Hans-Günter Brodmann, Bertold Hummel, Maurice Ohana, Werner Heider, Steve Reich.
Piano XX Vol. 3
1989 release ** 20th Century piano music by Nikolai Roslavetz, Arnold Schoenberg, Karlheinz Stockhausen, Luciano Berio, Brian Ferneyhough, Sylvano Bussotti, Salvatore Sciarrino.
Percussion Concertant
1992 release ** "This audite recording pits percussion sounds from Europe and the Far East against each other, creating exciting contrasts. Significant twentieth-century Japanese composers place the marimba at the central point of their compositions and incorporate strongly extra-musical impressions in them. In Dream of the Cherry Blossoms, Keiko Abe was inspired by the blossoming of cherry trees celebrated annually in Japan; the work borrows elements from a traditional folksong. Akira Miyoshi's…
Haiku In The Wide World
This is a lovely and surprising treat indeed. Composer andmulti-instrumentalist Tim Hodgkinson (Henry Cow and much more) partners with vocalist Atsuko Kamura (Mizutama Shobodan aka PolkaDot Fire Brigade and Frank Chickens) to present 37 compositions,expanding the usual sub-10-second acoustic life of classic haiku into avaried suite of compositions which place the gem-like poems, spokenand sung in both English and Japanese by Hodgkinson and Kamura,into gorgeous musical frames composed by Hodgkins…
The Perilous Night / Four Walls
1991 release ** How well early, full notated, Cage is standing the test of time, especially the works for prepared piano and for percussion. The Perilous Night is a 12-minute prepared piano piece completed two years before Cage started his classic Sonatas and Interludes. The Perilous Night, which uses fairly elaborate preparations, is nothing like so well known, although included on Jeanne Kirstein's important 1970 CBS double LP. The connection between Cage and Jasper Johns was re-emphasized whe…