From Scratch
**2015 edition. 504 pages big book, edited by Larry Polansky**Essential music-theoretical writings from a giant of avant-garde composing One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted composition. From Scratch arranges, edits, and revises James Tenney's hard-to-find writings into one indispensable collection. Selections focus on his fundamental con…
Ending(s)
While certain recognizable fingerprints are found throughout the body of Daniel Lentz's (b. 1942) work, he has never been content to settle within one particular style or mode of music for long, moving ever forward in an evolutional continuum, an overriding arc that defines his growth as a composer -- beginning with traditional music, diverting into electronic music, moving into performance art pieces for his various touring groups, then sallying into minimalism, followed by work distinguished f…
Palm Sunday
An insatiable listener, learner, and reader, Stuart Saunders Smith (b. 1948) has taken into his mind and spirit myriad styles of musical performance spanning centuries, methods of compositional practice of all sorts, and innumerable close personal relationships with artists of all disciplines. He has absorbed this vast expanse of knowledge, art, and personal experience, and rather than mimicking anything he has encountered along the way, he has manifested a truly personal, honest voice that ring…
Improvement (Don Leaves Linda)
Improvement (Don Leaves Linda) is the first of four operas about the "American" consciousness. The tetralogy, including Foreign Experiences, eL/Aficionado and Now Eleanor's Idea, is based on the notion of a sequence of events seen from four, different points of view. The operas share principal characters and vocal techniques (including the relationship of the voice to instrumental settings). The singers are used interchangeably as soloists and members of a chorus. The immediacy of choral respons…
The Fish That Became the Sun
Frank Denyer’s The Fish that became the Sun (Songs of the Dispossessed) stands as one of the most ambitious and singular orchestral creations of recent decades. Conceived over several years and premiered over twenty years after completion, this piece distills Denyer’s fascination with sonic diversity and theatrical intensity. The score assembles a phantasmagoria of acoustic colors: alongside chorus and solo violin, one encounters sitar, crumhorns, cimbalom, children’s songs, and a host of constr…
The Boundaries of Intimacy
British composer Frank Denyer presents seven beautiful chamber works dating from 1974 to 2018, opening a door to his unique soundworld. Released by Another Timbre in November 2019, The Boundaries of Intimacy features sublime, unexpected pieces of delicate intimacy performed by a variety of artists including Luna String Quartet, Juliet Fraser, Elisabeth Smalt, Jos Zwaanenberg and Nobutaka Yoshizawa.
"Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listeni…
Puma Court
Puma Court stands as a study of texture and sonority, shaped through the unique pairing of two double basses and two hardanger fiddles. Composed by Jon Heilbron, whose practice bridges modern settings and folk tradition, these works were born from collaborative sessions in Norway and Berlin. The project’s genesis traces back to a duo concert with Norwegian bassist Håkon Thelin, inspiring Heilbron to expand his ideas to a quartet format with the addition of hardanger fiddlers Helga Myhr and Rasmu…
Traces of Eternity: of What Is Yet To Be
**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…
Now Is The Moment To Learn Hope
**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…
Albertina Quartett
Hermann Nitsch's String Quartet No. 2 in six movements for two violins, viola, and violoncello, was performed by the Viennese Koehne Quartet. Recorded during the exhibition Nitsch. Spaces of Color at the Albertina Museum, Vienna on the May 29th, 2019.The music is played by The Koehne Quartett: Joanna Lewis - 1. Violine; Anne Harvey-Nagl - 2. Violine; Lena Fankhauser - Viola; Mara Achleitner - Violoncello. Recording and Mastering by Christoph Amann.
Regular Music
Regular Music were early instigators of the UK post-systems movement whose work straddles the spheres of rock, minimalism and post-punk. The band was formed in 1980 by composer / performers Helen Ottaway, Jeremy Peyton Jones and Andrew Poppy who met at Goldsmiths College in SE London where they studied music in the 1970s. Rather than wait for commissions they looked to models such as Steve Reich, Philip Glass, Gavin Bryars and Michael Nyman who formed their own ensembles to play their music.The …
Secrets Of The Blue Bag
**500 copies** British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor Germany in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.Secrets of the B…
Lokale Musik
Despite having an undeniable canon, the minimalist music movement which developed during the 1960s and continues to flourish and evolve today, is defined by a remarkable breadth in ideas and compositional approach. Particularly in Europe, it rapidly took on a diverse number of influences and became very much its own thing. Of the composers who proposed an alternate reality for this territory of sound, there have been few more accomplished than the German composer, Walter Zimmermann.All too often…
Steel, Wood, & Air
**300 copies** Portland composer and pianist Derek Hunter Wilson returns with his second album, entitled Steel, Wood, & Air. Ten lush, expressive pieces featuring piano, bass clarinet, and strings, this collection reflects the efforts of a young musician challenging himself and discovering his voice in the process. Inspired equally by the contemporary neoclassical scene and early recordings on the ECM label, Steel, Wood, & Air stands, timeless and buoyant, on its own.After releasing his debut al…
Morton Feldman Piano
Philip Thomas presents a major 5CD collection of virtually all of Morton Feldman's music for piano, the most extensive survey of Feldman's piano music to date. Released by Another Timbre in September 2019, exactly 20 years after John Tilbury's pioneering but long unavailable 4CD set, this box includes several pieces which weren't included there, and three works which have never been released on disc before.
Feldman (1926-1987) was part of a radical group of experimenters alongside John Cage, Chr…
Moments
In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments − his third album, following Trajectories (Recital, 2017) and The South Shore (X…
String Quartets
Violin was Milan Knizak's first instrument. He has composed hundred of works of this ilk; the first one DHK, 45 years ago. Next to his destroyed works, Milan took notations of different composers, cut them and put them together (with his own score) into a collage, expressing his feelings and his apprehension of music.Fama Q is a string quartet founded in 2005 in Prague. Its members, being also orchestral musicians with the Prague Philharmonia, were always devoted to chamber and string quartet mu…
Performs Songs from 'Kraftwerk 2' and 'Kraftwerk'
**500 copies** Not to be confused with the first volume released by Karlrecords in 2017, here comes the second installment of 'modern composition supergroup' - as nailed down by The Wire - Zeitkratzer's re-interpretations of early compositions by electronic pioneers Kraftwerk. Founded in 1997 by Reinhold Friedl, Zeitkratzer have since been creating an impressive broad catalogue of recordings, from the obligatory (20th Century avant-garde composers like Cage, Stockhausen or Lucier) to the unexpec…
Ensemble Works
Three detailed and fragile compositions from German minimalist composer Eva-Maria Houben reveal themselves over two CDs, performed by the Boston-based experimental music ensemble, Ordinary Affects, with Houben herself on organ recording at Memorial Chapel, in Wesleyan University. Disc 1: Echo Fantasy I, IV & VDisc 2: Gesang XI, Unter AnderenPerformed by Ordinary Affects: Morgan Evans-Weiler (violin), Laura Cetilia (cello), J.P.A. Falzone (vibraphone/piano), Luke Martin (guitar) with Eva-Maria Ho…
Harmonies and Structures
Nine – for John Cage (2010) by Zeirkratzer with Reinhold Friedl (inside piano), Frank Gratkowski (bass clarinet), Hilary Jeffery (trombone), Hild Sofie Tafjord (horn), Burkhard Schlothauer (violin), Anton Lukoszevieze (cello), Ullrich Philipp (double bass), Marc Weiser (electric guitar), Christian Lillinger (percussion). The well-known Zagreb music biennale, which has been a hotspot for contemporary music for more than 30 years, asked Reinhold Friedl, musical director of Zeitkratzer, to perform …