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2005 release **
this piece uses 17 tones in whole-numbered proportions to a virtual fundamental of G'' (25Hz).the piece is a kind of analysis of the overtone region from the fifth to seventh partials and the corresponding regions one and two octaves above (10th to 14th, 20th to 28th partials).the tones are played and recorded during the first three parts and played back as samples at specific times.as many as 28 tones may sound simultaneously.the flute sounds are amplified, which allows us to he…
2006 release **
I like that which is the extremely refined sound of a note made by an instrument. I find the sound of a note to be a very extraordinary, elusive and indefinable experience. I like the sound of one note next to another, or at the same time as another. The decisions to be made, from all the myriad array of sounds of notes, from all the potential possibilites of how to present and experience these sounds, is what draws me into the process which results in the making of a piece. I wr…
2007 release **
voiceswhat is music made of?of voices.and what is a voice?a sequence of sounds and silences, with its own consistency.perfectly self-contained: each voice voicing a world.and what is a world?a proportion: a specific distribution of movement and repose.perfect repose, incessant movement.in between: the infinite plurality of possible worlds.writing voices means:to traverse this universe of possibilities, one voice at a time, that is: from world to world.to dwell in worlds, in spac…
2004 release **
Few composers have the self-control seen here to allow the silence that surrounds all we do to be so present, to bring to the forefront that which is covered by all of our daily activities, only present when we let ourselves realize the stillness at the base of all action, all sound. The regular presence of notes in calme étendue (oboe) provides for the listener a feeling similar to that of a light on top of a lighthouse as it regularly turns in the night – a feeling of grounding…
2007 release **
Fold in; fold out: the breathing of the accordion. On this CD the accordion unfolds in a very special way, unusually close to the instrument. Four works, four worlds that seem to know each other; refer to each other like a greeting from far away.Hearing John Cage's ,,Cheap Imitation" played on accordion gives you the impression of folk music from an unknown, probably non-existent country. This music comes from nowhere, goes nowhere, is forever on its way.....Like ,,Sam Lazaro Bro…
2004 release **
dazwischen for organ (2000)a very low tonea very high airy soundonce in a while a tone in between, a noise in betweenorgan sounds, organ noisesroom noise, ambient noise...once in a while a sound in between:between music and non-musicimmer anders for organ (2002)the organ: a wind instrumentair flow – throughout the roomsometimes almost imperceptibly softmore noise than sound, almost just the air flowingdifferent coloured air streamsdifferent coloured silences between
2007 release **
von da nach da55 images for three performers (2005)not all of the 55 images have to be played during a performance.the performers make a selection and play them in any order.on this cd 17 images appear and disppear."image" might mean: a musical image.but also: a scenery, a situation, a place.
2007 release **
calme, silence, solitude for piccolo solo, quelques riens for mauritius flute and moments musicaux for bass flute constitute a trilogy, composed by eva-maria houben for flutist anne horstmann.they may also be performed individually.the mauritius flute is a traverse flute made of speckled bamboo.its seven holes are burned into the wood.the scores of this trilogy contain the note: "hector berlioz abgehört" ("upon listening to hector berlioz").the titles allude to french composer h…
2008 release **
archipelagos and nachtstück allow hearing to take place:partials are alluded to and unfold,merging into multifaceted, richly coloured harmonies.music happens all by itself, seemingly uncomposed –like the sound of the aeolian harp, its strings set in motion by a passing wind.
2007 release **
ein liederbuch13 songs – to be played in free order, all or in small groups, or just a single song.the tromba marina sings – and dances.it sings – and moves in varying tempi:andante sostenuto, allegro ma non troppo, adagio, allegretto moto, comodo, adagissimo,allegretto quasi andantino, molto moderato, largo… dreisätzig the tromba marina can be so many things.a kettledrum, a bass drum, percussion: timpano;a small trumpet, a piccolo trumpet - with melody and accompaniment: clarino…
300 pages, A4, black and white and colour. A fake book is a collection of musical lead sheets usually containing melody line, basic chords and words where appropriate - the minimal information in other words required to fake an impromptu arrangement of a song. This is Alvin Curran’s, offering a lifetime’s work and experience in the form of useful fragments, instructions, graphic scores and compositions of a bewilderingly wide variety. The alvin curran fakebook is an atypical autobiography i…
Gabriele Emde-Hauffe was born in 1953 in Darmstadt, Germany. She received a humanistic education at a local grammar school in Darmstadt and started studying the harp after her A-levels, first in Darmstadt and finishing in Cologne. Conducted by Péter Eötvös, she worked out modern chamber music and modern improvisation by J. G. Fritsch and Vinko Globokar. Passing her exams in 1980 and 1981, she continued her studies of musical science at Cologne University, based on her thesis, "The Harp bet…
Works from Italian composer Clara Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program
Michael Habermann made the first, and in many respects the best commercial recordings devoted to Kaikhosru Sorabji’s ridiculously difficult and overwrought piano works. As with Habermann’s previous three Sorabji discs, the present recital offers several sides of the composer: variation writer, miniaturist, paraphraser, and transcriber. Sorabji’s 1945 transcription of Ravel’s Rapsodie espagnol largely stays faithful to the original, save for decorative showers of bitonal arpeggios and runs that a…
“Volume 2 of this much-anticipated continuation of Sorabji’s mammoth set of studies takes us almost half way in terms of number, if not in playing time (perhaps a third or thereabouts). The reason for this is encapsulated in the first entry on this new disc; with No.26 the composer appears for the first time to take a decisive step back from writing pieces with some ostensibly pedagogical intent — “studies” per se — and interjects a larger, more musically intricate piece; in this case a ravishin…
A debut recital of incredibly varied and fascinating music from Argentinean pianist Haydée Schvartz. Her teachers include Roberto Brando, Dora Castro and Nikita Magaloff. Ms. Schvartz continued her studies in London with Maria Curcio and subsequently received a a Fulbright Scholarship to study in Buffalo, New York with Yvar Mikhashoff, where she won the Cameron Baird Competition in 1990. Mikhashoff brought Ms.Schvartz's incredibly sensitive pianism to our attention, and together they imag…
180 gram exact repro reissue, originally released in 1969. Classic Harry Partch, and the kind of record that's a great introduction to his music. There's lots of Partch's weird invented instruments – like chromelodeon, diamond marimba, mazda marimba, cloud-chamber bowls, gourd tree, and the crazy "spoils of war". "The World of Harry Partch collects three of his best short pieces. 'Daphne of the Dunes' (1967) is a side-long update of 'Windsong' written for dance. The melodic segments are given mo…
Intonema is proud to present the first CD release of an album by a Wandelweiser composer in Russia ! In April 2013 Denis Sorokin played Michael Pisaro's 'Mind Is Moving IX' at the Teni Zvuka Festival which became its Russian premiere performance. Since that time we have been working on the release, we made several recordings in different spaces, listened and discussed all the details with the composer and the performer. In 2015 we entered the final stage when in June we recorded the versi…
Composed 1976–8 and now studied by guitarists the world over, The Book of Heads is one of John Zorn’s most popular and oft-performed compositions. Utilizing an hermetic language of meticulously notated sounds inspired by contemporary classical extended techniques, the idiosyncratic guitar languages of free improvisation, cartoons, film noir, world music, philosophy and more, they receive a virtuosic reading by James Moore, founding member of the Dither guitar quartet. This special edition …
The recording of this formidable piece of religious music dates back to 1988, though Passio had its Munich premiere back in 1982. The piece is an interpretation of the Passion as given account by St. John's gospel, which is here performed by The Hilliard Ensemble. At the core of the piece is the dialogue between Pilate and Jesus, as played out between tenor and bass vocalists, respectively. One of the key elements to the emotive success of Passio is the punctuation of the piece, with the …