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On L’oreille Voleuse, Brunhild Ferrari opens her archive of “ear memories” to Eiko Ishibashi and Jim O’Rourke, who treat her magnetic-tape recollections as a living landscape, improvising a drifting, prismatic electroacoustic Hörspiel about time, listening, and theft as tender attention.
*150 copies limited edition* Written, recorded, mixed, and produced by zakè. Featuring various instrumentation and improvisations by the following brethren: anthéne, Benoît Pioulard, Marc Ertel, and Purl. Piano accompaniments by hoax.
Electronic Sound Issue 139 arrives with Scritti Politti legend Green Gartside on the cover, bundled with an exclusive limited edition gold vinyl seven-inch featuring two of the group's much-loved mid-1980s classics: Wood Beez (Pray Like Aretha Franklin) and Perfect Way. Inside, an exclusive interview with Green marks the reissue of Scritti Politti's Songs To Remember (1982) and Cupid & Psyche 85 (1985), two brilliant albums that took the band from scratchy post-punk outsiders to electropop giant…
Recorded in 1981, Turning Japanese captures Kraftwerk at the absolute height of their creative dominance, but sometime before their true induction into the household name superstar category of artists. Still representing a very forward thinking, boundary pushing and - as a result - specialist sound, this nine-track live recording feels like yesterday's tomorrow.
Opening with a stunning neo-classical synth overture, we're then taken on a journey through the mind of the man machine, an industrial …
Tip! *75 copies limited edition* Ianua takes its name from the Latin word for “door,” drawing inspiration from the symbolism of Janus—the two-faced deity of beginnings, endings, and transitions. Conceived as a cyclical work where the end folds back into the beginning, the album is built entirely from guitar sounds, transformed through a Plumbutter and recorded to tape. Changes in tape speed and playback irregularities introduce subtle imperfections and shifting variations, allowing the loops to …
In an age that demands hyper acceleration, kinetic flashes and byte voracity, Blak Saagan sticks out like a sore thumb with a sprawling body of work that requires attention and unlocks profound symbols and meaning with every passage. After a 5 year gap, the Venetian composer returns with his most personal and openly political statement yet, ‘Un Sequestro Lungo 10.000 Anni’, a staggering 108 minute triple album soundtracking a dystopian city through flashes of futuristic fourth world visions, war…
On Draconic Synthesis, Old Tower fuses past, present and speculative futures of its own sound into a single, coiled entity. Forest drones, star‑castles and serpentine motifs blur into seductively destructive dark music, lifting the first veil on the “horned serpent” whose scaly, symbol‑inked body is both dungeon and firmament.
On The Old King of Witches, Old Tower pares dark ambient down to its bones and dresses it in ‘90s deep electronics. Following a “stranger” lured through moss‑choked forests and caverns by reclusive witches, the album becomes a fiction of time stasis and regression, where man slides toward beast and the mysterious old world quietly devours the new.
On The World Is Empty, the Heart Is Full, Raspberry Bulbs strip away excess and come back sharper, crueler and strangely more tuneful. Eleven compact songs fuse metallic edge, noise‑rock abrasion and post‑punk unease, with venomous vocals lashing out at a self‑satisfied “underground” that mistake style exercises for substance.
On With Open Arms, Cult of Youth finally emerges from a seven‑year chrysalis with a sprawling “pagan post‑punk” epic. Born from off‑grid barn sessions, weaponized analog gear and years of cut‑and‑spliced reconstruction, the 62‑minute double album plays like a feverish exorcism turned into a hard‑won, defiant rebirth.
On Chaos Is A Law, Bob Bellerue treats feedback and rupture as a kind of secular mysticism. Macrotonal drones, rasping noise and inharmonic vortices surge, implode and re-form, turning piano wires, metal and amplifiers into a single, volatile organism where chaos becomes both method and mantra.
Anushka Chkheidze + Robert Lippok continue their collaboration with »The Sky Was Out of Tune«. Its eight movements form a long-form ambient piece in constant flux: soundscapes emerge from electronic synthesis and layered textures, while small melodies, rhythmic patterns, metallic noises, or distortions drift through like clouds across the sky. But a sky that is out of tune is still a sky. What shifts is the register in which it speaks.
»The Sky Was Out of Tune« emerges from a live performance fo…
"The story of each re-release begins with the original. In the late 90s, Uwe Zahn (Arovane), along with Robert Henke (Monolake) and Stefan Betke (Pole), began releasing music on Torsten Pröfrock’s (Dynamo) newly launched DIN label. This was a very inconspicuous undertaking, but fans of the flourishing IDM, glitch, and constantly evolving abstract techno genres quickly picked up on the quality of sound coming out of Germany. After a few successful EPs, Zahn began working on his debut full-length,…
Scientist's “Dub War Coxsone vs Quaker City” is a landmark dub release that originally emerged in Canada in the early eighties, capturing the weight, depth, and electrifying pulse that made Scientist’s approach instantly recognizable. Rooted in Bunny Lee-produced riddims, the album showcases Scientist’s deep & heavy mixes, turning iconic performances into immersive soundscapes—where basslines thunder, echoes linger, and every cut feels like a new chapter in the dub war.
At the heart of the recor…
On Die Fantastischen Abenteuer von Pawel Denda, Pawel Denda surfaces as a lurid, possibly fictional shadow-figure whose “lost & found” tapes collapse sacrilege and kitsch. Framed as SataniK Industrial-Pop from a corrupt Polish priest’s secret box, the album spins a blasphemous, pulp-noir mythology into jagged, future-facing noise theatre.
*2026 stock. 250 copies limited edition* "Mystic Towers, and all related projects from Adam Kalmbach represent an important time for dungeon synth, one where we didn't really know what was going on and amazing records would come out of nowhere - it wouldn't be until much later when we were able to connect the pieces. Mystic Towers, Erdstall and Abandoned Places were all great projects but it would take time to emerge that these were not only created by the same individual, but all dedicated to t…