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Two musique concrète symphonies of industrial sound, in which musical relationships emerge from sounds more often regarded as noise. All the sounds were recorded by Sounds of Changes, a pan-EU project capturing obsolete and endangered industrial and domestic sounds.
Plexi-glass special cover. Edition of 100. This CD was released at the publishing event of "0g_02", "0g Night: Do Bloom in the Silence". It contains tracks by Incredible Plexi-Glass coverMadegg, Yui Onodera, Isolate Line, Akihiko Matsumoto, and Arms selected by Agi Yuzuru.Tracklist:01. Madegg "Eyes (premastering)"02. Yui Onodera "Mon"03. Isolate Line "Astral"04. Isolate Line "Mantra"05. Akihiko Matsumoto "ReModel06. Arms "Saints #1"07. Arms "Saints #2"08. Arms "Saints #3"
Finally, after all that waiting, The Future arrived in 1980. Ohio art-rockers Devo had plainly prepared with their 1979 second LP Duty Now for the Future, and now it was go time. Propelled by the new decade's high-tech, free-market, pre-AIDS promise, 1980's Freedom of Choice would rocket what Devo co-founder Gerald Casale calls his "alternate universe, hermetically sealed, alien band" both into the arms of the Earthlings and back to their home planet in one scenic trip.Before an artistic and com…
Ko Shin Moon's third LP puts the use of samples on a background layer and asserts his place as an instrumentalist. Leïla Nova presents itself as a nocturnal digression where analogical synthesizer, rhythm box, vocal tinkering, and colorful instrumentation are mixed together. Psychedelia, electronic variations, dance music, synth folk, and filmed approach, blend with traditional Greek, Afghan, Lebanese-Syrian, Turkish, and Indian revisited repertoires. The artwork is designed by Lebanese artist R…
The playful confidence that exudes Finlay Shakespeare's practice is flagrantly laid out on Domestic Economy, his extraordinary debut full-length. Domestic Economy displays two eventful sides evidencing the unique musical approach Shakespeare has developed in such a short period of time. Let's get some facts straight, Finlay is young. And talented. His programming skills belie his years and one can detect a sharp appreciation of historical electronic pop whilst simultaneously developing a canny u…
Oscillatorial Binnage's "Agitations: Post-Electronic Sounds" is an 11-track album of post-digital, post-electronic music. The recordings are deeply acoustic - no electronic processing features anywhere. The sounds are produced by the experimental manipulation of repurposed recycled objects subjected to electromagnetic force fields. The 'infinite world of the real' offers up richly unpredictable effects, with fields of vibration producing psychoacoustic flourishes, along with spontaneous, arbitra…
Chris Korda’s new album Polymeter is unique as entirely composed in complex polymeter sequences, a unique way to compose music with a new generation of algorithm, inside which Chris injects DNA of neo classical, ambient and jazz music. This refreshing album will please both those who are into complex musical composition, conceptual music and who are just seeking for a beautiful, emotional and accessible, unique, musical moment. This is a “In your hearts not the charts” album, as Irdial Discs onc…
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
Tip! Alessandro Pizzin’s production work resonates far and wide throughout the prolific music scene of 1980s Venice, Italy. His work as one half of the influential experimental combo Ruins gave way to his later productions as a founding member of the acclaimed ambient electronic group Wind Project, whose whose complete works were recently reissued on CD. Though Pizzin’s sonic fingerprint is present throughout many landmark recordings of the minimalist and experimental Venetian music scene, his g…
**200 copies** "The second volume the Drone Island series, Drone Islands - The Lost Maps, continues Eighth Tower Records' deep explorations into the realm of "droning music". Alongside drone ambient music masters like Troum, Rapoon, Schloss Tegal, Autopsia, and well known dark ambient projects like Alphaxone, Taphephobia, the volume presents experimentalists such Simon Balestrazzi, Trauma Terrestrial, as well extremely interesting young musicians like Gaspar Peralta. Solid realities and new prom…
**250 copies** Previously only available on extremely rare DIY cassettes, this quite fantastic new/no wave-era synthesizer music was masterminded by Steve Cohen in the '80s. Aircraft was the name Steve Cohen used for the largely unknown and quite fantastic synthesizer music he was creating in NYC in the '80s. This was in the same period Steve was in the late-period No Wave band, China Shop, along with guitarist Naux (who would go on to play with the Voidoids) and percussionist Richard Edson (who…
*Edition of 200* Chicago’s Haptic are often mistaken for drone musicians. Certainly sustained sounds, mostly of either electronic or percussive origin, are integral to their approach. The Medium opens with a spray of metallic resonance, probably courtesy of Necks drummer Tony Buck – nearly every Haptic concert features a fourth member – which doesn’t let up for another 19 minutes. Vibes criss-cross the shimmer, then a series of smaller sounds manifest; a slow bass pulse, an organ’s swell, the sh…
Italian sound artist Giulio Aldinucci returns with his third album on Karlrecords: "Shards of Distant Times" is again a truly masterfully composed and sound-designed ambient masterpiece and a more than worthy follow-up to the critically acclaimed "Borders and Ruins" (2017) and "Disappearing in a Mirror" (2018) which both made it onto several year's best lists.
Fortuna Records return with an exceptional reissue of a mid-80s early electronica LP by keyboardist Raviv Gazit. The album was composed entirely on the Synclavier synthesizer in the basement of the Tel-Aviv University in 1985. Gazit was ahead of his time composing cold yet blissful electronic music for film and theatre which he later released as an album. An unexpected yet extremely welcome addition to Fortuna's killer catalog.
"Very Ltd. Edition 12"EP on this highly intriguing label. Musical, captivating and a more than a bit nuts. Big tip! Hailing from the Ruhrgebiet and now based in Cologne, sound enthusiast and percussionist Tulips is cofounder of the free-wheeling improv kraut group Nasssau, plays together with TRJJ (of Belgium’s Stroom crew) in the duo P.Vee, and is part of Cologne’s dub-minded jam hounds Montel Palmer.Produced in his bedroom, the sonic palette for this EP derives from primitive key improvisation…
**300 copies** Throwing himself into bouts of taut, fractious, and probing electronics on his sophomore LP, The Revolt of Aphrodite, Sam Wills uses the same palette as found on his White On White LP - PPG Wave, Kurzweil K250, Emulator 4 and Lexicon 224 - albeit with a finer manipulation of form. Oscillating between the Alva Noto / Anne-James Chaton-esque minimalism of All This Vulgar Data, to the cubist UKFunky rhythms in Iolanthe Dances and Dego-like broken beats in Skins Plastered With White L…
Single sided 10”, pressed on silver vinyl with screen-printed B-side. Numbered edition of 300. Infinite Greyscale is delighted to present a new long-form composition by Anduin. Since 2008, Jonathan Lee has been releasing beguiling and dusky cinematic music to great acclaim. Last Days of Montrose House is a deeply impressionistic work that’s constantly changing scene and perspective. Like entering a long abandoned building, it suggests both physical space and the unknown. The sound of a projecto…
"Window In is Michael Vallera’s third full length offering on Denovali, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist in an emotive …
"17th and final part in the re-release series of all early Tietchens albums between 1980—1991. Originally released on Dom Elchklang in 1991. This new version incl. 3 Bonus tracks and is another joint release by German labels Die Stadt and aufabwegen. Jewel case with full color artwork and poster booklet also feat. the original front and back cover. First edition of 600 copies. “It was just before the end of the heroic times when CV Liquidsky and I decided to record a studio album together. Almos…