Needs Must When the Devil Drives
* Edition of 200 in 4-panel ecopack/digifile * After the critically acclaimed "Pondfire" (Boring Machines, 2015) and "Grey Mornings" (Boring Machines, 2017), Paul Beauchamp has taken a new direction with his third album, "Needs Must When the Devil Drives". With this work, a single track lasting a little over half an hour comprising several movements, Beauchamp has moved away from the use of acoustic instruments as sound sources and has instead followed the mantra of Brian Eno of "the recording s…
Remedies For a Foggy Day
*2021 Stock * Formed in 2016 Daimon is the trio of Nicola Quiriconi (VipCancro, Lisca Records), Paolo Monti (The Star Pillow) and Simon Balestrazzi (T.A.C., Dream Weapon Ritual, Hidden Reverse, A Sphere Of Simple Green, Candor Chasma, Kirlian Camera, etc.).
Devoted to a vibrant and majestic personal form of drone music, Daimon are exploring new depths as well as highly dynamic soundscapes that will surround you with their overwhelming sense of fluttering memories.
In 2017 they toured across Euro…
Licheni
* 2021 Stock * Simon Balestrazzi and Nicola Quiriconi have performed together many times over the last few years both with the deep drone audio/visual project Daimon and Balestrazzi guesting with Quriconi’s long lived ensemble VipCancro. “Licheni” documents their first meeting as a duo and explores an adventurous sonic territory between free improv and microsound. Balestrazzi (T.A.C., Dream Weapon Ritual, A Sphere Of Simple Green et al.) has been around for more of three decades painstakingly ex…
Cinque Studi sul Paesaggio
Abu-l-Hasan al-Nuri primitive Sufi saint writes: "they possess nothing and are possessed by nothing" is the basis for five landscape studies, as an idea of emptying the soundscape in its concept and also in its practice, a laboratory of environmental recordings and sampling.
This work is visited by readings ranging from Céline to Novalis passing through Georg Buchner in his "Lenz" arriving at Arthur Schopenhauer, offering insights above all in his writings on music and in the "world as will an…
Gyllensköld, Geijerstam And I At Rydberg’s
* Metallic Gatefold sleeve. 200g 2LP. Augmented album * This 1983 period in which Gyllensköld was recorded was a fantastic time for the evolution of Steven Stapleton’s audio art. His collaborations with Diana Rogerson, Robert Haigh (Sema), David Tibet, and Thirlwell around this time elicited some of the most exciting work Nurse With Wound had yet recorded. Listen to this material and compare it to Chance Meeting and it becomes clear that in just a few years, Stapleton’s art had grown by leaps an…
Exit
* 2021 Stock * Jacques Beleuil is the Co-founder of Entr'acte, a sound engineer (who worked, for example, with Dale Cornish, Michael Anaker and Edie Newton) and trans-genre experimentalist. His work speaks for him. "Exit," Bellew's latest release to date, is a kind of key to Jacques' similar attitude toward his own work. The album, as the musician himself notes, was recorded during a period of reinterpretation of Maurice Blanchot's work.
All his life Blanchot defended the idea of the ultimate ex…
The New Age Is Shit
Proper, truckin’ psych techno bangers from Joachim Nordwall (The iDEAList) and Henrik Rylander’s cosmic incarnation, sent via Moscow’s Stellage portal. After seeing us off with last year’s ‘Your Skulls Are To Us What The Sun Is To You’ for Industrial Coast, the duo’s instinct for ace titles is in effect again on ‘The New Age Is Shit’, which pretty much sums up the record’s antithetical stance and the band’s scything iconoclastic approach to rhythm and noise-induced madness within.
‘Determinati…
In The Name of Psychic Expansion
** 2021 Stock ** Stellage Recordings presents In The Name Of Psychic Expansion by Saturn & The Sun. Recorded by Henrik Rylander and Joachim Nordwall at the Gothenburg Sound Experiment in 2015. Originally released as iDEAL 130. Joachim Nordwall is Published by Touch Music/Fairwood Music.
Two Tales of Lost Witness Marks
Tim Gick's already-warped patchwork editing of the entire Crazy Doberman output thus far turns increasingly glitched out across the splattered quiltwork of a nine track LP on Aguirre. Any coherent sense of time departs early on the A-side; kicked off with the familiar sound of the Dobes' synth throb and Love-cry woodwinds on top of completely fried electric guitar squiggling, all suspended in spiritual foam; then battered to bits on the greasy flat top of the record's b-side.
Ringing modular syn…
Lux
'Lux' is Brian Eno's first solo album for Warp Records and his first solo album since 2005's 'Another Day On Earth'. It's an absorbing 75 minutes of slow moving, glassy harmonics, plangent piano keys and evaporating strings, all bathed in reverb and allowed to serenely waft about the space with a seemingly aleatoric logic. The album breaks down to four long sections, yet in the classic tradition of Eno's finest ambient works, once you've settled into its pace and space it becomes hard to tell wh…
Love's Secret Domain
In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled in their discography and still a landmark…
Hole in my Head
The only true non-places are those of the mind: but being able to give them a tangible form doesn't always equate to the delineation of a balanced, pictorially satisfying landscape, nor does it solve the inner mystery from which it originated. In the creation of an audio document, even the simplest sonic occurrence derives from an idea and a gesture, even if only pressing the record button: and it's precisely the gesture - be it overt, dissimulated, concealed, or mediated - the absolute protagon…
Wovenland 2
The first words of Toshiya Tsunoda and Taku Unami’s liner notes to the double CD under consideration here are, “Wovenland became a band.” It should be noted that Wovenland was the name of an earlier album by Tsunoda and Unami, the digipak’s spine still credits this recording to the two individuals. And while it is within Unami’s skill set to pick up a guitar and play a song, nothing like that happens on Wovenland 2. The notes continue: “Our band activities are mainly editing in a studio. Our goa…
Electric Music
**Cardboard Folded cover 6-page colour booklet with liner notes in English by Dave Smith and Andrea Rocca** Here is a new, exciting, step in the discover of the genius of the English composer, pianist and tuba player John White, the maverick master of British Experimental Music, Sctarch Orchestra former member (with Cornelius Cardew, Gavin Bryars and John Tilbury). This double CD represent one of a thousand in between the musical facets of his enormous output. As Dave Smith says in his liner no…
Some Deaths Take Forever
2LP + insert. First time vinyl reissue since the original 1980 version. Original remastered album plus second LP with unreleased extra tracks from 'Some Deaths Take Forever' recording sessions. Originally released on Pathé in 1980, the influence and the impact of Some Deaths Take Forever is still vibrating: Carl Craig mentioned it as his all time favorite album in Future Mag, the signature sound of Oneohtrix Point Never feels almost like a not so hidden tribute and the killer sci fi electronics …
The Fall: Dennis Johnson's November Deconstructed
* White vinyl * The Fall is a deconstruction of November by Dennis Johnson. Written for solo piano in 1959, November is the first example of minimalist music composition and was the inspiration for La Monte Young's The Well-Tuned Piano (1964). The 66-minute piece is a collaboration between legendary artist Lustmord and renowned classical pianist Nicolas Horvath, in which they reduce Johnson's original November to its core element and place it in a landscape of complimentary sound. The Fall echoe…
Adaptation
**Original 1983 pressing, sealed copies. Few available** In the late 1970s, Steve Piccolo was a founding member of the seminal No Wave jazz band Lounge Lizards along with John Lurie, his brother Evan Lurie and Arto Lindsay. He’d studied music at Bard and NYU and was doing performances, art and sound installations at night while during the day maintaining a job as a Wall Street computer analyst. This is his second solo LP, again a minimalist and radical rethinking of song, mixing a post-punk/DIY…
Sacrilège Vénération Vol. 2-b
Second part of the second volume of the dj project. Habits and customs in the land of wooden synthesizers. enjoy.
Les chorégraphies désertiques
Bathroom electronics. Approximate synthesis, approximate songs, approximate melancholy. Drowned nature and dummy melodies
Saison 1
Scientific fiction and adulterated acids. The people behind Hotu and Fusiller combine their non-forces for this mail collaboration. magnetic tapes, sonic trashes and approximate arpeggios.