We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Electronic /

Um Argentino No Deserto
** Edition of 200** René Bertholo Alhandra (1935-2005) was mainly know as sculptor and visual artist, and his musical work, though including classical composition, largely focused on a digital modular sequencer/synthesizer of his own design. This story began when I had to learn something about electronics, in order to make objects with electric movement, which I call “small-scale models”, and which I was making between 1963 and 1973.In 1973, when tired of repairs I had decided to give up making …
Musica Intuitiva
**Available in vinyl for the first time, edition of 200** Born in Lisbon (1932), Armando Santiago studied singing, piano and cello at the National Conservatory of Lisbon. In Italy he studied conducting with Hans Münch and Franco Ferrara, and in Paris he studied with Pierre Schaeffer at the ORTF Research Service. Fellow of the Governments of Portugal and Italy, he worked in Rome with Boris Porena and followed the course of Goffredo Petrassi in the Academy of Santa Cecília, obtaining the diploma o…
Tiresia
Tiresia is a new music project by Bruno Dorella and Stefano Ghittoni. Inspired by the mythological character, both male and female, fortune-teller and fugitive, that has lived multiple lives. Tiresia is also the name of one of the main character in the movie “I Cannibali” (1970) by director Liliana Cavani. Played by Pierre Clementi, he is a sort of mystic that speaks an obscure language trying to rise up against a killer and reactionary government. The movie was declared “out of time and inappro…
Omaggio a Marino Zuccheri
I've been talking about releasing music from this trio since I knew them almost seven years ago. Now it's time for me to let you know about one of the craziest projects I had the chance to put my ears on. Marino Zuccheri was the sound engineer of the famous Milan RAI Electronic Music Studio, where he helped to shape the music of great experimentalists like Berio, Nono, Maderna, Cage, Pousseur and many others. This 12” EP is an homage to the great figure …
The Nazgul
Lost-in-time kosmische/kraut/avant-garde artifact produced by Toby Robinson, aka The Mad Twiddler, circa 1975 for his private Pyramid label.  From the moment they emerged during the mid 90’s, mystery has swirled around Psi-Fi’s six Krautrock gems. Each, the label claimed, had been recorded for the long lost Pyramid label, based in Cologne during the 1970’s. Embraced and loved by many, others cried hoax. Some ventured further, implicating the perpetrator - the voice behind this assembly of drifti…
The Mysticism of Sound & Cosmic Language
A previously unreleased series of astounding recordings, made between 1972 and 1973, by the collective Hy Maya, pull the rug from beneath the standing narratives of history. Never before released in any form, The Mysticism Of Sound & Cosmic Language is a revelation in sound. Incredibly diverse - an absolutely intoxicating, immersive journey through collective creativity which shatters the standing narratives, and foreshadows nearly every important movement of counter-cultural music which followe…
El Sol Desde Oriente (Selected & Unreleased Recordings 1980-90)
For a good number of Spanish musicians, attracting attention from somewhere outside of Madrid was a mission impossible for several decades. While the Movida Madrileña, commonly referred to as the “Madrid scene” in English, stirred things up and made front page news on the basis of new wave music, musicians that were on the fringe or directly beyond it had few platforms from which to be heard. Although Javier Segura has been recording music in his studio almost continuously since the 70's, his re…
Neural Oscillations And Alpha Rhythms
Dead-Cert dip their dusty digits back in Ami Shavit's precious archive for another hemispheric harmonization of biofeedback techniques and hypnotic synth sonics following Finders Keepers ' reissue of 1977's In Alpha Mood back in 2015 (FKR 077LP). With an enviable private collection of synthesizers first started in 1972 during his travels to the US and shipped home to Tel Aviv, as an established kinetic artist, as well as a professor of both philosophy an art, Ami's main focus was art that involv…
Arcaico Armonico
CD version. Like many of my generation, grew up in an age where the Internet did not exist and there were few sources of information, especially those inherent to the new music, I discovered Lino through his participation in one of the most daring musical pro- jects, the magnificents Aktuala, new band that released three great albums in the early ‘70s, full of innate grace, where Walter Maioli, Lino Vaccina and their cronies tended mystical and astral plots about warps of music and sounds extrac…
Watching The Burning Bride
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.
Hesaitix
Further departing from both the cinematic abstraction of Piteous Gate (PAN 066CD/LP, 2015) and the hectic drums of Damaged Merc (2016), Berlin producer M.E.S.H.'s new full-length, Hesaitix, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces. The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hes…
Satan Im Sattel
Skulking hardware cranks from Hamburg’s Fallbeil duo, cooking up 90 minutes of K-holing, atonal digital noise recursion on tape along with two slices of grot on vinyl, especially for Nina’s V I S label down by the docks in Hamburg. After first appearing on Helena Hauff’s Return To Disorder label with Ultima Ratio in 2016, and turns for Boidae, Hafenschlamm and Mannequin in the meantime, the Fallbeil duo have made no concession to higher fidelities and remain resolutely grubby and visceral on all…
Post Self
Post Self is simultaneously inventive and classic Godflesh. The blue and icy atmosphere of Post Self can reach levels touched on in the happenings of early '90s Norway innovations. From the opening track, it's clear that the vocal performance is Justin Broadrick's best in ages, utilizing new approaches ranging from higher tortured screams to truly brutal and barbaric low roars not heard since Streetcleaner (1989). Within those extremes, mystically effected vocals coming from an industrial …
Mercury's Rainbow
Zomby’s near-mythical Eski grime concept album was created over an intense two week period around 2008-2009 and features 16 uniquely formulated interpretations of Wiley’s seminal Eskibeat productions. It's been in hybernation ever since and, almost a decade later (and after many aborted attempts), is finally available for public consumption - still sounding like an ancient future. After nearly a decade in the making, Zomby finally dispatches his astonishing take on Wiley’s series of Eskibeat rel…
Echoes of Harmony - Early Music Reworked
All pieces of the Renaissance Repertoire come from Cancionero de Colombina (around 1470) or Cancionero de Palacio (around 1510). Both sources are well known for their typical Spanish repertoire of this period. Electronic music artist Sylvain Chauveau did new versions of several tracks and added also some drones to the program. Daniel Manhart did the compilation and the additional sound design and mixing. All pieces on this CD are hardly ever performed or recorded -- a fine, sensitive, inter…
Digital Dance 002
After the album Total Erasement (SR 366LP, 2014), that includes the more "professional" studio recordings of Digital Dance, Digital Dance 002 is the re-release of their last cassette tape, originally released in 1981, reflecting another side of their work and the beginnings of what was to come. Stéphan Barbery of Digital Dance on the release: As the first single of Digital Dance, "Radioactivity/Computer Rock" (1979), was far from convincing for us, we created our own label, Digital Records, and …
Expansion Galactica
Mental Experience present the first ever collected works of Guatemalan electronic experimental musician Emilio Aparicio, collecting five 45s he released from 1969-1971. Aparicio was an, a pioneer in using the Moog synth in Latin America. He released a series of private 45s, recorded at his home studio in collaboration with his patron and producer, the painter Roberto Abularach. It is from 1969-1971, when the recordings included here, were registered. Most of the tracks were written at the countr…
358 Oblique
Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. 358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a sp…
086–087 Area
Nyantora — Koji Nakamura — is a prolific musician and producer whose work ranges from ambient music to scoring TV commercials and films. He was a member of renowned Japanese rock band Supercar from its inception in 1995 until its break-up in 2005. Based in Fukuoka, duenn is a sound artist and also operates the duennlabel cassette imprint. Together with the afore- mentioned Nyantora, he hosts events and produces music under the banner of Hardcore Ambience.
The Horde
Transistor formed in 2009 when Franck Vigroux was performing in NYC where Ben Miller led several projects. Vigroux was in a creative transition suggesting a stripped down electro-industrial sound with the latter as lead singer. Miller had sung in many bands before but never solely as a lead singer. The new challenge was intriguing. Shows were set up with Vigroux’s sub-bass and extreme frequencies blowing more than one PA system. They struck up an overseas collaboration releasing a self-titled EP…