Product Of Pisces & Capricorn
An even more tuneful set than the first record from OPMC – one that features shorter tunes with a bit more lyrical appeal – and this style of dreamy harmonizing – mostly a mix of acoustic guitar with well-crafted basslines and drums that give things just enough kick – and although the group are Dutch, lyrics are all in English – and pretty captivating too.
Zemsta Plutona
Felix Kubin looks a lot like an alien on the cover of this set – and sounds a fair bit like a space visitor in the music as well! The work\'s got this very cool blend of electronics and playful rhythms – served up in a style that really takes us back to some of our favorite German work of the post-punk years – particularly the music of Der Plan and Pyrolator, both of whom would be a great comparison to Kubin\'s work! The tunes are catchy and playful, but also have this undercurrent of darkness t…
The fauna and flora of the Vatican City
The "fauna and flora of the Vatican City" is the 6th release of Tobias Schmitt’s pet project Suspicion Breeds Confidence. The record is a continuation and development of the eclectic and complex music presented on its predecessors: polyrhythmic beats, abstract electronica, processed field recordings and conventional instruments are blended into a homogeneous and wide-ranging elaborate result. Moments of highly structured music meet flow-of-consciousness like improvisation meet poppy melodies. Th…
Funakakushi (1963)
**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…
Diagonal Flying
1994 CD release, with some incredible early 70 (1973-1975) recording for Cello And Tape Delay (or Trombone and tape delay)... Gehlhaar is a pretty interesting cat ... long Stockhausen’s personal assistant he blossomed into a composer in his own right in the early 70’s and proceeded to experiment with “computer controlled interactive musical environment(s)” and the sort of computer-free tape-delay manipulation studies as featured on this disc ...(Mimaroglu)In this extended composition, veteran av…
Force Fields And Spaces
1994 CD release, recorded Jan/Feb 1981 at Darlington College of the Arts, Totnes, Devon, UK. Fantastic recording of some very repetitive and zonked trombone-fueled electronics from this Phill Niblock affiliate, straddling the devide betwixt Stuart Dempster's cavernous echo patterns and terry riley's horn-tape meditations lyou can hear echoes of the same approach i used on ‘playthroughs’ very clearly on 'part iii'. which is pretty amazing as ive only just discovered this now ... another piece of …
The Slaughterhouse
In rural Alabama, about an hour outside of Birmingham is a slaughterhouse. It’s a family operation where meat is processed one animal at a time by hand. Mostly custom jobs. A man and his son run the place. They handle most aspects of the daily operations from customer relations to animal processing. I first visited on a Friday with my wife. We hung out while they cut and packaged a side of beef. They said I could come back on Monday to record the whole process, which I did. On the day I recorded…
Helgoland
Germany’s only ocean island is a singular place in various ways. Situated 70 kilometers from the coast line, it belonged to the UK for 90 years during the 19th century. During World War II, the first facilities for a huge naval base were erected. The tunnels and bunkers from that time were blown up in 1947. In the following years, the island served as a training area for British bombers. It is not know how the birds have survived this period of destruction. Yet, by the return of people to the de…
Terra Subfonica
As a composer and sound artist often working closely at the nexus of radiophonic art, environmental sound and electroacoustic music, one of my primary interests is in the exploration of relationships between people and the incredibly rich sonorous environments they populate. In particular, the sounds that exist all around us, however that are often out of earshot (or at least not listened to in any conscious manner), as with the sounds beneath us as we tend our daily lives. Terra subfónica is a …
Bug Music
There has been rhythm on this planet for millions of years longer than humans have opened their mouths to sing. Long before birds, long before whales, insects have been thrumming, scraping, and drumming complex beats out into the world.
David Rothenberg decided to investigate the resounding beats of cicadas, crickets, katydids, leafhoppers and water bugs in his unusual third foray into music made with and out of the animal world. After working with birds and whales, he now tackles the minute …
East Music for Wax Cylinders
Erich Moritz von Hornbostel was an „armchair ethnologist“. Due to his bad health the musicologist was unable to travel to faraway countries. Instead he sat at his desk in the Dorotheenstraße in Berlin and received the world through his phonograph. On from 1900 the world’s music arrived at his office in the form of more than 16.000 wax-cylinder recordings from all over the planet. Due to an edict by the Prussian Emperor all German trading as well as scientific expeditors were bound to travel with…
Morne diablotins
What did the Caribbean islands – acoustically- look like before the arrival of Columbus? With this question in mind I took a short trip to the National Park of Guadeloupe and to Dominica, one of the most preserved island of the Lesser Antilles, which still retains some of its primary forest on the slopes of its volcanic peaks. I crossed the paths of the ‘Jaco’ and ‘Sisserou’ (the endemic species of parrots), met some local insects and tree frogs, but unfortunately failed to find any ‘Mountain Ch…
Terra Prosodia
- Currently about 6000 languages are spoken on the world. Most of them will disappear soon – and together with them a meldodic richness of human expressivness. However, the fact, that dialects and disappearing languages are only spoken by a few people has one advantage: only if one does not understand the contents it is possible to really listen tot he sound, saying far away from their homeland these languages unfold their musical enchantment (charme?). What you find are melodies that nobody …
Ancestors
Styles Upon Styles follow that ace BAT single with three stealthy, motorik techno mutations from Mexico City's White Visitation. 'Permanent Swing' synchs swirling machine patter and rolling square bass as a tentative opener for the tight, latinate shuffle groove and subtly ascendent chord and guitar slivers of the Moritz Von Oswald-esque 'Home', and 'Blood Revision' cruises out on a gauzy autobahn/highway tip coming off like a technoid cousin of Willie Burnett's Black Deer gear.
N°2
Developed over a four year period, and entirely funded by a part time job working as a SAT university entrance exam mathematics tutor, Nº2 was composed using synthesizers and a variety of unidentified samples that were manipulated beyond recognition. Christina Vantzou then collaborated with Minna Choi of the San Francisco based Magik Magik Orchestra. Vantzou and Choi worked on the notation and arrangements and recorded the compositions with a 15-piece ensemble at Tiny Telephone studios in San Fr…
Swisher
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
333 Loops (Volume 1)
333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli.
The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…
LL
LL (Another Timbre at70) chronicles the collaborative project Partial - namely, Chicago experimentalists Noe Cuellar and Joseph Clayton Mills. Commissioned as part of a site-specific installation at Pilsen Vintage and Thrift, the album uses only the sound materials found in the store’s crowded basement: toys, tools, clocks, broken dishes, odd bits of furniture, and personal relics - each object transformed into a sonic protagonist. Across “Marcel” (24:35), “Paul” (15:46), and the miniature “a si…
Silber
A collection from Conrad Schnitzler's archive, recorded between 1974 and 1975, originally released on LP only in 2009. Contains the complete original material (three more tracks than the 2009 release) on CD for the first time (with original running order). Just when you think you have grasped Conrad Schnitzler's master plan, every time you kid yourself into predicting what you are about to hear, the next record comes along to prove you wrong. Motorik is writ large throughout. Even the less rhyth…
Congratulacion
LP version on 180 gram vinyl." Conrad Schnitzler is as unpredictable as he is true to himself. If this sounds paradoxical, he reconfirmed the assertion in 1987 with an album which posed many questions and offered few answers -- his music more extraordinary than ever. The indefatigable Schnitzler still leaves anyone listening to Congratulacion today rather baffled. Those well-acquainted with his music might search in vain for familiar landmarks. Instead, new and unexpected features can be heard, …