Tables and Stairs
How does music happen, and why does it happen sometimes? In June 2010, the TOT1.0 festival took place in Athens, small steps towards a greater affirmation of the small music community that has been blossoming in the hell-hole that is Greece’s capital. As part of the festival, two foreign improvisers (Ferran Fages and Grundik Kasyansky) were invited to take part in the proceedings. While we were at it, we got notice that Robin Hayward also happened to be in town during those days, for unre…
Mimus / Skua
This split-in-two-sides cassette pairs two greek artists’ responses on the subject of birdsong. Some time ago Nicolas Malevitsis (of absurd fame) asked them to contribute a piece each, on the sole premise that the work would be based, or derive from, bird sounds. Unan (aka Chris Chondropoulos) brought back a curious collage work called ‘mimus’, built from the sounds and textures of scratchy vinyl culled over time by the artist from athens’ record shops. Focusing on structure and reflecting avian…
1979 - 1983
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Midnight In Space
A ghost surfaced in Italian record shop windows in 1978, bearing a single unexplained name and then dissolving back into the dark it had spent forty minutes describing. Midnight In Space is one of the great unsolved riddles of late-1970s Italian electronics. It arrived on PDU, the label founded by the pop singer Mina, an imprint better known to most for glossy chart records but cherished by collectors for two other reasons: its Italian pressings of the German Cosmic Courier clan, and a small run…
Inward Eye
The edition is limited to 287 and vinyl comes in three different colors: marble orange, marble white, and black. The record is housed in a 12" cloth bag, with front, back and inner fully screen-printed with artwork reproducing a painting by Roberto Opalio. Secret messages are written between the grooves and both sides' center labels, that feature mysterious, full-color portraits of Ramona and Roberto respectively on each side. Each copy hand-…
Fields Have Ears (6)
A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Galicia (May, 2011) and New York (September, 2011). For each performance a new version was created, incorporating recordings from the previous locations (including parts of previous performances), and other sounds that I began to associate with the his…
Feel Free
The two major focal points in the creation of composer Duane Pitre's Feel Free, his new work for a unique sextet combination, were rhythm and melody. An open yet orderly system intended to produce potentially infinite variations of self-generating rhythm and melody was carefully created for this piece, allowing the sextet musicians to approach these factors in a freer manner. This 'musical system,' combined with the fixed elements of the composition, in turn, spawned a rich foundation of harmony…
The Black Rain
Anoice's first album for Important had a modest (but critically affectionate) impact upon its release. However, sales of the record have been steady & strong since it originally came out in 2006. Now, six years later we're pleased to finally offer The Black Rain, Anoice's reaction to both the darkness & hope that engulfed Japan after the 2011 earthquake, Tsunami & nuclear meltdown. Black Rain was written throughout 2011 and recorded in Tokyo and London. The Black Rain is both a reflection on dis…
Spiral Mirror
Formerly Boy+Girl, AG Davis created an unrelentingly aggressive disk. Stripped-down dark electro-noise sprinkled with some kinder moments… You’ll need to go outside for a minute after this one. Incredible artwork/cover!
Blitz Gazer
Since 1999, DAT Politics is by far one of the most ecstatic electro party bands on the planet. Their remarkably energetic live shows explain the cult-like enthusiasm that surrounds the French electronic combo as they've been touring the world extensively over the years. DAT Politics channel a rough-edged turbo-pop mood through their laptops to create some of the most unexpectedly catchy and lively music ever assembled. The possibility of mistakes and chaos in their hot-wired dance tracks …
Pinna
Pinna presents Tim Blechmann and Klaus Filip, two key figures in European laptop improvisation, in a single uninterrupted set. Recorded in July 2010, the performance unfolds as a meditation on gradation and resonance - sound as a moving field of vibration and air. Both artists shape their output on laptops: Blechmann crafts slowly shifting waves, centralizing spatial detail and nuanced low-frequency motion; Filip brings a refined palette of microtonal sinewaves and pulses, structuring patterns t…
Little Mornings
FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG handmade clear screen-printed cover on holographic paper
Trees without Leaves
Paul Nova entered the British minimal synth scene in 1980 as part of Bizarre Unit, the project that produced the single Dancing / Away from the Screaming Car (1981), the lone Bizarre Unit 7" that immediately became one of the most sought-after artefacts of the early UK minimal wave movement. In 1982, working alone, he founded his own Exhibit One Records and over the next three years released four vinyl records: two 7"s, a 12", and the LP Trees Without Leaves (1984). All four are now practically …
Brain Pulse Music
Years of research into the bio-electric output of the human brain have now been harnessed with the creation of a device that allows man to monitor and interface with another's brain using a box that appears to be no more complicated than a guitar effects pedal! Batoh's experiements with this machine are only part of the album; the other tracks utilize traditional Japanese ritual melodies and instrumentation to form a prayer/requiem for the victims of the Great East Japan Earthquake. A dee…
Slime Zone
Slugfield is a trio with Maja Ratkje, Lasse Marhaug and Paal Nilssen-Love. They've been playing for some years, but the first release is available now.
Digital Voices
Aviformes; Kamana; Parcours pour Santur; Paroles sur Lèvres; Paroles sur Langue; Lumière sans Ombre. Barbara Zanichelli, soprano; Anna Maria Kieffer, mezzo-soprano; Nicholas Isherwood, bass. Leo Kupper was born in Belgium in 1935. He worked with Henri Pousseur at the first electronic music studio in Belgium and is founder and director of the Studio de Recherches et de Structurations Electroniques Auditives in Brussels. This is his 3rd release on Pogus and he remains a master at working with elec…
R.G.B. / Pre Optron 1999
This CD is a remastered reissue of a very limited CD-R released by Omega Point in 1999. This is the sixth volume in Edition Omega Point's Experimental Music Of Japan series. Atsuhiro Ito was born in 1965. He launched his career as a visual artist in the late '80s, and in '98 began presenting sound performances at art exhibitions. Ito made use of fluorescent lighting (which is also an element of his art installations) in the creation of an original musical device called the Optron. In addition, I…
Thought provoking III
Thought Provoking III is the final document from the electro-acoustic composer Helmut Schäfer who died in 2007. The Austrian artist spoke of his work as "characterized by the use of very intense and direct musical language which powerfully describes his personal experience and reflections on society structures, the blindness of modern and informed masses and everyday functionalism in between civilization." That intensity of expression manifested itself through performances and collaborations tha…
Like Little Garrisons Besieged
Luminance Trio is a is a collaborative effort joining sound artists Eugenio Maggi (Cría Cuervos, Slave Auction), Gianmaria Aprile (Ultraviolet Makes Me sick, Fratto9under the sky records) and Andrea Ferraris (Airchamber 3,Ur,Ulna, John Russel, Sil Muir). "Like Little Garrisons Besieged" brings them far from their respective discographies and finds them sailing in the apparently quiet waters of free-folk, electroacoustics and minimal drones. The music, resulting from live sessions and painstakin…
Era
Limited edition of 300 handnumbered copies on red vinyl, with a download-coupon included! Solo-project of Stefania Pedretti (also member in OVO and ALLUN). Experimental minimal music, with vocals, downtuned guitar, violin, cello and field-recordings, combined to monolithic compositions with a threatening dark and primeval sound and atmosphere.