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*2022 stock* This is volume 9 in Omega Point's Obscure Tape Music of Japan series. Yoji Kuri is one of the foremost and highly-regarded experimental animation artists in Japan, active since the early '60s. His name is well-known not only for his many works of "black humor" throughout the '60s and 70's, but also for the soundtracks to his materials, composed by avant-garde composers. Originally titled Synthesized Piano Space, it has been renamed Drip Music for this release. This new edition is co…
It must have been quite some years since I last heard music by Simon Wickham-Smith, but there was a time when I played it a lot, especially the various albums he recorded with Richard Youngs. But I guess that's how things go. Interest shifts I assume. To be honest, again, I have no idea when I left off, or why. But its good, as well as strange perhaps to see him back on Pogus Productions. On the cover I read that 'not satisfied with making music, he has also been a Buddhist monk in the Tibetan t…
Two tracks each by Francisco Lopez, Luis Mesa, Juan P. Monreal, Antonio Garcia, Miguel Ruiz, 1 track each by El Sueno de Hyparco, Markus Breuss, Orfeon Gagarin.
2026 stock One of the most adventurous composers and performers of the Italian avant garde scene, member of the Gruppo di Improvvisazione Nuova Consonanza, the CD presents the complete selection of his compositions for aeolian objects, from 1973 to more recent days.
Soundscapes of the Inner Eye is the debut by Belgian experimental collective Noise-Maker's Fifes, released in 1995 on NMT Productions (NMT CD-01).
Formed in 1990 by Geert Feytons and Timo van Luijk, the project blends improvised music from self-made instruments, electronics, effects, and environmental recordings to craft atmospheric soundscapes. Tracks were recorded and mixed on 4-track in Amsterdam during 1992-1993, capturing their early ambient/industrial style.
Noise-Maker's Fifes evolved int…
Originally released in 2000. The Golden Research is the name chosen for the complete documentation of previously unpublished works by Charlemagne Palestine starting from the early 1960s to the mid-late 1970s. Such a huge project will include seminal collage and electronic music, Bell Studies, New York and California drones, piano drones as well as more specific compositions. All the recordings will be exclusively available through Alga Marghen. Be ready to change your own opinion about minimalis…
The fifth in this superb series covering historical Japanese electronic music from the Nhk studios, the first covering pieces engineered by Tsutomu Kojima (prior volumes dealt in pieces assisted by Shigeru sato and Hirosi Siotani) highlights herein include Jo Kondo’s “never return” (harsh/psychedelic vocal/piano cutups from 1971 !!!), Hifumi Shimoyama’s fumon iv a, and oto no hajimari wo motomete perennial Joji Yuasa’s my blue sky.
1. “Beyond the Clouds” Keiki Okasaka
A work was intentionally…
2007 release ** Limited edition of 106 hand-numbered copies. "'After Dinner Black Out' is the debut of Italian musician Donato Epiro, is a nearly 20 minute experiment in sound collage. A single track, the composition is made of several pieces of music and found sound, each cut to a reasonable length of no shorter than 30 seconds and up to five minutes. Like Luc Ferrari's compositional musique concrète, the sounds are intimately related, though not necessarily by timbre, tone, or anything else ap…
Works by Vladimir Ussachevsky, Otto Luening, Pril Smiley, Bülent Arel, Mario Davidovsky, Alice Shields . In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he dev…
The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in …
Much of Frances White's music is inspired by her love of nature, and her electronic works frequently include natural sound recorded near her home in central New Jersey. This is the first complete disc of White's electroacoustic works, both with or without instruments. This disc is titled Centre Bridge because it has inspired two of the works contained on it. But beyond this, it is because the role that the bridge has played in White's work is so characteristic of her music. Her music is about li…
First in a series of 18 CD's aiming to make available all early vinyl albums by Asmus Tietchens between 1980—1991 on CD. Each release features the original tracks (sometimes extended / original versions) + unreleased bonus tracks from the same recording period, original artwork + accompanying texts by Tietchens. This — the only 2CD in the series — feat. his very first album Nachtstücke from 1980 (incl. 4 bonus tracks) + a 2nd CD with archive material recorded with his long time friend Okko Bekke…
'Silvia Fssler: computer, electronics, guitar. Billy Roisz: computer, turntable. Recorded & mixed June 2007 by Dieter Kovacic at Fleetinsel-Hamburg. Mastered by Martin Siewert at Motone Sound Services-Vienna. 'Skylla' is a monster. A sheering, scathing collision of computer generated sounds meshed with guitar and turntable. The results are intense yet bearable, funny but not stupid. From the rhythmical excesses of 'Pink Umbrella' and 'Kirre' to the subtle dronescape of 'Syne', this is a full on …
Uncle William Borroughs would have loved a record like this, it's the result of a cut and paste process enriched by elements played with drums, guitars, vocals, bass, trumpet and many other things. he musicians of [1] Kilo of Black Bondage were united for the first time in 2003 during the I.D.E.A.L festival at the Lieu Unique in Nantes, France. Then, moving from stage to stage in France and Europe, they enriched and cultivated an original musical material made from evolving textures, sonic lands…
Gavin Bryars' music, post 'The Sinking of the Titanic' and 'Jesus' Blood...', is well known and often performed today. Less known are the earlier works featured on this cd, created during the years 1969-71. At that time, Bryars became associated with Michael Nyman, John Tilbury and Brian Eno - marrying ideas from Cage, Fluxus, free improvisation and experimentalism. Some of the works recorded here appeared on Eno's avant-garde Obscure label in the mid-1970s. In 1, 2, 1-2-3-4, the musicians liste…
Fourth part in the rerelease series of all early vinyl albums by Asmus Tietchens on CD. This is the third of the SKY albums from 1982 incl. three bonus tracks of unreleased material not included on the original LP. Comes with a poster booklet feat. the original cover artwork. Edition of 1000 copies.Asmus Tietchens »In die Nacht« (Sky Records 077) 1982 To my surprise, SKY ordered a third album from me. For distribution reasons the album had to be finished rather quickly. This presented me with an…
Irish composer Roger Doyle's first release on Die Stadt is his prize-winning work The Ninth Set, a 67 minute masterpiece in 5 parts. He was awarded the Magisterium Prize at this years's Bourges International Electro-acoustic Music Competition in France for parts 4 and 5. The award, which is one of the most important prizes in the world for electronic music, is open to composers having at least 25 years of professional experience in the field, and its objective is 'the promotion and diffusion of …
**Released in a limited edition of 500 numbered copies** A compilation of live recordings specially released for a Die Stadt label night feat. All artists, at Argos in Brussels on 18. October 2007. The John Duncan recording was made at The Compound , San Francisco on 21 July 2007. Kontakt der Junglinge (Asmus Tietchens & Thomas Koner) 'Montreal Solution 1' is an excerpt from their live performance at Mutek Festival, Montreal on 28 May, 2003. The final track on this CD is by C.M. Von Hausswolff a…
Hailed in the early seventies as the best Italian group of avant-garde jazz/rock along with Area and Perigeo, in the mid-seventies, with the release of their second album, Dedalus started a much more uncompromisingly experimental approach to music through the use and combination of disparate musical materials: improvisation, electronic music and musique concrète techniques, elements of contemporary classical composition, folk tunes, jazz, use of self-built and modified instruments for timbric re…
The very first new recording from Maurizio Bianchi (MB) since his decision to quit the arena of sound in 1984. Yes, he's back, the world-wide recognized master of apocalyptic electronics has decided to come back to music, opening up a new phase for his creativity.