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Matchless Recordings presents a live performance by Furt. The album includes four tracks performed by Richard Barrett and Paul Obermayer - electronics.Track 1 - recorded in Berlin, December 2001Track 2 - produced in Watford, October 1997Track 3 - produced in AmsterdamTrack 4 - recorded in Amsterdam, 29 February 2000
2004 release ** "Atolón, whose four tracks are further proof that the barriers that once existed between free improvisation and noise are coming down fast. And in the sunshine of Barcelona at that. Alfredo Costa Monteiro and Ferran Fages have released several albums as Cremaster (though not using the same instrumentation), and trumpeter Ruth Barberán previously teamed up with Costa Monteiro and Matt Davis in I Treni Inerti (now sadly disbanded, but not before leaving us the splendid Ura album on…
Originally released on Lovely Music in 1998. Double CD of all five of Elaine Radigue's songs in tribute to the Tibetan saint and poet from the 11th century. Two of the tracks dates from Radigue's first release in 1983, two are previously unreleased and the final 62-minute track was previously issued as a sole CD in 1987. The material is performed by Radigue (synthesizer and recording), Robert Ashley (English voice), and Lama Kunga Rinpoche (Tibetan voice). Radigue was born in France and has stud…
2005 release ** "Edgar Olivier Charles doesn’t exist, it’s the alter-ego of Roger Tellier-Craig, who works as Et Sans, Le Fly Pan Am and Set Fire to Flames. So far so good. ‘Rediscovered music recorded in Montreal between september 2002 and january 2005, it says on the cover and rediscovered are three tracks. In each subtitle, to each track, a name is mentioned: Iannis, Karlheinz and John – so, I’d say Xenakis, Stockhausen and Cage (well, more likely than, say Adams? Lennon?). And maybe Edgar Ol…
In Bocalises, Denis Dufour explored with virtuosity the sound possibilities of a sole sound source, glass jars broken, crushed and mixed to themselves to infinity. Fifteen years later, he takes up the material and, with digital tools, presents a retouched and recoloured version to give a new power and poetic richness to the initial energy.
1995 release. Neural Synthesis Nos. 6-9 combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness. The performance originates from a neural-network synthesizer conceived and built especially for Tudor. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playba…
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…
David Rosenboom (b. 1947) has been widely acclaimed as a pioneer in American experimental music since the 1960's. He is a composer, performer, conductor, interdisciplinary artist, author, and educator having explored ideas in his work about the spontaneous evolution of forms, languages for improvisation, new techniques for ensembles, cross-cultural collaborations, performance art, computer music systems, interactive multi-media, compositional algorithms, and the structure of the brain and nervou…
A series of three pieces/suites documenting David Behrman's evolved interactive computer music practice from the 1980s, featuring Rhys Chatham and Ben Neill (trumpet/mutantrumpet), Fluxus mainstay Takehisa Kosugi (violin), and Behrman himself on electronics. This essential recording captures Behrman's mature work with listening machines: thickly layered liquid sounds created through a complex computer music system which absorbs, actually hears, the sounds of instrumentalists, then plays off thei…
Originally released on Lovely Music in 1978 and now available on CD, this essential recording documents David Behrman's groundbreaking exploration of interactive computer-human improvisation—among the earliest works to establish real-time dialogue between musicians and microprocessor systems.
On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when played, activate electronic pitch-sensing circuits connected to the "interrupt" line and inp…
Comes with 16 page booklet. Daphne Oram is best-known for the design of her Oramics system, and also for co-founding the BBC Radiophonic Workshop in 1957, but until the release of this material, the only easily-available piece of music by her on CD was the 8-minute long "Four Aspects." There was also a 7" EP from 1962 on HMV, released as part of the Listen, Move and Dance series that was specifically designed to help children dance. Although the short pieces on this record are very basic, it cou…
Carlos Roque Alsina is an Argentinean-born composer who tends to mix acoustic and taped sounds together in a manner that evokes natural sounds to some degree, something of a more programmatically inclined Iannis Xenakis. The title piece combines piano and percussion with taped sounds that often possess an organ-like quality. While the acoustic instruments dance around each other in intricate patterns, the tape heaves and respires ominously, depicting the sort of backcountry that's unsettling in …
Recorded over a series of four Sunday afternoons, Wakool is an interrogation into an expanded range of techniques and gestures applied to instruments including banjo, electroacoustic guitar, bandura, and eukolin. In part an antidote to laborious studio process, this project privileges live stereo recordings without additional overdubs, processing or equalization. The varied and spontaneous nature of David's effortless playing across an eclectic range of instruments was recorded transparently to …
2003 release ** Cardboard sleeve, each copy with a unique hammer imprint. "Akin to Erik Satie’s advice to the performer of his Vexations to prepare oneself with some “serious immobilities”, Cal Crawford here examines the impossibilities of holding still. For ‘sitting on theories on the frontier on extension’, his first full length solo CD, he generated sounds by sitting on top of a bundle of blankets with a microphone rolled up into its center. This one hour process was his starting point. He di…
Five of BCO's greatest performed by dAS, Robo, Daevid Allen, Brook Hinton, Mic Gendreau. Four test tones specially mixed by John Duncan, Monte Cazazza, G. X. Jupitter-Larsen.Tracks 1, 3, 5, 7, 9 comprise the "Greatest Hits" portion:"The greatest hits selections were derived by asking participants to pick from a list of previously issued BCO pop songs. No one played on the pieces they picked."Tracks 2, 4, 6, 8 are the "Test Tones":"While T-Bone takes recording classes at Mills College, das seizes…
This CD has pieces with an auctioneer, a Kentucky farm with birds & clover, a jazz dancer, a quivering, vibrating, sexually tinged piece full of women saying supplication, a saint dying in flames, a drum piece about frustration, mother/daughter miscommunication, a pipe organ, and punk rap with overtones of yoga. Many of Beth Anderson's compositions from 1973-1979 use words or parts of words to make either all or part of the music. Sometimes the music is derived from the words. Some of it is cons…
One 25 minute piece, from 1996. A State/CIRM commissioned work. A dreamy five-movement suite that deals with the encounter and metamorphosis of natural sounds and synthetic sounds. Bernard Parmegiani wrote about this piece "There is already music... of an Italian an character in this title! Sonare: l love this word because it is Italian and because upon hearing it, music simply springs forth from within it. For each of the 5 movements, I have chosen a pseudo-instrumental or synthesis sound whic…
The first collaboration by these two renowned sound artists. Fabrication saw its beginning during the production of Re-post-refabricated, a project in which artists were selected by Richard Chartier to rework/create new works from his 1998 CD Postfabricated for its reissue in 2003. As it was intended as an open project, Asmus Tietchens continued to explore the source materials and suggested further formal collaboration. This evolved into the collaborative work Fabrication. The CD comes in a full…
8th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Described by Tietchens himself as his »Industrial« album, »Geboren, um zu Dienen« was originally released on the spanish Esplendor Geometrico label in 1986. The CD version incl. three unreleased bonus tracks from the same period and comes with a full colour fold-out booklet incl. liner notes by Tietchens himself.
10th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. »Notturno« was originally released by spanish label Discos Esplendor Geometrico in 1987 and also by Barooni on CD in 1992. Remastered version in a first edition of 600 copies in jewel case with full colour artwork and poster booklet also feat. the original front and back cover.