Grayfolded: Transitive Axis
Here it is, Deadheads, the ultimate Dark Star is now on vinyl. Deluxe audiophile pressing cut in Toronto under the watchful ears of John Oswald. Elaborately printed packaging in a heavy duty triple gatefold jacket includes liner notes by musicologist Rob Bowman featuring exclusive interviews with Jerry Garcia, Phil Lesh, and Robert Hunter plus six 'time maps' which chart the source concerts of Dark Star. Music performed by The Grateful Dead (c) Grateful Dead Productions Inc. & Ice Nine Publishin…
Circle 3 : Full moon at 35hz
Circle Three: Full Moon At 35hz is the third Circle piece from Eleh and the firstÊto be released since 2010's Repose. Literal synthesis. Packaged in a heavy duty screen printed cover.ÊEdition fo 500. Much like the previous LP only Circle piece the B side of this LP is screen printed. Audiophile quality LP cut at Dubplates + Mastering in Berlin
Daturas
Electroacoustic composition from Mexican composer Rogelio Sosa (1977). The electric guitar stays at the center of the work and provides all the noises that create this kind ofÊnightmarish and psychedelic journey. His previous album was published by Sub Rosa.
Delicate paths - music for Sho
Music for shô by Sarah Peebles with Evan Parker Nilan Perera Suba Sankaran. 'In the 80s, while I was studying music composition in Japan, I was intrigued by the seemingly esoteric role some traditional musics played in contemporary Japanese society. I was given the opportunity to study the shô-the mouth-organ used in gagaku, ancient Japanese court orchestral music and dances-at a small Tokyo shrine, Sendagaya Ward's Hatonomori Hachiman Jinja. Via this shrine I became familiar with basic g…
Everything was forever, until it was no more
The record is an attempt to document a sound installation by Konrad Smoleski presented in at the Polish Pavillion at the 55th Venice Biennale 2013. The sound sculpture is based primarily on the manipulation of the tolling of a bell. Through the process of transforming this familiar tone of traditional bells, Smole ski also changes its meaning: a sound that evokes a variety of associations is given an abstract frequency that seems devoid of connotations. Not only does the artist free the sound fr…
Etats-Limites ou les cris de Petra
“Borderlines or Petra’s shouts. Songs for the other half of the sky N°VII” (2013) After some reissue or first edition of old composition, here’s a brand new composition from Jean-Claude Eloy. Made mostly with voice, bells and synthetic sounds this piece works like an electroacoustic lightning. “A kind of salutary madness”.
For Moussavi Atrium
For Moussavi Atrium is a brand new 38 minute piece from Eleh written for performance at the Cleveland Museum Of Contemporary Art (Cleveland MOCA) on September 28, 2013. " walks into a bar and asks for a pint of beer, the barman scowls at him and refuses. When pressed as to why, he says "I don't like your tone." Meanwhile a drunk in the corner tries to start a chant of "Eleh, give us a wave"...probably a sine it's time to leave.Yup, here's another tonal meditation from extreme minimal chappie…
Moviments/Oposicio
Barcelona's Arnau Sala Saez (Veiled, Anomìa) offer four side of foggy and minimal industrial slabs for analog synth and magnetic tapes tension, exploring the territory which is constricted between ambient soundscapes and dry beat research.
Civilization year
Late night electronic for smokers, tape music for stolen conversations and field recordings.
Pola-Expeditionen
Primorje is a new project of Giovanni Donadini and Matteo Castro. Two oblique tracks of concrete loop and damaged rythms.
Civil Music
Primorje is a new project of Giovanni Donadini and Matteo Castro. Circular electronic and modified drum-machines, processed through tape-echo units.
Blaster
restocked! New York-based conceptual artist James Hoff returns to PAN with Blaster, a document of his explorations of computer viruses as agents within the composition process. Specifically, Hoff used the Blaster virus to infect 808 beats and then utilized the mutated results as building blocks for seven new compositions. Hoff's interest in computer viruses lies in their ability to self-distribute through (and ultimately disrupt) networks of communication and Hoff's agency as an artist ce…
Kuang EP
restocked. Lee Gamble is a UK-based artist and electronic music producer with roots in the original jungle-techno and extreme computer music fields. The Kuang EP heralds the release of Gamble's keenly-awaited 2nd LP KOCH with three tracks of dissociative ambient/techno. "Kali Wave" opens with a bittersweet breakbeat roller sounding something like early AGCG playing in a hall of mirrors, whereas "Mimas Skank" diffuses oily acid and dry dub techno inna dancefloor wormhole, and the detached amb…
Brainnectar
Brainnectar is Rudolf Eb.er's most developed program to date, combining psychodynamic audio-environments built from specific nature-sounds and extreme acoustics, often including ecstatic elements on instruments of shamanic origin. Binaural beats as well as isochronic tones stimulate a direct neural reaction to this unique and unheard audio-art. In addition, the grand lady of japanese extreme music - screamvocalist Junko Hiroshige (Hijokaidan) - participates on several tracks throughout this doub…
Humoresken und Vektoren
Humoresken und Vekotren takes up a work that was started upon the invitation of Francisco Lopez for the spanish Störung label. The task was to deliver thirteen 2-minute original compositions for a compilation release. "Humoresken und Vektoren" recycles these miniatures from 2010 and undfolds it into eight new works having no resemblance with the original sourcings whatsoever. These eight tracks are bound together by eight short pieces entitled "Tristia" that function as bridges between the longe…
Disqualifier
The 6th full-length studio recording and first since his move to Baltimore, Disqualifier steps beyond the shadow of Ottoman Black to yield a programmatic, mature and vulnerable setting. Dense brass, concrete sounds and mutated noise reveal a pointed narrative & unmatched compositional stroke. Equal parts harsh and ambient, Disqualifier is an exemplar for the American underground. Recorded from nothing November, 2012 through July, 2013 in Baltimore, MD. Additional musicians: Jeff Stockham french …
Notebook (techniques of self-destruction)
Notebook (techniques of self-destruction)' is the new studio album from Francisco Meirino. Created and assembled 2012-2014. Features 'Techniques Of Self-Destruction' originally a piece for eight speakers commissioned by Jérome Noetinger for l'Audible Festival, Paris 2012. Artist bio:Born in 1975, Francisco Meirino is active since 1994 (as phroq until 2009) in sound and live performance, he explores the tension between programmable material and the potential for its failure by working mainly with…
Sirene (Selected pipe organ works 1983-2014)
Drone vanguard Robert Curgenven returned to his ancestral home of Cornwall to put together the visceral, yet contemplative Siréne, a gorgeous drone works massively recommended if yr into Kevin Drumm, Eliane Radigue, Jason Lescalleet, Janek Schaefer. Mastered & Cut by Rashad Becker, Dubplates & Mastering, Berlin, April 2014.16-foot pipe organs recorded in Cornwall at the churches of St Paul (Ludgvan), St Winnow (Towednack), St Uny (Lelant), St Wyllow (Lanteglos), St Cyrus & Juliette (St Veep). Un…
Untitled
MINDBLOWING! The tracks on this CD were recorded between 2005 and 2006, yet the music seems to have surfaced from another time - completely isolated from influences of the current era. Dimpflmeier also seems to be an "assistant" to the unique and arcane instruments that he helped manifest. As he has stated, his instruments seem to be "autonomous - their own masters"... However, that is not to say that it doesn't require a form of mastery to successfully "collaborate" with such strange ins…
The Abyss
The Abyss is an epic, dynamic statement that shows the wide range of sound these two esteemed artists are capable of creating. The lengthy list of instruments used, plus the year it took to assemble, gives an indication that there is a grander modus operandi at play here than the linear works that Kevin Drumm and Jason Lescalleet are known for. CD-1 is made up of seven pieces that run the gamut, with electronic crackle, digital shards of noise, piano mangle, and even dissonant brass clust…