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**300 copies** Belgian label Aspes Edities brings us an interesting split album by American multi-instrumentalist Shahzad Ali Ismaily - who has played for Tom Waits, Ceramic Dog and Laurie Anderson - and Belgian euphonium player and improviser Niels Van Heertum, who is having his second release on the label. The deep blue is the common denominator on this LP. On the first side - entitled Sea Legs - Ismaily offers one long and sparse composition that prominently features guitar and banjo, but als…
**200 copies** An evening in 1995. In a quiet house in Dakar, one guitarist pushes an acoustic guitar in the hands of another. It was a small Eastern European instrument with special nylon strings, bought for little money in a Brussels music store. Pierre Van Dormael had purchased several before traveling to Senegal, for his students at the Conservatory of Dakar. The other musician: Karl Van Deun. He spent his vacation in West-Africa, with his comrade and teacher. During one of those clammy Afri…
**400 copies** Active in Los Angeles’ 1980-1986 underground music scene, John L. Lafia is best known for the hypnotic album Prayers, released through Barry Craig’s influential, cassette-only label Trance Port Tapes. "Life Is Short", "A Promise", “Dream", “Hidden Things", "Spaghetti Western", and "Escape" come from that release. This compilation also features tracks from subsequent Trance Port releases: LA Mantra 2 ’s "Queen Of The Nile" and Phantom Takes’ "The Moth". John’s “Odyssey Girls” appea…
**250 copies** Discos Transgénero presents the first ever compilation of How To Get Rich In Rotterdam and Geluidshouwerij. These were projects of Chris Lindquist and Paul Stoute with the collaboration of Linda Lindquist, all of whom were based in Rotterdam in the early ‘80s. How To Get Rich In Rotterdam was a group - formed by Chris Lindquist and Paul Stoute - than only released one self-titled 7" record. This single was a very limited edition coming in two different covers. Johan Kugelberg sele…
**500 copies** Discos Transgénero presents the first ever reissue of the Domestic Sampler UMYU. Domestic Sampler was a project that Víctor Nubla (former member of Macromassa) recorded for the record label UMYU. It features a host of artists; a synergy of the scene that was happening in Barcelona at the beginning of the eighties. El Grito Acusador, Entr’Acte. Logotipo, Klamm, Secreto Metro, Error Genético, Detra’s Band 10, Boris, Mimi Pimer and Tres reflected the new wave underground scene of Cat…
**300 copies** Astral Colonels are Anthony Pateras and Valerio Tricoli and this is their second album. On Side A ("The Difference of Similarity") the formidable use of a sound arsenal based primarly on prepared piano and tapes and a bright use of echo and repetition create winding tensions grafted into harmonics, irregular spiral-shaped non-progressions intertwining costantly on the ridge between the familiar and the unknown, a recurring alternation of stasis and fibrillation that delivers liste…
Outrageous. Rabid. Explosive. #Wtf? Whatever words you throw at Borbetomagus saxophonist Jim Sauter and Oneida / Man Forever drummer Kid Millions, they’ll chomp ‘em up and respond with a gargantuan roar to erase all notions of what a horn and skins can do. The duo’s prior albums were built of tightly, clustered bursts and barbed assaults. On Safe & Sane, Sauter and Millions eschew brevity for ultra-endurance. The opening “Chrysanthemum,” clocks in at 32 minutes and continues on Side B before a f…
Noise Poetry is a beautiful example of a concrete attitude of improvisors more concerned with collectively constructing a sonic complexity than gestural free expression. All three of them plunge into a universe akin to that of a Japanese garden – where the space between the stones is more important than the stones themselves – inventing an acoustic synthesis in a development of stratified objects that act like a giant mobile. David Chiesa: double bassDidier Lasserre: drumsMathias Pontevia: horiz…
** 200 copies** Zhao Cong is a Beijing-based experimental and improvisational musician. In addition to performing in live events in Beijing such as Zooming' Night, organized by composer andperformer Zhu Wenbo, she has in recent years been expanding her range of activity, visiting Japan each year and performing in various locations around the country. She has also released solo and duo albums on Zhu Wenbo's cassette label, Zoomin' Night. This CD contains three solo tracks: tracks 1 and 2, each ab…
** 300 copies** This CD documents the complete first and second sets (each a little over 30 minutes) of a concert at Ftarri on September 29, 2018, performed by Yasumune Morishige (cello) Yoko Ikeda (viola), and Takashi Masubuchi (guitar), three improvisers active mainly in Tokyo. The tones produced by the three acoustic stringed instruments are rich and vivid, and the listener can't help but be mesmerized by the interweaving of the sounds. And although the performances are improvised, they're so…
Terreng a constitution of an open-ended landscape of contrasts defining space both in time and depth. a set of structuring elements forming by its positionally interaction a common platform created through its dimensional properties. The drums and electronics on Terreng trade off each other at times creating a sense of improvised space, but also comes together in parts to form a narrative structure of almost concrete sensibilities. Where the instrumental identities gradually bleed into each othe…
Dark and gloomy string arrangements by Michigan’s Michael Collino (Dog Lady Island, Alien Passengers) on both sides, concluding to an intentional dragged out silence on side B to complete those sounds of loss. “Funeral Zither” at its best.
** Edition of 300 copies, totally sold out at source ** Another incredible archival work from Cabiria Records here, a genuine holy grail of Italian post-punk music, Andy Warhol Banana Technicolor’ legendary 'Color Color' tape is remastered and issued on vinyl for the first time, this is an indispensable slice of ‘80s Italy’s underground experimental rhizome. Like their international tape-scene allies, Andy Warhol Banana Technicolor reacted to this world thru a matrix of mono-synths, drum machine…
Canadian private press mega-rarity/obscurity from the artistically schizophrenic Bob Bell. Recorded in 1978, Bell splits the difference between his love of basement psych splatter/pummel and squalling free jazz ramble, the former occupying side A with a stunning four-part suite of wasted guitar scuzz and churning Krautrock-like drama with an akin to German Oak, Roland Kirk, Albert Ayler, DNA, Melt Banana (minus the vocals) and Guru Guru. The latter represents Bell as a saxophonist on side B, and…
CD Edition. Venerable composer and pianist Charlemagne Palestine revisits his seminal 1976 work ‘The Golden Mean’ in duo with enigmatic artist Rrose, reprising a dialogue started 10 years ago when Rrose was studying at Mills College and looking for a score to Charlemagne’s amazing ‘Strumming Music’…“In 2018 the Festival Variations in Nantes commissions Palestine to perform The Golden Mean, reworking the piece for two pianists. Palestine chose Rrose to join him in this new rendition of the work. …
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various po tential in teractions between instrument and tape. Anthony Pateras is an Australian composer, pianist and electronic musician whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has created over 75 works, receiving performances from the Los Ange…
Available now is the authorized history of the obscure and influential Los Angeles art and music collective World Imitation Productions (WImP).
Emerging as creators of collaged and photocopied mail art and
publications in the late 1970s, World Imitation is perhaps best known in
its musical incarnation, the band Monitor, which was active
between 1978 and 1982, with live performances as well as two
self-produced 7" singles and one LP. (The LP was reissued by Superior
Viaduct in 2013.) Afraid…
Technical drawings is melissa st. pierre (prepared piano) and jesse stiles (electronics). in their debut release the ruined map, they pioneer a new genre that has been termed dub concrete, combining influences from neoclassicism, rock, gamelan, and hip hop with results both weird and electrifying. in one of the record's centerpieces, strange flora, the post-rap poet todd jones verbalizes the musical journey: we found an island on the edge of the world. with no name for it we made a claim for it.…
Another Di Domenico project, again with Lobo in two, along with Daniele Martini (saxophone, percussion) and Bruno Ferro Xavier da Silva (electric bass, electronics, percussion). Miles circa “Bitches Brew” once again hovers over the proceedings on the first of two tracks, with the warped Rhodes and the snare beats; generally, it’s in the same area as the Going recording. Side 2 ventures into entirely different territory, percussion and electronics to the four, constructing odd and intricate rhyth…