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In process of restock. Dokkiri! tells the history of a remarkable complex of musical subcultures that developed in Japan from the mid-1970s. Starting with a discussion of the earliest rumblings of punk and new wave, all types of independently produced music are covered in more detail than has ever appeared in English before. Punk, Art music, Noise, Psychedelic, experimental and more. "This book fills in the gaps in my own appreciation of the Japanese independent music scene and provides context …
LP version. "Disguised as the meandering outpourings of vacant thought and activity dialed simultaneously from zero and ten. Formed in the cauldron of a fevered mistake resolute. Surrounded by ignorance, dis-interest, and the attention of the carefully self-selected. Recorded and burned through a thousand galaxies of dust and doubt and endless infinite wonder, transforming both time and space. Forever exiled to the very bottom of the world to reflect on the struggling desperate pile above. Recog…
Performed by Keiko Shichijo. Tom Johnson's An Hour for Piano was written in 1971. The piece began as a series of short, improvisatory sketches in 1967 when Johnson was accompanying a modern dance class at New York University. Johnson gradually expanded these sketches and added transitions between them, writing a piece that is to be played in exactly one hour. Achieving this goal requires an absolutely steady tempo for the duration of the piece, which Johnson has set at quarter note = 59.225 beat…
Beautiful rendering of French composer Eric Satie's 1918 masterwork "Socrate", originally for four sopranos and chamber orchestra, here stripped to its essence as a duo with Olalla Aleman on soprano and Guy Vandromme on piano, maintaining Satie's characterist reserve and refinement in the 3 parts: "portrait of socrates"; "banks of the ilissus"; and "death of socrates".
The title mundana comes from Boethius' (427-524 AD) printed work on ancient Greek music: De institutione musica. John McCowen is a New York based composer and performer whose work focuses on extending the possibilities of the clarinet family. John embraces long-form drones, difference tones, and beating harmonics as a means to extrude the dimensionality within - treating the clarinet as an acoustic synthesizer. His works for ensemble utilize spectral techniques to superimpose the timbral/sonic c…
An adaptation from "Sileen", a composition commissioned by Musica For The Festival Oortreders at Neerpelt, Belgium, 2016 performed with 50 members of a local music school; "Sileen II" was realized with only Gareth Davis on bass clarinet plus sounds from Machinefabriek, recorded in the same pitch and tempo as "Sileen', then slowed to half its speed and one octave lower. Stunning!
Return of Richard Youngs to Fourth Dimension, a label that has supported his work since the early 1990s via collaborations with Simon Wickham-Smith. The latter returns to this set, based around the notion of songs featuring special guests. Spread over the two discs, the eleven songs here assume all manner of sonic guises that are often difficult or sometimes blissed-out, but always rewarding. Most include guests, themselves from a wide variety of backgrounds (taking in all from groups such as Tr…
Submerging the listener into the immediacy of pure perception through the economy of materials and atemporality, Catalan guitarist Ferran Fages presents the 3rd piece of his trilogy for guitar and sinteones, referencing Morton Feldman, Alvin Lucier and Chiyoko Szlavnics as he specifies tunings for the guitar accompanied by pure resonating sinetones used as memory vehicles or shadows.
Works for solo piano by Mark R Taylor, beautifully played by Teodora Stepancic, the first CD release by a remarkable but neglected English composer whose piano works present a metrically rhythmicized exploration of a generative spectrum, here featuring works dating between 1979 and 2018 and performed by Serbian pianist Teodora Stepancic.
Two compositions, one by composer Michael Pisaro and performed by the electroacoustic ensemble "Ordinary Affects" including violinist Morgan Evans-Weiler, then an acoustic composition from Evans-Weiler himself performed with violin, clarinet, cello, harpsichord and piano; both exquisite works that draw out tone and time in patiently unfolding fluidity.
400 copies in black vinyl. After 44 years, the real masterpiece Tony Esposito's Rosso Napoletano sees the light again with this marvellous 13-minutes rework by Mushrooms Project
Spittle Records present a reissue of The Work's Slow Crimes, originally released in 1982. From the heart of the late '70s/early '80s British underground scene, an extraordinary album at the very edge between art-rock and punk. The Work were a full electric band featuring Tim Hodgkinson, his very first project after the seminal experience of Henry Cow, and three younger maverick figures from the London underground scene. Guitarist Bill Gilonis (The Lowest Note, News from Babel, The Hat Shoes), ba…
On of the latest release on the ever-excellent Standard In-Fi (the imprint run by France's Jeremie Sauvage), with the help of Mental Groove, is this incredible beaturing double bass, lapsteel, bagpipes, guitar, violin, percussions... With musicians also playing in bands such as Toad, France, Sourdure or Abat. Far-out instrumental stuff with killer sound
"Eugene Chadbourne is one of the great guitar players of the modern era. At the time he began recording in Canada in 1975, his music was a unique syncretic formulation. While its most obvious component was free improvisation in a style then most widely associated with English and European players, his music also contained elements of jazz, country, folk, blues, psychedelic and international sounds, referencing these threads in ways that were so diverse and intensely personalized it would take sc…
"Eugene Chadbourne is one of the great guitar players of the modern era. At the time he began recording in Canada in 1975, his music was a unique syncretic formulation. While its most obvious component was free improvisation in a style then most widely associated with English and European players, his music also contained elements of jazz, country, folk, blues, psychedelic and international sounds, referencing these threads in ways that were so diverse and intensely personalized it would take sc…
2019 repress. Recorded in 1955, released on his own short-lived Moondog label. 4 tracks of manic saxophone and snare drum mayhem. You will not find an original of this anywhere. Blind from the age of 17, classically trained in music, Moondog aka Louis Hardin left the countryside in the late 1940s to busk on the streets of New York, playing percussion instruments of his own creation. He later became the darling of the NY arts and music set. He also recorded for Folkways, Woody Herman's Mars label…
2019 repress. Originally released in 1953, this collection of very early Moondog pieces features the same tribal rhythmic impulse as his famed Prestige recordings, but there's an impressive line in chamber music running through these compositions. It's a fantastic collection of recordings from the eccentric genius that was
Moondog. This mini-album features Moondog's pioneering techniques in
tape overdubbing -- he harmonises with himself on voice, double bass and
home-made drums. Touches of h…
The saxophone is most often associated with jazz, a lead instrument that’s strong on melody and a potent vehicle for improvisation. Urban Sax puts all those ideas to bed. For those unfamiliar, Urban Sax is the creative outlet of composer Gilbert Artman, who started the group back in the mid-70s, and composes and arranges all of the group’s material. The “group” in this case is over 75 performers, consisting mostly of saxophones (the entire family from sopranino to bass), but also including clari…
Last copies, don't miss this wonder! Astonishing release. Edition of 300. White Marbled Vinyl LP with a photo book of 12 analog large-format photographs of the glacier in winter and summer. Concept by Ludwig Berger. Rapid ice melt has been profoundly shaping the alpine region in recent years. It has become an omnipresent and tangible phenomenon, and an iconic symbol of ongoing climate change. Over the past three years, the Chair of Landscape Architecture of Professor Christophe Girot and archite…
2-LP vinyl edition comes with a comprehensive 36-page booklet. Stunning double LP set collecting rare protest songs from around the world - mostly from former French colonies - with a distinctive experimental/free jazz and avant-garde touch all over. All are sung or delivered in French and the tracklist also features short extracts from anti-colonialist political speeches. Featuring Art Ensemble of Chicago, Colette Magny, Salah Sadaoui, Francis Bebey and many more