A Can of Worms
TTW#100 is A Can of Worms. On 29 September 2017 The Tapeworm celebrated its centennial edition with a concert, a cassette and apparel. The concert took place at London’s IKLECTIK Art Lab – for full disclosure, click here for juicy details. Edition of 150. The cassette itself is a C120 mixtape starring 36 of your favourite worms, each serving an exclusive, previously unreleased track for your pleasure:A Can of Worms1: Achim Mohné “A Can Of Worms”2: Simon Fisher Turner “Crow Sculpture”3: Laura Agn…
13 & 27
’13 & 27’ Two subtle works for the unique Swiss-based collective of 30/40 experimental musicians, co-ordinated and composed by d’incise and Cyril Bondi. “We started with the desire to invite as many musicians as possible to experiment with pieces and a very different approach that comes with a large ensemble….And from this moment onwards we had to deal with its potential and its limits.”
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Interview with Cyril Bondi
Tell us about th…
Collection Gustave Roud
A double CD with five beautiful pieces that engage with the work of the extraordinary French-Swiss poet Gustave Roud. Performers include Dante Boon, Stefan Thut, Andrew McIntosh and Jürg Frey himself.
“I think my process of work is similar to Roud’s: roaming with my sketchbook, taking a movement here, adding some notes there, following an impression, writing a little melody or a rhythmic constellation, deepening a feeling, extending a pitch, waiting and letting it happen…”
Interview with …
Real Folk - Lathe Cut Singles 1993-1997
A bone-fide underground legend, Witcyst has been creating completely unique noise music from the isolation of smalltown New Zealand since the late eighties. For three decades Witcyst has been an infamous prol yet mysterious force of the deep noise underground, sharing handmade cassettes, lathe cut singles, CDRs and art objects via the post, but never touring or appearing live. Witcyst’s mysterious career is marked by a complete absence of live performances and a massive prolificness in rec…
Monk Style or Scream
Brought together in 2005 for a performance at San Francisco's venerable The Luggage Store Gallery, Anla Courtis and Thomas Dimuzio are introduced through the raw power of amplified music. Brothers in arms the duo remained in contact and in time began a recording project from afar. With a nod to classic cassette culture the distant combo exchanged source recordings with each artist concretely preparing a long-form work. The two tracks contained herein are a result of this collaboration.
Exquisite Ectasies
Approaching the Exquisite Corpus was an alternative title we considered for this DVD release. It would have indicated how the films introduced here from my early Super 8 phase already evidence an artistically consistent path leading to my most recent production to date, The Exquisite Corpus, and highlighted my endeavor since the 1980s to make the specific qualities of the analog film medium sensuously tangible in the form of "exquisite ecstasies". No matter how various the imagery of Blood-Letti…
Praxis selection
Brehm's Praxis series is driven by a spirit of enterprise that is clearly palpable: Since 1974 Dietmar Brehm has been sensuously modulating his private iconography in ever new variations, ceaselessly engaged with his ever growing image and sound archive, withdrawn into the interior of an infernal fantasy. There is no posturing behind his cool treatment of the disquieting signs in his work, but rather ennui, a loner life, solipsism. Dietmar Brehm orchestrates implosions and idling states. H…
Epitaph For Venus
Mental Experience present a reissue of Galactic Explorers' Epitaph For Venus. Another album from the Pyramid label shrouded in mystery and produced by Toby Robinson in Cologne, circa 1974. Kosmische and head sounds with plenty of Minimoog, analog synths/keyboards, effects, loops, tape manipulation, treated percussions, etc., courtesy of Galactic Explorers, an electronic, minimal, ambient krautrock trio featuring Reinhard Karwatky (Dzyan). Take a trip to the inner regions of your mind, see ancien…
Musica Contemporanea Puertorriqueña
A quartet of beguiling Electronic & Tape Music figures from Puerto Rican composer Rafael Aponte Ledée, one of few operating there during the "Golden Era", consisting of pieces completed in the island's first Electro-Acoustic studio between 1974 & 1978. Starting with the ring-modulated & spring reverb-laden "Elvira Gimenez (O Al Otro Lado De Tica...)" things get off to a great start, getting into the same junkyard-sphere as Xenakis' "Bohor" in in its aggregate form of clockwork-innards & shifti…
Void
Music by Lasse Marhaug, Recorded spring 2012 at the Best Studio in Oslo, Artwork : David Leleu, Layout : 38 Fillette
Music For Piano
This new recording is collaboration by Yasumune Morishige and Rezen. Yasumune Morishige is one of Japan's most unique voices of the cello, improvising musician. His sound is not only hard edge and deep but also sensitive, however, he has played with other artists almost than solo. Reizen has acted as ambient unit Nerae until several years ago. He plays guitar drone now, and the sound was released on PSF and Fylkingen. In this recording, they played inside (and prepared) piano only. Especiall…
Music Performance 'KIYOH'
Yumiko Tanaka is a gidayu shamisen player active in the fields of contemporary classical and improvised music as well as traditional Japanese music. Tanaka performed as a musician and actress in Hashirigaki (premiered in 2000), a music theater production by German composer/director Heiner Goebbels; and created the music for and performed in Dogugaeshi (premiered in 2004), an object theater work by American puppeteer Basil Twist. Based on these experiences, in December 2010 she created, pr…
Infra
Since the 1980s, Pascale Criton has been exploring sound variability, microtunings, multisensory receptions and the spatialization of listening. Silvia Tarozzi, violin, and Deborah Walker, cello, are two adepts of contemporary and experimental music and free-improvisation. Together with Pascale Criton they have been exploring microtonal extended techniques and gestural processes on a violin and a cello tuned in 1/16 of a tone. The compositions that resulted from this process are conceived…
Tone
Kurt Liedwart, a Moscow-based musician and curator of Mikroton Recordings, developed his own art and sound that cross genres, mixing music practices such as electroacoustic and improvised music, noise and glitch, and art movements such as Actionism and Fluxus. He plays a wide-ranging array of instruments such as analog synthesizers, electronics, light-controlled electronics, electromagnetic devices, laptop, sinewaves, field recordings, percussion processed electronically in real time.
"To…
This Is Not The Ant
Dammit, those Elks are exploiting their instruments for no good again. While Marta and Billy seem to have gotten it all wrong regarding their very strange collection of machinery, it's just a careless abuse how Liz and Kai handle their horns. Perhaps from the experimental music scenes of Berlin and Vienna one might expect a rather reduced and elegant sound world, but these Elks have some other ideas in store, and don’t mind to get their antlers a little dirty. There is no fear here of the…
Trailer
Petr Vrba and Veronika Mayer use non-idiomatic improvisation to research the combination of textural materials, crossing them with vibrations of objects on the speakers, pure sound waves, feedbacks, tones coming from trumpet, accordion, electronics, and laptop, culminating in the creation of a muscular frenetic soup of tense energy fields.
Petr Vrba explores non-idiomatic improvisation using trumpets, clarinets, vibrating speakers and other electronics which made him one of the most activ…
Borderland
Cilantro is the duo of multi-instrumentalists Angelica Castello on paetzold, ukulele, organ, tapes, & electronics, and Billy Roisz on electric bass, organ, tv, piezzo, computer & electronics, scrutinizing the activity in bordering areas between noise and silence, tenderness and rudeness, beat and drone, inner consciousness and outer awareness, control and freedom.
"Cilantro presents a world full of enigmas, labyrinths, sometimes abrasive, sometimes ecstatic, a complex and delicate subjec…
Uncertain Outcomes
Two concerts of experimental improvisation from Eddie Prevost and Christian Wolff, two giants of conceptual improvisation and composition, recorded at Ikletick in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.
Beginning To Fall In Line Before Me
Nazoranai is the supergroup of Keiji Haino, Oren Ambarchi and Stephen O'Malley. For close to four decades, Haino has been a legendary figure in Japan's avant-garde community through his commanding presence in the band Fushitsusha and numerous solo ventures. Ambarchi, a prolific electro-acoustic composer of heavy ambience and hypno-rock, has long stood at the leading edge of Australia's experimental music scene, while O'Malley remains a principle architect for the drone / doom metal project Sunn …