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For over 30 years troubadour walier DAN IRETON has called upon the spirit of 78 shellac blues n' psychedelic Stooges n' Velvets to fuel his guttural, pure soul ethos of the song. Hints at the classic forms of Dylan's Blood On The Tracks, Buckley's Starsailor & the celestial fug of Sun Ra' third-eye vision to create an approach untraveled yet increasingly influential. Kicks up the most outward bound & staggering approaches to Gus Cannon's "Walk Right In" & Robert Johnson's "Stones In My Passway" …
A Day Without Disaster is the newest chapter in the musical adventures of Nick Castro & The Young Elders. The group has spent the last year recording and touring the world while honing their skills both in the studio and on stage. This EP, on Italian label A Silent Place, is a glimpse into the ever-evolving minds of NC & The Young Elders, which are dwelling somewhere between the romantic male/female duets of Richard & Linda Thompson and the exotic worldly arrangements of the Incredible String Ba…
...Female Blues Singers - Rarities 1923-1930. The Sub Rosa label presents a collection of works from obscure and forgotten female blues singers, exploring the question: what can be said about a singer whose entire work fits on a single-sided 78rpm record? What circumstances led to this recording? Who decided to do it? For whom was it intended? Why wasn't it followed by more recordings? Hypotheses get lost in places and moments themselves forgotten. What remains are these miraculous voices that h…
EXCLUSIVE ADVANCE RELEASE! A could-have-been classic from John Terrill, cofounder of Bloomington's the Dancing Cigarettes. Unlike the wiry art-punk of his late-'70s band, "Frowny Frown" is a far more intimate set of homespun pop-psychedelia, recorded between 1989-99 and only hand-pressed for close friends. A halcyonic journey with rich layers of vocal harmonies (perhaps a sly nod to "Smiley Smile") that fans from Bobb Trimble to Galaxie 500 will find much to love. Includes a bonus track from '84…
 The mysterious pseudonym remains, in this, the second release in the Taste of Ra trilogy. The accompanying information describes the music as such: "When your ears are gates and they're wide open. Levels of sound will chase you down, collide, kiss and fight. In the yard that you now found; The past will meet the present, you're paying past with present. When you finally hear her voice that makes you leave your body behind and meet as gods...Sound will evolve and something that was once heard…
This is the same Clayton Noone who isn't (but will soon be) a legend; the same man behind the art-punk Futurians and junk-noise Armpit. Nevermind his super obscure CD-R- only collaborations with Last Visible Dog label-mate Antony Milton, going under the name 'Claypipe.' Ironclad however differs from so much of Noone's output in that it is both more personal and more accessible. While none of the trappings of the low-fi New Zealand noise aesthetic are gone, this is more gentle, more melodic; a fo…
From the vibrant Southern quasi-capital of Durham emerge Megafaun, wearing earnestness across the chest and abstraction along the sleeves. They pour forth dulcet harmonies, as seeking vocals tug banjo lines up the Appalachian mountains; redemptive noise soaks everything, like thick air wafting from the Atlantic. Clawhammer banjo and strummed acoustics lock and roll with electric guitars and electronic textures. They realize that folk implies deep, personal, intense expression, whether the instru…