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2004 release ** "The cast of players includes cellist Fred Lonberg-Holm, the newest member of Vandermark 5 (plus Wilco, Terminal 4, The Boxhead Ensemble, Pillow, and the Peter Brotzmann Chicago Tentet, to name just a few); Lou Mallozzi, a sound artist from Chicago who lists Mats Gustafsson, Jaap Blonk, Sebi Tramontana, Michael Zerang, and Guillermo Gregorio as collaborators; and Portuguese violinist Carlos Zingaro, who has partnered with the likes of Anthony Braxton, Roscoe Mitchell, George Lewi…
The saying goes that, given typewriters and an infinite amount of time, a roomful of monkeys could write the complete works of Shakespeare. By that logic, if the same chimps were given a table-full of consumer electronics and a couple of hours, they would likely produce a decent album of electronic, improvised music. I feel safe in guaranteeing, however, that it wouldn't be anywhere as compelling and listenable as the new recording by this quartet of highly developed mammals known as poire_z. Ov…
Somewhere between Musique Concrete and a kind of abstract improvisational work, using extended techniques and electrification that disconnects sound from any recognisable source. A fascinating first record that sits between studio improvisation and extensive post production processing composition.
Two Toronto musicians and a visitor from London formed this trio that has worked on both sides of the Atlantic. Group improvisations on acoustic guitar, alto saxophone and percussion that cover the whole gamut from dense high-energy to sparse interactions.
About I n : : t e n s i o n : 'Since a very young age, I have always been attracted to journeys and traveling to places not known to me. Last year, I watched a film from Mongolia about a dog. Once the dog dies, its soul is free to travel and wonder through landscapes and memories as a disembodied spirit. Each part of I n : : t e n s i o n : . is part of a longer journey, where you can hear, sense and discover different memories that a wandering soul revisits. Percussive, intimate, visceral, ritu…
ErstLive is a new series of releases from Erstwhile Records, documenting notable live sets associated with the label. The discs are designed to simulate a concert experience, each in the same template design using two colors chosen by the musicians involved, with a photo of the concert on the back cover. Each will be in an edition of 800 CDs and not reprinted. The initial releases will be chosen from the AMPLIFY 2004 festival which took place in Cologne and Berlin in May 2004. ErstLive …
"between", for me is about the tension and space between objects, and how we might occupy this area, to reside if you like between the conventions, to locate the flexibility that comes from de-theorizing the dogmas. It seemed to me as if Toshi and I were navigating a route through a familiar part of town, where each of the buildings stood for and represented expectations, styles, outcomes and histories. We wanted to resist entering the buildings and to stay between. The cover art and photo attem…
A document of a performance last autumn at Parisian Improv spot Instants Chavires, in which Günter Müller is flanked by two very different but distinctive users of the electric guitar. On one side of the stage is Keith Rowe, who's worked for half a lifetime to unsettle the boundaries between music and noise. On the other is the restrained presence of Taku Sugimoto, whose crabbed phrases waft above the shifting timbral networks laid down by the other two. The trio's music is dominated by rasps an…
Late-night improvisation captured on a stormy November evening in an old church during the 2006 Huddersfield Contemporary Music Festival. John Butcher's soprano and tenor saxophones intertwine with Xavier Charles' clarinet and Axel Dörner's trumpet across 51 minutes of remarkable sustained exploration that stands as one of the defining documents of contemporary European improvised music.
Tempestuous moves between the poles of calm and urgency that the setting might suggest, with the trio navigat…
The press release is disingenuous in describing "Forlorn Green" as "lo-fi": even if Jason Lescalleet's work involves tapeloops using cheap recording gear and "trashed" speakers, his digital reworking and mastering is painstakingly perfectionist and perfect. Recorded in four different locations in the Boston area (a church, a gallery, an art school and the local Twisted Village record store) and crafted in Lescalleet's studio with what can only be described as loving care, the sonic alchemy of …
2003 release ** "Justin Bennet, Anne Wellmer and Stephie Buttrich fuse minimal electronica and free improvisation in a set of 16 warped and lovely songs."
Highlights from small group recordings from the 2001 Freedom of the City festival featuring artists such as Steve Beresford (electronics), John Butcher (saxes), Lol Coxhill (sax), Paul Rutherford (trombone), Phil Minton, and more in various arrangements.
The short story: Prints is Fred Frith's first album of songs in 20 years. The long story: it is actually a collection of compilation tracks and unreleased studio sessions recorded between 1987 and 2001. No matter if you already own a few of these, a pop album by this man is a rarity -- and that is truly a shame. Of course, as a respected improviser, serious composer, and educator, anything lighter from this pillar of modern music will meet with severe criticism from people who take themse…
Together Chris Corsano and Paul Flaherty have re-written the concept of modern free-jazz with their post-hardcore punk style approach of euphoric togetherness. Ferocious, spontaneous, explosive and aggressively lyrical, they've established their groundbreaking duo with loads of shows and a host of tremendous recordings.
When tales of C. Spencer Yeh's Burning Star Core project reached Corsano/Flaherty, the duo were eager to see him jam. Fortunately, fate brought them together at the DeStijl/Freed…
Ferran Fages, electric guitar.Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played.'a cavall entre dos cavalls' is a exemple of that. The record…
Awesome trio, Ernesto Rodrigues, violin, viola; José Oliveira, percussion, acoustic guitar; Marco Franco, soprano saxophone. Recorded on 6 November 2001 at Exit Studio, Lisbon.
eRikm and dieb13 are two of the most prominent and well-respected experimental turntablists in the world, both working in a wide range of contexts, from the classical world to club DJing. Over the last two years, they have begun frequently working as a duo, and chaos club marks their first duo recording together. eRikm, from Marseille, burst onto the scene in the mid-'90s as a virtuoso turntablist. Since then, he has gradually shifted his output into a more abstract vein, often abandoning the tu…