Jazz /
The Kid!
Harold Ousley’s The Kid! is a superb example of early-1970s soul-jazz and jazz-funk, putting the spotlight on the saxophonist’s distinctive tone and commanding presence. From the first notes, the album radiates energy and character, marrying dynamic phrasing with a deeply confident sense of swing.
The record thrives on infectious grooves, a tightly locked rhythm section, and spirited improvisation that keeps the music moving at every turn. Seamlessly blending the worlds of jazz, funk, and soul, …
Chasing Light
Moses Yoofee Trio, the Berlin group of pianist Moses Yoofee, drummer Noah Fürbringer and bassist Roman Klobe, came up through clips of their jams posted online, which drew a following and led to the 2023 mini-album Ocean on LEITER and a German Jazz Prize for live act of the year. Their 2025 debut album proper, MYT, expanded the improvised concept with fuller arrangements, landed on year-end lists and a German Jazz Award nomination, and sent them touring through Asia, the US and Europe.
Chasing L…
La Flute Des Mornes Volume 1
Bongo Joe and Sofa Records reissue the 1981 debut by Max Cilla, the Martinican flautist who spent his life restoring the bamboo flute of his island's hillsides to a music that had nearly forgotten it.
The Will Come Is Now
On The Will Come Is Now, Ronnie Boykins finally moves from Sun Ra’s bass chair to the centre of the frame, leading a septet through six originals where earthy groove, cosmic harmony and astonishing arco work reveal the band’s quiet architect as a full‑blown composer.
Trio
On Trio, Lowell Davidson explodes the piano tradition from the inside out, trading clustered storms, sudden lyric breaks and pregnant silence with Gary Peacock and Milford Graves in a one‑off 1965 session that still feels dangerously new.
The Call
On The Call, Henry Grimes refuses the “leader date as reward” narrative, stepping out as a co‑equal melodic force with Perry Robinson and Tom Price in a trio document where free jazz means deep listening, not just full‑bore blaze.
Timeless Records: From the Archives (1974-1991)
On Timeless Records: From The Archives (1974–1991), Antal rethreads the Dutch label’s glory years into a double‑LP of modal and spiritual fire - from Pharoah Sanders to Art Blakey, Woody Shaw and beyond - built for dancers, diggers and late‑night headphones alike.
Your Letter Must Have Followed Me All Over The World
Thollem performs original themes and improvisations on four pianos in unique tuning systems devised by Clem Fortuna. Clem joins Thollem in performance on Ten Tone Equal Temperament with spontaneous tuning alterations.
Clocking The Wheel
In June of 2013, a new label for improvised music was born. After years of working with other labels in the “business,” saxophonist and label founder Dave Rempis saw the writing on the wall that many of those outlets for underground music would soon go belly up. With shifting modes of consumption and distribution due to the wave of digital options drowning out traditional music media, it became clear that artists working outside of the mainstream would have to take over their own production and …
Fela Ransome Kuti and his Koola Lobitos
Before Afrobeat, there was Highlife-Jazz and Afro-Soul. Highlife music, originally from Ghana and widely popular across West Africa, dominated the music scene in Lagos when Fela Kuti returned to the newly independent Nigeria in 1963. Fela had been studying trumpet at Trinity College of Music in London where he met drummer Tony Allen, who also joined him in new group Koola Lobitos as they sought to mix things up by introducing the sounds they had heard in the capital's jazz clubs. The music of Fe…
It’s Always About Liberation
Ancient Infinity Orchestra return with their third album, It’s Always About Liberation, a new record that deepens the vision of their acclaimed recent work while moving into darker, more searching emotional territory.
Conceived as a partner to It’s Always About Love, this new body of work shares its predecessor’s generosity and spiritual openness, but carries a different charge. Where the previous album focused on healing and warmth, It’s Always About Liberation is largely animated by struggle, …
Clarity
To mark 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "Clarity / Circle / Triangle / Square", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. This album is like no other I know, a new world, finding a perfect balance between multiple genres. Moved-By- Sound is very excited and honored to be involved in releasing the first reissue authorized by Michael Gregory Jackson since the original release i…
Moanin'
Moanin’ is the sound of Art Blakey turning a band into a congregation, with Lee Morgan’s trumpet, Benny Golson’s tenor saxophone, Bobby Timmons’s piano, and Jymie Merritt’s bass all testifying over Blakey’s unmistakable cymbal crashes and press rolls. From the call‑and‑response of the title track to the burning hard‑bop vehicles that follow, the record distils church‑infused, blues‑drenched celebration into a small‑group format. Each soloist brings a distinct voice – Morgan’s bright fire, Golson…
Out To Lunch!
Out to Lunch! remains one of the most strikingly original statements on Blue Note. Eric Dolphy marshals Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davis on bass, and Tony Williams on drums into a unit that treats his knotty compositions as springboards rather than straitjackets. Themes like “Hat and Beard” arrive full of angular intervals and odd accents, while the rhythm team tilts and lurches under them, propelled by Williams’ restless cymbal work and Davis’ flexible g…
Facing You
Where it all began: Keith Jarrett's first ECM solo piano album (1971). Spontaneous compositions of startling melodic and rhythmic invention that foreshadow The Köln Concert. A cornerstone of jazz piano.
Maiden Voyage
On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Modal harmonies, open forms, and long, swelling melodies create a sense of expanse; Carter and Williams suggest tides and undertows, while Hubbard and Coleman trace arcs that feel both exploratory and inevitable. Hancock’s piano balances delicacy with fo…
Bauke Meersman
On his self‑titled debut, Bauke Meersman steps into focus with an intimate, detail‑oriented statement: a set of pieces shaped as much by touch, space and recording perspective as by melody, quietly framed by DHM Records’ tactile artwork and production care.
Do The Impossible: Original Soundtrack to the Documentary (2LP + Bluray)
Purple Vinyl! How do you make a documentary film about a man who was also a myth? About a musician who was more than a musician? About someone who asked us to trust our intuition more than our rational minds? This double LP contains the original soundtrack to the accompanying PBS documentary! Includes liner notes from executive producer Bradford Smith about the making of Sun Ra: Do The Impossible, interviews from members of the Arkestra and a BluRay disc of the doc!
Firelight assembled an incred…
Do The Impossible: Original Soundtrack to the Documentary (3CD Box)
How do you make a documentary film about a man who was also a myth? About a musician who was more than a musician? About someone who asked us to trust our intuition more than our rational minds? This double CD contains the original soundtrack to the accompanying PBS documentary! Includes liner notes from executive producer Bradford Smith about the making of Sun Ra: Do The Impossible, interviews from members of the Arkestra and a BluRay disc of the doc!
Firelight assembled an incredibly talented …
Because It Happens
„Not So Late / Because it Happens“ on CD and „Because it Happens“ on LP is the material recorded live on August 5th 2025 in London at legendary Cafe OTO. Three masters of improvisation: Mikołaj Trzaska on saxophone, John Edwards on double bass and Mark Sanders on drums. They don't use the term "improvisation," preferring instead to speak of "live composition" and the audience, who are an essential component of the concert ritual. The community created by the performers and the audience's attenti…