Jazz /
Mining The Seam - The Rest Of The Spotlite Sessions
Alto Saxophone – Trevor WattsBass – Barry GuyDrums – John StevensRecorded at Riverside Studios, London, May 1977. Previously unissued.
Fragments of parts
Roger Turner, drums. Witold Oleszak, piano. Recorded in 2012.'Both players are equally skilled in anticipating the moment at which exposed, entwined resonances will peak and yield their richest fold of textures. They can also both intuit, superbly, whether a given sound should be enhanced or, favouring momentary silence, they should cancel it out. Their closely-considered duets on this album make for a detailed, absorbing experience, every moment yielding the anticipated unexpected.'
My Undocumented Alien Clarinet
What constitutes an unidentified sighting, the rarely heard "alien" clarinet playing of Joe McPhee and the ineffable electronics of Bryan Eubanks? Penultimate Press present My Undocumented Alien Clarinet: a strange sensual addition to the ever inquisitive McPhee canon. My Undocumented Alien Clarinet is a beguiling document of a performance held at Alternative Books, Kingston, New York, Sunday, August 6, 2006 under the auspices of the Pauline Oliveros Foundation's New Vanguard Series. My Undocume…
The Elephant Clock of Al Jazari
Four exceptional improvisations of powerful solo piano with an unusual and inventive twist live at London's Cafe Oto
I Forgot to Breathe
Lean Left, the quartet of jazz drummer Paal Nilssen-Love and saxophonist Ken Vandermark with The Ex members Terrie Hessels and Andy Moor, present I Forgot To Breathe. Personnel: Paal Nilssen-Love - drums; Terrie Hessels - guitar; Andy Moor - guitar; Ken Vandermark - reeds. A quartet bringing together two guitarists from the punk group The Ex with two major figures of the current free jazz scene. An overflowing energy in constant evolution
Cut Air
Jim Denley has been playing flute since 1969 - after 50 years of a curious love/hate relationship with the instrument this is his first solo flute-only recording. He aims to situate this music within a global outlook, with a pacific perspective. Being from a continent, Australia, where there is no flute tradition, he’s taken cues and elements from flute traditions that still have power and currency — the European flute with it’s purity, brilliance and dexterity, the earthy simplicity of bamboos …
Frogs (Ep)
7" picture disc for Barry Guy's 70th birthday. Interspecies personnel: Laubfrosch (Hyla Arborea) - acoustic sounds; Wasserfrosch (Rana Esculenta) - acoustic sounds; Barry Guy - acoustic sounds. Recorded May 30th, 2011 by Maya Homburger in Oberstammheim, Switzerland; Edited and mastered by Mikael Werliin at Studio Oodion Göteborg; Photos by Maya Homburger; Graphic design by Lasse Marhaug; Produced by Mats Gustafsson. Limited edition of 300 (numbered).
Refraction
I first met Mark sometime in the early 90’s when we were both working in Chelmsford. He was running Soundworld Records above the musical instrument shop of the same name, I was over the other side of town in an insurance brokers. I’d played quite a bit of free improvisation at that point, mostly at the old LMC in a quartet called Make Shift together with Peter Urpeth, Stuart Wilding and long-time colleague and playing partner Geoff Collins. But had been away from it for a few years and wa…
Free
Latin jazz percussionist Airto Moreira's third solo album, originally released in 1972. Featuring Chick Corea, Keith Jarrett, Stanley Clarke, Ron Carter, Nelson Ayres and others. Airto has played with the likes of Miles Davis, Donald Byrd and, most recently, on Arthur Verocai's Timeless project.
East Meets West
Exact repro reissue of this Middle Eastern/jazz fusion LP, originally released by RCA in 1959. The late Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic and also the hardest to find. The Brooklyn native was of Sudanese descent; in addition to playing bass on this interesting blend of Middle Eastern instruments with those from the world of jaz…
Sitar Beat
**2019 stock, reduced price** Big Jim Sullivan was a well-known session musician in his time and was asked by many bands including The Who, The Rolling Stones, The Animals, Lulu, The Kinks to name just a few. Going to a music school must have been a novel idea as Big Jim had been playing guitar on sessions since 1957, resulting in his presence on more UK hits than anyone else. He studied with a famous Indian sitar player who gave Jim the necessary insight to be a creditable player. The result wa…
Integration
Pheon is the new label started by Jonny Trunk with James Pianta from Votary / Roundtable. Both have a love of obscure library music, film music and jazz. Using those musical fields as a starting point, the label will be issuing very limited, vinyl only short runs of desirable and obscure LPs, compilations and new old discoveries. The third Pheon Records LP release is the 1969 debut by Indian jazz guitar legend Amancio D’Silva. A perfect storm of amazing, accessible British jazz and incredi…
Black Fire
Matsuli Music is proud to announce the re-issue of Black Fire, the 1976 debut album of legendary Cape Town spiritual jazz funk band Pacific Express. The band was home to jazz musicians Chris Schilder, and Basil ‘Manenberg’ Coetzee as well as fusion and soul musicians Robbie Jansen, Issy Ariefdien, Paul Abrahams, Jack Momple and Zayn Adam.This album is hard evidence of that 1976 musical moment in which Pacific Express forged an entirely new South African sound and musical identity out of what was…
African Songbird
Matsuli Music is proud is announce the re-issue of African Songbird, the masterpiece from South Africa's greatest jazz singer, Sathima Bea Benjamin. Originally released in 1976, African Songbird was a debut long overdue. The splendid vinyl reissue of African Songbird opens with a cavernous, spacious, enormous sound, Bea Benjamin’s voice is introduced by Dollar Brand’s plangent, lingering electric keyboards before the ensemble joins in like rolling thunder. The vibrant plucked bass (provided by L…
World Galaxy
''My Beloved Brothers and Sisters: I am overwhelmed with joy to see the entire youth of America gathered here in the name of the fine art of music. In fact, through the music, we can work wonders. Music is a celestial sound and it is the sound that controls the whole universe, not atomic vibrations. Sound energy, sound power, is much, much greater than any other power in this world. And, one thing I would very much wish you all to remember is that with sound, we can make—and at the same ti…
Based On A Novel
Svart Records is proud to reissue Olli Ahvenlahti’s first three LPs. This is his third and most difficult to find album, Based on a Novel. Olli Ahvenlahti’s first albums were issued by the independent company Love Records which then went bankrupt in 1979. Otto Donner, one of the founders of Love Records and the power behind the scenes of Bandstand and The Poet, decided to form a new recording company, Ponsi. The doors were once again open for Olli Ahvenlahti to enter the studio. Ponsi was, howev…
Springboard
The quartet of Ian Carr, Jeff Clyne, John Stevens and Trevor Watts - encounter here in their only recorded document, is among the most important gestures in the history of British free jazz. Issued in 1969, but recorded three years earlier, Springboard offers a window into the origins of an entire movement - the flowering of change within a music in geographies not its own. Free jazz always had a more receptive audience in Europe than in America. It’s not surprising that indigenous realisations…
Prophecy
ESP-Disk present a reissue of Albert Ayler's Prophecy, originally released in 1975. Recorded in concert at the Cellar Cafe, NYC, June 14, 1964. Three weeks before this trio recorded ESP-Disk's first jazz album, the epochal Spiritual Unity (ESPDISK 1002CD/LP), it was captured "live" by Canadian poet Paul Haines, who also recorded the New York Eye and Ear Control soundtrack (ESPDISK 1016CD/LP). This is one of the most influential groups in jazz history, a coming together of like-minded innovators …
European Jazz Sounds
Alto Saxophone – Klaus Marmulla (tracks: 1-1 to 1-10, 2-1 to 2-15), Peter Reinke (tracks: 1-11, 1-12) Bass – Hajo Lange (tracks: 1-1 to 1-10, 2-1 to 2-15), Wolfgang Lauschert (tracks: 1-11, 1-12) Drums – Heinz von Moisy (tracks: 1-1 to 1-10, 2-1 to 2-6, 2-8 to 2-11), Joe Nay (tracks: 1-11, 1-12), "Eminenz" Roberts (tracks: 2-7, 2-12 to 2-15) Piano – Michael Naura Vibraphone – Wolfgang Schlüter (tracks: 1-1 to 2-6, 2-8 to 2-15) Vocals – Gitta Eilers (tracks: 2-14, 2-15) In the booklet drums for t…
European Jazz Sounds
Alto Saxophone, Clarinet – Bernd Rabe Baritone Saxophone, Vibraphone – Karl Blume (tracks: 1 to 8) Bass – Eberhard Pommerencke Drums – Helmut Perschke Guitar – Heinz Kitschenberg (tracks: 14 to 21) Piano, Accordion – Klaus Wunderlich (tracks: 1 to 8) Piano, Vibraphone – Gerd Mann (tracks: 9 to 21) New Jazz Group Hannover recorded November 1954 by the BFN (1, 2) December 1954 at Studio A, BFN Cologne (3 to 8) May 19, 1955 at Kongresshalle, Frankfurt/Main (9 to 13) May 30, 1955 at Volksbildungshei…