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Temporary Offer. Recorded for Berry Gordy's short-lived Workshop Jazz imprint and recorded at the Hitsville USA studio, Roy Brooks (joined by fellow Detroit natives George Bohannaon and Hugh Lawson, along with Blue Mitchell, Junior Cook, and Eugene Taylor) injects a Motor City soul-jazz groove into the hard-bop root of this engaging 1964 album. Manufactured at Third Man Pressing in Detroit MI 180g audiophile quality vinyl
Temporary Offer. Verve by Request Manufactured at Third Man Pressing in Detroit MI 180g Audiophile Quality Vinyl. As one of the last albums Don Cherry recorded before he passed away in 1995, “Art Deco” could be considered something of a return home – or at least a glance back over the shoulder. By 1988, the non-conformist trumpeter had been travelling the planet for about three decades, absorbing folk music of all styles, which led to collaborations with a wide variety of musicians. From South A…
1995 release ** “The music on L’âme de l’objet is strongly fed by Côté’s work for theater and dance performances, as it bears a remarkable plastic quality. One can feel the movement. All pieces (initially written by individual members and worked out by the whole band) are very atmospheric and often fitting a strange avant-gardist film noir mood, thanks mostly to the trumpet plus saxophone arrangements and Martin Tétreault’s remarkable performance (and highly original choice of LPs).”
1999 release ** "As John Corbett argues in his liner notes, this session, recorded in 1969 (but not released until 1999) at the national Swedish TV studio, is a fascinating document of European free jazz. Phil Minton hasn't yet developed the timbral serialism and lightning speed of his later vocal work, but he hollers and trumpets with gusto. Minton's grandiose arrangements owe a debt to John Coltrane's Africa/Brass, but they have a special dignity too."
1992 release ** "The first live documentation of this, at the time, three-year-old, hard working trio. A wild romp of different jazz and world music styles connected by intense improvisation."
Michael Moore - alto saxophone, clarinet, melodicaErnst Reijseger - cello, electric celloHan Bennink - drums, percussion
1996 release ** "Recorded live in 1995, Italian woodwind specialist Stefano Maltese along with fellow countryman, percussionist Antonio Moncada garner the services of modern jazz/improvising superstars pianist Keith Tippett and saxophonist Evan Parker for this engaging affair. Here, some of Italy's finest team with two musicians who respectively helped shape the oft-fabled British free jazz movement for two lengthy improvisational pieces consisting of spurious dialogue, turbulent reinvention, an…
1993 release ** “Lisa Sokolov displays incredible vocal range, versatility and creativity on her wild interpretations. This album is like a ticket to an avant-garde vocal extravaganza. It will make you sit up and listen until curtain-fall.”
2025 stock ** "The beauty of this music lies precisely in the capability of transmitting echoes of the pianistic music research happened in the last 50 years, filtered by Nicola Guazzaloca's personal and unmistakeable gaze.Prepared piano, improvisation, but also lyricism and the delicacy of the touch are the ingredients of his musical landscape. The ability of reinventing and being at ease with the "piano solo", aim and test for every pianist appears to us as one of the most precious elements of…
Orange Vinyl edition with OBI strip, Hand Numbered. RuinsZu is fusing the original core of Rome’s ace Zu bassist Massimo Pupillo and saxophonist Luca T Mai together with drummer Yoshida Tatsuya, founder of the Japanese band Ruins. An Italian-Japanese cooperation of outstanding artists in the loud extreme of avant-garde music produces Jazzisdead Live. Bass guitarist Massimo Pupillo from the band Zu teams up with saxophone Luca T. Mai (of Ruins and now Ruins Alone) and drummer Tatsuya Yoshida. The…
1994 release ** "Although altoist Julius Hemphill gets top billing on this CD, his heart surgery in 1993 forced him to stop playing. However, this saxophone sextet was his regular group; he contributed six of the eight compositions (the other two are free improvisations) and the chancetaking heard throughout this adventurous music definitely makes most of the performances sound like they came from a Julius Hemphill recording even if his alto is missed. The sextet has a very strong lineup (altois…
180g Vinyl LP! Pressed at Third Man in Detroit! Marion Brown ended his '70s stint at Impulse! Records with this serene and colorful album. It features musicians such as drummer Ed Blackwell and bassist Reggie Workman, plus Stanley Cowell on acoustic piano and Fender Rhodes. While Brown wrote the blissful coaster Vista, the five other compositions are well-chosen, starting with an inviting version of Cowell's "Maimoun" and an impressionistic and deeply meditative take on Stevie Wonder's "Visions"…
Opening with the 18+ minute track of the same name, Archie Shepp’s ‘The Magic of Ju-Ju’ takes on a fevered pace as the centrepiece of this date from 1968. Shepp lets loose from the beginning as he’s joined by Beaver Harris, Norman Connor, Ed Blackwell, Frank Charles and Dennis Charles, all on percussion. The initial pace never dissipates throughout the title-track’s run. The additional tracks on Magic of Ju-Ju are a departure from the first, sitting more in a traditional realm. The album is a va…
*2025 stock* "A “meeting of spirits” between Greek singer Savina Yannatou and legendary free jazz bassist Barry Guy recorded live in Amsterdam, May 2010, where they performed at the famous Bimhuis Club. The music consists of free improvisations and a composition by Barry Guy, alongside two traditional songs arranged by Savina Yannatou and Barry Guy.The architects Ilya and Emilia Kabakov imagined a vertical opera space of several floors to be built within a cooling tower at the Zollverein Collier…
*2025 stock* New recording from the free jazz trio of Agustí Fernández (piano), Barry Guy (bass) and Ramón López (drums and percussion) to follow their much acclaimed 'Aurora' album. The album includes a second ‘bonus’ disc of music recorded live in New York. "... Morning Glory rises as a monument dedicated to all music; music that has come and gone, music in the making, and music yet to come. Any genre, any emotion, any referent finds expression in this work, where introspection (“An Anonymous …
*2025 stock* "“We are the place in which we dwell.” In a universe such as improvised music where, particularly in an ensemble, chance plays some kind of role, Agustí Fernández and Barry Guy did not by chance name this opus Some Other Place, paradoxical as it may seem at first sight. Much rather, it is a deliberate plight to give to this composition a title that brings up the notion of otherness, which is markedly present in both their careers. Many areas were scoured, at times under the command …
*2025 stock* "There was a sense of excitement as the trio opened their first set in Birmingham of a mostly north England tour. Adjectives such as spiritual, energized, even devotional all come to mind. The meeting with Ken Vandermark in a classic trio formation of Saxophone (doubling clarinet), bass and percussion was suggested by Mark Sanders reacting to a tour proposal by the indefatigable organizer of Jazz events in the U. K. Tony Dudley-Evans. The music was like an initiation, a very special…