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Recorded August 22, 1979 at Campagne Premiere, Paris, France
All compositions by Dave Burrell and Monica Larsson, unless otherwise noted
Dave Burrell - piano
Sam Woodyard - drums
Recorded on 8th September, 1993 at Café Amores in Hofu City, Yamaguchi, Japan
Motoharu Yoshizawa - homemade electric vertical five strings bass
Kim Dae Hwan - percussion
With Bamboo Noodles, Organic Pulse Ensemble (the one-man project of Gustav Horneij) serves up four deep, groove-laden tracks built around bamboo flute improvisations, blending spiritual jazz, Eastern flavors, and infectious rhythms
Steve Beresford, a central figure on the British and international music scene for over forty years, meets the Tilli/Tramontana duo. The friction between the British aplomb with the multifaceted Italic personality and the underlying love and seriousness towards music give us a trio full of verve, gimmicks, and profound lightness.
This is the first to be released of a series of albums ESP started recording in 2023 combining artists who hadn't worked together before. In this case, we team saxophonist Larry Ochs with the Flow Trio rhythm section of drummer Charles Downs and bassist Joe Morris. They meshed magnificently on their first encounter! Larry Ochs, co-founder in 1977 of ROVA Saxophone Quartet, was born in New York City but has long been based on the West Coast, specifically the Bay Area. He has also been a member of…
Soul Media, led by Jiro Inagaki, played a part in the development of jazz rock in Japan. This work, "Memory Lane" recorded in 1980, was the final work under the same name. Inagaki said about this work, "We tried to create this work while predicting the fate of fusion music" and it is true that the sound is completely different from ordinary fusion. The mellow and emotional "Memory Lane" the stormy and refreshing "I Will Give You Samba" and the groovy and edgy "Take My Hand". The sound that was c…
*2025 much needed repress!!* Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
2025 much needed repress!! Since its formation in 1969, Soul Media had been advocating a fusion of jazz and rock. The next step along that line was this album, In the Groove, recorded in 1973. The sharpness of jazz is brought to the forefront, with rock melting in to give it an edge, and funk injected to imbue it with power and resilience. The result was a strong, sophisticated, and simply "cool music" that could not be categorized within existing genres such as jazz rock, jazz funk, or fusion. …
A joint release from US label Astral Spirits (Austin, Texas) and Thanatosis Produktion (Stockholm), It could / If I is the first album from Stockholm-based, longstanding duo Johan Jutterström (saxophone) and Alex Zethson (piano). In addition to the duo’s own reimaginations of a few so-called jazz standards, it contains songs by artists such as Leonard Cohen, Pet Shop Boys, John Lurie, and German 19th century composer Alexander Fesca.
"On this record what tunes are played somehow matters less tha…
Adam O’Farrill - trumpet & flugelhornMary Halvorson - guitarPatricia Brennan - vibraphoneDavid Leon - alto saxophone & fluteKevin Sun - tenor saxophone & clarinetKalun Leung - trombone & euphoniumTyrone Allen II - double bassTomas Fujiwara - drums
Produced by Spencer Murphy.Conducted by Eli Greenhoe.Mixed by Chris Krasnow.Recorded at The Bunker Studio by Chris Krasnow, Alex Conroy, Nicky Young.Mastered by Alex DeTurk.Artwork + design by TJ Huff (huffart.com).
All works composed and arranged by A…
*100 copies limited edition* "Fathm isn’t so much an album as it is a question—a pause in the middle of a conversation no one’s having, but everyone’s pretending to understand. It asks nothing of you, but demands your presence, your ear, your breath. The flute, a tender and fragile instrument, becomes almost otherworldly—like a butterfly in another dimension with teeth, or a marsh wren that screams only in windings. It speaks in fragmented thoughts, tracing edges of longing, absence, and memory.…
Buenos Aires or any city in the world. Daniel Melingo is in a rehearsal room. The musicians accompanying him have left, exhausted. The instrumentalist musician has been playing all the instruments, which for him are extensions of his body, for hours. The piano, the drums, the guitar, the bass, the xylophone, the saxophone, the bouzouki. He conducts an orchestra made up of himself. As if he was looking for the secret formula in his laboratory where every sound - even if it is not instrumental - i…
Yowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling. It’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 com…
During a 50+ year career across the spectrum of music saxophonist Larry Stabbins has worked with most of the important figures at the cutting edge of European Jazz and Improvisation from Mike Westbrook to Keith Tippett and Tony Oxley and Germany’s Peter Brotzmann, as well as with Robert Wyatt and Jerry Dammers Spatial AKA. Alongside this he played in the seminal pop group Weekend and formed Working Week with guitarist Simon Booth, a project that took a melange of latin, soul and jazz into the wo…
For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of colour, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a record full of life and optimism, from an artist finding the beauty of existing between two worlds, much as a sunset does. Between the cultures of Mongolia and Germany, tradition and innovation, nostalgia and ex…
2007 release ** "Pangolinorchestrà is a hybrid between a village band, ICP-tet, Liberation Music Orchestra, Albert Ayler Band, Jimi Hendrix Experience, N.E.E.M., Screamin Jay Hawkins, Jannacci and assorted Bennink-stuff. “Ex-perimento #5” - recorded at the “Centro Stabile di Cultura” in San Vito di Leguzzano and produced by the same Center in cooperation with Idee Nere and Stella Nera - gives a good image of a band whose forte should be the action directed from above the stage."
Right out of the gate one feels the energy and excitement between Japanese trumpeter Natsuki Tamura and NY drummer Jim Black, each pushing the other through strong instrumental character and outrageous technique over nine Tamura compositions recorded in the studio in Switzerland, their first recording in 25 years since their 1999 Buzz Records album White and Blue.
According to many enthusiasts and scholars, this album is among Sun Ra's most definitive studio recordings. The Magic City contains just four tracks, with the title- theme taking up the whole of the A side at a little over 27 minutes. Then on the B side comes The Shadow World, followed by Abstract Eye and Abstract I, which are two variants of the same composition. These pieces are essentially ensemble improvisations recorded live.