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*2024 stock* When Kid Millions and Sarah Bernstein conceptualized their new album, they decided to move away from well-trodden improvisational approaches and towards more transcendental, otherworldly sounds. Pulling inspiration from disparate influences such as early liturgical music, Ornette Coleman, Laurie Anderson, the minimalist metal band Sleep, Yoko Ono, masters of dub, drummers Milford Graves and Tony Williams, and composers Morton Feldman and Lou Harrison, they set out to create a cyclic…
“Weston lays down a ferocious groove with ecstatic shouts … tugging rhythmic displacements that tease like thunder and lightning throughout.” — All About Jazz
“This is the time that we, who have benefited from the Last Poets should be able to say, ‘it’s the Last Poets. It’s them we should be honouring, because we did not honour them for so many years…” KRS One wasn’t just addressing the hip hop fraternity when he uttered those words by way of introducing the video for Invocation – a poem written thirty years ago, around the time of the Last Poets’ last significant comeback. He was speaking to everyone who’s been affected by the word, sound and power i…
The Burning Bright Light is a mind-meld between improvisation trio Dromedaries (saxophonist Keir Neuringer of Irreversible Entanglements, Shayna Dulberger on double bass and percussionist Julius Masri) and sci-fi writer/vocalist Alexoteric (Alex Smith), evoking epic sci-fi cinemascapes, vocabulary- and reference-rich underground writing, the liberatory jazz tradition, and playful avant-garde experimentation.
Recorded in a single high voltage burst of cosmic collaboration on an October afternoon …
"No music making can be entirely non-idiomatic. Removing the metaphor, the claim is that it is characterless, without personality. But despite his best intentions, perhaps, one can hear a range of influences in Bailey’s own work – even if jazz isn't one of them. And the present album shows that "non-idiomatic" is the wrong description for much free improvisation. The common description "abstract" is also misleading. All music is abstract in form, humane in utterance." – Andy Hamilton
*200 copies limited edition* Gustafsson and Lindsjö had collaborated in the mid-eighties in the Swedish-American group The Bad Quartet. Playing local gigs in both New York and Lund. Lindsjö later moved back from New York City to reunite with Gustafsson in Stockholm, where the ensemble Gush had just begun to establish itself. With their shared American influences in mind, Raymond Strid was recruited on drums to form the trio Maxcolic.
The trio started off in a free improv funk/rock that contraste…
Thirteenth issue of We Jazz Magazine, "Zoning". 128 pages, 170 x 240 mm in size and printed on 140g Edition paper with laminated 300g Invercote covers.All articles presented in English. Includes Mary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up & Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman & Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt,…
This is the world's best student band rare groove! A storm of jazz funk coiled by the 70's Kashmere High School Brass Band from Houston, Texas, with an astonishing groove that you wouldn't expect from high school students! The songs, jacket design, sound quality, and every aspect of this rare groove masterpiece will be reissued on LP for the first time, including the four titles in the entire catalog!This is the third album released in 1971, and includes a cover of James Brown's "Super Bad" (A5)…
This is the world's best student band rare groove! A storm of jazz funk coiled by the 70's Kashmere High School Brass Band from Houston, Texas, with an astonishing groove that you wouldn't expect from high school students! The songs, jacket design, sound quality, and every aspect of this rare groove masterpiece will be reissued on LP for the first time, including the four titles in the entire catalog!Among the many student band albums, this 4th album released in 1972 is hailed as the "world's be…
Lee Morgan – trumpet, Wayne Shorter – tenor sax, Bobby Timmons – piano, Jymie Merrit – bass and Art Blakey – drums. Needless to remind that this was one of Blakey’s strongest line ups ever. A powerful and highly dynamic combo featuring young and yet very distinctive personalities driven by Blakey’s unprecedented force of nature. Hard Bop fans will be delighted by the re-release of this famous concert held in Lausanne (Switzerland) in 1960, where the second set featured, among others, an intense …
"The starry floor/The watery shore/Is given thee til the break of day.“ - William Blake
Music records a dream in which your other body goes out for a walk with a friend or two or more and brings back things you can grasp in the real world. If the ground beneath you is water and reflects the stars you may dream you're walking on stars. One morning, the Somnambulist woke up from his dream-walk with a record in his hand and miraculously they were all there: the uncanny encounters, spooling elucubra…
Everything is True is an album of a personal and sentimental nature, where various musical styles blend, influenced by music from different cultures, contemporary, orchestral, and electronic music. The instrumentarium is equally diverse, combining acoustic, electronic, and even unconventional instruments such as lithophones or prototypes of string instruments like the bassdesmophon. This fusion creates timeless-sounding pieces with exceptional tonality. Most of the tracks on the album were recor…
Musician A.M. Frison, known mononymously as Coultrain, is well-known for his experimental, psychedelic and world-building music. Coultrain is an esteemed experimental artist and active member of 577 Records’ sub-label, Positive Elevations, which is dedicated to electronic experimentation and avant soul. On MUNDUS, Coultrain overlays spoken word performance and his honeyed voice over smooth soul-inspired instrumentation, gentle snare and electronic melodies. The result is a lyrically-focused albu…
From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synth-ridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona's daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids' affections through the 1980s as Finde…
Building off of their debut album last year, legendary musicians and 577 mainstays reunite for a second volume. As in the first, saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another cosmic album. This project again draw from classic jazz arrangements, juxtaposed with a modern experimentalism and a huge range of instrumentation. Shine Hear, Vo…
*400 copies limited edition* A fantastic live recorded in Bremen on 8th November 1975 set from reedman Gary Bartz – captured here with his ultra-hip NTU group – who you might know from their classic albums on Milestone in the 70s! 1 hour and 46 minutes of free and spiritual jazz.
Unknown Rivers is bassist Luke Stewart’s debut for Pi Recordings. An omnipresent and galvanizing force on the music scene, Stewart is a leader or co-leader of such bands as Irreversible Entanglements, Exposure Quintet, Blacks’ Myths, Heart of the Ghost, and Remembrance Quintet. He is also among the most in-demand collaborators, having performed with the likes of David Murray, Nicole Mitchell, Moor Mother, Jaimie Branch, Nate Wooley, Ken Vandermark and countless others. Stewart is also a curator …
This long-awaited third volume featuring John Zorn's newest and most exciting ensemble, New Masada Quartet was recorded live at Roulette, one of Zorn's home bases in NYC. White hot and razor sharp, an intense electricity is in the air from the very first note. Resplendent with burning solos, telepathic group interaction, heartfelt lyricism, hypnotic grooves, and of course Zorn’s ever-surprising conducting techniques, this is truly one of the most transcendent sets they have yet performed. With a…
In Straight Up, Without Wings, Joe McPhee surveys sixty years in creative music. Starting with his trumpeter-father's influence and formative years in the U.S. Army, McPhee recounts experiences as a Black-hippy-cum-budding-musician based in upstate New York, perched at an ideal distance from Manhattan’s free jazz demimonde of the 1960s and its loft scene of the 1970s. A natural storyteller, revealing never-told tales and reveling in the joys of noise, McPhee puts the influence of – and encounter…