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A compelling collaboration between guitarist Fred Frith and innovative harpist Shelley Burgon — known for her work with Anthony Braxton, Trevor Dunn, and Okkyung Lee — in a series of concise and precise improvisations recorded in Oakland, CA, in 2002 and 2005, as Burgon blends seamlessly with Frith's acoustic guitar to create seemingly telepathic synchronicity and an expansive sonic palette.
2009 release ** "When an improvised recording presents itself as a meteor, some foreign object from another civilization, like Days Are Not Days does, we should rejoice that it has entered our atmosphere and like a bolide, exploded upon contact. Okay, this recording by Portuguese saxophonist and flutist Paulo Chagas, and guitarists Samuel Hällkvist, from Sweden, and Stephan Sieben, from Denmark, isn't a bomb. It is, though, an improvised explosive device, pieced together from chamber music debri…
Huge Tip! Deluxe CD edition, in tri-fold gatefold sleeve with outer case. This is a live recording of the Peter Brötzmann Trio (Peter Brötzmann, Sabu Toyozumi, and Jason Adasiewicz) from their performance at the 5th OCT-LOFT Jazz Festival at B10 Live, Shenzhen, in 2015. After the performance, the B10 Live team conducted a warm and friendly interview with the three musicians. The transcribed conversation has been edited and included in the liner notes of this vinyl album.Liu Ying Studio delivered…
Lou Donaldson had been a Blue Note stalwart since his earliest recordings in 1952 and over the following 15 years produced numerous classic dates spanning bebop, hard bop, and soul jazz. But when the alto saxophonist hooked up with the funky drummer Leo Morris (aka Idris Muhammad) for 1967’s Alligator Bogaloo it began a run of great groove-oriented albums including Mr. Shing-A-Ling, Midnight Creeper, and 1968’s Say It Loud. Filling out the band were Donaldson’s fellow Blue Note labelmate trumpet…
2025 stock In 1976, Alf Emil Eik embarked on an extraordinary journey in a studio in Oslo. Armed with a 16-track MCI recorder and a vast array of instruments, including a couple of his precious bass guitars, he set out to create his musical masterpiece. Eik, a composer, musician, technician, and producer all in one, used the studio as his compositional playground and experimented with percussion, synthesizers, bass riffs, and tape phasing effects, pushing the boundaries of what was possible at t…
Georgios Tsolis is a greek jazz pianist, arranger, and composer that was born and raised in the island of Kefalonia western Greece, currently living in the Hague the Netherlands. He is an active jazz performer since 2005 both in the Greek and Dutch jazz scene. He studied at the royal conservatory of the Hague and he holds a bachelors and masters diploma in jazz piano performance.
He is mainly performing with small groups and most of his personal work refers to jazz piano trios. As a bandleader, …
2010 release ** "Firehouse 12 Records welcomes esteemed pianist/composer Myra Melford to its roster with the release of The Whole Tree Gone (FH12-04-01-012), her first recording as a bandleader since 2006. Recorded in the label's own state-of-the-art studio, this is Ms. Melford's second release featuring her eclectic ensemble, Be Bread, a longstanding collection of frequent collaborators that currently performs as an all-acoustic sextet. The Whole Tree Gone documents the latest evolution of eigh…
Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.
Tip! *2025 stock* During three days in June 2021, reed players Klaus Ellerhusen Holm and Andreas Røysum recorded in three different locations in Trondheim: Vår Frues Church, Øra Studios and Bymarka. This was done in close collaboration with sound wizard Kyrre Laastad. The general idea for the record was to present the same material in three completely different acoustic settings.
The music explores phenomena such as acoustic space, sound in motion and the perception of depth and dimensions in so…
*2025 stock. 300 copies limited edition* Motvind Records continues to collaborate with musician and composer Signe Emmeluth in an attempt to present art music that emphasizes deep listening, reflection and expressive emotions. Vossajazz is a really cool jazz festival, it has a rich program history and are still holding the line. They’ve commissioned many works from composing jazz musicians, and one of the more unpredictable and surprising pieces that has come in recent years was Banshee by the a…
As a follow-up to the critically acclaimed debut 'Name of the Wind' from last year, the multi-instrumental ensemble Basspace is now releasing its second album, 'When Light'. Releasing on May 16th, 'When Light' is a compilation of recordings from a chapel, a community house and a church during a tour on the east side of Oslo in October 2023, and the music is based around compositions by Erlend, ranging from jazz to modern chamber music to Norwegian folk. 'Into' reports from the jazz-campfire, whe…
Chihei Hatakeyama, who has become a leading figure in the ambient/drone music scene in Japan, has now announced his second collaboration with jazz drummer Shun Ishiwaka. The two had been sharing the stage together in live performances since meeting on a radio show recording, and in May 2024 they released the first of a two-part series, "Magnificent Little Dudes Vol.1", and this is the second installment.This album includes the album's opening track, “M3,” featuring award-winning British cellist …
2009 release ** "The Foot Job Band is a tough one to pin down, hard to label, and not easily put in box. You can’t tie up with a pretty red bow to be given as a present, even though producer/director Esmerelda Ronchi would love to receive such a risque gift! The ensemble, a true sextet in all senses of the word, take the listener through 14 tracks of lusty improvisation, deep composition and sensual spoken word. Some of the highlights: The drama kicks off on the the fiery 70’s tinged “Arpeggi” w…
2005 release ** "Founded by Village Voice icon Greg Tate and co-led with Dayton Ohio monster bassist Jared Michael Nickerson since 1999, Burnt Sugar the Arkestra Chamber is a sprawling band of musicians whose prodigious personnel allows them to freely juggle a wide swath of the experimental soul-jazz-hip hop spectrum. Burnt Sugar was originally conceived as a forum for the New York area improvisational musician to compose, record and perform material which reflects the breadth and depth of Ameri…
2004 release ** "Founded by Village Voice icon Greg Tate and co-led with Dayton Ohio monster bassist Jared Michael Nickerson since 1999, Burnt Sugar the Arkestra Chamber is a sprawling band of musicians whose prodigious personnel allows them to freely juggle a wide swath of the experimental soul-jazz-hip hop spectrum. Burnt Sugar was originally conceived as a forum for the New York area improvisational musician to compose, record and perform material which reflects the breadth and depth of Ameri…
2010 release ** "This project originates from a pleasurable Roman afternoon spent by yours truly with Hubert Bergmann, who – having known that this writer’s spouse is, in essence, an atypical songwriting specimen – thought that some experimentation using her vocalism would have constituted an intriguing attempt to do something singular. Files of Bergmann’s duets with Udo Schindler were emailed, and in a matter of several months Yellerwood recorded and “assembled” a number of parts, adapting them…
After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album—1969’s unfettered post-bop exploration Poly-Currents—Jones expanded his ensemble with additional woodwinds and percussion while still maintaining …
2025 stock 180g virgin vinyl limited edition - the complete LP + 2 bonus track. The only album ever reuniting pianist Cecil Taylor and saxophonist John Coltrane, Stereo Drive was released in 1959. Taylor wanted to use Ted Curson on trumpet, but the recording company insisted on using Kenny Dorham. Relations between Taylor, who favoured a very avant-garde approach, and Dorham, who verbally disapproved of Taylor's "way-out" tendencies, were strained, and the session is a unique tour the force.