We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Jazz /

Slow blind avalanche
Snow blind avalanche is a completely different album than A Rock In The Snow also being released on Important though the two records were made during the same sessions. This vinyl only release is limited to 1000 copies with the first 200 on snow-white vinyl. Artwork by C. Spencer Yeh. Liner notes from Wolf Eyes bro John Olson aka Johnny Coors. The Flaherty-Corsano-Yeh power trio have emerged on album with a dual format dual release for Important. Snow blind avalanche finds the Flaherty-Corsano-Y…
A Rock In The Snow
Together Chris Corsano and Paul Flaherty have re-written the concept of modern free-jazz with their post-hardcore punk style approach of euphoric togetherness. Ferocious, spontaneous, explosive and aggressively lyrical, they've established their groundbreaking duo with loads of shows and a host of tremendous recordings. When tales of C. Spencer Yeh's Burning Star Core project reached Corsano/Flaherty, the duo were eager to see him jam. Fortunately, fate brought them together at the DeStijl/Freed…
Sound Suggestions
George Adams's only ECM album, recorded in May 1979 at Tonstudio Bauer, Ludwigsburg, with Heinz Sauer (tenor saxophone), Kenny Wheeler (trumpet, flugelhorn), Richard Beirach (piano), Dave Holland (bass) and Jack DeJohnette (drums). Produced by Manfred Eicher.
In Pas(s)ing
Mick Goodrick's only album as leader for ECM, recorded in November 1978 at Talent Studio, Oslo, with John Surman (baritone and soprano saxophones, bass clarinet), Eddie Gomez (double bass) and Jack DeJohnette (drums). Produced by Manfred Eicher.
New Chautauqua
Solo album by Pat Metheny on electric 6- and 12-string guitars, acoustic guitar, 15-string harp guitar and electric bass, six of his compositions recorded in August 1978 at Talent Studio, Oslo, produced by Manfred Eicher. First released 1979.
A Cavall Entre Dos Cavalls
Ferran Fages, electric guitar. Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played. 'a cavall entre dos cavalls' is a exemple of that. The record…
New Directions
Jack DeJohnette (drums, piano) with John Abercrombie (guitar, mandolin), Eddie Gomez (double bass) and Lester Bowie (trumpet), recorded in June 1978 at Talent Studio, Oslo, produced by Manfred Eicher. First released 1978.
Terje Rypdal / Miroslav Vitous / Jack DeJohnette
Cooperative trio of Terje Rypdal (guitar, guitar synthesizer, organ), Miroslav Vitous (double bass, electric piano) and Jack DeJohnette (drums), recorded in June 1978 at Talent Studio, Oslo, produced by Manfred Eicher. First released 1979.
Batik
Ralph Towner (12-string guitar, classical guitar, piano) in trio with Eddie Gomez (double bass) and Jack DeJohnette (drums): five Towner compositions recorded in January 1978 at Talent Studio, Oslo, produced by Manfred Eicher. First released 1978.
Of Mist And Melting
Bill Connors on classical guitar with Jan Garbarek (saxophones), Gary Peacock (bass) and Jack DeJohnette (drums), six Connors compositions recorded in December 1977 at Talent Studio, Oslo, produced by Manfred Eicher. First released 1978.
Watercolors
Pat Metheny's second ECM album, his first with Lyle Mays (piano), with Eberhard Weber (bass) and Danny Gottlieb (drums); Metheny plays 6- and 12-string guitars and 15-string harp guitar. Recorded February 1977 at Talent Studio, Oslo.
The Following Morning
Eberhard Weber (bass) and Rainer Brüninghaus (piano) with members of the Oslo Philharmonic Orchestra on cellos, French horns and oboe, in four Weber compositions. Recorded August 1976 at Talent Studio, Oslo, produced by Manfred Eicher.
Mountainscapes
Barre Phillips (double bass) with John Surman (saxophones, bass clarinet, synthesizer), Stu Martin (drums, synthesizer) and Dieter Feichtner (synthesizer), plus John Abercrombie (guitar) on the last track. Recorded March 1976 at Tonstudio Bauer, Ludwigsburg.
Dreams So Real - Music Of Carla Bley
The Gary Burton Quintet plays six compositions by Carla Bley: Burton (vibraphone), Pat Metheny (electric 12-string guitar), Mick Goodrick (guitar), Steve Swallow (bass), Bob Moses (drums). Recorded December 1975 at Tonstudio Bauer, Ludwigsburg.
Imponderable evidence
Matchless Recordings presents a live concert by Eddie Prévost and Evan Parker recorded at Gateway Studios, Kingston-upon-Thames, London, on November 10th, 2003. The album includes five tracks performed by Evan Parker - tenor saxophone and Eddie Prévost - drums.
Collective calls (urban) (two microphones)
The first published recordings of the duo of saxophonist Evan Parker and drummer Paul Lytton, recorded in London, 1927. Evan Parker, soprano and tenor saxophones, home made instruments, cassette recorder; Paul Lytton, percussion, live electronics, sound effects and noise.
Gnu High
Kenny Wheeler's first ECM album as leader, with Keith Jarrett (piano), Dave Holland (double bass) and Jack DeJohnette (drums), playing three Wheeler compositions. Recorded June 1975 at Generation Sound Studios, New York, produced by Manfred Eicher.
From saxophone & trombone
Originally issued on LP in 1980, From Saxophone & Trombone ought to offer fans of trombonist George Lewis and saxophonist Evan Parker quite a bit to get revved up about. No frills or hidden agendas to be found throughout these five improvisation based works. You name it—they cover it! The duo explores various harmonic twists and turns amid microtonal sounds and ethereal soundscapes. They dig deep from within while also displaying the utmost improvisational acumen, as most of us would come to exp…