Jazz /
Thrust Too
Thrust barely made a blip in the marketplace; it was mostly available around the Akron area. But Niles was undeterred. He returned the following year with the just-as-good Thrust Too, which is a touch more muscular, more precise — partly due to being recorded in a slightly upgraded studio meant for jingles. What Thrust Too loses in atmosphere, it makes up for in deep grooves, like on “Hang Ten,” “Parrott City,” and “Machelle.” McNeal — the namesake of the latter — appears on the final track, “Su…
Plum And Cherry
Following the April 2022 reissue of the album Shrimp Boats, We Are Busy Bodies presents companion titles Plum and Cherry and Deeper in Black to round out a Lionel Pillay and Basil Mannenberg Coetzee “trilogy” as part of the label’s As-Shams South African jazz archive series. The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare recor…
Live Under The Sky, Tokyo, 1982
The short-lived 'Super Star Quintet', which formed specially to play at the Live Under The Sky festival in Tokyo in July and August 1982, was accurately named. After all, those involved - tenor saxophonist Joe Handerson, pianist Kenny Barron, bassist Ron Carter, drummer Tony Williams and trumpeter Freddy Hubbard - were all living legends at the time. Famously, the quintet's expressive, exuberant performances - think fizzing grooves, almost telepathic communication, extended improvisations and bl…
Tesserae
Drummer Tilo Weber joins forces with bassist Petter Eldh (Koma Saxo) and Elias Stemeseder, who plays harpsichord and keys here on Weber's We Jazz debut, "Tesserae". The three musicians plus guests present a unique jazz trio sound for all times, without boundaries. Weber, based in Berlin, came to the attention of We Jazz Records with his his highly inspired drum work on Otis Sandsjö's Y-OTIS, and has since then also been awarded with the prestigious Deutscher Jazz Preis for the arrangement of the…
Blasé
Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde…
Bakishinba: Memories Of Africa
“An ambitious, brand new album has reached the Japanese jazz scene. It is ‘Bakimba – Memories of Africa.’” This is how Akira Ishikawa Count Buffalo Jazz And Rock Band’s album was advertised by the Japanese press in 1970.
The Japanese jazz artists were bravely approaching the rock scene, and their choice became an inspiration to jazz-rock groups like Takeshi Inomata & Sound Limited, Jiro Inagaki and Soul Media, and more. The blending between jazz and rock was born in the United States, thanks to …
Black Children
A little masterpiece of soul afrofunk with carpets of dreamy keyboards on their swirlingly seductive sound and their really cool voices. The second album of Black Children Sledge Funk released in 1978 is a delight. Repressed for the first time.
Excavated Shellac: An Alternate History Of The World's Music
100 recordings on 4 CDs; 184-page hardcover book printed on artbook-quality paper; Packaged in a deluxe gloss-laminated box. It begins with a South African choir from 1930 and a song about police brutality; it ends in Cuba with dreamy innuendo. This collection is about music that is often invisible in today's world, the incredible world of global recordings that aren't jazz, blues, country, rock n' roll, R&B, or "classical." This physical edition of the box set, eight years in the making, conta…
Fat Albert Rotunda
Fat Albert Rotunda is the venture into jazz-funk by keyboardist Herbie Hancock. The record is centered around the music Hancock wrote the Fat Albert cartoon show. It's one of the records which appeared in the period between his landmark album Maiden Voyage of 1965 and his 1973 classic Head Hunters. Fat Albert Rotunda is a unique item in Herbie Hancock's long and diverse catalog, with funky tracks like "Fat Mama" and modern jazz-oriented tunes like "Tell Me A Bedtime Story". The sextet which is …
Stumps
* 75 copies limited edition * In times of vinyl shortage and production backlog, resourcefulness is key. In keeping with his well-established practice of replacing original materials with surrogates to generate new sonic experiences, Sven-Åke Johansson has devised a digital reinterpretation of the historic flexidisc in the shape of a 10inch rubber disc with engraved QR codes that let buyers access the music online.
About the music: "The six compositions titled ‘stumps’ are based on a potential f…
Black and White
Tip! Existing somewhere between the post-psychedelic period of Soft Machine and the electric funk of Herbie Hancock’s Headhunters, Black And White, the 1976 album from Norway’s Vanessa is without question a formidable beast of a jazz-rock record. A potent brew of sonic experimentation and pulsating off-kilter groove. Taking their name from the genus of Nymphalidae butterfly, Vanessa was founded in 1971 by saxophonist Svend Undseth and pianist Frode Holm, the founder of the Oslo record store turn…
Ślina Trzaska
The Wrocław band Ślina returns with their third studio album, this time recorded with Mikołaj Trzaska. This is not the album of Trzaska + Ślina or Ślina + Trzaska. This is Ślina Trzaska (a kind of wordplay in polish, means: The saliva cracks). A kind of full, new band that was created in the outstanding Sudeten studio Monochrom and is sometimes continued live.
Free improvisations and Krautrock motility are still the hallmark of Ślina, but the organic, radical sound of Mikołaj Trzaska's saxophone…
World Of Objects
Recorded live in concert in the fall of 2013, "World of Objects" is an intense and confounding document of 21st century improvised music. Featuring Evan Parker, a singular musician whose approach to music and the saxophone has influenced several generations of improvisers, in trio with trumpet great Nate Wooley and clarinetist Jeremiah Cymerman, "World of Objects" is both a concert document and an intricate journey through the digital post-production of Jeremiah Cymerman. Over the course of thre…
Time Capsule
The impact of Weldon Irvine’s music across a wealth of genres cannot be overstated with his jazzy piano playing and compositions regularly passed down to newer generations. Artists like Q-Tip and Mos Def are noted admirers of the jazz-funk artist, and the distinct sounds of Irvine echo across the ages in samples etched into hip-hop history. The album version of Time Capsule was originally released in 1973, and this is a brand new 10 inch EP edit aimed at DJs looking to incorporate its album trac…
Anticlockwise
"The edges of Schlippenbach’s trio/quartet music have gradually feathered over the past dozen years, a process benchmarked by “Anticlockwise”. Evan Parker’s careening tenor prompts a dramatic sweep from the group that echoes Coltrane’s last period, as on Ore; his multiphonic-oriented soprano style elicits a more spiky rapport. The exceptional American bassist Alan Silva makes an intriguing debut with the quartet, his incisive phrasing and nuance-filled arco technique serving as a lynchpin betwee…
Carvings
The William Penn Jazz Ensemble was formed by American composer and flutist Leslie Burrs. Throughout the 1970s, Leslie performed with several major jazz and funk artists, including Grover Washington Jr., Kool & The Gang, and most notably, with Del Jones for the now cult album Positive Vibes.
Carvings, recorded in 1982, holds a special place in Leslie's career. This album showcases Leslie's musical versatility and features clear influences of both jazz and classical music. The Ensemble's uncommon …
Meditations
2023 small repress. The year 1965 was a turning point in the life of John Coltrane. It was at this point that he crossed the line into the free jazz arena that he had been approaching since the early '60s. Besides his landmark Ascension, no album better illustrates this than the awe-inspiring Meditations. Coltrane's regular quartet -- McCoy Tyner (piano), Jimmy Garrison (bass), and Elvin Jones (drums) -- is expanded here with second drummer Rashied Ali (who assumed Jones' spot after this album) …
The Call: For A New Life
* Edition of 300. Spectacular four-panel gatefold cover * Since the early 1980s, the Nexus creature has represented one of the most interesting realities of the Italian jazz scene. Daniele Cavallanti (Aktuala) and Tiziano Tononi (Moon On The Water and D.O.M Alia Orchestra) realize a sensational mix of orchestral praxis and impro-free jazz. The strength lies in the ensemble's variety of timbres, in that precise hybrid of styles reminiscent of the cross-sectional experiences of the 1970s of Zappa,…
A Railroad Spike Forms The Voice
*2023 stock* "Don’t follow.” That’s the admonition saxophonist and composer Roscoe Mitchell (b. 1940) was known to give his students at Oakland’s Mills College in one-on-one sessions. In musical communication and creation, not following or directly responding to others is central to Mitchell’s philosophy and approach. As he said to me in a recent conversation, “I just let things develop with my intent, with my work, and I’ve never been a person that went around looking for people to play with. I…
Soft Samba Live! Jazz From The Penthouse
From the great cache of tapes recorded at Seattle's storied Penthouse nightclub comes The Gary McFarland Quintet, recorded live in the summer of 1965. McFarland could usually be found in the recording studios of New York arranging for everyone from Stan Getz to Lena Horne, but his 1964 bossa-jazz classic LP Soft Samba was such an unexpected hit that it afforded McFarland the opportunity to hit the road with fellow Berklee School of Music alumni Gabor Szabo on guitar and Sadao Watanabe on flute a…