Jazz /
From In To Out
*2022 stock* Futura Records presents Dizzy Reece quintet's From in to out. Dizzy Reece (trompette), John Gilmore (saxophone ténor), Siegfried Kessler (piano), Patrice Caratini (contrebasse) & Art Taylor (batterie) Recorded on 23th octobre 1970 at la Salle des fêtes de Créteil (France)
Spring 2022 "Tetragon" (Magazine)
This is the third issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more. This is a magazine put together by a qu…
Contemporary Jazz Mass
Tip**Remastered reissue, released in conjunction with the artist** James Tatum's stunning, spiritualised Contemporary Jazz Mass is one of the only true jazz masses ever released. Inspired by Duke Ellington's Sacred Concerts, Tatum's masterwork was recorded on its first ever performance at St Cecilia Church in Detroit, and released on his own private label in 1974. At the time Ellington’s Concerts were quite controversial. Whilst they contained scriptural references they did not follow liturgica…
Formation: Live '61
Recorded live in London before a studio audience on the 24th August 1961. Previously unissued. By the time this EP is released 60 years will have elapsed since the recordings contained within it were made, and nearly 50 years since the untimely death of pioneering West Indian free jazz altoist Joe Harriott on the 2nd January 1973, aged 42. Only in the very recent past has Harriott started to receive anything approaching the accolades he undoubtedly deserved during his lifetime. For those new to …
Flute, Brass, Vibes And Percussion
In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.
African Suite
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
Canada
*2022 stock* Argonne Thornton (who in the late '40s changed his name to Sadik Hakim) had a particularly unusual boppish style in the '40s, playing dissonant lines, using repetition to build suspense, and certainly standing out from the many Bud Powell impressionists. Later in his career his playing became more conventional. Hakim originally studied music with his grandfather and started performing at local gigs in Minnesota. After a period in Chicago, he was heard by Ben Webster, who hired him t…
Printemps 2021
"The curious fact about this 52-minute improvisation by Rene Lussier (guitar and daxophone), Érick d'Orion (computer and electronics), Robbie Kuster (drums), and Martin Tetreault (turntables and electronics) is that, as far as we know, it was just the second indoor concert held in Canada after the pandemic started in March 2020, the second concert of the 2021 edition of the Festival International de Musique Actuelle de Victoriaville held in May of this year. As such, it was the first time that t…
In Transverse Time
*2022 stock* "Saxophone quartets can be an acquired taste, especially if their members are content playing supper-time jazz. However, Rova’s commitment to pushing forward, and challenging themselves and their audiences accounts for much of their perseverance. That, and talent. Their latest recording, In Transverse Time (Les Disques Victo), finds the quartet in meticulous harmony, with each player taking a measured approach to their solos. The Quartet’s members play multiple horns, but each settl…
Terrifying Sunset
Contemporary German artist Albert Oehlen invited Steamboat Switzerland to create music for his solo exhibition Tramonto Spaventoso at the Gagosian Gallery in Los Angeles, 2021. Oehlen and the experimental Swiss ensemble had already collaborated in 2019/2020 at the Serpentine Galleries (London). The recorded instant compositions draw connection with Oehlen’s own visual strategies in which he interprets and transforms John Graham’s painting Tramonto Spaventoso (Terrifying Sunset) (1940–49).
Hear And Now
Hear and Now's cover depicts a smiling Cherry posing like Buddha, and holding a trumpet with a bent mouthpiece -- an indication of some meditative sounds, but it's really a mishmash of styles with a leaning toward African rhythms. An underlying social message runs through the album of Cherry compositions (except one) produced by Narada Michael Walden. Cherry plays very little trumpet on "Universal Mother"; the African-based excursion is carried by Neil Jason's bass, Sammy Figueroa's congas, and …
Eternal Now
Something of a sequel to Eternal Rhythm, his classic meeting of free jazz and world music from five years prior, Eternal Now found Don Cherry entering the studio for the tiny Sonet label, once again with members of the European avant-garde scene (this time from Sweden).
This time around, though, the focus swings decidedly to the world-folk end of things: The only standard Western instrument is the piano, featured on only two of the five pieces (one of which is a non-traditional, African-styled r…
Diggin'
"The master of multiphonics (playing more than one note at a time on a horn), Albert Mangelsdorff has been a giant of the European avant-garde for the past 30 years. He originally studied violin and worked as a jazz guitarist before taking up the trombone in 1948. Here he is taped live at a concert in Tokyo with what was then his regular quartet: Heinz Sauer on sax, Günter Lenz on bass, and Ralf Hübner on drums. There's a very nice blend between the leader's agile but smooth horn and the somewha…
Crossed & Recrossed
Crossed & Recrossed presents two works composed by Peter Knight & inspired by mappings of imagined places by iconic Australian novelist, Gerald Murnane & Italian master, Italo Calvino. Simultaneously celebrating & deconstructing the tropes of minimalism, Crossed & Recrossed creates a series of musical mirages that form on an endless sonic horizon, reflecting & reimagining the wide open spaces described in Murnane’s iconic novel, The Plains & the labyrinthine streets of Calvino’s Invisible Cities…
Jesse Sharps And The Wu Ensemble
Privately pressed by the artist in an edition of 400 copies - blue vinyl
Le - Le
Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde touches and more than a hint of afro-cuban orientalism.The percussion drenched title track has that special worldwide sound and the cool jazz get down groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the airwaves or to a …
Middle Eastern Rock
"Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge.Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian’s backing band, consists of the artist’s standard group, which specialize…
FMP Free Music Production - The Living Music (Book)
Super Tip! * English version. 400+ pages, large-format book, very heavy * This book is dedicated to the history of the music label Free Music Production (FMP), which from 1968 to 2010 achieved incomparable things as a Berlin platform for the production, presentation and documentation of music. Based on many conversations from over thirty years with key protagonists such as Peter Brötzmann or Jost Gebers, Markus Müller tells the success story of a musicians‘ initiative that emerged in the context…
Spirits Rejoice! Albert Ayler and his message (Book)
No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…
Christian Reim Trio
Melodic folk trio jazz by legendary Norwegian pianist and composer Christian Reim, featuring two different sessions with bass/drums combination: Ingebrigt Håker Flaten , Håkon Mjåset Johansen & Harald Johnsen / Jarle Vespestad.