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Remastered and pressed on translucent blue vinyl. 2LP deluxe edition. One of the greatest live albums ever recorded is back on vinyl in deluxe form. Christian Vander and his cosmic warriors captured at the absolute peak of their powers - Taverne de l…
The masters of Zeuhl return on vinyl! Christian Vander's cosmic vision at its most luminous and transcendent. Originally released in 2012, Félicité Thösz was Magma's first album of new material in 27 YEARS after their 1996 reformation. Think about th…
A record made for the ones we lost. Oli Heffernan returns with his fourth album for Riot Season - an expansive double LP that carries with it a deep personal history and years of unfinished business.
The earliest sessions date back to 2018 at the IDI…
On Horizonte, PSI channel the late‑’70s German fusion boom into a lean, high‑octane set where Matthias Frey’s electric keys and Volkmar Zimmermann’s manic guitar ride a phenomenal rhythm section, delivering melodically rich jazz‑rock that punches as …
Four Season finds Virgo - the German fusion group that first came together as Lava in 1974 - stepping away from major‑label orbit into a more autonomous, exploratory phase, stretching their jazz‑rock language into a calmly expansive, four‑part suite …
*Limited edition of 100 copies* Finally! The crucial 2021 album by Middlesbrough's Oli Heffernan gets the double vinyl treatment it always deserved. Originally released as a cassette on Cruel Nature Records and gone way too fast, Autodidact II is one…
On Master of all Times, Paul Chain sinks deep into his singular doom‑psych continuum, braiding monolithic riffs, church‑organ atmospheres and glossolalic vocals into a slow, occult spiral where time feels stretched, fractured and finally irrelevant.
Iconic space rock pioneers Hawkwind are thrilled to announce a landmark 50th anniversary reissue of their groundbreaking fifth studio album, Warrior on the Edge of Time, originally released on May 9, 1975. This definitive edition, featuring the legen…
Motorpsycho has always been of the opinion that the most interesting stuff happens in any art form before it is formatted and settled. In rock music, this phenomenon peaked in and around 1970, and it is in this period that the best heavy music was ma…
*2026 repress* Late Lunch Records proudly announces the release of Pink Floyd – Torino 1994, a stunning, limited-edition 3×LP collector’s set capturing the iconic band live at Stadio delle Alpi, Torino, Italy, on September 13, 1994. This high-definit…
Singular 1967 Elektra Records gem by Clear Light, LA psychedelic band featuring future Doors bassist Doug Lubahn and CSNY drummer Dallas Taylor. Double-drum setup creates uncanny soundscape, it blends folk, rock, psych, classical. Undiscovered at rel…
Essential 1967 garage-psych debut by Chocolate Watch Band, raw prototype of protopunk energy with volcanic guitar work and inflammatory vocals by Dave Aguilar channelling Jagger like nobody else. Distorted riffs, cosmic psychedelic legerdemain, kille…
If you’ve been following the wanderings of prolific psychedelic magicians Elkhorn, you might be surprised that Elkhorn guitarist Drew Garder’s solo LP Wave Field is the most out and out “rock” record on VHF in many years. Working here in a small grou…
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk a…
On Banco, Banco Del Mutuo Soccorso refine their baroque, hard‑charging Italian prog into a fiercely lyrical epic, where Francesco Di Giacomo’s operatic voice rides labyrinthine suites of piano, organ and guitar that feel both fiercely intellectual an…
At a time when most bands in the post-Group Sounds boom were gravitating toward British rock, Hiroshi Segawa stood out as one of the few artists exploring country and southern rock sung in Japanese. "Pierrot" represents a peak in that pursuit, backed…
On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.
On Fun House, The Stooges tear rock down to its studs and rebuild it as a single, sweating organism: seven tracks of feral groove, free‑jazz squall, and Iggy Pop at maximum possession, a record that still feels like a room on the verge of imploding.
The Stooges turn three chords and a bad mood into a new language, eight songs of slack‑jawed menace and bored fury that quietly redraw the limits of late‑60s rock and sketch punk’s silhouette in acid‑scarred pencil.