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*2026 repress* The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down. Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provi…
It's been years now. OM have done their time in the desert, and ever-changing, are returned. Today, they say, God is Good. Are you surprised? Perhaps you've haven't understood what OM was saying to you. But perhaps you felt something... It's true that the one way pursued by OM leads in many different directions. It is a mystic path. Songs come from innumerable sources, filtering through the external and the internal. OM albums are rituals, personal convictions transcripted into verse. Playing th…
More than a decade after its initial release, Om's Advaitic Songs continues to stand as a towering achievement in heavy music's ongoing evolution - a record that demolished preconceptions about what drone-doom could become while establishing new possibilities for consciousness-expanding composition. Where God Is Good represented the first step in a more ornate and sophisticated direction for Om, Advaitic Songs achieved a level of composition that would have been impossible to foresee from the du…
A road that waited fifty-two years to be walked. Recorded in Trieste in 1973 and never released, Dove Va La Tua Strada? is the lone document of Exit - a band that vanished without leaving an official trace, now resurfacing through Black Widow Records in a highly limited edition of 400 copies. This is Italian prog archaeology of the purest kind: not a reissue, but a first appearance, half a century late.
The story of its recovery has something novelistic about it. In the summer of 2021, at the Tr…
The album “St. John Green” is the only release by the American band of the same name, and is regarded as a minor cult classic of 1960s psychedelia. It was released in 1968 by the small label Flick-disc. Released at the height of the flower power era, the record perfectly captures the musical and cultural atmosphere of the late 1960s. The album blends various elements typical of psychedelia with sonic experimentation, garage lysergic influences and a free-spirited approach to songwriting.
*2026 repress!!* The Flower Travellin' Band's first musical outing, Challenge, was released in 1970 and was essentially a series of covers of Cream, Hendrix, Big Brother and Jefferson Airplane material. However, Satori appeared a year later and forever changed the way the group would be perceived, both in Japan and in the musical world at large. Possessing the vision to select Akira "Joe" Yamanaka as their vocalist, the Flower Travellin' boys elevated themselves above other Japanese bands of the…
*2026 repress* 1973s brilliant Celestial Ocean, by the legendary Swiss krautrock band Brainticket, is a concept album that details an ancient pharoahs journey into the afterlife (substitute the word "journey" for "trip" and youll get what they were driving at). However, Brainticket were not mere products of their time, they explored some truly compelling musical territory and produced a superlative blanket of sound-featuring a pioneering mix of early synthesizers, flute, zither, sitar, and male …
3/3 is best known as the precursor to Friction, one of the most influential bands in the history of Japanese rock. Despite the fact that their only album was originally selfproduced in 1975 in an extremely limited run of just ten copies, it has since come to be recognized as one of the most important and legendary recordings in Japanese rock history. For decades, the full scope of the album remained shrouded in mystery until P-Vine reissued it on CD in 2007, finally bringing this elusive recordi…
Arriving right on time for its 20th anniversary, Faun Fables’ musical theatre work The Transit Rider returns in a lovely 2xLP vinyl edition that dimensionally burnishes the bristling performances and elevated chamber/cabaret folk sounds of the original CD-only release. At once a work of theatre, allegory and autobiography, The Transit Rider amplifies Faun Fables’ distinctive electroacoustic wash of Anglo-European folk sounds, shimmering allusively from traditional to Kurt Weill to folk-rock and …
Electric Sandwich were founded in Bonn in 1967 and played sophisticated progressive rock. Their first gigs were in 1968. At a band competition on 16 October 1971, they shared second place with the Scorpions and impressed so much that they immediately received a contract from Metronome/Brain. The LP, recorded by Dieter Dierks, was released at the end of 1972 (Brain 1018) with an olive-green label. After several illegal reissues (on Germanofon, Hiatus, Ear Ass, Icon, etc.), this legitimate edition…
Lindwurm were formed in 1972 in Uelzen and played a somewhat rough-edged progressive rock. The reference to Hanover, which you sometimes come across, is not accurate. Nor should they be confused with the jazz-rock group of the same name from Jork-Moorende on the Lower Elbe (LP Im Windschatten, 1981). In 1976, the much-loved Lindwurm singer and guitarist Klaus Arndt was struck by a car on the motorway and killed. The band dissolved immediately and, in his memory, released an LP that is now pricel…
500 units, deluxe remastered edition. Some records are made in the present tense. The Civil Surface was made in the past perfect - a band returning from its own ending to commit to tape the music it had never quite managed to record. By the time these sessions took place at Worthing's Saturn Studios in the summer of 1974, Egg had already been finished for two years. The trio - organist Dave Stewart, bassist and horn player Mont Campbell, drummer Clive Brooks - had cut two singular albums of orga…
Seventh entry in the essential Can live series, and one of the great ones. A hot August night in 1975, the Roman Théâtre Antique in Arles, the core four locked in: Irmin Schmidt, Michael Karoli, Jaki Liebezeit and Holger Czukay. No safety net, just the band stretching out in real time.
For decades this concert lived only in the stories of the people who were there, the recording buried in the Spoon Records vaults. Unearthed at last for its first ever release, with sleeve notes drawn from first-h…
Pink Floyd Live at the Oakland Coliseum, is a landmark triple-album release featuring a recording of Pink Floyd’s May 9, 1977 show at the Oakland Coliseum during their “In the Flesh” tour, staged to promote the album Animals. Delivering the full force of the band at their creative peak, the release captures a night of bold energy and unforgettable live atmosphere.
Roger Waters, David Gilmour, Richard Wright, and Nick Mason are joined by Snowy White (electric guitar, 12-string guitar, bass, and b…
The first full-length document of Rotting Telepathies, the group of the late post-punk figure Michio Kadotani and Asahito Nanjo. Recorded live in February 1982 and long buried on a tiny La Musica cassette, it captures the most band-like peak of Kadotani, the man Nanjo called the only real punk in Japan.
A door into the most private corner of the Japanese underground. With its La Musica series, Black Editions turns to the catalogue of La Musica, the tiny imprint run by Asahito Nanjo - the bassist and ringleader behind High Rise, Mainliner, Musica Transonic, Toho Sara and more - on which he issued a stream of hand-assembled cassettes and CD-Rs, sold in microscopic editions at a handful of live dates and all but impossible to find ever since. This first instalment, Flight 1, gathers six of those l…
*100 copies limited edition* Ivan the Tolerable proudly announces the release of Le Monde Inverse: 2026 Remaster, a definitive sonic reissue that revitalizes his acclaimed album with enhanced clarity, renewed dynamics and subtle reinterpretations preserving the original spirit while offering fresh detail for modern listening.
Originally released to critical praise for its atmospheric textures and introspective songwriting, Le Monde Inverse is reimagined here through a meticulous remastering proc…
Stranded gave Roxy Music their first UK No’1 album and brought with it an undeniable presence that would eventually see Roxy Music’s American audience take note! It was becoming all too clear that Roxy Music were indeed a band ahead of their time.
Stranded gave Roxy Music their first UK No’1 album and brought with it an undeniable presence that would eventually see Roxy Music’s American audience take note! It was becoming all too clear that Roxy Music were indeed a band ahead of their time.