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*In process of stocking* Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.
Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the mas…
*In process of stocking* Once again a work by Patrick Campbell-Lyons without Alex Spyropoulos, this time Songs Of Love And Praise showed a return to a more classic Nirvana sound. Campbell-Lyons revisited two of the most loved songs by the band, Pentecost Hotel from their debut LP and Rainbow Chaser from their second one. The album opens precisely with the amazing uptempo beat of Rainbow Chaser, which while sounding faithful to the original recording, it comes with a totally different approach on…
"The debut album by this two-woman, one-man trio presented contemporary British folk with the slightest of pop and folk-rock edges. The most prominent pop embroidery was found in the occasional sweeping, haunting string arrangements; there were also dabs of organ, harp, and percussion here and there. It was pretty but somewhat bland music on the border of late-'60s British folk-rock, the songs faintly echoing those of U.K. peers such as Donovan and Bert Jansch.
Bread, Love and Dreams had a sligh…
*300 copies limited edition* Monterrey, México, based psych/doom band Los Mundos is releasing its first ever “live” album, on bone white vinyl. The artwork comes in a dye cut cover with interchangeable covers and photos of the live session. Recorded in an abandon mine in Hidalgo, Nuevo Leon, “En Vivo Desde El Centro de la Tierra” celebrates the band’s 12 year run as one of the most important and celebrated bands currently in Latin America. A powerful, raw, and intimate show, that plays with the …
Temporary nicer price 700 copies, numbered edition. Clear Splatter Vinyl * “Crac!” is Area’s third album, released in 1974 and one of the strongest in their revolutionary canon of political artfulness. The previous album had received some mixed opinions after the explosive debut; Crac! is a departure in style from both of those two records—in a way, more compact and sleek if that is possible to think of with Area. In that aspect, this is the most “accessible” version of the band, and not surpri…
* Clear Vinyl * Nice and quality reissue of shis Area's 7" was distributed in the left-winged movement/circuit, as the money from sales financed the legal costs of the trial against the Italian writer and anarchist Giovanni Marini, caught up in Italy's Strategy of Tension and unjustly convicted of the murder. The B-side, Citazione Da George L. Jackson is a strong denunciation against the inhumane conditions of prisoners and inspired by Soledad Brother: The Prison Letters of George Jackson, a com…
* Yellow Vinyl * A great Area 7", quality replica of their L'Abbattimento Dello Zeppelin first single. Kick-ass free-form music recorded in the glorious year of 1973 in Milan, Italy. Blow-out with blasting sax solos played by Victor Edouard Busnello, and a kicking Demetrio Stratos on these two extraordinary tracks
180g, black vinyl. Carefully transferred and remastered from the original analogue master tapes by HaGü Schmitz at Dierks Studios in Pulheim-Stommeln in 2022. Re-release of the original 1974 album by Gille Lettmann aka Sternenmädchen / Star Maiden. Live in the Quadro Studio: Gille and Klaus Schulze. Music inserts from the LPs "Seven Up" (Ash Ra Temple & Timothy Leary), "Lord Krishna von Goloka" (Sergius Golowin), "Tarot" (Walter Wegmüller). Statements by Sergius Golowin, Timothy Leary, Brian Bar…
LP version. 180g, black vinyl. Carefully transferred and remastered from the original analogue master tapes. The compilations Planeten Sit-In and Sci Fi Party, both originally released in 1974, are a contemporary document of the legendary jam sessions of the Cosmic Jokers. Under a conceptual mantle, the recordings were brought to a young audience. Among the musicians the elite of the krautrockers of that time, like Manuel Göttsching, Klaus Schulze, Jürgen Dollase, and Harald Grosskopf. Plus, Die…
"Whereas the two earlier Cosmic Jokers albums, the eponymous first effort and Galactic Supermarket, offered long, intense, free-flowing jams, Planeten Sit-In contains much shorter snippets of music patched together with cross-fades and weird electronic effects. The effects -- burbling electro noises, high-pitched twees, and other sci-fi sounds -- are even more prevalent, erupting out to drown out the drum, guitar, and bass rhythms, as if to make full use of the quadraphonic sound of the original…
Replica presents the first vinyl reissue of Lard Free's live performance Brussels. Invited to play in the Belgian Capital in 2009, this Lard Free incarnation (with Sitar, Keyboards, drums, bass, saxophone and female vocals shows us that Gilbert Artman has neither lost his originality, not his splendor. Unreleased and essential.
*2022 stock* "Avant-garde jazz fans should immediately press play below; trust me, you’ll thank me later." - Scott Murphy
Valerio Zucca Paul: ElectronicsCristina Trotto Gatta: VoiceDiego Rosso: DrumsAndrea Chiuni: Bass and VoiceAlessandro Cartolari: Baritone and Alto Sax
Music by Masche Lyrics by Cristina Trotto Gatta Recorded live on 16 December 2017 in Perosa Canavese (TO) by Alessandro Cartolari and Valerio Zucca Paul. Mixed by Valerio Zucca Paul These record sessions have been inspired by "l…
*2022 stock* 'Massimo Giuntoli often combines classical and popular music in a way that remains accessible while clearly being avant-garde. On his latest album, he has set poems from American Paris expatriate Gertrude Stein’s 1914 collection “Tender Buttons” to music. Or maybe I should say: to piano. There is really not much else here than a rather harsh sounding piano (although there are a few other keyboard sounds) and Massimo’s voice, sometimes in splendid solitude; sometimes in dialogue with…
Before Mahjun (of which Souffle Continu reissued, in 2016, the two albums released on Saravah), there was… Maajun. Five musicians (Jean-Pierre Arnoux, Cyril and Jean-Louis Lefebvre, Alain Roux and Roger Scaglia) and three times as many instruments at the service of an electric-poetic guerrilla group moulded from folk and blues. The group’s unique album, “Vivre la Mort du Vieux Monde” evokes an (imaginary) association of Frank Zappa and Jacques Higelin, of Sonny Sharrock and the Art Ensemble Of C…
Dominique Grimaud was a member of an historical French underground group called Camizole. This group of mainly self-taught musicians started in the seventies as a vocal ensemble progressively introducing a growing number of instruments that gave them the possibility to create an unique anarchic musical chaos. Their original sound could be juxtaposed with Faust , Lard Free or even Urban Sax . Well, you will find the original spirit of Camizole in this work. The title “Broken Saxophones” gives yo…
In the swirl of kaleidoscopic recordings that is Spacemen 3's discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position – one at the nexus between their garage beginnings and expansionist future. Spacemen 3 capture the inspired spark of mid-'80s psychedelia, offering a distinct variation on high pop through layered feedback, a formidable rhythm section and shining vocals. Taking Drugs features the legendary Northampton demos, which secured the band's first record deal …
Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!
With 2020 hindsight (and magic mics), we spy Wand in their late Plum/Laughing Matter quintet style, rolling up the west coast and rolling out the magic carpet. These nights spent communing with the crowds and jamming toward infinity (fittingly) promise that we’ll meet again, on nights like these further down the Möbius strip. But you knew this!!!
*2022 stock* Canadian rarity from 1968, recorded under the influence of hallucinogenic substances by a bunch of underground musicians: Michel Pagliaro, Tony Roman, Denis Lepage and Andy Shorter. The album consists of just one long freak-out jam divided in two sides: raw basement sound, acid guitar, stoned vocals, keyboards and loud drums, similar to early Soft Machine, Pink Floyd at their most free-form phase, or Can. Newly-remastered sound, insert with photos and liner notes.
2022 Repress Very often, the greatest artists just don’t fit. They stand out there on their own, and fall in strange, unexpected zones, often occupied only by themselves. This is was certainly the case for the American harpist, Gail Laughton, who’s lone, the 1969 LP, Harps of the Ancient Temples - long championed and hunted by record collectors - is finally receiving the vinyl reissue treatment after roughly a half century out of print. A truly stunning and visionary piece of work with almost no…