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The official Mr Bongo reissue. Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib, Quantic, Gilles Peterson and DJ Nuts. These days, originals change hands for thousands of dollars.The sound diversity of the album is very large, there are many types of percursivos instruments, horn arrangements from samba rhythms and Latin and Eastern almost the …
33 minutes of pure, unadulterated, psychedelic krautrock courtesy of Pyramid, an obscure studio project produced by Toby Robinson, aka The Mad Twiddler. These sessions were recorded circa 1975-76 in Cologne for the underground Pyramid label, which was operated by Toby and his friend Robin Page (the Fluxus artist). During that time, Toby worked as engineer and assistant at various studios in Cologne, including the famous Dieter Dierks studios, where most of the albums from the Ohr/Pilz/Cosmic Cou…
LP version. Includes insert with liners notes; Includes download card. Continuing with their reissue campaign of the Toby Robinson's Pyramid label catalog, Mental Experience now present Temple's self-titled release. Probably the most "rock" sounding of all the Pyramid titles, Temple were an ad-hoc outfit born out of several late-night sessions at Dierks Studios (where Toby was working at that time), involving local friends of Toby and other musicians from adjoining studios, among them Zeus …
**strictly limited edition of 500 copies** Nik's last album, Zero Gravity (Narco NR123) came under the Nik Pascal name and had a fantastic side long piece on the title track which reminisces of the works of Cluster. B side features four tracks that also bear some Conrad Schnitzler reminiscences. This was to be Nik's last LP before he would sell all his synths to ex car racer and future electronic/ambient music star Steve Roach. Besides his musical explorations, Nik was also an interesting painte…
**strictly limited edition of 500 copies** 1972 saw the release of The Sixth Ear (Narco NR666), this time credited to Nik Pascal. A more complex work than Beyond The End..., it adds consistent rhythmic patterns to the mix with the addition of bongoes and also explores some interesting chord progressions. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surr…
Beyond The End... Eternity was released in 1971 under the Nik Raicevik monicker as Narco NR102. According to www.twoheadeddog.com, "Raicevic is clearly still in the early learning-curve stages," which it a key LP to understand Nik's evolution and setting the path for more evolved works to follow. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, …
If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin scho…
There isn't probably a single fan of Italian Progressive Rock in the world that has never heard of Pholas Dactylus and their only opus (not just a simple 'record', in fact) "Concerto delle menti" (Concert of the minds), originally published in 1973. Pholas Dactylus have left, with Concerto delle Menti, a unique example of avantgarde prog containing only spoken lyrics that can be appealing to the most adventurous listeners even because the musical background is intense and mesmerising; the album …
Another evolution of Urban Sax concept, composed and directed by the visionary composer Gilbert Artman, conceived as a double quintet of talented multi-instrumentalists (featuring Jac Berrocal, Bernard Weber, Frederic Acquaviva and Emiko Ota among others) players working over a compositonal control of sound spatialization
** 1969 previously unreleased album, this set must have been one of the weirdest albums recorded in France at the time** And that's saying a lot, given some of the avant jazz, experimental, and psych sets that were coming out of that scene! Jacques Dudon may be best known for his Ghislain pseudonym on other records – where he was much more of a straight blues guitarist – but here, he's very tripped out – and leads a collective of musicians through music that feels much more like a "happening" th…
*Few copies back in stock, longtime sold out at source * Black vinyl, 300 copies. Pekka Airaksinen is a legend of the European musical underground, and The Sperm was his first outfit. Active from 1967 to 1971, they challenged every possible norm society and the current musical climate had. Ungodly racket to some, psychedelic experience to others, The Sperm’s Shh! album and their EP 3rd Erection have become legendary collector’s items, far ahead of their time in terms of musical experimentation. …
2013 reissue; originally released in 1969. Also known as Orgasm, this 1969 album has long been hailed as an underground classic. Included in Spin's 2013 list "The Top 100 Alternative Albums of the 1960s." Finally available again on vinyl in an ESP-Disk' 50th Anniversary Remaster version. "Two frustrated pop songwriters and the mysterious seven-person 'Connecticut Tribe' hole up in an Upper West Side studio and yell and moan and convulse until they discover a place more primordial than hardcore. …
Their second, and self titled release, was by far their best effort, containing their most psychedelic and experimental material. Fever Tree's lone hit single, the haunting 1968 tribal anthem 'San Francisco Girls (Return of the Native),' perfectly captured the spirit of the psychedelic era. Although their signature hit led many to assume that they were a Bay Area band, Fever Tree actually hailed from Houston, Texas.
'San Francisco Girls' is also the centerpiece of Fever Tree's self-titled f…
This was Missus Beastly's third studio album released in 1976. If you'll notice on the cover art they have the album's title as such as to look like it's the band's name, and the title of the album looks like it would be "For Missus Beastly". A trick by the band really so that they wouldn't have to release this album with Dieter Dierks and Venus Music to which their contract stipulated that they had to.They had had a falling out with Producer Dierks over the cover art of their last album and fel…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…
Missus Beastly from Herford were among the most famous German psychedelic and jazz-rock bands, with the most confusing history of all of them. Their first LP released on CPM in 1970 - without any title, just like the second LP in 1974 - had a beautiful red cover artwork and is traded today at around 1000 €. The vinyl edition on Garden of Delights comes in the original red gatefold cover and with four-page insert in LP size.
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
The classic 1976 album remastered from the original tapes plus 11 unreleased recordings! Formed in the early 1970s, The Residents have been charting a unique path through the musical landscape for over 45 years. From far-out, experimental curiosities to highly conceptual, multi-album projects, the band has refused to stand still, and continues to move in several different directions at once. Produced with the involvement of The Cryptic Corporation, and with full access to the band's extensive ta…